Offerte

Screenprint on side B.
Track A4 is a Dead Can Dance cover.

2022 REPRESS in co-production Avantgarde Music / Eisenwald

Comes in milky-clear 180 gr. vinyl

Digipak CD with booklet

After two decades devoted to the dark arts within obscure black metal, Wraith (Vanquished) and Luzifaust (Kaifrun, Hostium) present a new chapter, going by the name of Vastatum.

An ancient parallelled entity born into modern existence. Rich with atmospheric maturity and an emphasis on existential impermanence, Vastatum have executed the sonic experience of passing beyond life into death’s immeasurable grasp. Thus melding the elusive soundscapes of disembodiment with the haunting distinctions of absolution. Poetic, and potent, melodic and malevolent.

Vastatum is driven by the dark innate will of creativity and the seductive allure of the occult, and Mercurial States Of Revelation is the first chapter in the band's history. A chapter written in black metal and contemplations upon human existence.

Mercurial States Of Revelation reflects upon the conceptual philosophy that since time immemorial the earth, world and existence (as we comprehend it) have been in a constant state of flux and continual transformation. Thus compelling all planetary inhabitants toward perpetual states of adaptation within a world that is rapidly evolving and transcending beyond the depths of the human species.

Through mighty riffs deeply rooted in both the classic sounds of Norway in the early ‘90s and the Cascadian tradition of the ‘00s, Vastatum find a perfect balance between the old, the contemporary and the esoteric, picturing visions of growing shadows and perishing bodies.

'Iterum' comes with one more song than the digital ep: "Loin de Moi" (exclusive to the physical release).
It will be a one-off press and limited to 500 copies (numbered)

Complete tracklist:
- L'intime (7"41)
- Renaissance (7"00)
- Loin de moi (5"13)

Format: 10" white vinyl with a CD copy inside (same tracklist), gatefold cover with printed innersleeve.

100 copies LTD black vinyl

Sgàile is the solo project of Scottish multi-instrumentalist Tony Dunn, a venture that was a long time in the making due to Dunn’s commitments with other bands such as Falloch, Cnoc An Tursa and Saor. “For almost a decade, I had concentrated on playing other people's songs, singing other people's lyrics, and not feeling that I had an identity of my own. The name Sgàile means "ghost" or "shade" in Gaelic, and this was born from the fact that I didn't quite "fit in" with the Scottish Black Metal scene that these bands were an integral part of”.

In August 2018, Dunn parted ways with Saor in an amicable manner. It was then and there that “I decided to really concentrate on putting out a body of work that I could put my own name to and be proud of”. Sgàile was officially born. Ideals & Morality was conceived, composed and recorded in most of its parts in late 2019/early 2020. At this point Mike Lamb (Sojourner, Light Field Reverie) was brought on board for the mixing and mastering. “He had a look at the quality of the recordings, and gave me a great deal of advice, so much that in late summer 2020 we decided the best course of action was to re-record all of the guitars and bass from scratch. So in essence, Ideals & Morality was recorded twice”. 

Musically and lyrically, Sgàile’s debut is an emotional record. “It is a record that I feel is both melancholy and quite dark in places, but uplifting and inspiring in others, as during the recording sessions I felt like I was in quite a low place at times mentally, but the actual writing process itself lifted my spirits. I feel that the album certainly has the potential to both haunt and elate in equal measure”. Lyrically, it's almost a stream of consciousness of various aspects of Tony’s psyche, dealing with his love for Scottish mountains (“The Summit”), the feeling of becoming a parent (“Instinct”) or even the experiences of the past decade (“Facade”). Every song comes from its own background, making Ideals & Morality a multifaceted experience. “The album is almost like a peek at what goes on inside my head. My ideals and my moral compass are what have guided me on my path as an artist since being thrust into the music industry and will stick with me through the rest of my journey, wherever that may lead”.

Gold and Black vinyl, limited to 200 copies

Three years after the second full-length 'Faunalia', the singer/keyboardist Selvans returns with a new EP.
'Dark Italian Art' is definitely the Manifesto of the Italian composer. Selvans confirms the prog rock and symphonic influences introducted in the previous work (with Goblin and Devil Doll ruling the roost), imprinting them definitely in his folk-horror scenery.

The EP introduces 'Corvo Morto' (Italian for 'Dead Crow'), a character created by Selvans in collaboration with the horror writer Luigi Musolino and to whom the track 'Verrà Corvo Morto' (Italian for 'Corvo Morto will come') is connected, as well as the homonimous tale attached to the 80 pages digi-book version of the EP.
Aside from the second new track 'Iò Pan!' and the outro 'L'Errante', Selvans celebrates the artistic heritage of his country with the cover of 'The Hanged Ballad' taken from the first Death SS' album and a cover medley of the legendary album 'Inferno' by Metamorfosi, a progressive italian rock band from the 70's.

