250x Black / Grey Swirl
Gatefold jacket with reverseboard finish
blackflood inside
double sided insert
 

The "BLODSVEPT" album was originally released in 2013. Here is the official 2026 vinyl repress on Cosmic Key Creations. Issued under exclusive license from Century Media

PRESSING INFO:
500x Gold/White Swirl
Gatefold jacket with reverseboard finish
blackflood inside
double sided insert

Our copies on Purple / Silver Swirl vinyl

Originally released in 1995 on Osmose Productions, Cosmic Key Creations is proud to present the 2026 vinyl version which is officially licensed from Century Media with courtesy of Dark Tranquillity. Released in a deluxe trifold sleeve including the 2021 liner notes by Mikael Stanne and both original bandpictures from the same photo shoot that were used seperately on different versions of the album. For this release the 2021 vinyl re-master was used.

Vinyl reissue 2026 as olive white orange Splatter 2-LP2-LP.

Imaginary Sonicscape was the fifth studio album by Japanese avant-garde black metal band Sigh, released in 2001. It marked a significant step in the band's evolution, taking their experimental tendencies even further than in previous works. While still rooted in black metal, the album incorporated elements from a wide range of genres, including jazz, classical music, progressive rock, hard rock, psychedelic music, electronic music (including dub, disco and easy-listening), and occasional touches of stoner metal, baroque and fusion. This created a constantly shifting and unpredictable sonic landscape. It was praised by critics and fans alike and is still considered a classic landmark of avant-garde black metal.

“The Storm” offers a first glimpse of Armagedda’s forthcoming fifth album, STORM OF EVIL: two new recordings pressed into seven-inch form, pairing the title track with the exclusive “The Sermon Never Heard”. 

Following “Svindeldjup ättestup” (2020), Armagedda once again turns toward older bones. These songs draw a line back through the torn austerity of the band’s origins, the heavier, death-inflected pulse that emerged around “Only True Believers”, and the sickly spiritual oppression later perfected on “Ond spiritism”. Yet the result is not retrospective. It is a further descent, carried by the same adversarial will under a harsher and more immediate guise.

Conjured at Necromorbus Studio in October 2025 alongside Tore Stjerna, “Storm of Evil” stands as a premonition of what is to come: grave-bound, accusatory black metal with the stench of old death in its breath. No mourners. No prayers. Only the sermon never heard.

Mithotyn’s Viking Metal classic for first time on vinyl! Remastered and with new artwork by Kris Verwimp.
 

Mithotyn’s Viking Metal classic for first time on vinyl! Remastered and with new artwork by Kris Verwimp.
 

Chelsea Wolfe torna con il suo nono album in studio, *The Dark*, proponendo un sound più organico a metà strada tra dark folk, rock gotico e alternative. Chitarre, pianoforte e batteria dal vivo si fondono con il suo songwriting più maturo di sempre e con una voce che suona più potente e sicura di sé che mai.
Dal punto di vista tematico, *The Dark* affronta temi quali il lasciar andare, la ricerca di sé e la forza di affrontare la propria oscurità. In collaborazione con il produttore Ben Chisholm e musicisti ospiti come Robin Finck (Nine Inch Nails), Stella Mozgawa (Warpaint), Matt Chamberlain e Justin Meldal-Johnsen, è nato un album d’atmosfera che sviluppa ulteriormente il suono inconfondibile di Chelsea Wolfe e che piacerà sia ai fan di lunga data che ai nuovi ascoltatori.

Chelsea Wolfe torna con il suo nono album in studio, *The Dark*, proponendo un sound più organico a metà strada tra dark folk, rock gotico e alternative. Chitarre, pianoforte e batteria dal vivo si fondono con il suo songwriting più maturo di sempre e con una voce che suona più potente e sicura di sé che mai.
Dal punto di vista tematico, *The Dark* affronta temi quali il lasciar andare, la ricerca di sé e la forza di affrontare la propria oscurità. In collaborazione con il produttore Ben Chisholm e musicisti ospiti come Robin Finck (Nine Inch Nails), Stella Mozgawa (Warpaint), Matt Chamberlain e Justin Meldal-Johnsen, è nato un album d’atmosfera che sviluppa ulteriormente il suono inconfondibile di Chelsea Wolfe e che piacerà sia ai fan di lunga data che ai nuovi ascoltatori.

