• CD in solid hardbound book (20 x 20 cm) with linen cover and black hot foil finish
• 40 pages with artwork, lyrics and info printed on deluxe uncoated art-paper
• Designed download card for the digital album

"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.

UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.

More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."

"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.

UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.

More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."

"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.

UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.

More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."

VIA DOLORIS is the singular vision of Gildas Le Pape, shaped by solitude, discipline, and an uncompromising sense of craft. Rooted in Nordic black metal tradition yet guided by melody and introspection, the project traces a deeply personal inner journey. “Guerre et Paix” is an album of tension and balance, where shadow and light coexist in measured dialogue. Across seven expansive compositions, VIA DOLORIS explores the fragile architecture of the human psyche, moving through despair, rupture, and fleeting moments of clarity. The music favours restraint over excess, allowing melody to lead with quiet authority. Guitars unfold in long, expressive arcs, while rhythms remain deliberate and grounded, anchored by the nuanced drumming of Frost (Satyricon, 1349). Shifting between French, English, and Norwegian, language carries its own emotional gravity. Folk and pagan echoes surface subtly, lending the album a timeless, almost ritualistic atmosphere. For fans of BATHORY, SATYRICON, KAMPFAR. Artwork by Linnea Syversen

VIA DOLORIS is the singular vision of Gildas Le Pape, shaped by solitude, discipline, and an uncompromising sense of craft. Rooted in Nordic black metal tradition yet guided by melody and introspection, the project traces a deeply personal inner journey. “Guerre et Paix” is an album of tension and balance, where shadow and light coexist in measured dialogue. Across seven expansive compositions, VIA DOLORIS explores the fragile architecture of the human psyche, moving through despair, rupture, and fleeting moments of clarity. The music favours restraint over excess, allowing melody to lead with quiet authority. Guitars unfold in long, expressive arcs, while rhythms remain deliberate and grounded, anchored by the nuanced drumming of Frost (Satyricon, 1349). Shifting between French, English, and Norwegian, language carries its own emotional gravity. Folk and pagan echoes surface subtly, lending the album a timeless, almost ritualistic atmosphere. For fans of BATHORY, SATYRICON, KAMPFAR. Artwork by Linnea Syversen

VIA DOLORIS is the singular vision of Gildas Le Pape, shaped by solitude, discipline, and an uncompromising sense of craft. Rooted in Nordic black metal tradition yet guided by melody and introspection, the project traces a deeply personal inner journey. “Guerre et Paix” is an album of tension and balance, where shadow and light coexist in measured dialogue. Across seven expansive compositions, VIA DOLORIS explores the fragile architecture of the human psyche, moving through despair, rupture, and fleeting moments of clarity. The music favours restraint over excess, allowing melody to lead with quiet authority. Guitars unfold in long, expressive arcs, while rhythms remain deliberate and grounded, anchored by the nuanced drumming of Frost (Satyricon, 1349). Shifting between French, English, and Norwegian, language carries its own emotional gravity. Folk and pagan echoes surface subtly, lending the album a timeless, almost ritualistic atmosphere. For fans of BATHORY, SATYRICON, KAMPFAR. Artwork by Linnea Syversen

Oromet presents atmospheric funeral doom with a melodic emphasis without surrendering the all-encompassing heaviness that is the genre's hallmark. Where some seek to immiserate and drown the listener, Oromet explores the complete nature of sorrow as the band weaves the choke of despair and the lightness of serenity. The Sinking Isle focuses on the inevitability of collapse and the cycles of ruin and rebirth. Adrift on cataclysmic seas, melody remains the compass—a hopeful light guiding the listener through themes of loss, nostalgia, and pessimism.

For fans of Mournful Congregation, Bell Witch & Esoteric.

