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Il carrello è vuoto
Il carrello è vuoto
Remah is a black metal entity born from a long-standing friendship and split between Paris and Brussels. Dea and ABR have known each other for a very long time and played black metal together since the beginning of their friendship, 17 years ago.
After a 10-year gap in their musical relationship, they gathered once more to create Une Main, Remah debut album, of which Dea wrote and produced all the music and clean vocals while ABR wrote and sang the lyrics. The result is a mixture of ice-cold, blade-sharp black metal with deep roots in several different styles: there’s the circular riffing of Blut Aus Nord most atmospheric and industrial works, the profound suffering of Xasthur depressive black metal records and of course furious, relentless blasts of rage coming from a Scandinavian heritage.
But Remah do not end in black metal. Thanks to a diverse musical background and previous multi-colored experiences (Emptiness, Soror Dolorosa, Luminance and others), Dea’s music is greatly influenced by cold- and darkwave, as the musician specifically names the likes of Lycia among his influences, as well as the early psychedelic rock scene (Ultimate Spinach, The Zodiac, etc).
All these elements find their own place in Une Main, a black metal album capable of delivering the widest range of emotions. Abrasive at times, ominously psychedelic at others, Remah music have a vibe of its own.
Double LP - side D etched... BLACK VINYL
Windfaerer's Breaths of Elder Dawns is the black/folk metal quintet's latest and most elaborate output in its more than a decade of existence. As the band from New Jersey puts it, “Breaths of Elder Dawns explores themes of hope, kinship, destruction of the natural world, shattered illusions and longing for the numbing comfort of death. It is a journey of mourning through the ruins of abandonded dreams and aspirations. This record is an homage to a romantaicized past as much as it is a rejection of its glorification. As with previous Windfaerer releases this record was a collaborative effort. Each member brought their own influences, perspectives and compositions and forged them into the spirit of the band. Extensive attention to detail was paid to all of the sonic elements—from the mic placements to the string orchestrations—in an effort to create a towering and expansive sound. Sorrow-laden melodies spiral through rugged, mountainous song structures in a synthesis of vulnerability and power. Breaths of Elder Dawns is a journey through aesthetic desolation and saudade. Here, the light of the sun exposes the anguished disfigurement of the soul”.
Double LP - side D etched... white splatters on blue !
Windfaerer's Breaths of Elder Dawns is the black/folk metal quintet's latest and most elaborate output in its more than a decade of existence. As the band from New Jersey puts it, “Breaths of Elder Dawns explores themes of hope, kinship, destruction of the natural world, shattered illusions and longing for the numbing comfort of death. It is a journey of mourning through the ruins of abandonded dreams and aspirations. This record is an homage to a romantaicized past as much as it is a rejection of its glorification. As with previous Windfaerer releases this record was a collaborative effort. Each member brought their own influences, perspectives and compositions and forged them into the spirit of the band. Extensive attention to detail was paid to all of the sonic elements—from the mic placements to the string orchestrations—in an effort to create a towering and expansive sound. Sorrow-laden melodies spiral through rugged, mountainous song structures in a synthesis of vulnerability and power. Breaths of Elder Dawns is a journey through aesthetic desolation and saudade. Here, the light of the sun exposes the anguished disfigurement of the soul”.
Windfaerer's Breaths of Elder Dawns is the black/folk metal quintet's latest and most elaborate output in its more than a decade of existence. As the band from New Jersey puts it, “Breaths of Elder Dawns explores themes of hope, kinship, destruction of the natural world, shattered illusions and longing for the numbing comfort of death. It is a journey of mourning through the ruins of abandonded dreams and aspirations. This record is an homage to a romantaicized past as much as it is a rejection of its glorification.
As with previous Windfaerer releases this record was a collaborative effort. Each member brought their own influences, perspectives and compositions and forged them into the spirit of the band. Extensive attention to detail was paid to all of the sonic elements—from the mic placements to the string orchestrations—in an effort to create a towering and expansive sound. Sorrow-laden melodies spiral through rugged, mountainous song structures in a synthesis of vulnerability and power. Breaths of Elder Dawns is a journey through aesthetic desolation and saudade. Here, the light of the sun exposes the anguished disfigurement of the soul”.
Gatefold cover - extended king size booklet - Orange With Black Merge
Kanonenfieber's debut Menschenmühle has been one of the self-produced highlights of early 2021. With its mature songwriting and uncommon thematic approach, the album is intended to commemorate the countless victims of World War I.
Men were thrown into a differing reality where only survival would count. Death, fear and hunger as a steady companion in the waist-deep trenches filled with mud. One order transferred people into cannon fodder in the human mill - World War I. The lyrical background of Menschenmühle is based on factual reports, letters and other documents from the surviving and deceased soldiers. The album was written, recorded and produced by Kanonenfieber from September 2020 to January 2021 in the Noisebringer studio.
ultra clear + black smoke effect, Sound Cave exclusive
Hailing from the cascadian gloom of British Columbia, Canada, Ulvik,
formed by Jade Fadel and George Allen, released a double length with
Avantgarde Music in 2019, Volume I & II. After spending the opening
months of the 2020 pandemic creating Isolation Motifs, a short concept
instrumental album and corresponding video series, Ulvik finished writing
and recording their sophomore album, Cascades.
