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Duouble CD in digipak

The Burning Circle and Then Dust is Lycia’s fourth studio recording, originally released on double CD via Projekt Records in 1995. Save for a small CD re-release in 2006 by Silber Records, the album has never been reissued since. It is hence with great pride that here at Avantgarde Music we officially announce a new edition of one of Lycia’s masterworks from the ‘90s, due out on 2CD as well as triple LP, making this the first Burning Circle vinyl release ever.
Mike VanPortfleet himself commented: “After several years of doing more synth oriented material I wanted a return to my guitar roots (in particular English post punk and 4AD). Lycia started as a guitar based band and I wanted to reaffirm that with disc one, which was originally going to be the release. I was also listening to a lot of shoegaze then, which inspired a return of making the guitars, as opposed to the synths, the focal point of the atmospherics.”.
Many things have been said about the album along the last twentyeight years, and the band chose the following to describe the record.
Per Projekt.com. - The Burning Circle And Then Dust was a groundbreaking point in Lycia’s career. It marked a shift from more atmospheric music towards song-oriented music with tracks like “Pray” & “Slip Away.” It marked the first collaborations between Mike VanPortfleet & Lycia members David Galas & Tara Vanflower. It marked the transformation of Lycia into a honed out live touring machine.
Per Pandamonium Magazine via Projekt.com. - Moving back into more formal song structures, Burning Circle returns to true song-writing, and places equal emphasis on guitar as the electronics. However, the music is as intense and powerful as ever, conjuring up vast vistas of soundscapes which are captured in delicate webs of song and structure. Songs like “Pray” are positively dance friendly, while others find Lycia moving towards the fertile ground of darkpop. breathtaking in scope and beauty, exultant in vision, exhilarating in sensory delight. Lycia have arrived.
Per Ned Raggett of AllMusic - a high point of American dark rock and the band's greatest and most ambitious work.

The new album is a tour-de-force, amalgamating some of the most exciting, innovative, and genre-defying moments from MYRKUR's catalog into something that is haunting, extreme, and brilliant as ever. Spine lays MYRKUR bare, at her most raw and unwavering, and is undoubtedly one of the year's most ambitious and cinematic albums.

Spine relates to MYRKUR's personal mythology. Written during one of the most difficult times in Amalie Bruun's life - Spine is the direct result of her experiences following child birth. From the love and euphoria that comes with motherhood, to the fears of the unknown and the mysteries of the journey ahead, Spine is ultimately an album about seeking balance amidst chaos. To Bruun/MYRKUR, the record explores the very human nature of what it means to be a mother, and finds resonances with Scandinavian mythology to do so.

ON LIMITED BLACK / WHITE GALAXY VINYL!!! Having dropped their third album Choir Of Babel in early 2020 just before the world shut down, the forces of pandemic did not succeed in silencing NYC’s Ruin Lust for good. Though confined to their fallout bunker, the band, with martial fervor, began work on what has now, three years later, emerged as their fourth album Dissimulant.

In the final phase of imperialist rot, Ruin Lust declares war against the festering delusions of a devolving species. The most withering aspects of modern death metal, grinding war metal and black metal’s more bestial tendencies compel this audial exorcism, poisoning the well like a bioweapon spread through open air, suffocating and contemptuous. By the time album closer “Chemical Wind” is done, all that remains are parched bones and desiccated shadows.

Barbarically pestilent yet compositionally deliberate, Dissimulant casts a bitter pall and leaves an open wound on the death metal scene for 2023. A militant milestone in the Ruin Lust discography.

Having dropped their third album Choir Of Babel in early 2020 just before the world shut down, the forces of pandemic did not succeed in silencing NYC’s Ruin Lust for good. Though confined to their fallout bunker, the band, with martial fervor, began work on what has now, three years later, emerged as their fourth album Dissimulant.

In the final phase of imperialist rot, Ruin Lust declares war against the festering delusions of a devolving species. The most withering aspects of modern death metal, grinding war metal and black metal’s more bestial tendencies compel this audial exorcism, poisoning the well like a bioweapon spread through open air, suffocating and contemptuous. By the time album closer “Chemical Wind” is done, all that remains are parched bones and desiccated shadows.

Barbarically pestilent yet compositionally deliberate, Dissimulant casts a bitter pall and leaves an open wound on the death metal scene for 2023. A militant milestone in the Ruin Lust discography.

***Greasy Texas Death Metal! The long awaited debut from the Texans TORTURE TOMB! It's been three years since their proper introduction to the world with the release of Killing To See How It Feels. That first demo was rabidly consumed by the underground masses, numerous waves were unleashed and Transylvanian has been working on giving their tunes the vinyl treatment! Features a torturous eye-grabbing hellscape by MARK RIDDICK on the cover.

Black Vinyl

With their seventh full-length entitled "Narkissos", FORTÍÐ have finally delivered a masterpiece that should easily make it into the top part of those end of the year lists. The Icelandic trio has not even changed much, they are just doing everything even better than before. FORTÍÐ forge melodic riffing from black, death, thrash, and heavy metal threads into one sharp weapon. The Icelanders don't care about any particular genre, but focus entirely on writing excellent songs. As a result "Narkissos" features nine catchy and fiery metal anthems. FORTÍÐ determined the musical coordinates of their long journey with the ambitious "Völuspá" album trilogy, which was released from 2003 to 2010. Their early combination of harsh black and death metal riffing with a pinch of thrash and a penchant for epic melodies, versatile vocals as well as a heavy dose of "Icelandic sound" was continuously refined on the acclaimed "Pagan Prophecies" (2012) full-length and the following "9" (2015) album. With the dark and deadly "World Serpent" (2020), FORTÍÐ charted the current course that led via the two-track EP "Dómur um dauðan hvern" (2022) straight to "Narkissos". Lyrically, FORTÍÐ remain on an Old Norse and pagan course. Guðmundsson has woven a yarn in a Nordic context about a character with the so-called narcissistic personality disorder that runs as a red thread through "Narkissos". FORTÍÐ present a contemporary metal album that is both musically and lyrically taking the Icelanders to a new peak, and by firmly placing substance over style will find its audience.

Australian experimental metal band Bolt Gun return with their 3rd full length album The Tower. Since their first release in 2014, Bolt Gun have continued to push the boundaries of heavy music, adopting a semi-improvised style that combines elements of black metal, post-metal, noise and dark ambient. 

The Tower is inspired by the literary works of Brian Evenson, Franz Kafka and Shirley Jackson and explores themes of isolation, extinction, absurdity and nihilism. Written throughout 2020 to 2022, the album expands on Bolt Gun’s interest in the dynamic possibilities of using ambient music within extreme metal.

The expansive tracks pull listeners into tornadoes of drone, noise and saxophone which then explode into more post-metal/black metal sounds. The music on The Tower is heavily influenced by 2nd wave black metal, experimental heavy bands such as Locrian and Swans in addition to the work of Colin Stetson and Bohren & der Club of Gore.

Artwork by Tomasz Winiarski.

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