Oromet presents atmospheric funeral doom with a melodic emphasis without surrendering the all-encompassing heaviness that is the genre's hallmark. Where some seek to immiserate and drown the listener, Oromet explores the complete nature of sorrow as the band weaves the choke of despair and the lightness of serenity. The Sinking Isle focuses on the inevitability of collapse and the cycles of ruin and rebirth. Adrift on cataclysmic seas, melody remains the compass—a hopeful light guiding the listener through themes of loss, nostalgia, and pessimism.

For fans of Mournful Congregation, Bell Witch & Esoteric.

Experience the new double album from Paul Riedl (hanging moss) that crystallizes the stargazing Kosmische drones, meditative Deep Space Ambience & wistful New Age/Folk melodicism of his myriad musical personalities into a compelling synthesis of gentle, cinematic starscapes & pastoral acoustic environments. 1.5 hours of Cosmic Music well suited for meditation or other astral travel. Limited edition gatefold 2LP set on 140g crystal clear vinyl, hand numbered out of 500.

1.5 hours of Cosmic Music from a member of Blood Incantation

Hand-numbered 2xLP pressed on clear vinyl.

2xCD version features a 12-minute bonus track

Experience the new double album from Paul Riedl (hanging moss) that crystallizes the stargazing Kosmische drones, meditative Deep Space Ambience & wistful New Age/Folk melodicism of his myriad musical personalities into a compelling synthesis of gentle, cinematic starscapes & pastoral acoustic environments. 1.5 hours of Cosmic Music well suited for meditation or other astral travel. Limited edition gatefold 2LP set on 140g crystal clear vinyl, hand numbered out of 500.

1.5 hours of Cosmic Music from a member of Blood Incantation

Hand-numbered 2xLP pressed on clear vinyl.

2xCD version features a 12-minute bonus track

Black 12" vinyl in gatefold.
First pressing 250 copies worldwide.

PONTE DEL DIAVOLO emerged from the underground of Turin in 2020, born from members of Feralia, Inchiuvatu, Abjura and Askesis. Blending doom, black metal, post-punk and wave, they forged their own aesthetic - blackened post-punk.
‘De Venom Natura’ marks the Italian band’s most daring incarnation yet: an alchemical meditation on the poisons of nature - seductive, transformative, and deadly. Recorded live to preserve raw tension and imperfection, the album channels the atmosphere of their stage presence: dual basses thrum beneath haunted vocals, guitars flicker like burning incense, and drums strike with primal urgency.
Produced by Danilo Battocchio (Deepest Sea Studio, Turin) and mastered by Magnus Lindberg (Redmount Studios, Stockholm), the record unfolds like a fevered vision... Equal parts decay and revelation.

For fans of MESSA, CHELSEA WOLFE, ESBEN AND THE WITCH, DEAD CAN DANCE, DOOL, ELECTRIC WIZARD, DARKTHRONE.

Transparent green 12" vinyl in gatefold.
Limited to 250 copies worldwide.

PONTE DEL DIAVOLO emerged from the underground of Turin in 2020, born from members of Feralia, Inchiuvatu, Abjura and Askesis. Blending doom, black metal, post-punk and wave, they forged their own aesthetic - blackened post-punk.
‘De Venom Natura’ marks the Italian band’s most daring incarnation yet: an alchemical meditation on the poisons of nature - seductive, transformative, and deadly. Recorded live to preserve raw tension and imperfection, the album channels the atmosphere of their stage presence: dual basses thrum beneath haunted vocals, guitars flicker like burning incense, and drums strike with primal urgency.
Produced by Danilo Battocchio (Deepest Sea Studio, Turin) and mastered by Magnus Lindberg (Redmount Studios, Stockholm), the record unfolds like a fevered vision... Equal parts decay and revelation.

For fans of MESSA, CHELSEA WOLFE, ESBEN AND THE WITCH, DEAD CAN DANCE, DOOL, ELECTRIC WIZARD, DARKTHRONE.

CD in Digipak with alternative cover and 12-page booklet.

