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Hailing from Italy, TALV started in early 2012 under the name of Trees In The Fog. Their purpose has always been to merge dissonant and melancholic black metal with a touch of ambient music.
Like painting a dismal scenario, TALV’s new effort is drowned into the darkest north-Italian naturalistic black metal inspiration. The cold and freezing guitar sound reminds of Tenebrae in Perpetuum and Beatrik’s classics, while the prevailing desperate feelings position the band within the groove of depressive black metal.
What makes of Talv a personal and unique project is the wise equilibrium between a hateful, cold hunger and a fragile background soundscape. The ColdWorld cover further emphasizes the strong visionary ambient perspective and inspiration of this raising underground project.
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Debut full-length album from this finnish Death Metal juggernaut. For the fans of Cannibal Corpse, Morbid Angel and Deicide.
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SHINING, led by lightning rod front man Niklas Kvarforth, enter their third decade with the epic new album 'X - Varg Utan Flock' (English translation: ‘Wolf Without A Pack’). As is their wont, SHINING use black metal as a foundation upon which to build epic and radical songs that smash all genre convention. The charismatic Kvarforth, ever the conductor of madness, leads the charge with some of metal's most daring and expressive vocals. With 'X - Varg Utan Flock', SHINING proves once and for all that they stand alone as one of black metal's most intrepid bands.
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Over eight tracks, With Doom We Come indulges all things sublime and majestic, while grandiose keyboard backgrounds and mystical intros weave pure atmosphere contrasting with raw black metal. Opener ‘Tar-Calion‘ is a fitting ode to the last king of the island of Númenor, while ‘Carcharoth‘ tells the bloodthirsty tale of Arda`s mightiest wolf. Sagas and myths culled from J.R.R. Tolkien`s vast universe are the black blood that courses through SUMMONING`s veins, and With Doom We Come the ultimate soundtrack to a fantastic journey!
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Legendary industrial metal act Godflesh follow up 2014's immaculate A World Lit Only by Fire with their new ten-track album, Post Self.
Digipack
We Owe You Nothing" marks the highest point in Forgoten Tomb's constant evolution and once more makes it hard to narrow down its sound to some pre-existing labels. Effortlessly blending the eerie, dissonant black metal sound the band is well-known for with muscular sludge/doom riffs and a subtle, nihilistic punk attitude, "We Owe You Nothing" defines the band's personality more than ever, reaffirming its unique sound
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Katla is an Icelandic band featuring ex-Sólstafir drummer and visual artist Guðmundur Óli Pálmason and singer/multi-instrumentalist Einar Thorberg Guðmundsson (Fortíð, Potentiam). Named in tribute to one of Iceland's greatest active volcanos, Katla creates powerful, panoramic music where shimmering guitars, crushing melodies and atmospheric density meet dark, entrancing power.
Katla's debut album, "Móðurástin", shines a spotlight on the band's hook-heavy, horizon-stretching sound. The lyrics tell tales of living in a country of contrasts; a land where fire and ice co-exist and dark winters are offset by the summer's midnight sun. Iceland: a country where insular existence has spurred a rich and vibrant culture.
"Móðurástin", Icelandic for (a) Mother's Love, might seem like a strange title for a metal album, but Katla dares to be different. What on Earth is stronger than a mother's love? Nothing. Not hate, not lust, not greed.
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Demo I' originally released on CS in 2012 by Ilmestys.
'Demo II' originally released on CS in 2015 by Fallow Field.
Ilmestys "Demo I" brings a breath of fresh air to the raw black metal scene. This tape is absolutely insane! Get on this. "Total fucking whirlwind of chaos on a demo not to be slept on. Driving riffs, incredible drumming, and masterful riffs encircle you in despair and supernatural anxiety."
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"The Sachem's Tales is an amazing work of solid, agonizing and intense feelings cutting black metal. Behind the music there lies a melodic agreement with the guitars and the synthesizer sounds, kind of giving a counterpoint to each, but all joining in the end for fantastic melodic landscapes. From worlds of mythologies and legends, the lyrics never saturate, even on the predictable despair of the clean female voice and strings moments."
(Review excerpt by Lonely Dark World)
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