Limited edition of 150 copies. Coming in a gatefold with insert.
Intense razor-sharp Swedish Black Metal attack!
Formed in Stockholm in 2016, Flykt emerged as an essential creative outlet for those involved and as a sign of defiance amid decay,
operating from the periphery rather than the center.
In 2019, the band released its debut full-length album, “Charnel Heart”, through Folter Records. Later the same year, Flykt followed up with
the two-track EP “Through the Earth and Through the Sun”. Since then, Flykt has continued its work away from view, shaping the material
for its second full-length album.
In 2025, the band signed with Hammerheart Records. Their second full length album “Sinister Strain” is set for release in the summer of 2026.

Intense razor-sharp Swedish Black Metal attack!
Formed in Stockholm in 2016, Flykt emerged as an essential creative outlet for those involved and as a sign of defiance amid decay,
operating from the periphery rather than the center.
In 2019, the band released its debut full-length album, “Charnel Heart”, through Folter Records. Later the same year, Flykt followed up with
the two-track EP “Through the Earth and Through the Sun”. Since then, Flykt has continued its work away from view, shaping the material
for its second full-length album.
In 2025, the band signed with Hammerheart Records. Their second full length album “Sinister Strain” is set for release in the summer of 2026.

Graveir, forged in the oppressive underground of Brisbane in 2014, deliver a uniquely unorthodox take on black metal—melding dissonant, riff-driven weight with warped, unsettling melody. Known for their intense, unease-soaked live shows and uncompromising sound, the band continues to carve their own path.

The Festering Triad, their third album, is a bleak vision of societal decay and corrupted power. Across eight tracks, bile-fuelled aggression surges through anxiety-ridden drums, convulsing guitars, and serpentine basslines—forming a suffocating, venomous descent into rot.

For Fans Of: Marduk | Shining | Gorgoroth

"Gloom" is the debut full-length album by the American band Macabre, released in 1989. The album has earned the status of one of the most important and original releases of the death/grind scene.

“Gloom” lasts only 25 minutes in its standard version and is characterized by extraordinary intensity and a raw sound, as well as very fast tempos, aggressive, thrash metal riffs, and "dirty," punk-influenced vocals (the band was heavily inspired by the early hardcore scene).

The lyrics describe real-life crimes and serial killers but often with a dose of dark specific sense of humour, which has become a trademark of Macabre's work over the years.

Melechesh's sixth album was released in 2015. "Enki" is a unique blend of black and thrash metal with a lot of Middle East inspired influences.
The album captivates with its precise execution, complex riffs, and hypnotic atmosphere inspired by ancient Mesopotamia. Dynamic compositions, an oriental atmosphere, and engaging vocals create very intense album that stands out among the contemporary metal scene.
Fans of later Behemoth, Nile, and Rotting Christ should definitely check out this album. It's perfect for listeners who are fans metal with a unique, oriental sound.

Melechesh's sixth album was released in 2015. "Enki" is a unique blend of black and thrash metal with a lot of Middle East inspired influences.
The album captivates with its precise execution, complex riffs, and hypnotic atmosphere inspired by ancient Mesopotamia. Dynamic compositions, an oriental atmosphere, and engaging vocals create very intense album that stands out among the contemporary metal scene.
Fans of later Behemoth, Nile, and Rotting Christ should definitely check out this album. It's perfect for listeners who are fans metal with a unique, oriental sound.

Melechesh's sixth album was released in 2015. "Enki" is a unique blend of black and thrash metal with a lot of Middle East inspired influences.
The album captivates with its precise execution, complex riffs, and hypnotic atmosphere inspired by ancient Mesopotamia. Dynamic compositions, an oriental atmosphere, and engaging vocals create very intense album that stands out among the contemporary metal scene.
Fans of later Behemoth, Nile, and Rotting Christ should definitely check out this album. It's perfect for listeners who are fans metal with a unique, oriental sound.

