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Il carrello è vuoto
Il carrello è vuoto
This one edition:
https://www.discogs.com/release/7339942-Angelcorpse-The-Inexorable
comes with one corner ding on the gatefold: besides that, NM and vinyl looks unplayed
2007 released utmost viciously blasting, sacrilegious death metal feat. Deicide's Glen Benton on vocals, which was produced by the renowned Erik Rutan (Cannibal Corpse, Malevolent Creation, Goatwhore). Brutal!
Re-issue, 397x black 12" (180g) in microtene bag (2 holes), printed innersleeve x2, full-color on 220g, gatefold, full-color on 350g, coated paper, all assembled in plastic overbag
When this child of death and perversion was founded, no specific genres were in mind, merely devilry was our polestate when producing the very first words and tunes.
Since we sincerely don't give a fuck about categorizing something based on our deepest beliefs, we should not spend too much time speaking about the fact that this music exists through The Evil One and NEVER vice-versa!
Our goal is to let you, the listener, truly feel the atmosphere and mysterious meaning behind it all.
Listen to our music and find inspiration; after all, that's the whole point behind it. We believe in the innumerable figures of evil in the world, manifested in countless ways. The Devil's mysteries are too many to fully mention, for they are not for us to find out.
Re-issue, 280 x gold 2x12" (180g) in a black poly-lined innerbag, download card, gatefold, full-color with back flood inside on 350g with UV gloss varnish, all assembled in a PVC overbag.
CMPT is an anonymous black metal formation rooted in haunted cults and dark folklore coming from the bloody Balkan soil. The word itself (SMRT in Latin) represents a Cyrillic transcription translated purely as “Death” in all the languages of the Balkan tribes and is with certain variations understandable in the rest of the Slavic world.
After 16 years of deathlike slumber, Hate Forest is back with a new album called " Hour Of the Centaur" created and recorded in few days of April 2020. You will not find anything trendy or new here - band's same unpenetrable dark wall of sound and bottomless maelstrom exclusively.
This is laconic and honest black metal crafted on Old Europe's eastern frontier, full of disgust to modern pseudo-intellectual, selfie/ Instagram "black metal".
The profits generated on the DONATION EDITION will be used to finance the artistic community, and musical distribution with which we work in Kharkiv and its region. Another donation will be set up for the Kharkiv charity as soon as the local technical means are gathered for its setting up.
Reprint, 598x half yellow, half blue 12" (180g) in a black poly-lined innerbag, 20 page vinyl size booklet., full-color on 140g offset paper, jacket, full-color with black flood inside on 350g uncoated, all assembled in a PVC overbag.
Black Blood was recorded in an old mental hospital by members from Dissection, Eternal Darkness back in ´92. Dedicated to Jon Nödtveidt.
500 x bloodred 12" (140g) - Silkscreen on side B, in a black poly-lined innerbag, download card, gatefold jacket with black flood inside on 350g with UV spot lacquer, all assembled in a PVC overbag.
A millennium of desolation has begun!
The archfiends of unforgiving Swedish cult Black Metallers THE BLACK rises from quietus to taunt and rekindle the flame of the Unholy.
8 tracks of pure peccant hymns created for disaster upon decrepit religion; “Alongside Death” is an attestation that pure Black Metal is alive and well, and more abhorrent than ever !
Featuring members from Tyrant, Eternal Darkness and Vinterland.
600 x gold 12" (140g) in a black poly-lined innerbag, download card, A2 poster, on 150g, gatefold + special print with black flood inside on 350g, all assembled in a PVC overbag.
Deeply rooted in classic speed metal, the Belgian 4-piece, however, incorporates influences ranging from old thrash, NWOBHM/heavy to black metal and have forged a ripper of a 2nd album. Yet even though their sound on record is fantastic, one can only understand this band after witnessing one of their furious live shows!
Regular edition with sticker and button.
300 x transaprent blue with opaque red & opaque yellow splatters vinyl 12" (140g) in a microtene innerbag, printed innersleeve on 220g, jacket full-color on 350g, all assembled in a PVC overbag
By now, Denial of God should need little introduction. Since that fateful year of 1991, the brothers Azter and Ustumallagam have perfected an idiosyncratic style of black metal that's positively drenched in the supernatural and remains firm in their conviction of more classicist-styled songwriting. In fact, "black metal" might even be a misnomer; rather, BLACK HORROR METAL would be more accurate.
Of course, the journey has never been easy, and such is the case with the band's now-classic debut album, The Horrors of Satan, originally released in 2006. Although a debut album is usually a momentous event for most bands, The Horrors of Satan almost never came to be because of lineup problems. Drummer Sorgh left the band in 1999, just after the release of the mini-album Klabautermanden and just when work was about to begin on DENIAL OF GOD's first full-length. After this, the band worked with session drummer R. Salskov for about three years and songwriting progressed well, when also this lineup fell apart and left the band a two-piece of vocalist Ustumallagam and guitarist Azter. Things looked bleak for the future when no new drummer for years was found, but in 2005, finally, Galheim joined the band and helped incarnate what is now considered the band's classic lineup. Work was immediately assumed for the first album, and in 2006, The Horrors of Satan was finally recorded and released, comprising material that was written from the ‘90s to shortly before the actual recording.
Furthering DENIAL OF GOD's by-then already-unique style, The Horrors of Satan retains a very medieval feel with its lyrics about witches, werewolves, vampires and the infamous iron gibbet, which was a body-shaped iron cage used to display the bodies of dead or dying criminals. The album also became the beginning of a new and stronger chapter for DENIAL OF GOD, with many of the songs still appearing in the band's live sets today - a chapter which, so far, has produced several EPs and three albums. It also saw the band moving towards an even-more-epic songwriting, proved by the 13-minute title track, for example, which closes the album.
At long last, The Horrors of Satan is back on vinyl again for the first time in 14 years, with CD and cassette versions also to be widely available. Experience this resounding classic again, or for the first time!
Reprint, 190 x black vinyl 2x12" (180g), 12 page vinyl sized booklet , full-color on 140g offset art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.
When Nattverd first announced their existence two years ago, they were absolutely adamant that they should be judged purely on their music, and not on any former, current, or future bands or releases the members may be involved with. And this is a philosophy Nattverd adhere to today, with the only additional information being a slight change in lineup, with original members Ormr still on vocals and guitars whilst Atyr concentrates on guitars and hands over bass duties to new member Sveinr, whilst former session drummer Serpentr takes on vocals and AntiChristian (Tsjuder et. al.) takes his place as session drummer.
So what exactly does the music itself reveal about Nattverd? Most obvious is the fact that this is a band that plays black metal in the traditional way: cold and nasty and filled with fury and hate, with the occasional foray into more atmospheric and melodic realms, keeping the whole thing interesting and original.
400 x gold in a black poly-lined innerbag, poster A2, full-color on 150g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.
The Texas Tyrants Of Torment are back at it again joining forces with Osmose Productions to reinstate their 1998 mini-album In The Eyes Of Ioldánach. This reissue has now grown into a full-length album featuring the following: the original 1998 EP, Gummo movie soundtrack bonus The Gold Torques Of Uláid, as well as four live soundboard recordings captured in Toulouse, France from 1997. Most importantly, all tracks have been meticulously mastered from the original DAT tape for optimum sound. (Full-color poster included).
Swedish black/death metal made at Sunlight Studio!
