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BLACK METAL from Trondheim, Norway.
With no shortage of bands striving for anonymity purely for imagery and the sake of being “mysteriious”, draped in cloth from top to toe, there are still those who prefer lurking in the shadows without documenting it on various social media platforms.
With nothing from the past to reference, with no egos up front and center, and with no previous bands to name drop, Misotheist has only the music to showcase - which speaks for itself. Striking out from the darkness like a razor sharp knife, this sonorous and merciless first release leaves a compulsion for more.
Abruptum worship insanity by Swartadauþuz of Ancient Records.
Original LP and Tape release kills. Equally excellent mastered CD edition that won't leave anyone unsatisfied.
Music written by Swartadauthuz (Azelisassath, Bekëth Nexëhmü, Gnipahålan, Urkaos, etc..)
https://youtu.be/_xc0yyn0670
It's unbelievable how a band like Outrage from Germany hadn't been given the credit they truly deserve. Formed in 1983, together with SLAUGHTER they have been among the very first bands showing such a strong HELLHAMMER/CELTIC FROST influence combined with a raw thrash/black attack in the vein of early SODOM. This CD features their two 1985 demos in their entirety. They have broken up in 1987 after two more demos and have remained buried by time and dust till their reformation in 2004. Along with POISON this is a teutonic gem that must be present in your collection.
1. 666 (Hohelied der Wiedererweckung) 07:01
2. Thy Horror 04:04
3. Raped by Demons/Massacrament 04:31 [
4. The Black Grail 05:18
5. Lunar Castles (Harvest) 05:16
6. Nazarene (Into the Flame) 05:53
Lucifericon‘s first full-length recording, Al-Khem-Me. Tongue-twistingly titled but aptly so, Al-Khem-Me keeps apace with the developments of Brimstone Altar and further masters the art of the “patient payoff.” Its blackened DEATH literally explodes from the very first seconds, but the band’s songwriting builds detail upon subtle detail despite the obvious aggression employed. Utterly gnarled and gnarling, the lurch ‘n’ lunge across Al-Khem-Me creates a bewilderingly slipstreaming effect, dragging the listener into a distant, nameless vortex, but always with a keen knack for memorability. For above alll, this is METAL, unbending and unyielding, forged in fire and weilded as a weapon; it just so happens that Lucifericon‘s is one fully set on attack, its intensity steeped in the grand traditions of late ’80s / early ’90s death.
