€0.00
Your cart is empty
Your cart is empty
Personalized search
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
Deluxe Double Vinyl of the now legendary "Vilosophe" album from 2003 including 7 bonus tracks from the cult "View" EP from 2006. Pressed on translucent Red vinyl with a Gatefold jacket and printed inner sleeves.
VIA DOLORIS is the singular vision of Gildas Le Pape, shaped by solitude, discipline, and an uncompromising sense of craft. Rooted in Nordic black metal tradition yet guided by melody and introspection, the project traces a deeply personal inner journey. “Guerre et Paix” is an album of tension and balance, where shadow and light coexist in measured dialogue. Across seven expansive compositions, VIA DOLORIS explores the fragile architecture of the human psyche, moving through despair, rupture, and fleeting moments of clarity. The music favours restraint over excess, allowing melody to lead with quiet authority. Guitars unfold in long, expressive arcs, while rhythms remain deliberate and grounded, anchored by the nuanced drumming of Frost (Satyricon, 1349). Shifting between French, English, and Norwegian, language carries its own emotional gravity. Folk and pagan echoes surface subtly, lending the album a timeless, almost ritualistic atmosphere. For fans of BATHORY, SATYRICON, KAMPFAR. Artwork by Linnea Syversen
CD in Digipak with alternative cover and 12-page booklet.
PONTE DEL DIAVOLO emerged from the underground of Turin in 2020, born from members of Feralia, Inchiuvatu, Abjura and Askesis. Blending doom, black metal, post-punk and wave, they forged their own aesthetic - blackened post-punk.
‘De Venom Natura’ marks the Italian band’s most daring incarnation yet: an alchemical meditation on the poisons of nature - seductive, transformative, and deadly. Recorded live to preserve raw tension and imperfection, the album channels the atmosphere of their stage presence: dual basses thrum beneath haunted vocals, guitars flicker like burning incense, and drums strike with primal urgency.
Produced by Danilo Battocchio (Deepest Sea Studio, Turin) and mastered by Magnus Lindberg (Redmount Studios, Stockholm), the record unfolds like a fevered vision... Equal parts decay and revelation.
For fans of MESSA, CHELSEA WOLFE, ESBEN AND THE WITCH, DEAD CAN DANCE, DOOL, ELECTRIC WIZARD, DARKTHRONE.
Released in 2006, Watching from a Distance is the second album by WARNING, led by Patrick Walker, and stands as a cornerstone of deeply emotional doom metal.
This reissue on CD and marbled double vinyl resurrects a true masterpiece of pure, unfiltered melancholy.
CORONER came up with an even more daring, unconventional album in 1993's ‘Grin', which abandoned much of the thrash-based aggression of their early days and focused on challenging dynamics and eerie atmospherics. This move proved too radical even for longtime fans, ironically, and they remain split over the album's merits, some seeing it as a total sellout, while many others consider it the band's greatest triumph.