PONTE DEL DIAVOLO emerged from the underground of Turin in 2020, born from members of Feralia, Inchiuvatu, Abjura and Askesis. Blending doom, black metal, post-punk and wave, they forged their own aesthetic - blackened post-punk.
‘De Venom Natura’ marks the Italian band’s most daring incarnation yet: an alchemical meditation on the poisons of nature - seductive, transformative, and deadly. Recorded live to preserve raw tension and imperfection, the album channels the atmosphere of their stage presence: dual basses thrum beneath haunted vocals, guitars flicker like burning incense, and drums strike with primal urgency.
Produced by Danilo Battocchio (Deepest Sea Studio, Turin) and mastered by Magnus Lindberg (Redmount Studios, Stockholm), the record unfolds like a fevered vision... Equal parts decay and revelation.

For fans of MESSA, CHELSEA WOLFE, ESBEN AND THE WITCH, DEAD CAN DANCE, DOOL, ELECTRIC WIZARD, DARKTHRONE.

Récits Patriotiques captures FORTERESSE in their rawest form: a rehearsal recording, originally made in preparation for Messe des Morts. Previously available only on CD, this intense snapshot of Québec black metal history now appears on vinyl for the very first time.

• Gatefold Sleeve with interior print and lush metallic gold prints
• 180g spectral blue vinyl

Black Vinyl

From moniker to visual aesthetic and especially to the sonics themselves, HERALDIC BLAZE are encapsulating the oft-nebulous "medieval black metal" idiom with startling aplomb. While it's often difficult to discern exactly what medieval BM is other than a pithy "I know it when I hear it," HERALDIC BLAZE leave no doubt as to their intentions.

Witness their debut demo, Blazoned Heraldry. The duo of American multi-instrumentalist Argent Pale (vocals, bass, flute) and Norwegian guitarist Peregrinus (HJEMSØKT, SOLUS GRIEF, KVAD, UNHOLY CRAFT) create a spellbinding tapestry of rustic tones and textures. In fact, on texture alone - kinda clean and clanging, yet with more than a hint of ghostly grit and almost surfy reverb - HERALDIC BLAZE stand out, but it's how they utilize those textures in the service of songwriting: winding and wild, frothing up to an almost-dangerous delirium, but more often than not leaving wide-open spaces to let their medieval melodicism bend and sway with bravado and bittersweetness. And as actual flute flutters in from time to time, the sum effect, more often than not, is ALIEN - unsettling and alluring in equal measure.

While "merely" a demo recording, HERALDIC BLAZE's first work already trounces most modern works of "black metal." Unorthodox and unbound, Blazoned Heraldry is mandatory listening for fans of Sühnopfer, Ungfell, Grylle, Heltekvad, and particularly mid-2000s Peste Noire.

CORONER came up with an even more daring, unconventional album in 1993's ‘Grin', which abandoned much of the thrash-based aggression of their early days and focused on challenging dynamics and eerie atmospherics. This move proved too radical even for longtime fans, ironically, and they remain split over the album's merits, some seeing it as a total sellout, while many others consider it the band's greatest triumph.

CORONER came up with an even more daring, unconventional album in 1993's ‘Grin', which abandoned much of the thrash-based aggression of their early days and focused on challenging dynamics and eerie atmospherics. This move proved too radical even for longtime fans, ironically, and they remain split over the album's merits, some seeing it as a total sellout, while many others consider it the band's greatest triumph.

Dopo il grande successo della prima edizione, sold out, ecco una seconda stampa in vinile rosso trasparente

BIANCA is an exploration steeped in the subversive fire of black metal, with a penchant for doom and atmospheric resonances, centered around a female identity that spans different dimensions, from an ethereal presence to a primal rawness.

The music was born in 2024 with a series of demos composed by β and Ͷ. ES (from Hideous Divinity and Patristic) stepped in, shapeshifting the songs and giving the band a new form. Sathrath (Nocturnal Depression) joined the final recording sessions with his thunderous black metal touch.