Gold vinyl, limited to 250 copies

Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp! First time on vinyl and digi-CD.
In 1999 Mithotyn released their last album “Gathered Around the Oaken Table”, an album filled with soothing and intriguing melodies, Black Metal ferocity, and your classic Metal heaviness.

The vocal work consists most of the time of strained Black Metal rasps, dark growls, some clean chanting vocals.
People who like Folk Metal, Viking Metal and Black Metal will enjoy Mithotyn’s music.

The Folk elements, the Viking lyrics and the musical influences from black metal are greatly mixed in this album.

The album is very melodic and soothing but also heavy, catchy and aggressive, and intense at times.

But the album is not as heavy as other Viking Meal bands, like Amon Amarth.

Thanks to a great song variety makes this album to a long-lasting album, if you like it you will definitely want to listen it over and over again.

If there are any Vikings left out there, then raise your horns and hail Mithotyn so they will always be remembered!

Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp! First time on vinyl and digi-CD.
In 1999 Mithotyn released their last album “Gathered Around the Oaken Table”, an album filled with soothing and intriguing melodies, Black Metal ferocity, and your classic Metal heaviness.

The vocal work consists most of the time of strained Black Metal rasps, dark growls, some clean chanting vocals.
People who like Folk Metal, Viking Metal and Black Metal will enjoy Mithotyn’s music.

The Folk elements, the Viking lyrics and the musical influences from black metal are greatly mixed in this album.

The album is very melodic and soothing but also heavy, catchy and aggressive, and intense at times.

But the album is not as heavy as other Viking Meal bands, like Amon Amarth.

Thanks to a great song variety makes this album to a long-lasting album, if you like it you will definitely want to listen it over and over again.

If there are any Vikings left out there, then raise your horns and hail Mithotyn so they will always be remembered!

Black LP with 24-page booklet. Limited to 1000 copies.

Originally released on Walpurgis Night in 2006, Dissection's third and final album is widely regarded as the crowning achievement of the seminal Swedish band.

Everything about Reinkaos feels grandiose, otherworldly, and utterly complete. The timeless, majestic music, blended with lyrics pertaining to the Anti-Cosmic Current, and the stunning illustrations of the late Timo Ketola, form together a black diamond of exceptional elegance and vigour.

Unlike most bands that merely adopt Satanist symbolism and imagery for entertainment purposes, Reinkaos represents genuine Luciferian spirituality manifested as music. The eleven tracks that make up Reinkaos are truly Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!

Silver LP with 24-page booklet. Limited to 1000 copies.

Originally released on Walpurgis Night in 2006, Dissection's third and final album is widely regarded as the crowning achievement of the seminal Swedish band.

Everything about Reinkaos feels grandiose, otherworldly, and utterly complete. The timeless, majestic music, blended with lyrics pertaining to the Anti-Cosmic Current, and the stunning illustrations of the late Timo Ketola, form together a black diamond of exceptional elegance and vigour.

Unlike most bands that merely adopt Satanist symbolism and imagery for entertainment purposes, Reinkaos represents genuine Luciferian spirituality manifested as music. The eleven tracks that make up Reinkaos are truly Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!

Originally released on Walpurgis Night in 2006, DISSECTIONs third and concluding opus marks the seminal Swedish band’s crowning achievement.

Everything about Reinkaos feels grandiose, otherworldly and utterly complete: The timeless, majestic music blended with lyrics pertaining to the Anti-Cosmic Current and stunning illustrations provided by the late Timo Ketola together form a black diamond of exceptional elegance and vigour.