Mortem was originally known as the Norwegian cult band which preceded Arcturus. Formed by Marius Vold and Steinar Sverd Johnsen in 1989, Mortem was one of the first black metal bands to crawl out of the woodwork in Norway, releasing the highly coveted & brutal 'Slow Death' demo, with Euronymous and Dead of Mayhem acting as producer and cover artist respectively (whilst also featuring Hellhammer on session drums). After the release of 'Slow Death', the band was laid to rest, with members going on to form and feature in acclaimed titans such as Arcturus and Thorns, both of which would become mainstays in the black metal scene and beyond.

It wasn’t until 2019, when Mortem’s studio debut 'Ravnsvart' was released, and the magic of old undoubtedly returned with that same spirit and brutality of the original incarnation, whilst injecting new elements to form an opus of ferocious yet atmospheric horror. This was followed soon after by the fully re-recorded and re-worked ‘Slow Death’ tracks.

And now Mortem returns with new ode to the dark, ‘Mørketid’. The album presents an expansion and marked progression over the debut, with brooding mid-paced monumental riffs interspersed with periods of hyperspeed black metal. The album presents eight tracks of savage yet eerie and also often epic Black Metal of the highest order, adorned with the indomitable keyboard textures of Sverd, along with Hellhammer’s unmistakable percussive prowess, and the returning vicious snarls of vocalist Marius Vold.

Mortem was originally known as the Norwegian cult band which preceded Arcturus. Formed by Marius Vold and Steinar Sverd Johnsen in 1989, Mortem was one of the first black metal bands to crawl out of the woodwork in Norway, releasing the highly coveted & brutal 'Slow Death' demo, with Euronymous and Dead of Mayhem acting as producer and cover artist respectively (whilst also featuring Hellhammer on session drums). After the release of 'Slow Death', the band was laid to rest, with members going on to form and feature in acclaimed titans such as Arcturus and Thorns, both of which would become mainstays in the black metal scene and beyond.

It wasn’t until 2019, when Mortem’s studio debut 'Ravnsvart' was released, and the magic of old undoubtedly returned with that same spirit and brutality of the original incarnation, whilst injecting new elements to form an opus of ferocious yet atmospheric horror. This was followed soon after by the fully re-recorded and re-worked ‘Slow Death’ tracks.

And now Mortem returns with new ode to the dark, ‘Mørketid’. The album presents an expansion and marked progression over the debut, with brooding mid-paced monumental riffs interspersed with periods of hyperspeed black metal. The album presents eight tracks of savage yet eerie and also often epic Black Metal of the highest order, adorned with the indomitable keyboard textures of Sverd, along with Hellhammer’s unmistakable percussive prowess, and the returning vicious snarls of vocalist Marius Vold.

Mortem was originally known as the Norwegian cult band which preceded Arcturus. Formed by Marius Vold and Steinar Sverd Johnsen in 1989, Mortem was one of the first black metal bands to crawl out of the woodwork in Norway, releasing the highly coveted & brutal 'Slow Death' demo, with Euronymous and Dead of Mayhem acting as producer and cover artist respectively (whilst also featuring Hellhammer on session drums). After the release of 'Slow Death', the band was laid to rest, with members going on to form and feature in acclaimed titans such as Arcturus and Thorns, both of which would become mainstays in the black metal scene and beyond.

It wasn’t until 2019, when Mortem’s studio debut 'Ravnsvart' was released, and the magic of old undoubtedly returned with that same spirit and brutality of the original incarnation, whilst injecting new elements to form an opus of ferocious yet atmospheric horror. This was followed soon after by the fully re-recorded and re-worked ‘Slow Death’ tracks.

And now Mortem returns with new ode to the dark, ‘Mørketid’. The album presents an expansion and marked progression over the debut, with brooding mid-paced monumental riffs interspersed with periods of hyperspeed black metal. The album presents eight tracks of savage yet eerie and also often epic Black Metal of the highest order, adorned with the indomitable keyboard textures of Sverd, along with Hellhammer’s unmistakable percussive prowess, and the returning vicious snarls of vocalist Marius Vold.