BIANCA's first self-titled album is an enigmatic eight-step journey into the power of the human mind and the unconscious dimension as a messenger of precious insights for interpreting reality. A deep dive into the non-material aspects of human life and their transformative potential. No idea of religion, but a radical atheist and humanistic stance within the musical language of black metal, merging melodic nuances in an atmospheric embrace. A sorrowful struggle runs through the veins of BIANCA’s music, chilling to the core, yet captivating and transporting the listener to uncertainty.

Malum is set to release their next chapter, From the Voids. While firmly rooted in Malum’s established sonic foundation, the album is more aggressive, continuing the confrontational path introduced on Towards Nothingness. It is driven by anger and stands as a ruthless observation of the world as it appears — dark, broken, and hollow. 

The forthcoming full length consists of six tracks and does not abandon the band’s core identity but drives it forward with greater force and clarity. Having refined its expression into a cold and faceless descent toward inner collapse and existential void, Malum directs that vision beyond introspection. The music is sharpened to its core, carrying Malum’s bleak vision without compromise. 

Malum rose from the ashes as a brand-new entity in the Norwegian underground scene. Their prime directive is raw, atmospheric and melodic black metal — with a sound rooted in the bleak traditions of the second wave of black metal and shaped by modern existentialism and nihilism. Malum delivers music that is both oppressive and cathartic and has carved a path through Norway’s underground with raw intensity and philosophical depth. 

Malum is not merely a band — it is a confrontation. With the self. With silence. With nothingness.

Malum is set to release their next chapter, From the Voids. While firmly rooted in Malum’s established sonic foundation, the album is more aggressive, continuing the confrontational path introduced on Towards Nothingness. It is driven by anger and stands as a ruthless observation of the world as it appears — dark, broken, and hollow. 

The forthcoming full length consists of six tracks and does not abandon the band’s core identity but drives it forward with greater force and clarity. Having refined its expression into a cold and faceless descent toward inner collapse and existential void, Malum directs that vision beyond introspection. The music is sharpened to its core, carrying Malum’s bleak vision without compromise. 

Malum rose from the ashes as a brand-new entity in the Norwegian underground scene. Their prime directive is raw, atmospheric and melodic black metal — with a sound rooted in the bleak traditions of the second wave of black metal and shaped by modern existentialism and nihilism. Malum delivers music that is both oppressive and cathartic and has carved a path through Norway’s underground with raw intensity and philosophical depth. 

Malum is not merely a band — it is a confrontation. With the self. With silence. With nothingness.

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

A near Mint copy of this edition

Metallica ‎– ...And Justice For All
Label: Vertigo ‎– 836062-1
Format: 2 × Vinyl, LP, Album, Stereo, PRS Pressing
Country: Europe
Released: 1988
 

Vinyls NM   Sleeve VG+

Numbered, unplayed 

Bootleg version released on tape.
Xerox cover / white  tape.
B1 - Recorded in Grieghallen Lystudio September 1992, Previously unreleased.
B2 - First Version from the original DSP version 1992. Recorded Mid-Winter 1992 during Fullmoon of Grieghallen.

Qualche graffio sulla supericie del dischetto

Mint

(NOTA BENE, IL TESCHIO NELLA FOTO E' DECORATIVO E NON FA PARTE DEL BOX)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Vinyl :NM

Sleeve VG++  

Gatefold embossed cover, double black vinyl

Gatefold sleeve, 16 pages kingsize book, Grimace purple with Black galaxy vinyl (200 copies limited) 

It’s about time to reveal all the faces of the night! Moonlight Sorcery will release their first full-length album entitled Horned Lord of the Thorned Castle on September 29th. Expect nothing but an ice cold blizzard that will conquer your castles, crumble your towers and withhold the daylight forever!

Horned Lord Of The Thorned Castle is a perfect combination of the atmosphere from Piercing Through the Frozen Eternity and the rawness of Nightwind: The Conqueror from the Stars, the band’s two EPs released in 2022 and early 2023.