Unlike the vast majority of bands which merely adopt the symbolism and imagery of Satanism for entertainment purposes, Reinkaos represents the real deal and is an enduring testimony of genuine Luciferian spirituality manifested as music. The 11 tracks comprising Reinkaos truly are Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!
Hail the Glorious End!

Available as jewel-case CD in slipcase with 24-page booklet as well.

Originally released on Walpurgis Night in 2006, DISSECTIONs third and concluding opus marks the seminal Swedish band’s crowning achievement.

Everything about Reinkaos feels grandiose, otherworldly and utterly complete: The timeless, majestic music blended with lyrics pertaining to the Anti-Cosmic Current and stunning illustrations provided by the late Timo Ketola together form a black diamond of exceptional elegance and vigour.

Unlike the vast majority of bands which merely adopt the symbolism and imagery of Satanism for entertainment purposes, Reinkaos represents the real deal and is an enduring testimony of genuine Luciferian spirituality manifested as music. The 11 tracks comprising Reinkaos truly are Sonic Invocations to the Endless Dark Aeon!

Hail the dark legacy of Jon Nödtveidt!
Hail the Glorious End!

6-CD (Digipack) box with the following titles:
1. Reinkaos (red hotfoil on cover)
2. Reinkaos Instrumental Rehearsal
3. Midsummer Massacre Rehearsal (last Dissection Rehearsal ever)
4. The Hall Recordings
5. Maha Kali
6. Roughmix 2005/Starless Aeon

Leather-optic box with embossed silver hot-foil print and limited to 666 copies.

“Music for me, is rarely complete,” says GODFLESH mastermind Justin Broadrick, “but it has to reach a point where enough is enough. Creatively, there has to be self-discipline. One has to end it.”

Broadrick is primarily referring to the nebulous process of writing and arranging songs into their various potential shapes, but he could just as easily be describing GODFLESH’s imminent conclusion. Just three years after the hypnotic crunch of Purge, 25 years after an uncertain hiatus that nearly scuttled the band, and 38 years since GODFLESH’s inception, Broadrick and bassist-at-arms Ben Green set out to mercilessly crush this cold world with their tenth and penultimate album, this year’s Decay.

“Decay was born from the same sessions as Purge,” Broadrick declares of the new record’s six tracks. “It was one huge pool of songs. I picked what I felt was appropriate for what I wanted to achieve with Purge, with the intention of releasing the songs that didn't fit as a new album within a year of Purge being released. Unfortunately, two years passed whilst considering external labels, so that I didn't have to self-release GODFLESH anymore, but it took an awful lot of time to establish a comfortable home for me. The recordings were done, but as usual for me, I did change a lot of stuff once I came back to it.”

Now, GODFLESH is ready to unleash an even bolder, bleaker series of sounds in Decay. These songs arrive shortly after Broadrick released a public statement about major abdominal surgery he underwent earlier this year. “Fortunately, all of the recordings for Decay were completed long before the surgery, vocals included… although the back end of a couple of songs were recorded with the hernia itself, and that was a struggle. I was already aware that the GODFLESH shout, so to speak, was exacerbating the hernia greatly, as was every GODFLESH performance in the lead-up to the surgery once the hernia appeared, and the hernia was mostly caused by year upon year of shouting in GODFLESH. The album was mixed post-surgery, and while I was still in some pain and considerable discomfort, but fortunately GODFLESH is generally me expressing my pain, albeit [usually] mental, philosophical and existential, whereas this was physical pain.”

While the middle of the record pulses with five-minute hate-grooves, Broadrick credits the slime-wracked opener “Master and Slave” and crawling closer “Consume Me” with Decay’s true conceptual thrust. “The bookends of Decay are the most important pieces to me. They say it all, so to speak; the album could have been just those two songs alone – the duration of them is half of the total album!”

As GODFLESH's active tenure comes to a close, Broadrick expresses gratitude that it was ever his vessel to use as he willed. “It expresses my pain, and I’ve put my body and soul into this expression for the majority of my existence. I feel quite lucky, because Godflesh is now physically impossible for me, rendering it useless. I now wish to move out of its constraints, move on creatively with heavy/ugly music to new ground.”

