MINENWERFER
Volkslieder

Since their formation in 2007, MINENWERFER have pursued a proud ‘n' pure vision of black metal idiosyncratically focused on World War I – idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

That third album, Alpenpässe, is arguably MINENWERFER's grandest work yet. While seven years separated it from its full-length predecessor, Nihilistischen, the payoff was well worth it: its six songs in nearly an hour are towers of incomparable might. Everything here is free and flowing, with the bountifully rising/falling melodies pulling at the listener's heartstrings and casting an ominous (and eminently playable) spell that simply needs to be experienced to be believed. This is MINENWERFER at their most powerful and poignant.

OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to unleash their once-underground back catalog on the wide scale it so deserves.

Reprint, updated layout, 598x bone with black marble effect 2x12" (180g) in a black poly-lined innerbag, download card, gatefold jacket full-color - black flood inside on 350g, all assembled in a PVC overbag.

Re-issue, completely new artwork and updated layout for the best result.

Info : Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

That second album, Nihilistischen, took a moodier turn from MINENWERFER's throttling debut album, Volkslieder. But while a relative expansion of dynamics made their songs sound even more epic, the duo likewise upped the muscle to their attack, arriving at a thicker soundfield than that no-less-considerable predecessor. What results is a work equally steeped in the ugly underground and the yonder battlefields of professionalism.

OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to Of unleash their once-underground back catalog on the wide scale it so deserves.
 

Info : Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Der Rote Kampfflieger is the oldest and perhaps most curious. Here, MINENWERFER offered the new track “Ace of Aces,” the reworked “Albatros in Flammen,” and two very surprising covers: deep martial industrial artist Striider's “Schüzengraben” and legendary shredder Yngwie J. Malmsteen's early scorcher “I am a Viking.” MINENWERFER for sure have their own identifiable sound, but they're not afraid to push it in strange directions from time to time.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

That second album, Nihilistischen, took a moodier turn from MINENWERFER's throttling debut album, Volkslieder. But while a relative expansion of dynamics made their songs sound even more epic, the duo likewise upped the muscle to their attack, arriving at a thicker soundfield than that no-less-considerable predecessor. What results is a work equally steeped in the ugly underground and the yonder battlefields of professionalism.

Re-issue, 298x gold with black marble effect 12" (180g) in a black poly-lined bag, download card, gatefold jacket full color on 350g, all assembled in a plastic overbag.

1000x heavyweight grey vinyl 12" (180g) in a black poly-lined innersleeve; download card; poster A2, full-color on 150g art paper, gatefold, full-color with black flood inside, printed on 350g, all assembled in a plastic overbag.

1000x heavyweight red vinyl 12" (180g) in a black poly-lined innersleeve; download card; poster A2, full-color on 150g art paper, gatefold, full-color with black flood inside, printed on 350g, all assembled in a plastic overbag.

SOLO TAGLIA M

400x heavyweight marble (gold/black) ) 12" (180g) in a black poly-lined innersleeve, download card, gatefold, full-color printed on 350g carton, all assembled in a plastic overbag.

Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.

Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse.