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Il carrello è vuoto
Il carrello è vuoto
Vendita Rarità: CD, Vinili, DVD e video - musica Black Metal e Dark estrema
Recorded live at Alzette Kulturfabrik, Esch-sur-Alzette, Luxembourg in February 2006 during their European tour.
CD in a clear-tray jewel case. Limited to 1000 machine-numbered copies.
This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.
#076/102
Pressed on purple wax.
Limited to 666 hand-numbered copies.
Media Condition: Mint (M)
Sleeve Condition: Very Good Plus (VG+)
Bootleg release containing various demos in poor sound quality. Release is actually a CDr with silver backing even though it was advertised and sold as a real CD. A silk screened patch also comes packaged with this release. Limited to 100 copies.
Gatefold embossed cover, double black vinyl
Third press: "trans-orange with black" vinyl, smoke effect
With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient.
The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.
The classic Dzö-Nga 2017 album with new tracklist and reworked artworks, but most of all, now remastered by no less than the glorious man, Dan Swanö
