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Never Stop the Madness - The Roadburn Inferno
A CD / DVD set featuring a peerless performance from the Norwegian industrial Black Metal godfathers (captured live at the esteemed Roadburn Festival 2017).
The pioneering industrial black metal force to emerge in the early 1990s, Mysticum brought to the world a completely unique brand of extreme and Psychedelic discordant Black Metal with insane drum machine patterns and synths.
They were originally signed to Mayhem guitarist Euronymous' Deathlike Silence Productions label. However, this venture was cut short following his death, forcing Mysticum to look elsewhere for the release of their eventual debut album and genre classic, In the Streams of Inferno (1996). A perfect concoction of cold, primitive Black Metal and forward-thinking ideas, Mysticum has had a lasting and profound impact on many since the 1990s, so when the long-talked about follow-up album, Planet Satan, surfaced in 2014, these godfathers of the scene rightly returned to reclaim their throne.
In light of the release, Mysticum decided that a return to the stage would be the next logical step, but it had to be done their way, without compromise; and so, with Herr General Cerastes, Dr Best and Svartravn stood upon three 3 metre high podiums surrounded by screens, with one of the most intense light and sound spectacles witnessed at an Extreme Metal show, Mysticum stunned the crowd into submission.
Marking 30 years of the band, Under Our Black Cult is a deluxe 5 CD, 72 page book-set charting the early years of the Greek Black Metal legends, Rotting Christ.
The set also includes a limited hand-signed certificate from Sakis ‘Necromayhem’ Tolis (while stocks last).
Written by The Cult Never Dies author Dayal Patterson, the book chronicles the early years of Rotting Christ from its Grindcore origins to the its status as masters of occult Hellenic Black Metal. It features interviews with the band, plus luminaries from the Black Metal and Underground scenes, and friends such as Behemoth’s Nergal, Moonspell’s Fernando Ribeiro and more.
The 5 audio discs contain a comprehensive collection of early works including demos, rarities, live material, the classic Passage To Arcturo MLP, and the Thy Mighty Contract and Non Serviam albums. All show why Rotting Christ has sustained a three-decade legacy on the back of its inspirational beginnings.
The very earliest works of the kings of sickness, Autopsy!
Following the band's 30th anniversary, Critical Madness: The Demo Years compiles the earliest recordings by the kings of sickness.
Chronicling the band's formative years, the collection contains Autopsy’s first demo from 1987 as well as 1988’s legendary Critical Madness demo (which quickly resulted in the band inking a deal with Peaceville and the subsequent release of the genre staple debut, 1989’s Severed Survival).
This special archive release is completed by the rare track Christ Denied and a selection of raw rehearsal recordings from 1987 and 1988, most of which would later feature on the band’s studio debut.
A 2018 Peaceville CD reissue of Dodheimsgard’s 1998’s album Satanic Art featuring bonus tracks.
One of the visionaries of the mid-1990’s Norwegian Black Metal evolution, DHG are widely hailed as masters of dark and psychotic Psychedelic-tinged extremity. Satanic Art is considered a significant turning point for the band, as the compositions became less traditional in their structure and delivery, and became more abstract and twisted.
This edition of Satanic Art includes two bonus tracks, Black Treasure and an alternate rendition of Symptom.
Stand-alone vinyl release containing Autopsy’s studio tracks originally recorded for the ‘All Tomorrow’s Funerals’ collection, plus the ‘Horrific Obsession’ 7” tracks.
‘Sign of the Corpse’ contains Autopsy’s original studio tracks recorded for the ‘All Tomorrow’s Funerals’ collection in 2012. Hot on the heels of their triumphant comeback opus ‘Macabre Eternal’, Autopsy continued where they left off with a set of gore-soaked ditties to strangulate the senses with their highly influential brand of death metal. The release also contains a re-recorded version of early Autopsy classic, ‘Mauled to Death’. Also included on ‘Sign of the Corpse’ are the 2 tracks from the ‘Horrific Obsession’ 7” release in 2009 which contained Autopsy’s first studio output in 15 years, originally recorded to celebrate the 20th anniversary of the band’s debut. All tracks were recorded at Fantasy Studio, CA with Adam Munoz. One of the early breed of US death metal acts, Autopsy formed in 1987 in San Francisco, & originally released 4 albums on Peaceville Records - beginning with the classic debut 'Severed Survival' in 1989 - before disbanding in 1995, with members going on to form Abscess.
The Barghest O’ Whitby - a 27 minute epic from 2011 - represents the epitome of My Dying Bride’s unique combination of poetic grace, funereal soundscapes and Doom Metal.
A masterful blend of pounding guitar riffs, and sombre atmospheric passages, the track takes you through the chilling tale of a supernatural entity hell bent on revenge.
Recorded at Futureworks Studios, Manchester with long-time production partner and engineer, Mags, the release was the first to feature violin/keyboardist Shaun Macgowan, and saw the return of Shaun "Winter" Taylor-Steels to the drum-stool.
Vinyl edition featuring the original artwork by vocalist Aaron Stainthorpe.
