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Il carrello è vuoto
Il carrello è vuoto
Chaotic black death war summoned from the ancient necropolis of Thebes featuring members of Hadopelagyal, Nuclearhammer & Death Worship. Bodies litter the banks of the Nile river southwest axis parallel crushing heads up ahead in battle dark we enter Zeus Ammon… First pressing of 200 copies on random colored vinyl.
***Dripping Papal Blood is the secret unreleased second demo recorded a decade ago in 2010, in the band’s now shuttered ‘The Prisoner’s Chant…’ studio which rested at ground level across from the oldest cemetery in New York and rumored to be haunted.
This demo brings to life the complex and fierce rivalry between Emperor Napoleon and the Pope Pius VII. Napoleon went as far as to have Pope Pius VII placed in confinement. Despite the Antichrist’s repugnancy of the papacy, Napoleon knew he still needed the symbolic authority of the church during his unprecedented self-coronation (referred to by the band as ‘ascension to accipitridae!’—the classification of predatory birds of prey).
With the appointment of the cruel Cardinal Fesch (a relative of the emperor) after the Antichrist’s coup d’etat of 18 brumaire, Napoleon gave Fesch orders to persuade the pope to attend Napoleon’s coronation, only later to be stripped of religious power and cast out of the diocese upon defiance of Napoleon’s inflexible attitude toward the church. Fesch later died in Rome surrounded by his masterpiece art collection rumored to be pillaged and later bequeathed in his will.
Always through the lens of black metal and Nostradamus’ prediction of the arrival of the Antichrist, Dripping Papal Blood intrudes into the interplay and triple-crossing corruption between Napoleon, the Church and his own art-plundering family members appointed through nepotism to the diocese.
First press of 250 copies all on black vinyl.
-Comes with 3mm jacket and 12″ insert.
Vinyl version of the debut album by Apochryphal Revelation from Kentucky. Occult warm climate black metal with heavy nods to the Hellenic black metal masters of the past. For fans of Varathron, early Rotting Christ, early Necromantia, and early Zemial.
BACK IN PRINT!!! Repress of the classic first 1982 EP from the Swedish masters of heavy / doom metal and the first time available on vinyl since that year. Includes five bonus “Session 1981” tracks that were only previously released on 7” vinyl by Nuclear War Now! in 2007. These early songs represent the band’s outstanding traditional heavy metal style before they adopted a more doom-oriented approach on later recordings. One of the most revered heavy metal recordings to ever have emerged from Sweden.
BACK IN PRINT!!! Repress of the first full-length Mercy (Sweden) album, originally released in 1984 on Swedish label Finger Print Records and now available on vinyl for the first time since. Features the first recorded lead vocal performance of the famous Eddie “Messiah” Marcolin, who would later go on to be better remembered for his stint in Candlemass. Slightly more refined and polished heavy metal, as compared to the also-essential Swedish Metal EP.
Finnish legends BLACK CRUCIFIXION return to the temporal realm with the reissue of The Fallen One of Flames / Satanic Zeitgeist. Active in the legendary early 90s Finnish black metal scene, Black Crucifixion shares many of the hallmarks of their Northern peers while establishing a distinct manifestation of their own black death art. A sinister atmosphere breathes through these arcane recordings, coupling plodding and torturous doom with disgusting bestial Satanic worship. Whispered vocals provide a truly unnerving aura with few parallels in black metal beyond their allies Beherit. These two cults share more than just an aesthetic sensibility, as these recordings feature SADOMATIC SLAUGHTER on drums. The Fallen One of Flames demo is a stunning example of the irreplicable black magic conjured during the era in which it was recorded. Satanic Zeitgeist documents a live performance in Oulo in 1991, pairing their raw hymns with two covers of Venom and Sarcofago. The lineage from these early gods to the era of Black Crucifixion is clear to see, and they prove themselves to be more than worthy heirs to this canonized lineage. Requisite listening to those who worship Beherit, Barathrum, and all Northern cults who coat the mind in darkness. This is the first time these two recordings have been released together on one vinyl record. Comes on 180 gram heavy vinyl in a gatefold sleeve with an A4 booklet featuring liner notes, rare photos, and a gig flyer.
Pro tape with double sided J card replicas of the original demo layouts.
Lucifer’s Hammer was a US black death metal band, active from 1986 until 2004. Part of the Michigan metal underground, they shared members with MASOCHIST and SUMMON. This LP collects all the early demos as well as a live recording at Blondies in Detroit. The sound on this material showcases the band’s beginnings a sinister death thrash unit, recommended for fans of Kreator, Sodom, and early Sepultura.
