Offerte

Project of Lord Vrăjitor (Warmoon Lord, Old sorcery)

Gone are the days of high adventure, but there are portals and webways that cross paths with our mundane lives. Prepare your journey to the war-torn, magical and baroque world of Argenthorns!

A new, mysterious, symphonic black metal project from the land of the thousand lakes will take you on an epic cloak and dagger adventure. Argenthorns is the solo endeavor of Mason Rofocale, multi-instrumentalist and narrator of our tale, who will recount unspeakable perils and obscure enemies. A quest was laid, and The Ravening marks the first chapter of Mason Rofocale’s occult chronicle through lands unknown!

A black metal tale told the way it used in the ‘90s, with piercing screams, fascinating keyboards and icy cold riffs, for fans of (early) Dimmu Borgir, Bal-Sagoth, Odium and Limbonic Art.

Satyricon & Munch showcases two of the most known Norwegian artists, Edvard Munch and SATYRICON, combined in one groundbreaking piece of art, breaking the boundaries between high culture and black metal music. The new music, created by SATYRICON mastermind Satyr, is written in the shape of a so-called musical work, it is 56 minutes long and transcends any genre barriers. Although the music was written for the art exhibition, it clearly has the emotional depth to take on any environment outside the exhibition room. The new, astonishing and critically acclaimed art exhibition of the same title is on display at the MUNCH museum in Oslo until August 28, 2022. The musical work is available in album format on June 10, 2022 in digital format and in physical formats to follow.

Satyr on Satyricon & Munch: “In the musical work Satyricon & Munch, you will find my musical response to the emotions that the works of Edvard Munch instilled in me when working on the art exhibition. One could therefore say that the album release is not only a consequence of the making of an exhibition, but also a reflection of my studies of Edvard Munch’s life and philosophy on the making of art – and my eagerness to push myself as an artist. I deeply appreciate his emphasis on feeling over technique, his will to experiment and his determination to walk his own way. Of course these are also core values to SATYRICON, which in this particular case becomes even more important.

To make this into what it is, it became clear early on that we needed to reverse the roles in the instrumentation: What has been complimentary in the past must now perhaps take more of a lead role, what is given in a regular song is perhaps not needed at all for this project – these types of reflections. To create the layers of emotion and atmospheres that we aspired to, the instrumentation needed to be rich in diversity. That is why we have a wide range of old school analog synthesizers, electric guitar, baritone guitar, bass guitar, drums, theremin, cello, viola, bass clarinet, contrabass clarinet, jouhikko, Hardanger fiddle, grand piano to name some. Some of these instruments are particularly receptive to the personal input of the musician and very suitable for creating the depth of layers that was necessary for this project. It has been important to us to break away from formatted approaches and focus strictly on what this project needs.

Black metal’s true nature is being limitless and while the format is unlike anything you’ve heard from SATYRICON before, the tonality and personal signature is highly recognizable to those who know their SATYRICON. We encourage everyone to refrain from trying to label the music and just accept that there is no need to. It is certainly not film music, it is not ambient and it is not something you have to make up a word for. It is SATYRICON.”

Founded back in 1991, SATYRICON is a true legend in the black metal scene, which they heavily influenced from the early 1990’s until today. Early works, such as Dark Medieval Times and The Shadowthrone are genre classics, while later works break free from traditional black metal. The band never strayed away from other musical influences and implemented them in their music, which led to multiple awards, gold records and #1 albums, as well as huge headline tours and festivals all over the world. With Satyricon & Munch, the band sets new standards in contemporary music in a monumental, yet intimate experience.

Black metal band from Västervik, Sweden.

Black Vinyl

• One of two simultaneously released new albums by Bay Area surreal blackened technical death metal band
• Each album cover is half of a larger original piece created for the band by Ian Miller (Stormkeep, Bolt Thrower, Games Workshop)
• 2020 album Providence was widely hailed for its unique style of death metal
• For fans of Atrocity, Enslaved, Gorguts, Demilich, Krallice, Voidceremony, Tomb Mold, Suffering Hour

• One of two simultaneously released new albums by Bay Area surreal blackened technical death metal band
• Each album cover is half of a larger original piece created for the band by Ian Miller (Stormkeep, Bolt Thrower, Games Workshop)
• 2020 album Providence was widely hailed for its unique style of death metal
• For fans of Atrocity, Enslaved, Gorguts, Demilich, Krallice, Voidceremony, Tomb Mold, Suffering Hour