Moonlight Sorcery wants to raise the bar, and these new nine songs have even more melodic hooks and shreddy guitar work. Frozen synth walls further develop the Finnish trio’s unique sound, a vibe you cannot find in any other black metal record.

Horned Lord Of The Thorned Castle follows a specific narrative, and its nine compositions tell a single tale, with every song starting where the previous one left off. “Basically, our debut could be a single 44-minute song”, the band said. Yet, the pleasure of learning such a tale is yours. Prepare, wanderer, to meet the Horned Lord of the Thorned Castle!

Mixed and mastered at Unisound by legendary producer and musician Dan Swanö
 

the heirs of Nortt?

Second album by Yorkshire’s White Medal. “Lyke Wake” features 9 new tracks recorded in 2015. The new songs follow on from “Guthmers Hahl” (2013) in terms of song writing and over all feeling but with a more refined sound. All lyrics in Yorkshire dialect with very personal themes of graft, death, grief, loss and paganism.
 

The Clearing Path is a very young and talented solo-artist recording project. 'Watershed...' was initially released only as digital, and benefits of a promotional campaign conducted by Earsplit PR, receiving a lot of web-media consensus.
It's bleak, noisy, extremely emotional, but listening to it is so easy that you won't realize you are giving it a 3rd spin in two hours without getting bored. It appeals to a wide range of extreme music fans, from black metal to Neurosis and Pelican

Comes in a radical chic essential-design digipack

Ascolta su BandCamp

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."
 

Formed in 2020, VAMPYRIC TYRANT are a Teutonic black metal duo forged in the fires of old. The band is helmed by ex-Grabunhold member Graf Nekromant, joined by drummer Akatash. As foretold by their moniker, VAMPYRIC TYRANT indeed offer an iteration of vampiric black metal, but one locked in the dungeon of the '90s, as well as equally pursuing the epic ruminations of the legendary Moonblood.

Now joined under the banner of PURITY THROUGH FIRE and with the addition of bassist König Grausamkeit, VAMPYRIC TYRANT enter their next epoch with a four-song/19-minute EP fittingly titled Zorn und Hass. Grim yet stately, raw yet refined, the ghoulishness they offer here is as ethereal as it is insistent. More than that, each of the four tracks offers its own labyrinth of nostalgia and despair, perhaps hitting its sorrowful peak with the crying-orc instrumental "Ein Traum." Then, Zorn und Hass concludes in mesmerizingly hooligan fashion with the six-minute, organ-led "Totschlag."

Formed in 2020, VAMPYRIC TYRANT are a Teutonic black metal duo forged in the fires of old. The band is helmed by ex-Grabunhold member Graf Nekromant, joined by drummer Akatash. As foretold by their moniker, VAMPYRIC TYRANT indeed offer an iteration of vampiric black metal, but one locked in the dungeon of the '90s, as well as equally pursuing the epic ruminations of the legendary Moonblood.

Now joined under the banner of PURITY THROUGH FIRE and with the addition of bassist König Grausamkeit, VAMPYRIC TYRANT enter their next epoch with a four-song/19-minute EP fittingly titled Zorn und Hass. Grim yet stately, raw yet refined, the ghoulishness they offer here is as ethereal as it is insistent. More than that, each of the four tracks offers its own labyrinth of nostalgia and despair, perhaps hitting its sorrowful peak with the crying-orc instrumental "Ein Traum." Then, Zorn und Hass concludes in mesmerizingly hooligan fashion with the six-minute, organ-led "Totschlag."

New Mini-CD 7 tracks of blasphemy
 

The reclusive NONE return in 2023 with their fourth chapter, their longest and darkest work. “Inevitable” is the culmination of their musical legacy, evoking the signature depressive atmosphere that has struck listeners across the globe. Like the last stage of grief, “Inevitable” is a black, nihilistic acceptance… Surrendering to existential loss and failure, only to whisper a sigh of contempt before an apathetic march toward the inevitable end.