Nearly eight years after the release of Antediluvian’s sophomore album, the band returns with a new full-length entitled “The Divine Punishment.” Originally a duo before later inviting additional members into the fold, Antediluvian has always fundamentally been a collaboration between guitarist/vocalist Haasiophis (Black Death Cult, Revenge) and percussionist Mars Sekhmet, whose relocation to Austria precipitated the band’s hiatus. After reforming for a series of live performances, with a lineup that also featured bassist Aedh Zugna (Solar Winds, Allfather), the band set about writing and recording new material culminating in this monumental album. “The Divine Punishment” defies the preconceptions that many listeners might have going into it. Thematically centered around the many manifestations of carnal deviance—pathological, unrestrained, cruel—the album is a contorted rendering of the spirit, once pure, blemished and bespoiled through sexual blasphemy. The recoil of ecstatic release. The organs of reproductive union mutilated, splayed. Unbounded perversion, the primal transgression. Musically, this is the most abstract and experimental release in the band’s catalog but also the most accessible, due in no small part to the album’s production, which is as vital to its power as the songs themselves.
2021 NWN reissue
Black Vinyl LP: 180 gram vinyl, gatefold case wrapped textured jacket, 44 page 12" booklet.
Cult Japanese black doom metal demo from 1992 reissued for the first time on vinyl. Limited pressing of 300 copies all on purple/black marble vinyl. Audio will be sourced from the best quality tape and fully mastered for vinyl by James Plotkin (Regurgitation, OLD, Khanate, etc.). It will sound much better than what’s been posted on youtube and elsewhere. The layout features an old Chris Moyen artwork that was drawn for Ohura-Mazdo in 1992-93 as a T Shirt design. For fans of early Unholy, Xantotol, and early Samael.
Green Vinyl.
Abigail has been a staple in the roster of Nuclear War Now! since its earliest days nearly twenty years ago. In addition to multiple albums and EPs, the label released a collection of early EPs and the band’s contribution to a split, entitled “The Lord of Satan.” Now NWN! and Abigail conspire once again to further proliferate the spread of the band’s earliest material with the release of “Blasphemy Night.” This collection, presented on vinyl LP format, includes both “Demo 1” from 1992 and the “Blasphemy Night” demo from 1993. These tracks document the band’s original sound, which is best characterized as an unpolished, abrasive variety of black metal, in contrast to the sharper, more thrash-oriented sort that has resulted from the band’s evolution. As such, it is an essential addition to any Abigail fan’s collection and, more generally, to anyone who celebrates the true spirit of black metal.
Tracks 1-6 "Worship of Darkness" Demo 2010
Tracks 7-9 "Abominations of Darkness" cass. split 2011
Tracks 10-11 Promotape 2010
Tracks 12-13 Advanced Tape 2010
Track 14 Advanced Tape 2011
An omnibus of DARKIFIED's complete studio recordings, eight tracks of Swedish black death metal recorded between 1991 and 1992. The Dark demo and the Sleep Forever 7-inch on a 12-inch LP. Darkified was only around for a short time but they released some of the best Swedish death metal songs ever recorded! Members went on to play in bands like MARDUK and EDGE OF SANITY. Released in cooperation with Dawnbreed Records.
for more than 20 years, French multi-instrumentalist Fog (aka Fog the Necropope) has dedicated himself to an all-consuming pursuit, a creative drive that permeates his existence. Over that time, he has contributed to nearly two-dozen different bands and projects—most commonly as a drummer, but also sometimes vocals, bass, guitar, recording, mixing, mastering, and even artwork—and has released a number of these projects on his own label, Ossuaire Records. Recently, Fog’s work in Cénotaphe, for which he writes and performs all of the music (vocalist Khaosgott supplies the lyrics), has showcased his expansive talent and garnered well-deserved accolades, but Norman Shores remains perhaps his most personal endeavor. The project began in 2011 when, exhausted by the endless creative compromises intrinsic to band settings, Fog desired a creative outlet over which he exercised complete dominion. Born in the Normandy region of France, Fog drew inspiration from the land and the traditional ancient cultures that once flourished there. According to Fog, through Norman Shores he attempts to “sublimate my native Normandy around legends and historical facts” and “describe the dying nature and the decadence of humanity.” Released in 2019, “De l’ombre surgit la lumière,” is the fourth album released under the Norman Shores banner. It is also the most intricate and fully realized album in the catalog, though all of the Norman Shores recordings are spellbinding in their own right. Musically, Fog draws influence from classic second wave Scandinavian black metal bands, weaving together sounds reminiscent of Ulver, Darkthrone, Dissection, Borknagar, and In the Woods, and commingling them with the French influence of Blut Aus Nord and Seigneur Voland. But there is something profoundly unique in Norman Shores, perhaps owing to the wide breadth of Fog’s non-metal influences, including inspiration drawn from literature and film, and the cinematic quality with which he imbues the music.