The Crestfallen was Anathema's debut release for Peaceville and contained re-worked tracks from the legendary All Faith Is Lost demo in addition to new material.
Although sounding very different from what Anathema became, The Crestfallen clearly shows a band with an exceptional grasp of melody and atmosphere.
The brooding doom-heavy compositions and poetic landscapes effortlessly fluctuate between brutality (accentuated by the 'growled' vocals of then singer Darren White) and beauty on tracks such as The Sweet Suffering and the now classic They Die.
The Crestfallen set the stage for Anathema's debut full-length LP Serenades, which further expanded upon the band's singular approach and displayed a body of influences that stretched well beyond the confines of Metal.
The Crestfallen was recorded at Academy Studios (Paradise Lost, My Dying Bride, etc) in 1992, and was produced by Keith Appleton.
This edition is presented on 180g heavyweight black vinyl.
The gore legends release a new mini-album marking 30 years of aural sickness.
Digipack cd
The gore legends release a new mini-album marking 30 years of aural sickness.
Featuring guest appearances from Dimmu Borgir’s Silenoz and 1349’s Seidemann.
Primarily inspired by the works of Darkthrone & Burzum, Mork’s third album Eremittens Dal stands as a tribute to the spirit of old-school Norwegian Black Metal. Raw production and ice-cold riffs combine with the band's dynamic and atmospheric twists and the album effortlessly alternates between the ferocious and the melancholy. Covering themes of hate, death, seclusion and misanthropy, both lyrically and in the way that a one-man-band makes music in solitude, the music is perfectly fitting of the title (translated as Valley Of The Hermit).
The suitably grim pencil cover art comes courtesy of Jannicke Wiese-Hansen, who famously made artwork for early Burzum and Satyricon releases. Having featured guest vocals from Darkthrone’s Nocturno Culto on its previous album, Eremittens Dal includes special guest appearances from Dimmu Borgir's Silenoz who contributes vocals on two tracks, plus additional bass parts from 1349's Seidemann.
Double vinyl edition of Ophthalamia’s dark masterpiece from 1995, Via Dolorosa.
Sweden’s Ophthalamia was formed in 1989 by IT (known for his work in Abruptum). Ophthalamia was a fantasy-world created by IT and the songs were connected to stories based around this fantasy-world. Though the band could be classified as Black Metal, there is much more to Ophthalamia, with diverse Metal influences and Progressive passages, along with some strong atmospherics.
Via Dolorosa also includes a cover of the Mayhem classic, Deathcrush and the line-up featured IT (Tony Särkkä) with Legion (ex-Marduk), on vocals. Also appearing on the album was Emil ‘Nightmare Industries’ Nodtveidt and Winter (drummer for Swedish Death Metallers Edge of Sanity).
This vinyl edition of Via Dolorosa contains new liner notes from producer Dan Swano and Slayer Magazine’s Metalion, including their memories of Tony “IT” Särkkä, who died in February 2017.
Peaceville,180gm gatefold double black vinyl edition
Peaceville, double 180g black vinyl, gatefold cover, Unholy's classic debut album of mesmerizing Doom Metal, presented on vinyl for the first time. From the Shadows - released in 1993 - is known for possessing a dark textured Death/Doom Metal style mixed with unusual, often avant-garde, arrangements. Unholy?s willingness to experiment with sounds and moods helped create a strong and uniquely twisted atmosphere as slow pounding Doom Metal epics are aided by the presence of creeping synths
Peaceville, double 180g black vinyl, gatefold cover, Unholy, from Finland, formed in 1988 & were among the first doom metal bands from the country. Unholy's 1994 sophomore release presented on vinyl for the first time. The Second Ring of Power - originally released in 1994 - continued the boundary-breaking approach to experimental Doom Metal which the band had established with From the Shadows; mixing Metal with strong atmospherics and unusual structures
Double 180g black vinyl, gatefold cover, The acclaimed masters of British Extreme Metal make a triumphant return with their 2017 studio album, Renaissance In Extremis.
The third studio album of dark and disturbing experimentalism from the Norwegian Avant-Metal legends Fleurety.
Formed in 1991 and known for its boundary breaking approach to Metal, The White Death is Fleurety’s third full-length studio release and comes almost two decades after 2000’s Department of Apocalyptic Affairs.
Returning to the style of the legendary debut Min Tid Skal Komme (1995) - in a more experimental, sarcastic and concise way - The White Death captures a darker and more disturbing version of Fleurety than ever before: Embracing the strange and the abstract to create a wholly unconventional yet often poignant opus, both deep and raw in its expression.
The third studio album from US Death Metal masters Morta Skuld.
Originally released in 1995, For All Eternity exhibited a refreshing blend of heavy and brutal Death and Doom along with more atmospheric and, at times, melodic elements. Forging a different path from the straight forward high-octane Death Metal releases prevalent in the US scene at the time, this melody sensibility helped distinguish Morta Skuld from many of its peers.
The album notably features the song Germ Farm, originally by cult Death Metal act, Dr, Shrinker.
This edition of For All Eternity is presented with the original sleeve artwork, made by SV Bell (Rotting Christ).
