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Tracks 1-4 from "Damned..." EP
Tracks 5-6 from "The Carrion Feast" EP
Tracks 7-8 from "Transfixed In Limbo" EP
Track 9 from demo

Jewelcase 8-page booklet

The Howling Void fifth full length album will be released by Avantgarde Music in March (precise release date will soon be announced) as a 6 panels digipack!
With "The Triumph..." Ryan managed to push THV even more into those desolation and epic fields yet anticipated in the minialbum "Runa", reaching now an unique sound, defiitely more personal than the project's funeral doom roots
 

As one of the most highly acclaimed albums from media, worldwide fans, and included in several top 2018 album lists, Clouds third album “Dor” meant an even further peak of creativity in Daniel Neagoe´s cult band. This second entry includes a set of stellar main vocalists ranging from Witch Mountain´s Kayla Dixon, Sylvaine, Mihu Ilie (Abigail) to the contest winner Caleb Bergen (Sleepwalkers).

Third press: "trans-orange with black" vinyl, smoke effect

With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient. 

The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.

A two part album: Leviathan, the Twisting Serpent is a two track ritualistic soundscape and dark ceremonial piece, Michael W Ford utilized Leviathan research and reconstructed invocations as published in his "Dragon of the Two Flames" book (Succubus Productions Publishing, LApotheca). These two tracks are sonic explorations and hymns to the mystical symbol of Leviathan, the Encircler. The Ouraboros is the world serpent which represents primal chaos, abyssic darkness and the acasual. The 2nd part is a live ritual recording Halloween/Samhain 2018 to bridge the spirit with the astral plane of Nightside Vampyrism and Lycanthropy.

Eard is the Old English noun for land, country and home. Consisting in harpist Glorya Lyr and multi-instrumentalist MK (Silence Thereafter, Duir), the band borrowed the title for their debut De Rerum Natura from the poem by Roman author Lucretius, composed in the first century BC and translated as On The Nature Of Things.

After contributing to Saor Forgotten Paths, writing and performing the closing track “Exile”, Eard set forth to craft their own music. The band’s focus is to investigate human nature, of which De Rerum Natura depicts several aspects mainly related to Old English and Italian poetics.

The duo has solid roots in melodic black metal, and adds their own twist with the extensive use of the celtic harp, the strings of which constantly intertwine with the classic black metal equipment. The result of such is De Rerum Natura, a familiar yet extremely personal blend of atmospheric, nature-infused black metal.

Very last one copy on lime / yellow vinyl color

Eard is the Old English noun for land, country and home. Consisting in harpist Glorya Lyr and multi-instrumentalist MK (Silence Thereafter, Duir), the band borrowed the title for their debut De Rerum Natura from the poem by Roman author Lucretius, composed in the first century BC and translated as On The Nature Of Things.

After contributing to Saor Forgotten Paths, writing and performing the closing track “Exile”, Eard set forth to craft their own music. The band’s focus is to investigate human nature, of which De Rerum Natura depicts several aspects mainly related to Old English and Italian poetics.

The duo has solid roots in melodic black metal, and adds their own twist with the extensive use of the celtic harp, the strings of which constantly intertwine with the classic black metal equipment. The result of such is De Rerum Natura, a familiar yet extremely personal blend of atmospheric, nature-infused black metal.

Eard is the Old English noun for land, country and home. Consisting in harpist Glorya Lyr and multi-instrumentalist MK (Silence Thereafter, Duir), the band borrowed the title for their debut De Rerum Natura from the poem by Roman author Lucretius, composed in the first century BC and translated as On The Nature Of Things.

After contributing to Saor Forgotten Paths, writing and performing the closing track “Exile”, Eard set forth to craft their own music. The band’s focus is to investigate human nature, of which De Rerum Natura depicts several aspects mainly related to Old English and Italian poetics.

The duo has solid roots in melodic black metal, and adds their own twist with the extensive use of the celtic harp, the strings of which constantly intertwine with the classic black metal equipment. The result of such is De Rerum Natura, a familiar yet extremely personal blend of atmospheric, nature-infused black metal.