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Il carrello è vuoto
Il carrello è vuoto
Australian black metal band Ill Omen has been releasing some of the more intriguing material out there in recent years, with sprawling instrumentation that takes on a more mysterious and ritualistic feel. These elements have been expanded further than ever before on the newest full length ‘Æ.Thy.Rift’, which feels like it could be a funeral doom effort ran through a black metal filter. Each of the songs builds a thick atmosphere that feels like it’s going to pull you directly into the void, and it’s handled in such a way that uses the longer song lengths to its advantage rather than letting them feel as though they are dragged out.
Australian black metal band Ill Omen has been releasing some of the more intriguing material out there in recent years, with sprawling instrumentation that takes on a more mysterious and ritualistic feel. These elements have been expanded further than ever before on the newest full length ‘Æ.Thy.Rift’, which feels like it could be a funeral doom effort ran through a black metal filter. Each of the songs builds a thick atmosphere that feels like it’s going to pull you directly into the void, and it’s handled in such a way that uses the longer song lengths to its advantage rather than letting them feel as though they are dragged out.
New Irkallian Oracle album....
Nuovo album per gli svedesi Irkallian Oracle..
CD in slipcase
Mystifier’s status as one of the most celebrated and respected black metal bands ever to have risen from the Brazilian underground is unchallenged. The band’s recorded works extend back over thirty years to 1989, when the “Tormenting the Holy Trinity” demo was released. During the course of the ensuing four years, Mystifier recorded and released the “T.E.A.R. (The Evil Ascension Returns)” EP, the “Aleister Crowley” demo, and its first two full-lengths, “Wicca” and “Göetia.” Each of these recordings documents the incremental steps that the band undertook in developing the infernal sound that it eventually perfected with the release of its second album. In reissuing these seminal recordings on all conventional formats, Nuclear War Now! is honored to resume the unholy alliance with Mystifier that was first established in 2008 with the release of the “Baphometic Goat Worship” vinyl box set. Commencing with the CD release of “Wicca,” this new campaign of Mystifier reissues, to which the copyrights have been secured by NWN!, promises to keep these essential recordings available indefinitely.
Ares Kingdom is a project comprised of two-thirds of Order From Chaos: guitar visionary Chuck Keller and flagellator Mike Keller on drums
It’s been five years since their sophomore release Incendiary, two since their covers album Veneration, and since Ares Kingdom perfected their brand of blackened thrash/death metal. In this day and age where every hole of the corpse has been fucked to the point of gaping, it’s not uncommon for a metal band to sound derivative. Such is the strength of Ares Kingdom. No other band sounds like them. No drummer. No guitarist. No vocalist. Unavoidably, there are moments reminiscent of Keller and Miller’s former projects, but still Ares Kingdom very much has its own sound, taking from all extreme genres and forging their own on this, their third album, The Unburiable Dead.
Mystifier’s status as one of the most celebrated and respected black metal bands ever to have risen from the Brazilian underground is unchallenged. The band’s recorded works extend back over thirty years to 1989, when the “Tormenting the Holy Trinity” demo was released. During the course of the ensuing four years, Mystifier recorded and released the “T.E.A.R. (The Evil Ascension Returns)” EP, the “Aleister Crowley” demo, and its first two full-lengths, “Wicca” and “Göetia.” Each of these recordings documents the incremental steps that the band undertook in developing the infernal sound that it eventually perfected with the release of its second album. In reissuing these seminal recordings on all conventional formats, Nuclear War Now! is honored to resume the unholy alliance with Mystifier that was first established in 2008 with the release of the “Baphometic Goat Worship” vinyl box set. Commencing with the CD release of “Wicca,” this new campaign of Mystifier reissues, to which the copyrights have been secured by NWN!, promises to keep these essential recordings available indefinitely.
Endless classic now reissued again on cd by NWN records and the band themselves under monicker Ross Bay Cult
Tracks 1-4: Demo 1987
Tracks 5-11: Rehearsal 1988
Tracks 12-13: Bonus tracks from "Reflections of the Solstice" session.
Katechon is a Norwegian black/death metal act hailing from the prolific region of Trondheim. The band's sophomore album, Coronation, was released in June of 2015 by Nuclear War Now! Productions on CD and vinyl. Sporting nearly thirty-five minutes over eight tracks, Coronation is suffocating yet engaging, chaotic yet flowing. Several members of Katechon have spent time in infamous Norwegian acts like Hellstorm, Wallachia and Thorns, but, with their latest album, it seems the band is intent on carving its on history.
This is an extremely heavy and dense album, but the band's swirling patterns of dissonance and frenetic melodies are superb. While the typical sunglasses and bullet belts style of black/death has its place, Katechon brings something that begins to transcend the genre; something that offers more than just primal aggression.
Obsidian Sea was formed in the beginning of 2009 in Sofia, Bulgaria.
In the spring 2014 the band started recording their second album "Dreams, Illusions, Obsessions".
Influence : Black Sabbath, Saint Vitus, Black Hole, Paul Chain, obscure old rock & psychedelic bands; old horror films; mythology, philosophy; life, death, the beyond
The recordings in this collection represent the band’s earliest output, from its official inception in 1984 through the recording of its highly-regarded debut album, “Envenom,” in 1990. The band’s trademark brand of “Sabbatical Blacking Metal” was first established thirty years ago with the quintessential and appropriately self-titled “Sabbat” 7” EP, which was followed by four more 7” EP releases (“Born by Evil Blood,” “Desecration,” “The Devil’s Sperm is Cold,” and “The Seven Deadly Sins”) over the course of the next five years. In addition to these original vinyl releases, Sabbat recorded the “Bloody Countess” rehearsal sessions and “Sabbatical Demon” demo, both of which were released separately on cassettes. “Sabbatical Earlyearslaught” compiles the recordings from all five of these EPs, both cassettes, and a rough mix of the “Envenom” album. Also included are various rehearsal, live, and otherwise unreleased recordings from the same six-year formative period.
4 x CD