Shadow Records (distributed and marketed by Regain Records) proudly presents the reissue of Sorhin's debut EP, Skogsgriftens rike on LP and CD formats. Originally released in 1996, Skogsgriftens rike marks the beginning of Sorhin's journey into the pantheon of Swedish black metal, laying the foundation for the cult full-length albums “I det glimrande mörkrets djup” and “Apokalypsens ängel”. Even at this early stage, the band's identity was fully formed, a cold, evocative and unmistakably Nordic vision that would become their enduring hallmark. Nearly thirty years on, Skogsgriftens rike still stands as a monument to the cold majesty of 1990s Swedish black metal, untouched by time, uncompromising in spirit, and as haunting as the northern wilderness that inspired it. Formats: 12" vinyl LP (black vinyl) -Sturdy 300gsm vinyl-sleeve with bronze pantone print -Vinyl insert -Double-sided A2 poster -Limited to 400 copies on black vinyl -CD jewelcase -8 page booklet

Shadow Records (distributed and marketed by Regain Records) proudly presents the reissue of Sorhin's debut EP, Skogsgriftens rike on LP and CD formats. Originally released in 1996, Skogsgriftens rike marks the beginning of Sorhin's journey into the pantheon of Swedish black metal, laying the foundation for the cult full-length albums “I det glimrande mörkrets djup” and “Apokalypsens ängel”. Even at this early stage, the band's identity was fully formed, a cold, evocative and unmistakably Nordic vision that would become their enduring hallmark. Nearly thirty years on, Skogsgriftens rike still stands as a monument to the cold majesty of 1990s Swedish black metal, untouched by time, uncompromising in spirit, and as haunting as the northern wilderness that inspired it. Formats: 12" vinyl LP (black vinyl) -Sturdy 300gsm vinyl-sleeve with bronze pantone print -Vinyl insert -Double-sided A2 poster -Limited to 400 copies on black vinyl -CD jewelcase -8 page booklet

Demo and rarities collection.

15 remastered tracks! 8 tracks have never been released on CD before and 1 completely exclusive song.

Curated by the band. Officially licensed from Theatre Of Tragedy.

Limited to 500 copies
Super Jewel Box
16 page booklet on uncoated offset paper stock

“Music for me, is rarely complete,” says GODFLESH mastermind Justin Broadrick, “but it has to reach a point where enough is enough. Creatively, there has to be self-discipline. One has to end it.”

Broadrick is primarily referring to the nebulous process of writing and arranging songs into their various potential shapes, but he could just as easily be describing GODFLESH’s imminent conclusion. Just three years after the hypnotic crunch of Purge, 25 years after an uncertain hiatus that nearly scuttled the band, and 38 years since GODFLESH’s inception, Broadrick and bassist-at-arms Ben Green set out to mercilessly crush this cold world with their tenth and penultimate album, this year’s Decay.

“Decay was born from the same sessions as Purge,” Broadrick declares of the new record’s six tracks. “It was one huge pool of songs. I picked what I felt was appropriate for what I wanted to achieve with Purge, with the intention of releasing the songs that didn't fit as a new album within a year of Purge being released. Unfortunately, two years passed whilst considering external labels, so that I didn't have to self-release GODFLESH anymore, but it took an awful lot of time to establish a comfortable home for me. The recordings were done, but as usual for me, I did change a lot of stuff once I came back to it.”

Now, GODFLESH is ready to unleash an even bolder, bleaker series of sounds in Decay. These songs arrive shortly after Broadrick released a public statement about major abdominal surgery he underwent earlier this year. “Fortunately, all of the recordings for Decay were completed long before the surgery, vocals included… although the back end of a couple of songs were recorded with the hernia itself, and that was a struggle. I was already aware that the GODFLESH shout, so to speak, was exacerbating the hernia greatly, as was every GODFLESH performance in the lead-up to the surgery once the hernia appeared, and the hernia was mostly caused by year upon year of shouting in GODFLESH. The album was mixed post-surgery, and while I was still in some pain and considerable discomfort, but fortunately GODFLESH is generally me expressing my pain, albeit [usually] mental, philosophical and existential, whereas this was physical pain.”