Red vinyl housed in 300 gsm coated carton sleeve with 3mm spine. Includes 8 page lp-sized booklet printed on 140gsm matt paper and double sided A4 replica of 1997 Misanthropy Records infosheet printed on 140gsm scarlet red burano paper.

The classic 1997 return concert officially re-issued in full on all audio formats for the very first time!
Featuring tons of pics and liner notes & quotes from Hellhammer, Necrobutcher, Maniac and Blasphemer.
Experience the chaotic return to the stage after an even more turbulent era which almost everything has been said and written about.
With the ‘Wolf’s Lair Abyss’ EP around the corner the then new line up of Hellhammer, Necrobutcher, Maniac and Blasphemer geared up to not only return with newly recorded material but also bringing the unmatched black metal live to the stage.
Whereas the sound on most of these live recordings can be classified as decent to good the technology aged less at some parts (specifically on "Ancient Skin" and "Buried by Time and Dust"). They still belong to this release in all their rawness.
This timeless audio document takes you on a journey living the dark past, with all its aggression and flaws, yet authentic and unpolished.

Black vinyl housed in 300 gsm coated carton sleeve with 3mm spine. Includes 8 page lp-sized booklet printed on 140gsm matt paper and double sided A4 replica of 1997 Misanthropy Records infosheet printed on 140gsm scarlet red burano paper.

The classic 1997 return concert officially re-issued in full on all audio formats for the very first time!
Featuring tons of pics and liner notes & quotes from Hellhammer, Necrobutcher, Maniac and Blasphemer.
Experience the chaotic return to the stage after an even more turbulent era which almost everything has been said and written about.
With the ‘Wolf’s Lair Abyss’ EP around the corner the then new line up of Hellhammer, Necrobutcher, Maniac and Blasphemer geared up to not only return with newly recorded material but also bringing the unmatched black metal live to the stage.
Whereas the sound on most of these live recordings can be classified as decent to good the technology aged less at some parts (specifically on "Ancient Skin" and "Buried by Time and Dust"). They still belong to this release in all their rawness.
This timeless audio document takes you on a journey living the dark past, with all its aggression and flaws, yet authentic and unpolished.

The classic 1997 return concert officially re-issued in full on all audio formats for the very first time!
Featuring tons of pics and liner notes & quotes from Hellhammer, Necrobutcher, Maniac and Blasphemer.
Experience the chaotic return to the stage after an even more turbulent era which almost everything has been said and written about.
With the ‘Wolf’s Lair Abyss’ EP around the corner the then new line up of Hellhammer, Necrobutcher, Maniac and Blasphemer geared up to not only return with newly recorded material but also bringing the unmatched black metal live to the stage.
Whereas the sound on most of these live recordings can be classified as decent to good the technology aged less at some parts (specifically on "Ancient Skin" and "Buried by Time and Dust"). They still belong to this release in all their rawness.
This timeless audio document takes you on a journey living the dark past, with all its aggression and flaws, yet authentic and unpolished.

4-panel digipack with black tray printed on 300gsm coated carton. Comes with 18-page folded 3x3 panels booklet printed on 135 gsm art paper.

The classic 1997 return concert officially re-issued in full on all audio formats for the very first time!
Featuring tons of pics and liner notes & quotes from Hellhammer, Necrobutcher, Maniac and Blasphemer.
Experience the chaotic return to the stage after an even more turbulent era which almost everything has been said and written about.
With the ‘Wolf’s Lair Abyss’ EP around the corner the then new line up of Hellhammer, Necrobutcher, Maniac and Blasphemer geared up to not only return with newly recorded material but also bringing the unmatched black metal live to the stage.
Whereas the sound on most of these live recordings can be classified as decent to good the technology aged less at some parts (specifically on "Ancient Skin" and "Buried by Time and Dust"). They still belong to this release in all their rawness.
This timeless audio document takes you on a journey living the dark past, with all its aggression and flaws, yet authentic and unpolished.