Cascades is a hypnotic, atmospheric black metal album, incorporating the
old, organic textures of plucked and bowed bouzoukis and violins to create
ethereal interludes, in contrast to the visceral aggressive tone of each track.
This melding is mirrored by shared dual vocals, creating a counter balance
that weaves and crashes between malevolent and haunting.
Hailing from the cascadian gloom of British Columbia, Canada, Ulvik,
formed by Jade Fadel and George Allen, released a double length with
Avantgarde Music in 2019, Volume I & II. After spending the opening
months of the 2020 pandemic creating Isolation Motifs, a short concept
instrumental album and corresponding video series, Ulvik finished writing
and recording their sophomore album, Cascades.
Cascades is a hypnotic, atmospheric black metal album, incorporating the
old, organic textures of plucked and bowed bouzoukis and violins to create
ethereal interludes, in contrast to the visceral aggressive tone of each track.
This melding is mirrored by shared dual vocals, creating a counter balance
that weaves and crashes between malevolent and haunting.
Hailing from the cascadian gloom of British Columbia, Canada, Ulvik,
formed by Jade Fadel and George Allen, released a double length with
Avantgarde Music in 2019, Volume I & II. After spending the opening
months of the 2020 pandemic creating Isolation Motifs, a short concept
instrumental album and corresponding video series, Ulvik finished writing
and recording their sophomore album, Cascades.
Cascades is a hypnotic, atmospheric black metal album, incorporating the
old, organic textures of plucked and bowed bouzoukis and violins to create
ethereal interludes, in contrast to the visceral aggressive tone of each track.
This melding is mirrored by shared dual vocals, creating a counter balance
that weaves and crashes between malevolent and haunting.
Double White LP in gatefold cover, jointly (re)released with Pest Prod.
Melancholic/Depressive Black Metal
This is a special offer for LYCIA die-hard collectors to buy all 3 vinyl color options at once, saving some money
3x 10" eps in three different colors!
marble/galaxy effect in grimace purple with pink
Anyone with the slightest interest in darkwave music and the goth counterculture is familiar with Lycia. Born in Tempe, AZ, in 1988 from the creative mind of Mike VanPortfleet, Lycia is as seminal and influential as a band can get. Devoted to cold, somber and synthetic sounds, these pioneers of the ethereal are responsible for some of the most acclaimed underground albums of the ‘90s.
The current lineup of the band is John Fair, David Galas, Tara Vanflower and Mike VanPortfleet, who has been the only constant member since the band’s formation. Although only achieving minor cult success, the band is notable for being one of the groundbreaking groups in the darkwave and ethereal styles. Their 1995 album The Burning Circle And Then Dust "remains a high point of American dark rock" according to AllMusic, and 1996’s Cold has been cited as one of the genre’s best by Post-Punk.com and Alternative Press. Lycia's sound is characterized by rich soundscapes and layers of heavily effected guitars, dark atmospheric keyboards, heavy reverb drenched drum machines, VanPortfleet's somber raspy vocals and Vanflower's vivid melodic voice.
Avantgarde Music had the pleasure to bring the 1991 debut full-length Ionia to a vinyl edition for the first time in early 2021, and this brought along the chance to cooperate on new music. This turned out to be a rich studio EP, Casa Luna. We reached out to Mike VanPortfleet, who describes Casa Luna as a followup to 2018’s In Flickers, with a more varied approach, stylistically and thematically. “In Flickers and Casa Luna are Lycia’s purest releases. Originally planned as a split 7” with the song “A Quiet Way to Go”, as more songs were written they evolved to an EP”.
Anyone with the slightest interest in darkwave music and the goth counterculture is familiar with Lycia. Born in Tempe, AZ, in 1988 from the creative mind of Mike VanPortfleet, Lycia is as seminal and influential as a band can get. Devoted to cold, somber and synthetic sounds, these pioneers of the ethereal are responsible for some of the most acclaimed underground albums of the ‘90s.
The current lineup of the band is John Fair, David Galas, Tara Vanflower and Mike VanPortfleet, who has been the only constant member since the band’s formation. Although only achieving minor cult success, the band is notable for being one of the groundbreaking groups in the darkwave and ethereal styles. Their 1995 album The Burning Circle And Then Dust "remains a high point of American dark rock" according to AllMusic, and 1996’s Cold has been cited as one of the genre’s best by Post-Punk.com and Alternative Press. Lycia's sound is characterized by rich soundscapes and layers of heavily effected guitars, dark atmospheric keyboards, heavy reverb drenched drum machines, VanPortfleet's somber raspy vocals and Vanflower's vivid melodic voice.
Avantgarde Music had the pleasure to bring the 1991 debut full-length Ionia to a vinyl edition for the first time in early 2021, and this brought along the chance to cooperate on new music. This turned out to be a rich studio EP, Casa Luna. We reached out to Mike VanPortfleet, who describes Casa Luna as a followup to 2018’s In Flickers, with a more varied approach, stylistically and thematically. “In Flickers and Casa Luna are Lycia’s purest releases. Originally planned as a split 7” with the song “A Quiet Way to Go”, as more songs were written they evolved to an EP”.
