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Forged in São Paulo in 2015, Outlaw was born as a savage roar from the innermost depths of rebellion. A flame long silenced by the fear of men. What began in the heart of Brazil soon transcended its birthplace, relocating to Dresden, Germany, where the band sharpened its craft into a weapon of uncompromising black metal.

Over the past decade, Outlaw has released three full-length albums and one EP, each step a deeper descent into their own path. Their music is steeped in darkness, yet illuminated by a relentless drive to transcend the mundane, channeling fury, devotion, and death into soundscapes that are as violent as they are cathartic.

With the upcoming album Opus Mortis, Outlaw opens a new chapter. It stands as their most ambitious and destructive work to date. An offering that embodies the essence of the band: raw, visionary, and unbound.

The 35th Anniversary Edition will be released in November 2025 as a marbled LP reissue.

“Mortal Coil” is Dödsrit's third full-length, featured on a yet short career though wholly filled with soul drenching moments. Featuring four tracks, Dödsrit's "Mortail Coil" hails the smothering ashes of purgatory's flames by forging a wall of soultearing riffing, blistering belligerence conjoining melody with aggression, a genuine blaze of cacophony and heart wrenching melancholy.

Consuming all in its path, this relentless maelstrom of grief finds its vision on the thunderous production - utterly powerful and blisteringly organic in all its dynamism. Such sonic virtues get sheerly enhanced by the lively rhythmic section and uncompromised ferocity. Whether on blastbeating outbreaks, D-beat infused vigour or further atmospheric escapades, pulsing impulses carry an expression and sense of craftsmanship that amazingly translate emotions into cataclysmic beats.

Drenched in anguish, a scourged narrator of tragedies spews every single word with the blood and fiery distress of a heart burdened by the weight of our sorrowed existence, a shivering performance of a tongue absorbed in the (dis)comfort of eternal grief.

B's legacy and the most extreme swansong of 2011

Lifelover's fourth and last album "Sjukdom" (English: disease) is a dark and challenging record. Following their critical acclaim-afforded and cathartic "Konkurs" in 2008, these elusive and mysterious misanthropes venture down an even more daring path with "Sjukdom" where the extremes of the characteristically idiosyncratic Lifelover sound are pushed to their utmost limit: the bittersweet melodies become more beautiful whilst the pulsing, coal-black heaviness becomes uglier. After the tragic death of B in September 2011, this is Lifelover's final studio album.

Gatefold LP (silver/black marble vinyl) in polylined inner sleeve and protection sleeve (500 copies)

This re-issue of Lifelover's third album, "Konkurs", is the band's first release on Prophecy. "Konkurs" paints a bleak, dystopian vision of modern urban despair with elements of black metal, indie-pop, post-punk, and shoegaze. Whether you love it or you hate it, "Konkurs" will forever alter your perceptions of what can be done with black metal or extreme metal.

Gatefold 2LP (clear/black smoke vinyl) in polylined inner sleeves and protection sleeve (500 copies)

gatefold jacket, inside colored

black poly-innersleeves

dinA2 poster

plastic protection sleeve

large booklet wth lyrics, impressions and info

Gold Vinyl

„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.

On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".

„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.

On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".