Ancient Future Black Metal Meets Blackened Psychedelia… Mysterious UK-US experimental black metal trio Qasu announce their debut album A Bleak King Cometh, co-released via Phantom Limb & extreme-metal tastemakers Apocalyptic Witchcraft. Described by the band as “ancient future black metal,” the upcoming record (out on 30th January, 2026) delivers a crushing and otherworldly sound that fuses blackened psychedelia, occult techno, and warped sound design into a singular, terrifying vision.

Formed by members of “somewhat known” existing acts, Qasu hit an immediate and confident stride of finessed songwriting on their debut release. Its riffs are cataclysmic, whether agonisingly slow or razor sharp; its blastbeats are breakneck and meaty; its vocals are howled with torturous passion; its mythology is crafted with narrative totality… 

"A Bleak King Cometh is a visionary debut. Voidborne, unrelenting, and unlike anything else in the extreme metal landscape. Qasu have crafted an immersive world where ancient ritual collides with futuristic terror, and we’re proud to help bring it into the light… or the abyss." - Conor Droney, Apocalyptic Witchcraft

Ancient Future Black Metal Meets Blackened Psychedelia… Mysterious UK-US experimental black metal trio Qasu announce their debut album A Bleak King Cometh, co-released via Phantom Limb & extreme-metal tastemakers Apocalyptic Witchcraft. Described by the band as “ancient future black metal,” the upcoming record (out on 30th January, 2026) delivers a crushing and otherworldly sound that fuses blackened psychedelia, occult techno, and warped sound design into a singular, terrifying vision.

Formed by members of “somewhat known” existing acts, Qasu hit an immediate and confident stride of finessed songwriting on their debut release. Its riffs are cataclysmic, whether agonisingly slow or razor sharp; its blastbeats are breakneck and meaty; its vocals are howled with torturous passion; its mythology is crafted with narrative totality… 

"A Bleak King Cometh is a visionary debut. Voidborne, unrelenting, and unlike anything else in the extreme metal landscape. Qasu have crafted an immersive world where ancient ritual collides with futuristic terror, and we’re proud to help bring it into the light… or the abyss." - Conor Droney, Apocalyptic Witchcraft

More than half a century into its life, what exactly is heavy metal? Is it a kind of belief system? Is it something to be observed as a relic, or an exhibit in a museum? Or is it, to paraphrase Christopher Lee’s Due de Richeleau in The Devil Rides Out “A living force, which can strike at any moment of the night”?

Needless to say, SPELL, Vancouver’s next-level metal magicians, have plenty of thoughts on the matter. And as far as they’re concerned, heavy metal is something that needs to evolve to stay vibrant and exciting. This has been the fuel for their fifth album, the brashly confident Wretched Heart. What’s more, this relentless evolutionary momentum has led to them creating their strongest record to date - a thunderous celebration of individualism and eccentricity which stalks its nocturnal realm with savage finesse and beguiling charm.

“Heavy metal can often be a regressive genre, almost by definition. But it doesn’t have to be!” emphasises the band’s singer. bassist and co-pilot Cam Mesmer, “I think that getting set in your ways is death. You have to be open to learning from new influences, or you’re washed up and a caricature of yourself. I consider SPELL to be a heavy metal band, and therefore whatever music we make, will therefore be heavy metal, rather than the other way around, where you try to make your band fit into whatever narrow niche you think heavy metal is supposed to sound like”.

Therefore whilst Wretched Heart is possessed of no shortage of stirring harmony guitars, blazing solos and foot-on-monitor bravura, it also delves into fresh psychic terrain, building on the gothic flourishes that emboldened 2022’s Tragic Magic and embracing an emotional resonance that elevates its viciously catchy songs into the stratosphere. Central to this is the chemistry of the new SPELL line-up, which consolidates the duo of Cam and drummer/guitarist/co-vocalist Al Lester with keyboardist/guitarist Gabriel Tenebrae and lead guitarist Jeff Black. Having honed this incarnation through touring with the likes of Green Lung, Wytch Hazel and Angel Witch, they’ve forged a union which throws the band firmly from the realm of retro chic into a new, bolder direction which, in the words of Baudelaire, extracts the eternal from the ephemeral.