This will be the first work in which Selvans is joined by his full live band, made of valid musicians who are with him since several years of concerts.
Learnt the lesson of the great masters of the horror and the absurd in music – with Screamin' Jay Hawkins and King Diamond above all – Selvans offers a decandent and peculiar interpretation which is brazenly Italian.
Walking among woods and ruins of ghost villages, Selvans leads a procession of outcasts hidden behind animal masks, on a muddy stage weaved with roots, whispering rituals of rural magic and cursed doggerels.
Curtains up!

Black vinyl, limited to 300 copies

Three years after the second full-length 'Faunalia', the singer/keyboardist Selvans returns with a new EP.
'Dark Italian Art' is definitely the Manifesto of the Italian composer. Selvans confirms the prog rock and symphonic influences introducted in the previous work (with Goblin and Devil Doll ruling the roost), imprinting them definitely in his folk-horror scenery.

The EP introduces 'Corvo Morto' (Italian for 'Dead Crow'), a character created by Selvans in collaboration with the horror writer Luigi Musolino and to whom the track 'Verrà Corvo Morto' (Italian for 'Corvo Morto will come') is connected, as well as the homonimous tale attached to the 80 pages digi-book version of the EP.
Aside from the second new track 'Iò Pan!' and the outro 'L'Errante', Selvans celebrates the artistic heritage of his country with the cover of 'The Hanged Ballad' taken from the first Death SS' album and a cover medley of the legendary album 'Inferno' by Metamorfosi, a progressive italian rock band from the 70's.

This will be the first work in which Selvans is joined by his full live band, made of valid musicians who are with him since several years of concerts.
Learnt the lesson of the great masters of the horror and the absurd in music – with Screamin' Jay Hawkins and King Diamond above all – Selvans offers a decandent and peculiar interpretation which is brazenly Italian.
Walking among woods and ruins of ghost villages, Selvans leads a procession of outcasts hidden behind animal masks, on a muddy stage weaved with roots, whispering rituals of rural magic and cursed doggerels.
Curtains up!

84 pages Artbook with CD

Limited to one edition only in this format, printed on fine art book-paper and hard cover with goild foil details 

Three years after the second full-length 'Faunalia', the singer/keyboardist Selvans returns with a new EP.
'Dark Italian Art' is definitely the Manifesto of the Italian composer. Selvans confirms the prog rock and symphonic influences introducted in the previous work (with Goblin and Devil Doll ruling the roost), imprinting them definitely in his folk-horror scenery.

The EP introduces 'Corvo Morto' (Italian for 'Dead Crow'), a character created by Selvans in collaboration with the horror writer Luigi Musolino and to whom the track 'Verrà Corvo Morto' (Italian for 'Corvo Morto will come') is connected, as well as the homonimous tale attached to the 80 pages digi-book version of the EP.
Aside from the second new track 'Iò Pan!' and the outro 'L'Errante', Selvans celebrates the artistic heritage of his country with the cover of 'The Hanged Ballad' taken from the first Death SS' album and a cover medley of the legendary album 'Inferno' by Metamorfosi, a progressive italian rock band from the 70's.

This will be the first work in which Selvans is joined by his full live band, made of valid musicians who are with him since several years of concerts.
Learnt the lesson of the great masters of the horror and the absurd in music – with Screamin' Jay Hawkins and King Diamond above all – Selvans offers a decandent and peculiar interpretation which is brazenly Italian.
Walking among woods and ruins of ghost villages, Selvans leads a procession of outcasts hidden behind animal masks, on a muddy stage weaved with roots, whispering rituals of rural magic and cursed doggerels.
Curtains up!

Inherits The Void is the musical endeavor of French multi-instrumentalist Antoine Scholtès. Born in 2020, the project based in Clermont-Ferrand released the Mémoires EP before starting to work on a proper full-length studio album.

Monolith Of Light hence marks Inherits The Void debut album, born from Scholtès’s desire for “a meeting between influences from the ‘90s Swedish Black Metal scene and a more current orientation of the genre”. Rage and melody entwine in these seven hymns to the transience of man, bringing to mind the great masterworks of Dissection, Dawn and Vinterland, as well as the more contemporary sounds of France.

Inherits The Void adds to their deep black metal roots, incorporating atmospheric hints from bands like Celeste, Déluge and Nesseria: “the main idea behind that album was to compose songs that would be both melodic and atmospheric, embraced by the desire to propose a range of various emotions”.

first full-length

With 2012's "Aeons Black" standing as one of the defining death metal albums of the twenty-first century it has been a long wait for the follow up. In 2021, Sweden's Aeon finally return with its successor, "God Ends Here", and in doing so only up the ante with a record that is bigger, harder and stronger in every way. "I wasn't feeling any pressure after such a gap, we don't do shit half assed and I feel like this is our strongest album yet," states guitarist Zeb Nilsson. A darker, even more epic collection, it is everything an Aeon fan could want with a few surprises in store, pushing the genre in new directions and once again asserting that they are one of the most important bands in extreme metal.