While the middle of the record pulses with five-minute hate-grooves, Broadrick credits the slime-wracked opener “Master and Slave” and crawling closer “Consume Me” with Decay’s true conceptual thrust. “The bookends of Decay are the most important pieces to me. They say it all, so to speak; the album could have been just those two songs alone – the duration of them is half of the total album!”

As GODFLESH's active tenure comes to a close, Broadrick expresses gratitude that it was ever his vessel to use as he willed. “It expresses my pain, and I’ve put my body and soul into this expression for the majority of my existence. I feel quite lucky, because Godflesh is now physically impossible for me, rendering it useless. I now wish to move out of its constraints, move on creatively with heavy/ugly music to new ground.”

• Gatefold Sleeve with interior print and lush metallic gold prints
• 180g metallic blue vinyl 

  Récits Patriotiques captures FORTERESSE in their rawest form: a rehearsal recording, originally made in preparation for Messe des Morts. Previously available only on CD, this intense snapshot of Québec black metal history now appears on vinyl for the very first time.

Black Vinyl

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

Luminal Blue Smoke

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

FLUISTERAARS return with their sixth full-length, Jacht der Mysteriën — three towering epics centered around the pursuit of the unknown.

Drawing from local legends, mysterious lights in the woods, and close observation of their immediate surroundings, the album was conceived as a live and complete band album and captured in a single take with longtime producer T. Cochrane.

Reamped through the hollow cylinder of an abandoned water tower, the record drifts between presence and disappearance — immersive, urgent, and elusive.

Limited edition of the entire discography of Mistress Of The Dead. that contain all the 15 CDs (4 albums - just for this boxing) + booklet of 35-40 pages and a coffin-shaped box ( wooden box made of birch )

Please see complete list of albums here at this link

11 full-length albums + bonus CD recorded specially for this edition. New artwork. Complete and strictly limited edition of 300 copies of the discography in the Book of Elffor.

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

Qualche graffio sulla supericie del dischetto

(NOTA BENE, IL TESCHIO NELLA FOTO E' DECORATIVO E NON FA PARTE DEL BOX)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Vinyl :NM

Sleeve VG++  

sealed

clicca qui per info

Gatefold embossed cover, double black vinyl

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

digipack edition, numbered copy 

Test pressing:  5 numbered copies

Test pressing, numbered  X/5 copies

the heirs of Nortt?

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."
 

New Mini-CD 7 tracks of blasphemy
 

These songs revolve around the transformation from man to The Übermensch (German for "Overman, Overhuman, Superman, Superhuman), through the purification of the fire and the metaphor of the warrior, mainly taking inspiration from parts of Vijnanabhairava as well as personal experiences of meditation.

Fire is the main element manifested by Shiva, seen as a purifying factor and dissolving, regenerating and annihilating.
In this case also seen as the awakening of a burning and dissolving energy, which brings chaos and destroys the boundaries of mortality to reach immortality.

Ascolta su BandCamp

Digipack limited to 500 Copies
Orchestral Fantasy Music / Epic Dungeon Synth

“Show My Mercy” is an EP about the remorse that humans will feel, when they are stuck in the swirl
of karma made by themselves. Blinded by fury, greed, sorrow, heading for their destruction step by step.

The digipak comes as four-sided panel with booklet-sleeve and eight-sided booklet.

“Our goal – call to blight the life existance. Our weapon – weaknesses and vices of human scum.”
Virvel Av Morkerhatet, Ukraine: a hard atom that represents the defect of the human thought, that is multiplied by self-destruction of transcendental consciousness. Anticosmos through Black Magic.
We know you dreamt about a violent and ruthless edge of Ved Buens Ende, if we can figure this out in our minds.
This is a record that will not leave you indifferent and will nail your soul, a marvellous mix of avantgarde metal and evil fury where every second minute is unpredictable although not pushing too much over the reasonable boundaries of experimentation that every black metal band should safely keep….

