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This CD release compiled those three tapes "Come Here With Us..." 1990, "Domine a Morte...Libera Me" 1992, "Promo xxx '95" and 6 never before released songs from a 1991 rehearsal tape. CD featuring 12 pages booklet with rare photos and interview with founding members.

Grotesque and rabid metal of death, hailing from Palermo's catacombs, for all the punx and metal necrophiliacs out there on the cruel earth. This CD collects all the productions of our heroes, the 2020 demo, the 2021 Ep and the pieces from the 2022 split. 
Ffo: Benediction, Autopsy, Abscess, Bolt Thrower
 

Pathological goregrind collection with all disgusting productions from 2010 to 2021: split CD’s, tapes, 7”, cdr, unreleased demo and many more.

93 traks for a massive collection of repugnant goregrind in one sick mix between Last Days of Humanity and Lymphatic Phlegm.
 

Those who know Zemial are aware of the progressive and off-centered approach they have taken since their beginning in 1989 and how influential they have been on the burgeoning black metal underground of the time.
None of their releases have been readily accessible or easy to grasp and that's a quality that we at Iron Tyrant have silently but steadfastly admired, as it is one of the few tell-tale signs of genius at play.
Clocking in at around 15 minutes, The Repairer of Reputations is a Victorian era tale that follows the dark journey into the psyche and inner world of an embittered megalomaniac.
The song features exceptional song-writing, revealing Zemial’s progressive rock side. The production follows a mellow 70s aesthetic in instrumentation, recording and mixing, making it sound authentically old.
Although recorded back in 2016 and originally composed as part of a future album, it was eventually decided to commit this one-of-a-kind composition to its own to release.
To complement the dark tale aesthetic of the release, mastermind Vorskaath unburied one of the greatest songs that Black Sabbath ever penned, namely "The Sign of the Southern Cross" and rearranged it under the Zemial banner, with additional parts and elements, making it a perfect companion to complete the LP.
What you can certainly expect within this LP is the combination of two dark pieces of music that effortlessly dance between 70’s prog rock and 80s heavy metal, with an aesthetic to match the music, in both artwork and layout.
While not entirely representative of the past, present, or future Zemial sound, it is our aim that this release reaches the shelves of the true underground connoisseurs - those who are not afraid to dive into the such uncharted brilliance.
Available as regular Black or as limited Green Marble Vinyl, including a 4 page insert.
Official Release Date is Summer Solstice 2024.

"Auf zerfetzten Schwingen" marks the return of the melancholic dark metal signature Autumnblaze sound after the dreamy and more ethereal "Welkin Shores Burning". With songs like "Die Unseligen", "Niedertracht" or "Zerfetzt", Autumnblaze prove that they still can combine darkest metal and melancholic harmonies to an unique sound.

re-issue of the demo Goats to Azazael, remastered for vinyl.

200x oxblood 10" (110g) in a black paper bag, innersleeve printed full-color on 220g carton (coated paper), jacket full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Danish doom/gothic metal combo Blazing Eternity is back with a new album. “A Certain End Of Everything” – to be released on April 19th 2024 – is the first new album since 2003 from one of Denmark’s pioneer bands within the melodic doom/goth metal genre.

“A Certain End Of Everything” consists of seven new tracks, including the already released first single “One Thousand Lights”. The music has the well known Blazing Eternity atmosphere and fingerprint – a melancholic, epic and atmospheric doom/gothic metal mix with weeping guitars and harsh vocals. The album is bleak and melancholic, but with a certain beauty shining in the darkness – and with very personal lyrics dealing with death, depression, and personal tragedies. But
with a gleam of hope in the end…

Info : This is a pre-order! Orders cannot be split into several shipments. It will be dispatched when the item with the latest release date is available.

After four quite different sounding albums as a duo, the Trondheim- based black metal band Gjendød has now returned with their 5th full-length.

It comes as no surprise that ‘Livskramper' also follows that path of constant changes, this time a ninety degrees turn, very well helped by the new drummer TK, who's most listened previous work might be the ‘Trøndertun'-session by Thorns. TK is another injection of mad supremacy into the spine of the band.

A fine and varied Black Metal album which includes a spectrum of feelings, from sheer passiveness to outraged despair, every second of the album is a life cramp.

All draped in the crushing sound recorded in the infamous NordStern studios.
A narcissistic scolding album of life, aggressively roared and whispered in dialect.

GJENDØD's brand new masterpiece ‘Livskramper' is a more than worthy beginning of the band's second era.
With artwork by Theodor Kittelsen.

300x heavyweight bloodred vinyl 12" (180g) in a microtene innerbag, innersleeve full-color on 220g carton (coated paper), download card, simple jacket, full-color printed on 350g (coated paper), all assembled in a plastic overbag

The 1990 recording finally released on vinyl.
- 200 on purple vinyl
Old school Swedish Death Metal!

Well, who doesn’t know Therion?? As anyone should know, back in the early 90’s they got widely known in the Death Metal scene through their demo’s, EP and subsequent album “Of Darkness…” offering old-school Swedish Death Metal at its very best!
But what many of you surely don’t know, is that while Therion was in fact still in its demo-days - we’re talking 1990 here - founding member Christofer Johnsson had another project called PROCREATION (together with Peter Hansson, also from Therion, and David Isberg from Opeth), which remained pretty much lingering in the shadows throughout the years.
Notwithstanding the quality of the music, only one official demo, an unofficial one and a putrid rehearsal tape were made, having been spread around only a very small bunch of friends and tape-traders at the time.