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In 2010, Amiensus was born out of a group of young musicians desiring to bring together their Love of Black Metal and various styles of other Music to create something that reflected the decay and beauty represented in different genre’s of Music through out history. "Reclamation Pt.II" is 5th Album from Amiensus!
Todestrieb is a Polish black metal duo formed in 2023 in Cracow by blein (guitars and bass) and Res (vocals and lyrics). After several months of hard work, the duo completed their debut studio record, Corona Tenebra, which will be released in December by Avantgarde Music.
Drawing their inspiration from bands such as Watain, Odraza, Drastus, Kriegsmaschine, Tortorum, Funeral Mist and many more, Todestrieb managed to find their own way in the crowded black metal underground, specifying that “those bands influenced rather the essence of our music than the form”.
Corona Tenebra consists of five tracks and an outro, and its lyrics, all written in Polish but translated into English in the album booklet, circle around themes like spirituality, gnostic satanism, blasphemy, theology and philosophy.
Featuring Mgła, Hauntologist and Owls Woods Graves’ Michał “The Fall” Stępień on drums, Todestrieb debut is a very diverse, fascinating take on black metal. Corona Tenebra was recorded in No Solace studio and mixed and mastered at Impressive Art Studio. With an artwork by Izabela Grabda, Corona Tenebra will be released via Avantgarde Music on CD, LP and digital on December 13th, 2024.
Members of Chaos Inception and Malignancy join forces to unleash a new crushing ensamble! Black Hole Deity are purveyors of old school mastery yet sounding modern and tight. This is Death Metal, period.
Danish Gennem Tågen 's sophomore full-length, reminiscent of the finest Finnish Atmo-BM. Icy cold, wintery frost and land of desolation, this is what comes to mind when listening to this perfectly executed opus filled with outstanding guitar melodies, with razor-sharp riffs, and that vocal performance which is just perfect for the atmosphere, those vocal shrieks that pierce your brain (and soul, if you have one).
Reissue Grimace Purple Vinyl (2000 copies)
Contains insert with lyrics. Some copies arrived with a signed postcard.
There’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then God’s Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept.
Having lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut album. Exasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fueled by “...lots and lots and lots and lots and lots and lots of THC,” God’s Country is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it. Within its over forty minute runtime, the album displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. In the band’s own words, the album is, at its heart, “Oklahoma’s specific brand of misery.” A misery intent on taking all down with it and its cacophonous chaos on its own terms as opposed to idly accepting its otherwise assured fall. This is what the end of the world sounds like.
There’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then God’s Country, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept.
Having lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut album. Exasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fueled by “...lots and lots and lots and lots and lots and lots of THC,” God’s Country is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it. Within its over forty minute runtime, the album displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. In the band’s own words, the album is, at its heart, “Oklahoma’s specific brand of misery.” A misery intent on taking all down with it and its cacophonous chaos on its own terms as opposed to idly accepting its otherwise assured fall. This is what the end of the world sounds like.
