ULVER
Perdition city

Track 1. From Nattens Madrigal off Vargnatt 1993 demo.
Track 2. From A Memorable Fancy Plates 21-22 off Themes from Wiliam Blake's The Marriage of Heaven and Hell 1998.
Track 3. From Silence teaches you how to sing off Silence teaches you how to sing ep 2001. Mixed in Oslo and Bergen Dec. 2002
Track 4. Off Lyckantropen Themes 2002. Mixed in France Oct. 2002.
Track 5. From Lost in moments off Perdition City 2000. Mixed in Stovner, Oslo Sept. 2002.
Track 6. From The Voice of the Devil off Themes from Wiliam Blake's The Marriage of Heaven and Hell 1998. Bogdan recommends: Cut thinly one medium sized potato and fry in pan with olive oil. Once browned, sprinkle chopped basil and curry powder until smiling. Eat well.
Track 7. From Speak dead speaker off Silencing the singing ep 2001. Made in Wallpaper 2002
Track 8. From Not saved off Silencing the singing ep 2001. Produced and remixed at the Neotropic Media Center. UK 2002. Publ.: Big Orange Cat Music.
Track 9. Various off Perdition City 2000 with samples from renaissance string remake off Nattens Madrigal. Made in Adam's big house, Bruxelles, Belgium 2002. Publ.: BMI.
Track 10. Various off Perdition City 2000. Recorded at Friseur Julie, Austria Nov. 2002. Publ.: Touchmusic [mcps].
Track 11. Various off Perdition City 2000. Publ.: Mego
Track 12.Various off Bergtatt 1994. Mixed in Oslo and Trondheim Nov. 2002.
Track 13. Various off Nattens Madrigal 1996. Publ.: V/Vm Test.
Track 14. Various off Bergtatt 1994 and Nattens Madrigal 1996. Recorded and mixed in bedroom, Tokyo Oct. 2002. Publ.: Merzbow

A noir soundtrack for an imaginary film...moody, pensive and very atmospheric...beautifully constructed soundscape that reminded me a little of John Cage's 'The City Wears A Slouched Hat'...
 

The band stated: ‘Flowers of Evil‘, the new studio album from ‘Ulver‘, finds the wolf pack exploring the fear and wonder of mankind’s fall from redemption. Visions similar to those of Orsini come to mind, as untamed life abounds…’

Ole Alexander Halstensgård, Kristoffer Rygg, Tore Ylwizaker and Stian Westerhus – went full isolation in their studio below the haunted hill, fantasizing about bygone nights of slasher, exploitation, and giallo. Three or four months went by, the band returned to the living, and sent their radiophonic workshop experiments off to the Dogs of Doom, France, where friend and fellow film freak, Carpenter Brut did a razor-sharp mix before taking it to Thibault Chaumont (Deviant Lab) for the master.

Scary Muzak, on one hand a homage to Carpenter’s themes – five out of twelve tracks are covers whereas the rest comes from the outer realms – and on the other zooming out on the aesthetics of the late ’70s and early ’80s popular culture. It is perhaps the Norwegians’ most hauntological moment, whirling up themes and moods, horrors and mysteries hidden in the foggy back alleys of your youth. Imagine the gloomy siblings of Les Humphries, Gert Wilden, and their respective orchestras, armed to their teeth with synths, pads, FX. Sometimes classy and chilling, other times amusingly smooth and sleazy, and at times outright beautiful in its suspense-filled vigour, Scary Muzak is an inspired, goblinesque addition to the ever-expanding Ulver catalogue. Interior films, remember?

Ulver’s first two legendary Black Metal albums, “Bergtatt” & “Kveldssanger” are finally available again as separate vinyl LPs. Both releases have been remastered for vinyl by Jaime Gomez Arellano as in the long sold-out LP out box set “Trolsk Sortmetall” (2014) and – just as the latest 2019 reissues – come in gatefold sleeves and on 180gr heavy coloured vinyl. The “Bergtatt” 4page LP-Booklet includes a detailed written interview with Ulver’s mastermind Kristoffer Rygg and the “Kveldssanger” 8page LP-Booklet includes sheet notes of the song “Ulvsblakk”. Truly classic Norwegian Black Metal pioneering art!

House of Mythology proudly presents the official release of Ulver’s monumental Grieghallen concert from the 2018 Bergen International Festival.

Grieghallen 20180528 documents the pinnacle of Ulver’s 2017–2018 touring cycle, following the release of their landmark album The Assassination of Julius Caesar. A massive explosion of sound and light went off in Bergen that night, leaving the baffled audience floating somewhere between pleasure and fear.

Professionally multitracked by the Bright AS stage tech team, Kristoffer Rygg and Anders Møller were asked to mix the tracks for the 2020 “streaming edition” of the same festival. After having circulated as a YouTube bootleg, it is now being made official partly due to popular demand, and partly because we think of it as a magnificent companion piece to the studio version of Caesar – showing Ulver at the height of their live game.

This edition of Ulver’s Vargnatt marks 30 years since the original release of this classic 1993 demo. 

CD edition with audio sourced from the original DAT. 

Contains the bonus track Vargnatt, captured live at Bootleg TV in Oslo, 1993, and sourced from the original U-matic, courtesy of the National Library of Norway.

2024 reissue on Transparent Petrol Green  Vinyl with LP booklet.

Ulver’s first two legendary Black Metal albums, “Bergtatt” & “Kveldssanger” are finally available again as separate vinyl LPs. Both releases have been remastered for vinyl by Jaime Gomez Arellano as in the long sold-out LP out box set “Trolsk Sortmetall” (2014) and – just as the latest 2019 reissues – come in gatefold sleeves and on 180gr heavy coloured vinyl. The “Bergtatt” 4page LP-Booklet includes a detailed written interview with Ulver’s mastermind Kristoffer Rygg and the “Kveldssanger” 8page LP-Booklet includes sheet notes of the song “Ulvsblakk”. Truly classic Norwegian Black Metal pioneering art!

At the end of the roughest year in their history, Ulver is proud to release their thirteenth studio album, titled Liminal Animals. Liminal Animals is permeated by the smell of disaster and documents, with deep concern, a dark and troubled place in a dark and troubled time. The cover art features The Senseless Seven, a 1911 drawing by Austin Osman Spare.