“I feel that the core of SPELL is more of a feeling or an atmosphere than a specific sound, and by the time a song goes through our filter it always sounds like us anyhow.” reasons Cam. “I’ve never really cared for happy songs. Excited, maybe. Desperation. adrenaline. melancholy, but in a wild and passionate way”.

All of these attributes and more are to be found herein. Aided and abetted by long-time collaborator Felix Fung on mixing desk and “fifth Beatle” duties, and resplendent in a sleeve by macabre visionary Adam Burke; Wretched Heart is a glorious testimony to a band ready to transcend its influences in search of fresh glory. “Lilac”, the album’s lead single (which also features a guest guitar solo from former Spirit Adrift, Carcass and Angel Witch man Tom Draper) is their most addictive and bittersweet moment to date, channelling both stadium-sized passion and wistful longing. “Take My Life” is an existential mid-paced stomper with a chorus that a Spandex-clad ‘80s warrior would kill for yet an emotional depth that they might be perplexed by.

“Oubliette” meanwhile tackles the feeling of being trapped under the wheels of capitalism with bleak fortitude, and the gloriously stirring finale title track maps out a curious hinterland where Maiden-esque gallantry can share space with Kraftwerk-style vocoder stylings.

Having previously dealt heavily with the mystical and fantastical, Wretched Heart also showcases a new kind of emotional directness, reflecting the band’s own personal lives, as Cam attests “I challenge all lyricists: don’t be a coward! Whatever you’re feeling, have the courage to write about it! Being afraid to be cringe is the worst disaster to befall art”

 “I’m always looking for that subconscious, under-the-skin feeling that we all got when listening to our first favourite bands in high school, where it’s just pure and exciting and takes hold of you” he reckons. “I’ll always worship Maiden, Sabbath and Priest, but I’d hate to be that guy who just goes back to putting on the same records every day. There is always new ground to be broken by those willing to risk it. I hope we succeeded in writing a catchy, exciting, personal record, which also pisses off a few of the more rigid traditionalists”.

Wretched Heart, in all its gory glory, thus embodies a very vital paradox - a record made by true believers who yearn for catharsis beyond. The oxymoron of anthems forged from steel, yet with a very human heart. Even the most cynical bystander will likely struggle not to be bewitched.

This album is for anyone going through it” summarises Cam, “Anyone who’s not afraid to lay it all out in the open and feel something real!

More than half a century into its life, what exactly is heavy metal? Is it a kind of belief system? Is it something to be observed as a relic, or an exhibit in a museum? Or is it, to paraphrase Christopher Lee’s Due de Richeleau in The Devil Rides Out “A living force, which can strike at any moment of the night”?

Needless to say, SPELL, Vancouver’s next-level metal magicians, have plenty of thoughts on the matter. And as far as they’re concerned, heavy metal is something that needs to evolve to stay vibrant and exciting. This has been the fuel for their fifth album, the brashly confident Wretched Heart. What’s more, this relentless evolutionary momentum has led to them creating their strongest record to date - a thunderous celebration of individualism and eccentricity which stalks its nocturnal realm with savage finesse and beguiling charm.

“Heavy metal can often be a regressive genre, almost by definition. But it doesn’t have to be!” emphasises the band’s singer. bassist and co-pilot Cam Mesmer, “I think that getting set in your ways is death. You have to be open to learning from new influences, or you’re washed up and a caricature of yourself. I consider SPELL to be a heavy metal band, and therefore whatever music we make, will therefore be heavy metal, rather than the other way around, where you try to make your band fit into whatever narrow niche you think heavy metal is supposed to sound like”.