Ltd Blood Red Vinyl

An underground brutal death metal demo grail finally unearthed after twenty-five years rotting, 20 Buck Spin presents Prelude To Obscurity! Hailing from Wisconsin in the shadow of the Milwaukee Metal Fest, Embalm formed in 1995 while in high school in the era of Ablated Records, Frozen Dawn CD compilations and IllNoiz Death Fest to name a few. Embalm created truly memorable grooves of mid-paced, catchy, and brutal-as-hell Midwest death metal, also including the customary influence of Swedish death metal and even touches of Dissection-style harmony, setting this demo apart from any forced retro nostalgia. Despite staying local, Embalm was a part of a larger network and held their own supporting bands like Rotted, Internal Bleeding and Incantation. While this collection focuses on the masterwork and tragic final demo aptly titled Prelude To Obscurity, sicko freaks will be treated to the literally impossible to obtain first Demo ’95 as well, showing the most evil and grim basement necro recordings that, while primitive and cruel, still hold minimalistic memory of true underground demo cassette culture. Also included in a rare find are the two final live tracks that sadly never made it to the studio, written after Prelude and showing the band’s insane dual vocal / multi-lingual genius for darkness, slam and tortured leads. Painstakingly remastered from original DAT and cassette tapes by Arthur Rizk, the collection includes a massive time capsule booklet of flyers, ephemera, zine reviews, and live photos from the bygone glory days of true brutal death metal! A guidepost for any new band looking for a glimpse of time tested ‘brutal stuff’. A first time co-release between two modern underground titans, 20 Buck Spin and Hospital Productions.

• Reissue of obscure Midwestern demo brutality from the ‘90s
• Includes massive 24-page booklet of flyers, old artwork, zine reviews etc
• Remastered by Arthur Rizk
• Includes a bandcamp download card
• First time co-release between 20 Buck Spin and Hospital Productions
• For fans of Fleshgrind, Deaden, Broken Hope, Dissection, Witch Vomit, Torture Rack

An underground brutal death metal demo grail finally unearthed after twenty-five years rotting, 20 Buck Spin presents Prelude To Obscurity! Hailing from Wisconsin in the shadow of the Milwaukee Metal Fest, Embalm formed in 1995 while in high school in the era of Ablated Records, Frozen Dawn CD compilations and IllNoiz Death Fest to name a few. Embalm created truly memorable grooves of mid-paced, catchy, and brutal-as-hell Midwest death metal, also including the customary influence of Swedish death metal and even touches of Dissection-style harmony, setting this demo apart from any forced retro nostalgia. Despite staying local, Embalm was a part of a larger network and held their own supporting bands like Rotted, Internal Bleeding and Incantation. While this collection focuses on the masterwork and tragic final demo aptly titled Prelude To Obscurity, sicko freaks will be treated to the literally impossible to obtain first Demo ’95 as well, showing the most evil and grim basement necro recordings that, while primitive and cruel, still hold minimalistic memory of true underground demo cassette culture. Also included in a rare find are the two final live tracks that sadly never made it to the studio, written after Prelude and showing the band’s insane dual vocal / multi-lingual genius for darkness, slam and tortured leads. Painstakingly remastered from original DAT and cassette tapes by Arthur Rizk, the collection includes a massive time capsule booklet of flyers, ephemera, zine reviews, and live photos from the bygone glory days of true brutal death metal! A guidepost for any new band looking for a glimpse of time tested ‘brutal stuff’. A first time co-release between two modern underground titans, 20 Buck Spin and Hospital Productions.

• Reissue of obscure Midwestern demo brutality from the ‘90s
• Includes massive 24-page booklet of flyers, old artwork, zine reviews etc
• Remastered by Arthur Rizk
• Includes a bandcamp download card
• First time co-release between 20 Buck Spin and Hospital Productions
• For fans of Fleshgrind, Deaden, Broken Hope, Dissection, Witch Vomit, Torture Rack

Bosco Sacro is an Italian quartet founded in 2020. Its members have been constantly releasing and performing music within the Italian and European underground scene during the last decade: Paolo Monti (The Star Pillow, DAIMON), Giulia Parin Zecchin (Julinko), Luca Scotti (Tristan da Cunha) and Francesco Vara (Tristan da Cunha, Altaj).

Inspired by visions of sublime, reconciling vastness coming from the contact with nature and landscapes, united by a genuine devoutness to the practice of music as an healing, liberating movement, their style features dreamy atmospheres, slowed-down rhythms and an intense sonic and spiritual depth. Their musical roots come basically from ambient, doom and trip-hop.

The creation of their debut album Gem came as an impressively spontaneous and clean, natural process, leading to the creation of a sound which unites all past experiences of each individual musician into a new expressive language. With the skillfull contribution of producer Lorenzo Stecconi (who worked with Amenra, Zu, Ufomammut and Lento among the many), Gem was recorded in an unique session during the first days of October 2021 at AMM Monteggiori Studio, a peaceful place in the Tuscan hills surrounded by silence and woods

.