Ascolta su BandCamp

The Italic spirit returns… Winter Medieval Black Metal from the Mounts of Sibylla!

2-LP on Silver, second pressing.
 

The Italic spirit returns… Winter Medieval Black Metal from the Mounts of Sibylla!

ABIGOR’s 1994 full length debut captured the sudden discharge of the scene´s massive energy, which had built up in the early ’90s. As a result, Verwüstung turned out a bold, forceful but also deeply emotional album, created by adolescents who already had a sharp and individual idea how Black Metal should sound like. Although Verwüstung has in retrospect sometimes been overshadowed by the impact of Nachthymnen (From The Twilight Kingdom), its songwriting easily matches the 1995 classic and shows even more variety. No other ABIGOR album displays such a mix of demonic furore (“Kingdom Of Darkness”), complexity (“Universe Of Black Divine”) and atmosphere (“Midwintertears”), in addition Silenius delivered a vigorous peak performance and never sounded more powerful before or after.

For the first time, DSR presents a vinyl edition with the original 1994 cover collage. Verwüstung comes in a gatefold sleeve with an extensive 40 page booklet, including a comprehensive collection of photos and artefacts from that year, an A4 sticker sheet with the two blasphemous slogan-flyers made in early 1994, as well as liner notes and two detailed interviews:
one with Bruder Cle, talking about the tape-trading scene which shaped the emergence of Black Metal as well as this very album, and one with Georg Hrauda (Hörnix Studio), who recorded all the classic ABIGOR albums in the ’90s.

The vinyl sound – also for the first time – has been cut true to the original Hörnix master, while the download code leads to a new master, especially created for today´s mobile digital devices.

From the mythical dark forests of Hälsingland Ereb Altor rises again.
Weaving their epic sound around stories from the old days of Scandinavia.

A new and mysterious project from Finland. Raw and captivating black metal with a pinch of dungeon synth.
Feel the ancient flame…

Digipak CD limited to 300 copies, remastered edition of their Demo

A5 digipack with 8 pages booklet with a completely different artwork than the standard digipack edition (or the vinyl one). Strictly limited to one-edition only


Initially announced as a complementary ep to last year's album 'oltreLuna', q[T]p eventually found in their hands a giant work, almost worth calling it a new album.

Jewelcase

GRÀB offer both, continuity and change, on their sophomore full-length "Kremess". The Bavarian black metal project founded by vocalist Grànt continues to revolve lyrically around tales and traditions narrated in the local dialect of Germany's southernmost Alpine state: Bavaria. "Kremess" means 'funeral feast' in that language and death plays a leading role on this album. Musically, GRÀB still feature a prominent traditional instrument of their region, the hammered dulcimer. This gets combined with particularly Norwegian strands of black metal such as early GEHENNA, ULVER, and DARKTHRONE as well as taking inspiration from German pioneers of the genre namely NAGELFAR and LUNAR AURORA. Adding to the local sonic colours are many fresh ideas and sounds that came with English guitarist Gnàst, who has replaced previous main songwriter Grain in the meantime. A host of guest musicians including members of EMPYRIUM, TRIPTYKON, and DARK FORTRESS among others has further enhanced the musical spectrum. GRÀB, meaning "old and grey" in the local dialect, were conceived by former DARK FORTRESS frontman Grànt who wanted to bring a particularly Bavarian expression to black metal. The earlier collaboration between Grànt and guitarist Grain resulted in the release of the debut full-length "Zeitlang" in 2021, which channelled the black metal spirit of the early 90s much to the delight of both critics and fans. With "Kremess", GRÀB are infusing Bavarian black metal with new power that is bound to expand their growing empire far beyond the borders of their homeland.

reissue 2014
 

2014 CD Digipak re-issue.
Includes bonus track "Mourners (live in Bochum 2012)" and extended booklet.