Therefore whilst Wretched Heart is possessed of no shortage of stirring harmony guitars, blazing solos and foot-on-monitor bravura, it also delves into fresh psychic terrain, building on the gothic flourishes that emboldened 2022’s Tragic Magic and embracing an emotional resonance that elevates its viciously catchy songs into the stratosphere. Central to this is the chemistry of the new SPELL line-up, which consolidates the duo of Cam and drummer/guitarist/co-vocalist Al Lester with keyboardist/guitarist Gabriel Tenebrae and lead guitarist Jeff Black. Having honed this incarnation through touring with the likes of Green Lung, Wytch Hazel and Angel Witch, they’ve forged a union which throws the band firmly from the realm of retro chic into a new, bolder direction which, in the words of Baudelaire, extracts the eternal from the ephemeral.

“I feel that the core of SPELL is more of a feeling or an atmosphere than a specific sound, and by the time a song goes through our filter it always sounds like us anyhow.” reasons Cam. “I’ve never really cared for happy songs. Excited, maybe. Desperation. adrenaline. melancholy, but in a wild and passionate way”.

All of these attributes and more are to be found herein. Aided and abetted by long-time collaborator Felix Fung on mixing desk and “fifth Beatle” duties, and resplendent in a sleeve by macabre visionary Adam Burke; Wretched Heart is a glorious testimony to a band ready to transcend its influences in search of fresh glory. “Lilac”, the album’s lead single (which also features a guest guitar solo from former Spirit Adrift, Carcass and Angel Witch man Tom Draper) is their most addictive and bittersweet moment to date, channelling both stadium-sized passion and wistful longing. “Take My Life” is an existential mid-paced stomper with a chorus that a Spandex-clad ‘80s warrior would kill for yet an emotional depth that they might be perplexed by.

“Oubliette” meanwhile tackles the feeling of being trapped under the wheels of capitalism with bleak fortitude, and the gloriously stirring finale title track maps out a curious hinterland where Maiden-esque gallantry can share space with Kraftwerk-style vocoder stylings.

Having previously dealt heavily with the mystical and fantastical, Wretched Heart also showcases a new kind of emotional directness, reflecting the band’s own personal lives, as Cam attests “I challenge all lyricists: don’t be a coward! Whatever you’re feeling, have the courage to write about it! Being afraid to be cringe is the worst disaster to befall art”

 “I’m always looking for that subconscious, under-the-skin feeling that we all got when listening to our first favourite bands in high school, where it’s just pure and exciting and takes hold of you” he reckons. “I’ll always worship Maiden, Sabbath and Priest, but I’d hate to be that guy who just goes back to putting on the same records every day. There is always new ground to be broken by those willing to risk it. I hope we succeeded in writing a catchy, exciting, personal record, which also pisses off a few of the more rigid traditionalists”.

Wretched Heart, in all its gory glory, thus embodies a very vital paradox - a record made by true believers who yearn for catharsis beyond. The oxymoron of anthems forged from steel, yet with a very human heart. Even the most cynical bystander will likely struggle not to be bewitched.

This album is for anyone going through it” summarises Cam, “Anyone who’s not afraid to lay it all out in the open and feel something real!

8-CD Artbook Edition (hardcover, 28 x 28 cm, 60 pages) featuring personal reflections, song lyrics, additional illustrations, photos, and exclusive bonus material. (600 copies available) 

With “Arcane Past: The Celestial Grimoire,” LIMBONIC ART delivers the ultimate testament to their early years. This jam-packed 8-CD artbook not only brings together all the classic works of the Norwegian black metal cult band—the demos and early albums—but also the previously unreleased “1994 Demo”! LIMBONIC ART was founded in 1993 and released their debut album “Moon in the Scorpio” (1996) three years later via Nocturnal Art Productions. The label was run by EMPEROR guitarist Samoth, aka Tomas Thormodsæter Haugen, who stepped in after the band’s demo cassettes had piqued his interest. The band’s combination of Nordic black metal with cinematic elements—inspired by romantic and classical orchestral music—proved to be highly influential in the years that followed. LIMBONIC ART were always an elusive phenomenon and were already considered a cult band back then, as the Norwegians performed live only very rarely—for example, with a legendary concert at the Black Whitsun subfestival of the millennium edition of the Wave Gothic Festival (2000) in Leipzig.

