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2017 / First press sealed

"The Sachem's Tales is an amazing work of solid, agonizing and intense feelings cutting black metal. Behind the music there lies a melodic agreement with the guitars and the synthesizer sounds, kind of giving a counterpoint to each, but all joining in the end for fantastic melodic landscapes. From worlds of mythologies and legends, the lyrics never saturate, even on the predictable despair of the clean female voice and strings moments."

(Review excerpt by Lonely Dark World)

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Jewelcase edition, out of print / FIRST PRESS   ----  a few light scratches on the recorded side of the disc, works perfectly though.  VG+ / VG +

Moonlight Sorcery is a Finnish black metal trio formed in early 2018. The band’s black metal is a symphonic and melodic variety by nature. Inspired by many black metal classics as well as classic heavy metal and melodic death metal, the band indeed has a huge palette of influences, which is directly reflected in the versatility of the song material.

Piercing Through the Frozen Eternity, the band first EP, was worked on as the icy winds blew and winter did its magic. In all the peace and quiet. The silver-saturated nights of the moon rushed to the melodies that breathe sorrow and the eternal majesty of the cold stars.

Jewelcase CD

100 copies limited - black double vinyl in gatefold cover

NEW AND UNPLAYED BUT arrived from supplier with a sliight corner dent

Set of 4 promo CDs of Vintersorg albums + one promocd of Fission "crater" album (vintersorg side project)

NOVEMBERS DOOM return with their twelfth full-length album, which is entitled "Major Arcana". Following six long years after their acclaimed latest opus "Nephilim Grove" (2019), the American dark metal stalwarts have raised the stakes even higher by creating a conceptual album that thematically draws inspiration from tarot and divination. This overarching theme reflects in the artwork and design of "Major Arcana" as well as in the lyrical storytelling throughout the album. Founded in 1989 in Chicago, Illinois by vocalist Paul Kuhr, NOVEMBERS DOOM have continued to grow and evolve over more than three decades. Initially emerging as one of the leaders of American death doom, their debut album "Amid Its Hallowed Mirth" in early 1995 set the band firmly on a dark musical course. Over the following years, they have gradually refined and developed a style that they have coined "dark metal". NOVEMBERS DOOM's mastery of seamlessly blending their death metal and doom roots with progressive, folk, and classic rock influences has allowed the band to grow and change in fresh and surprising ways, while always retaining their signature feel and atmospheres that have remained a constant throughout the band's career. From the hauntingly ethereal vibes of the opening track, 'June', through brutally crushing songs like 'Ravenous', as well as the epic sadness and yearning of tracks like 'Mercy' and 'Bleed Static' to the frenetically energetic hooks found on 'The Fool' and 'Dusking Day', their twelfth opus witnesses NOVEMBERS DOOM covering a wide range of sounds and emotions. Get ready to hear "Major Arcana" and to see it unleashed onto an eagerly anticipating world!

The most prominent and significant American death/funeral doom emissaries EVOKEN succeed their 2018 landmark Hypnagogia album with their seventh full-length opus Mendacium set for release on Oct 17. A work that will reveal itself as one of the darkest and most oppressive EVOKEN albums among their unparalleled repertoire.

Where 2018’s Hypnagogia would see the band capture and focus on a more melancholic, tangible, and even more of an accessible sonic design, Mendacium takes that acute shift back to the monumental dirge-like dread and woeful catacombic and disharmonious heaviness reminiscent of the band’s Quietus and Antitheses of Light masterworks. All while still encapsulating the tectonic-shifting nature of their Caress of the Void and Atra Mors releases while venturing more through classic gothic audial textures and even treading a little down experimental mire as well, reminiscing an aura seeping from such luminary artists as Dead Can Dance, Monumentum, and Disembowelment.

To signal this shift in sound harking back to this previous era, the band would recall the services of producer Ron “Bumblefoot” Thal who worked with EVOKEN on their Antithesis of Light and Quietus albums respectively. The result being Mendacium capturing a sepulchral heaviness saturated in ambience with even more of an emphasis on deathlike dread and anguish; an ambience reflecting the depths and catacombs of an ancient cathedral or monastery, ultimately defining Mendacium as EVOKEN’s most powerful sounding album to date.

The most prominent and significant American death/funeral doom emissaries EVOKEN succeed their 2018 landmark Hypnagogia album with their seventh full-length opus Mendacium set for release on Oct 17. A work that will reveal itself as one of the darkest and most oppressive EVOKEN albums among their unparalleled repertoire.

Where 2018’s Hypnagogia would see the band capture and focus on a more melancholic, tangible, and even more of an accessible sonic design, Mendacium takes that acute shift back to the monumental dirge-like dread and woeful catacombic and disharmonious heaviness reminiscent of the band’s Quietus and Antitheses of Light masterworks. All while still encapsulating the tectonic-shifting nature of their Caress of the Void and Atra Mors releases while venturing more through classic gothic audial textures and even treading a little down experimental mire as well, reminiscing an aura seeping from such luminary artists as Dead Can Dance, Monumentum, and Disembowelment.

To signal this shift in sound harking back to this previous era, the band would recall the services of producer Ron “Bumblefoot” Thal who worked with EVOKEN on their Antithesis of Light and Quietus albums respectively. The result being Mendacium capturing a sepulchral heaviness saturated in ambience with even more of an emphasis on deathlike dread and anguish; an ambience reflecting the depths and catacombs of an ancient cathedral or monastery, ultimately defining Mendacium as EVOKEN’s most powerful sounding album to date.

Manchester’s savage sons Wode return with their fourth album, Uncrossing The Keys, marking a confident expansion of their already formidable sound built upon a shadowy foundation of feral black metal and ironclad heavy metal heft. Having evolved from the more straightforward methodology of the debut album, Wode has continuously added elements from various dark corners of the underground across its discography, with songwriting that has grown leaner yet more intricate, focused and melodic than ever.

Three years after their crushing debut Defiled In Oblivion, Castrator return with Coronation Of The Grotesque, an album that not only exceeds all expectations but leaves them shattered in its wake, firmly cementing the band among the North American death metal elite. 

• Blackened, funereal psychedelic death metal from Denmark

• Featuring members of Undergang, Sulphurous, Sequestrum and more

B-side collection of doom-laden dark heavy metal band’s 2024 critical juggernaut The Stygian Rose (Decibel Magazine’s Best Album Of The Year)

Features a transcendental revisioning of Mayhem’s “Dem Mysteriis Doom Sathanas”

B-side collection of doom-laden dark heavy metal band’s 2024 critical juggernaut The Stygian Rose (Decibel Magazine’s Best Album Of The Year)

Features a transcendental revisioning of Mayhem’s “Dem Mysteriis Doom Sathanas”