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By now, Denial of God should need little introduction. Since that fateful year of 1991, the brothers Azter and Ustumallagam have perfected an idiosyncratic style of black metal that's positively drenched in the supernatural and remains firm in their conviction of more classicist-styled songwriting. In fact, "black metal" might even be a misnomer; rather, BLACK HORROR METAL would be more accurate.
Of course, the journey has never been easy, and such is the case with the band's now-classic debut album, The Horrors of Satan, originally released in 2006. Although a debut album is usually a momentous event for most bands, The Horrors of Satan almost never came to be because of lineup problems. Drummer Sorgh left the band in 1999, just after the release of the mini-album Klabautermanden and just when work was about to begin on DENIAL OF GOD's first full-length. After this, the band worked with session drummer R. Salskov for about three years and songwriting progressed well, when also this lineup fell apart and left the band a two-piece of vocalist Ustumallagam and guitarist Azter. Things looked bleak for the future when no new drummer for years was found, but in 2005, finally, Galheim joined the band and helped incarnate what is now considered the band's classic lineup. Work was immediately assumed for the first album, and in 2006, The Horrors of Satan was finally recorded and released, comprising material that was written from the ‘90s to shortly before the actual recording.
Furthering DENIAL OF GOD's by-then already-unique style, The Horrors of Satan retains a very medieval feel with its lyrics about witches, werewolves, vampires and the infamous iron gibbet, which was a body-shaped iron cage used to display the bodies of dead or dying criminals. The album also became the beginning of a new and stronger chapter for DENIAL OF GOD, with many of the songs still appearing in the band's live sets today - a chapter which, so far, has produced several EPs and three albums. It also saw the band moving towards an even-more-epic songwriting, proved by the 13-minute title track, for example, which closes the album.
At long last, The Horrors of Satan is back on vinyl again for the first time in 14 years, with CD and cassette versions also to be widely available. Experience this resounding classic again, or for the first time!

Reprint, 190 x black vinyl 2x12" (180g), 12 page vinyl sized booklet , full-color on 140g offset art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.

After their first lash from the devil's tail that came out of nowhere, DUIVEL is now releasing their first full-blown attack upon this world. An audial vomit orchestra, straight from the mouth of Satan, "Tirades uit de Hel" brings you hateful black metal from the days of yore. Prepare to be scorched by purgatory fires and trampled by sulphuric hooves! There is no saviour, only demise! Pure uncompromising black metal hell from The Netherlands, this is a fresh nail in God's coffin. Oh, rejoice, vermin of the shadows!

Line-up:
Guitars - N (Urfaust, Botulistum, ex-Fluisterwoud)
Drums - D (D.R.E.P.)
Bass - P (Black Anvil)
Synth - K
Vocals track 1, track 3, track 5 - S (Galgeras, ex-Fluisterwoud)
Vocals track 2 - B (ex-Lugubrum)
Vocals track 4 - W (Urfaust, The Spirit Cabinet)
Vocals track 6 - V (Vaal, Ravenzang

Hailing from the Netherlands, this is the third album from black metallers Israthoum.
Raw and malevolent, this is the kind of scathing second wave-influenced black metal.

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Melodic and grandiose Black Metal against the modern world. CD version limited to 200 copies. 

"Il Sentiero Dimenticato" è il nuovo album di Svart, che vede la luce il 23 Settembre 2019 in anteprima assoluta sul canale Bandcamp della label MASD RECORDS e prossimamente su tutti i digital store e in una speciale edizione fisica in digisleeve a 6 ante, limitato a 200 copie numerate.

L'album è stato composto tra il 1998 e il 2018 e registrato nell'inverno 2017/2018. Il processo di mix e master è realizzato presso i K.Recordings di Verona.

"Il Sentiero Dimenticato" ha un significato molto speciale per l'artista Svart, ripercorre 20 anni di esperienze musicali e vuole essere un omaggio alla scena symphonic black metal degli anni 90, in particolar modo a quella scandinava.
La maggior parte delle parti di tastiera risalgono a 20 anni fa, infuenzato da gruppi dell'epoca come Emperor, Limbonic Art, Godkiller, Kvist, Arcturus, Satyricon e molti altri. A distanza di 20 anni ritrova su polverosi floppy disk una gran quantità di materiale registrato all'epoca e decide di riarrangiarlo con l'aggiunta di chitarre, basso, batteria e voci.

SPECIAL GUEST VOCALIST:

-Davide Maria Semeraro (Mistigma, Nespithe, Xes Aeon, Medjugore)
-Valand (Luce d'Inverno)
-Lord Sinister (Afraid of Destiny, Solitude Project)
-Kejvin (Namtaru)
-Massemord (Esequiem, ex-Satanel)
-Loris Lord Vona (Khephra, Speculum Mortis)

Atmospheric, battle black metal from Uk! 

One of Greece's best-kept secrets, HATE MANIFESTO formed in 2003 but, so far, have an extremely sparse discography. However, what they lack in quantity, they more than double-up on in quality. To Those Who Glorified Death, their debut album from 2017 - which HELTER SKELTER rereleased on a worldwide scale in early 2018 - displayed the shockingly extreme force with which HATE MANIFESTO could create their whirlwind of martial black/death. But with the aptly titled Herald of Triumph do they fully display the armament of their potential. Comprising four fierce 'n' fiery tracks in a swift 'n' decisive 17 minutes, Herald of Triumph is full-on shock & awe - CRUSH, KILL, DESTROY - with HATE MANIFESTO's chosen weapons being the iron-fisted surge of black metal and the muscular swarm of death metal, all rendered in rich, devastating tones.