In the new century, Daemon joined ZYKLON for a while before LIMBONIC ART officially disbanded in February 2003. In 2006, however, Daemon reformed the band and continued on his own. After another extended hiatus, the Norwegian cult band made a remarkable comeback in 2024 with their ninth album, “Opus Daemoniacal.” “Arcane Past: The Celestial Grimoire” brings things full circle, offering all of LIMBONIC ART’s classics and rarities collected on CD for the first time.

Black 12" double vinyl (33rpm) in jacket with double-sided insert.
First pressing 300 copies worldwide

BORKNAGAR stay true to metal’s origins by letting their spirit guide them. Starting with their self-titled beginnings back in 1996, these Norwegians pushed past the boundaries set by traditional black metal. Over the course of the past 30 years, the band’s domain has come to include prog, neofolk and darkly enchanting hard rock, capped by major international tours and chart placements across the world. Eleven albums into their storied journey, they reached another creative peak on ’True North’ in 2019.
‘True North’ found BORKNAGAR at a crossroad. Half of the band’s lineup had turned over, but their longstanding members kept them on a dizzying upward trajectory. Whether picking or riffing, founder and guitarist Øystein Brun led the way, lighting a path for the versatile ICS Vortex (Arcturus, ex-Dimmu Borgir) to return to the mic. His thunderous cleans shine amidst the warm misty keys of hit single “Up North”, while his screams cut through the more hellish passages of “The Fire That Burns”. Even when hounded by “Voices”, keyboardist Lars Nedland’s resounding chorus resonated far and wide.
Loudwire named the album one of the best of 2019.

For fans of AMORPHIS, ENSLAVED, WINDIR.

Limited edition of the entire discography of Mistress Of The Dead. that contain all the 15 CDs (4 albums - just for this boxing) + booklet of 35-40 pages and a coffin-shaped box ( wooden box made of birch )

Please see complete list of albums here at this link

11 full-length albums + bonus CD recorded specially for this edition. New artwork. Complete and strictly limited edition of 300 copies of the discography in the Book of Elffor.

12 full-length albums + bonus CD recorded specially for this edition. Complete and strictly limited edition of 300 copies of the discography in the Book

Media Condition: Near Mint 
Sleeve Condition: Mint 

more info

Bootleg version released on tape.
Xerox cover / white  tape.
B1 - Recorded in Grieghallen Lystudio September 1992, Previously unreleased.
B2 - First Version from the original DSP version 1992. Recorded Mid-Winter 1992 during Fullmoon of Grieghallen.

Qualche graffio sulla supericie del dischetto

(NOTA BENE, IL TESCHIO NELLA FOTO E' DECORATIVO E NON FA PARTE DEL BOX)

"The Northern Silence Years" Box-Set compiles the three albums the band released under Northern Silence Productions (which were also licensed to Nuclear Blast USA).

It is limited to 100 copies and includes:

- "Moonlover" DigiCD
- "Starmourner" DigiCD
- "Self Loather" DigiCD
- flag (100cm x 55cm with the "Reaper" artwork)
- woven logo patch
- logo metal pin
- sticker with the "Reaper" artwork
- handnumbered certificate

Vinyl :NM

Sleeve VG++  

sealed

clicca qui per info

Gatefold embossed cover, double black vinyl

This special edition comes with an exclusive silkscreened hand-printed and numbered slipcase, printed innersleeve, 12-page 12"x12" booklet and a download card. Pressed on exclusive gold nugget heavy vinyl. Limited to 102 copies.