Written and recorded throughout the latter half of 2017, NONE's new album Life Has Gone On Long Enough takes its haunting shape through eight organic tracks of foggy mountainous atmosphere and bleak music. On this new chapter, NONE delves deeper into the blackest woods to find abandonment, and developing its tortured personality further. Moving in and out like the long shadows of an ancient forest, the harsh musical passages of Life Has Gone On Long Enough entertwine and die through forlorn atmospheres, devouring and nourishing a hopeless life.

Like clockwork, NONE returns this spring to destroy your seasonal optimism with their oppressively bleak atmosphere. Following 2018’s epic “Life Has Gone On Long Enough”, “Damp Chill Of Life” is NONE's third full-length chapter in their arrestingly reclusive legacy.

Weaving visionary soundscapes with depressive black metal, “Damp Chill Of Life” will gnaw at your bones like dying alone in an ice-bound wilderness. Haunting piano keys and retching voices flicker through harsh walls of instruments, ebbing and flowing through the lengthy tracks as NONE take their time to pick apart your psyche.

Shiki, the 2022 studio album from Sigh is an opus of dark and eclectic blackened Heavy Metal, shrouded in traditional Eastern influences. 

CD edition.

THIRTIETH ANNIVERSARY EDITION OF SIGH’S SECOND STUDIO ALBUM OF MASTERFULLY CRAFTED EASTERN ATMOSPHERIC BLACK METAL, NOW ON PEACEVILLE, WITH NEW AUDIO MASTER. PRESENTED ON DOUBLE CD.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Marking thirty years since its original release & kickstarting a string of reissues of Sigh’s revered yet hard to find classic early catalogue, this edition of ‘Infidel Art’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source. The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & legacy of the album.

This edition of ‘Infidel Art’ is presented on double CD format, including a rare first mix of the entire album, as well as additional tracks ‘The Zombie Terror’ from the ‘Far East Gate In Inferno’ compilation, plus songs originally included for a split release with Kawir, having also received a new transfer from the original DAT source.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Maintaining the core trio of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami & on the back of the epic & darkly symphonic opus ‘Infidel Art’ (1995), Sigh adopted a more boundary-defying approach to their writing, whilst still keeping the dark foundations & traits of the band’s fundamental sound. The result was ‘Ghastly Funeral Theatre’ which surfaced in 1997 & draped in Eastern & horror-based atmospherics, the band also embraced elements outside of metal with what was their most experimental offering to date; utilising instruments such as the saxophone as well as acoustic passages & notoriously drawing comparisons to the moods of bands such as The Beatles at times, featuring catchy hooks & structures in line with the rock music genre, but masterfully woven into Sigh’s unique blackened metal tapestry.

Continuing with Peaceville’s re-issues of Sigh’s classic early ( & until now, hard to find) works, this edition of ‘Ghastly Funeral Theatre’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.

In addition to the original studio tracks, this special double-disc release contains an expansive selection of material from the time, from unreleased mixes of album tracks & rare cover songs, to the inclusion of the very rare ‘Funeral Theatre’ Promo tape created by Mirai Kawashima in 1995.

The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & inspirations behind ‘Ghastly Funeral Theatre’.

Wayhome is Kauan's most ambitious production to date. It is essentially one 50-minute song divided into eight tracks for the modern listener’s convenience. The album is dedicated to journeys in both literal and mental senses. Both “way” and “home” can be interpreted differently, as one can return home after a long absence or just try to solve an inner problem, overcome an obstacle, be reborn, or even die.

Wayhome’s visual concept themed around the journey told through fabric and cloth. It begins with pure, untouched white. As the album unfolds, the fabric begins to wear: stained, burned, stretched, and torn. By the final track, the cloth is unrecognizable—transformed by everything it’s endured.

Besides all the ordinary formats from LPs, CDs and streaming, Wayhome will be available on Apple Music in Dolby Atmos, a spatial audio format for optimal listening that creates a three-dimensional experience.