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Summit of the two German masters of instrumental post metal/post rock from North of Bavaria. The former SWITCHBLADE worshippers MOUNT LOGAN surprise with their turn towards weird Albini-esque noise rock deconstructions, occasionally even with vocals added. OMEGA MASSIF, as you would expect from them, once again create a dard, moody and opulent soundscape with heavy crushing guitars and irresistible killer grooves."
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BLUUURGH was one of the first Dutch extreme metal bands featuring Jason Kohnen (Korsakov, Celestial Season, Orphanage, nowadays Bong Ra) with his charismatic extreme vocals.
BLUURGH recorded 2 demos, one e.p. and a full length in the late 80’s /early 90’s.
Their debut album ‘In My Embarce’ is now finally re-issued, this time under the ’new’ monicker ‘Suffer Within, 25 years of suffering’.
Bonus to the album comes the legendary ‘Suffer Within’ EP (1990), directly taken from one of the original EP’s, including the good old vinyl scratches to preserve the old school underground feeling.
The album is completely remasterd by Bong Ra ( = Jason Kohnen’s breakcore music stage / artist name these days).
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il secondo album dei Dystopia Nå ci presenta una band completamente trasformata rispetto all'esordio di Syklus, con un songwriting drasticamente migliorato e maturato. Riduttivo a questo punto definirli depressive black metal anche se da quelle radici i 4 di Oslo sono partiti. Disco clamoroso!
from Norskmetal.net:
(..) The musicianship is outstanding, and the vocal duties shared between growls & clean vocals perfectly compliments the sonic landscape painted here. So much thought and care has been put into making everything fit perfectly, and I don’t believe a single note, growl or solo is out of place on this album. Everything fits, and are keys to solving the enigma that Dystopia Nå is. For some this band may be a hard code to crack as they are a bit all over the place, but once you manage to catch a glimpse through the looking glass, this album will reward you tenfold.
For me personally this is a very sought after album, and in my book Dweller on the Threshold is the Norwegian album of the year.
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Black vinyl
Comes in gatefold cover sleeve with gold hot foil print, with printed innersleeve & A2-size poster.
NM- except for one very very small corner ding
Issued in a jewelcase with a transparent CD tray. Comes with a 12-page booklet.
Issued in a jewel case with a transparent double tray. Comes with a 12-page booklet.
Reprint, 300x marble - transparent red/black 12" (180g) in a microtene innerbag, 220g printed innersleeve, additional printed insert full-color on 250g, printed jacket full-color on 350g, all assembled in a PVC overbag.
Reprint, 300x bloodred with black marble effect 12" (180g) in a microtene innerbag, printed innersleeve on 220g, insert full-color on 250g, jacket full-color on 350g, all assembled in a PVC overbag. Include bonus tracks.
With 'A Furrow Cut Short', DRUDKH are continuing on the course charted with their previous release 'Eternal Turn of the Wheel' (2012), where the black and bleak sound of the band's roots seemed to overshadow the progressive and lighter tone of 'Handful of Stars' (2010). Mastermind Roman Sayenko is heavily drawing inspiration from 20th century Ukrainian poetry once more, which often deal with the bloody struggle of this old country to build a nation from foreign oppression. DRUDKH still refuse any kind of interview or promotion and demand to be understood through their music alone. This album equally represents the blood soaked sound of black despair and full hearted resistance to vile treachery and evil as well as the beauty of landscapes and culture.
Nuovo album per il gruppone finlandese Azaghal, simbolo insieme a Satanic Warmaster, di un black metal ormai iconico che di certo non ha bisogno di presentazione. Ecco quindi a tre anni dal buon "Nemesis", l'undicesimo full lenght "Madon Sanat" composto da undici pezzi ed edito sempre per Hammer of Hate.
C'è un po di tutto in quest'album, un miscuglio di tutto ciò che è black metal nella sua essenza più classica. Di certo gli Azaghal rappresentano una sicurezza oramai nel panorama underground, maestri nell'esprimersi nella più profonda classicità aggrappandosi alle radici di un genere oscuro ma al tempo stesso genuino e graffiante, aggettivo che il gruppo rispecchia a dovere nella loro intera discografia.
Un tuffo nel passato dunque, glaciale e diretto ma con occhio rivolto alle moderne produzioni, che traspare fin dai primi ascolti che scorrono benone, con buon piacere dei nostalgici, vedi ad esempio "Kielletty sakramentti" o "Varjokuninkaat", davvero validi episodi.
Rimembrare gli Emperor poi, in una traccia come "Käärmeen riitti", risulta pressochè naturale quasi a voler essere un omaggio alla leggenda.
-Tratto da recensione di Selech magazine-
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