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The Aorta Of My Thoughts
Begone Chains Of Life!
Deathsquad Alliance
Spiraculum Mortis
Manifested Darkness, Bloodred Sunrise
Trosbekjennelse

Remah is a black metal entity born from a long-standing friendship and split between Paris and Brussels. Dea and ABR have known each other for a very long time and played black metal together since the beginning of their friendship, 17 years ago.

After a 10-year gap in their musical relationship, they gathered once more to create Une Main, Remah debut album, of which Dea wrote and produced all the music and clean vocals while ABR wrote and sang the lyrics. The result is a mixture of ice-cold, blade-sharp black metal with deep roots in several different styles: there’s the circular riffing of Blut Aus Nord most atmospheric and industrial works, the profound suffering of Xasthur depressive black metal records and of course furious, relentless blasts of rage coming from a Scandinavian heritage.

But Remah do not end in black metal. Thanks to a diverse musical background and previous multi-colored experiences (Emptiness, Soror Dolorosa, Luminance and others), Dea’s music is greatly influenced by cold- and darkwave, as the musician specifically names the likes of Lycia among his influences, as well as the early psychedelic rock scene (Ultimate Spinach, The Zodiac, etc).

All these elements find their own place in Une Main, a black metal album capable of delivering the widest range of emotions. Abrasive at times, ominously psychedelic at others, Remah music have a vibe of its own. 

Double LP - side D etched... white splatters on blue !

Windfaerer's Breaths of Elder Dawns is the black/folk metal quintet's latest and most elaborate output in its more than a decade of existence. As the band from New Jersey puts it, “Breaths of Elder Dawns explores themes of hope, kinship, destruction of the natural world, shattered illusions and longing for the numbing comfort of death. It is a journey of mourning through the ruins of abandonded dreams and aspirations. This record is an homage to a romantaicized past as much as it is a rejection of its glorification.

As with previous Windfaerer releases this record was a collaborative effort. Each member brought their own influences, perspectives and compositions and forged them into the spirit of the band. Extensive attention to detail was paid to all of the sonic elements—from the mic placements to the string orchestrations—in an effort to create a towering and expansive sound. Sorrow-laden melodies spiral through rugged, mountainous song structures in a synthesis of vulnerability and power. Breaths of Elder Dawns is a journey through aesthetic desolation and saudade. Here, the light of the sun exposes the anguished disfigurement of the soul”.

Reissue 2021

Reissue 2021

VOUNA "Atropos" 2xLP comes in a gatefold jacket with gold printing, a designed inner sleeve, and a download card.  This is the black vinyl edition.

VOUNA is the project of multi-instrumentalist and composer Yianna Bekris. With her second full-length album “Atropos”, she unveils a towering and singular doom metal wonder in a unique visioning reminiscent of My Dying Bride, Paradise Lost, and Evoken. Upon the thick foundation of doom, multiple musical textures intertwine into her sound: atmospheric black metal, dungeon synth, darkwave, film scores, and rebetiko. It is through these woven sonic tapestries that Bekris creates vivid atmospheres expressing the myriad emotions surrounding death, mourning, and suicidal ideation. “Atropos”, named for the Greek fate who cut the thread of life thus determining the final fate for mortals, not only conveys the inevitability of death, but also explores its contrasting and dynamic nature through immersive compositions representing despair, loneliness, anxiety, peace, and dignity.

VOUNA is the project of multi-instrumentalist and composer Yianna Bekris. With her second full-length album “Atropos”, she unveils a towering and singular doom metal wonder in a unique visioning reminiscent of My Dying Bride, Paradise Lost, and Evoken. Upon the thick foundation of doom, multiple musical textures intertwine into her sound: atmospheric black metal, dungeon synth, darkwave, film scores, and rebetiko. It is through these woven sonic tapestries that Bekris creates vivid atmospheres expressing the myriad emotions surrounding death, mourning, and suicidal ideation. “Atropos”, named for the Greek fate who cut the thread of life thus determining the final fate for mortals, not only conveys the inevitability of death, but also explores its contrasting and dynamic nature through immersive compositions representing despair, loneliness, anxiety, peace, and dignity.

Following the 2019 release of their comeback album The Veil of Darkness, the cursed phalanx is now delivering it's new offering. Consisting of 11 tracks, of the most brutally savage, tempestuous and virulent Black Metal music.
In creeping dimness, the band's core has birthed their most aggressive body of work, yet. Utterly and undeniably compelling, hard-hitting riffs and heinous vocals. You deserve this punishment, may your ordeal be painful.

ROAD TO THE OCTAGON was celebrating the band's 20th anniversary in 2010, Impaled Nazarene most definitely is one band in the extreme metal genre that has NOT wimped out (or split-up and done a pathetic reunion).
No, these guys have been the driving force of extreme metal from Finland and they keep raging with a vengeance.
ROAD TO THE OCTAGON is 11th studio album from these Nuclear metal masters and contains 13 songs pure in-your-face hate-filled metal. Recorded at City Lights studio and mixed at Studio Fungus by Max Kostermaa, ROAD TO THE OCTAGON has a sound like a tank rolling over warzone!
Absolutely no compromise! If you do not know Impaled Nazarene, then you don't know shit!

Reprint, 200 x black 12" (180g) in a black poly-lined innerbag, gatefold, full-color with black flood inside on 350g, all assembled in a PVC overbag.