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Vinyl (single sleeve, grey vinyl)
The final part of the «Night»-trilogy. From the words of the band: Natt til ende is the last and final conclusion in the trilogy about the "night". This last chapter is my manifest of the final ending of christianity and death of "Jesus", in both physical and mental shape. Naturally this also lifts the idea and concept of forces christianity calls evil. The same forces I would call natural and human. They may be described as in a dream or in a more harsh speech.
The final part of the «Night»-trilogy. From the words of the band: Natt til ende is the last and final conclusion in the trilogy about the "night". This last chapter is my manifest of the final ending of christianity and death of "Jesus", in both physical and mental shape. Naturally this also lifts the idea and concept of forces christianity calls evil. The same forces I would call natural and human. They may be described as in a dream or in a more harsh speech.
In the wake of their previous work, Also sprach das Chaos, Blackdeath continue to push experimental boundaries in composition. In an era when musical distinctiveness is scarce, Blackdeath offers a rare listening experience shaped by over 25 years in the black metal scene.
Their journey began with Saturn Sector (1998), a raw debut rooted in the defiant tradition of black metal, yet unmistakably their own. Their latest release, Mortui incedere possunt ("Dead Can March"), showcases an expanded role for drummer Polar Maya as vocalist, along with an ambitious production by TT of Abigor. Now joined by second guitarist Der Nukleare Herjarnn, a longtime live collaborator, Blackdeath’s sound hints at Voivod and the radical strains of orthodox black metal, exploring mid-tempo, ice-laden grooves.
Merging familiar intensity with newfound uniqueness, Blackdeath may well have achieved their pinnacle. Thematically, they dissect reality through an anti-cosmic lens, revealing Chaos in all things.