#076/102

Triple LP in trifold cover! Neon orange vinyls, 200 copies limited

Please note: mock-ups are purely indicative computer graphics: the final product sometimes varies considerably

The Burning Circle and Then Dust is Lycia’s fourth studio recording, originally released on double CD via Projekt Records in 1995. Save for a small CD re-release in 2006 by Silber Records, the album has never been reissued since. It is hence with great pride that here at Avantgarde Music we officially announce a new edition of one of Lycia’s masterworks from the ‘90s, due out on 2CD as well as triple LP, making this the first Burning Circle vinyl release ever.
Mike VanPortfleet himself commented: “After several years of doing more synth oriented material I wanted a return to my guitar roots (in particular English post punk and 4AD). Lycia started as a guitar based band and I wanted to reaffirm that with disc one, which was originally going to be the release. I was also listening to a lot of shoegaze then, which inspired a return of making the guitars, as opposed to the synths, the focal point of the atmospherics.”.
Many things have been said about the album along the last twentyeight years, and the band chose the following to describe the record.
Per Projekt.com. - The Burning Circle And Then Dust was a groundbreaking point in Lycia’s career. It marked a shift from more atmospheric music towards song-oriented music with tracks like “Pray” & “Slip Away.” It marked the first collaborations between Mike VanPortfleet & Lycia members David Galas & Tara Vanflower. It marked the transformation of Lycia into a honed out live touring machine.
Per Pandamonium Magazine via Projekt.com. - Moving back into more formal song structures, Burning Circle returns to true song-writing, and places equal emphasis on guitar as the electronics. However, the music is as intense and powerful as ever, conjuring up vast vistas of soundscapes which are captured in delicate webs of song and structure. Songs like “Pray” are positively dance friendly, while others find Lycia moving towards the fertile ground of darkpop. breathtaking in scope and beauty, exultant in vision, exhilarating in sensory delight. Lycia have arrived.
Per Ned Raggett of AllMusic - a high point of American dark rock and the band's greatest and most ambitious work.

the heirs of Nortt?

Raging,repetitve yet diverse black/death metal
with a discreet yet ever present droning vibe.
Hypnotic and hysterical,channeled through the virtues
of a sharp,
strict but eventually warm sound production,
Υπνωσίνοσις provides a sonic guidance to the subsconscious and beyond!

8 panels digipack

Exactly 8 years after June 2010's 'The Grave of Civilization' Void of Silence are back with a brand new album.
Although still based on the classic Conforti/Zara line-up core, the new album features again a new lead vocalist (Luca Soi, of Arcana Coelestia and Visthia past).
 

4 panels digipack with booklet!
you can preorder it now but this is not a limited edition or anything.
will be in stock on the 2nd week of February

"This what I call imagination and talent employed to produce true art. I have chills from that song and it is followed up “Curse”, a hymn filled with almost nothing but black voices, gasps, growls, hissing, vomit-like emanations, ghost-like screams of anguish – this album is a journey I assure you. I am mentally exhausted. A brilliant release that takes many elements you have heard, many you have not and combines them in a unique way that makes this record an absolute must own."
 

New Mini-CD 7 tracks of blasphemy
 

These songs revolve around the transformation from man to The Übermensch (German for "Overman, Overhuman, Superman, Superhuman), through the purification of the fire and the metaphor of the warrior, mainly taking inspiration from parts of Vijnanabhairava as well as personal experiences of meditation.

Fire is the main element manifested by Shiva, seen as a purifying factor and dissolving, regenerating and annihilating.
In this case also seen as the awakening of a burning and dissolving energy, which brings chaos and destroys the boundaries of mortality to reach immortality.

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Sebastian Montesi is a prolific artist, probably best known for his endeavors in Mitochondrion and for being one of the founding members of Auroch.
With Saturn’s Cross, the Canadian took a very different path, delving into cold wave territories, which little have to share with the bands he is usually associated to. Yet, when we listened to what Sebastian crafted, we had no doubt, and we gladly welcomed this new project to our roster. With neither hope nor fear, Saturn’s Cross unveils Cheat Death.  Now operating as a two piece, with 1908 entering the fold on bass and
vocals, Cheat Death disregards genre with wild abandon in favour of something that is at times overwhelmingly abrasive and at others intoxicating.
This is a willing exploration of the endless labyrinth and a lamp of pitch black glass intended to serve as a beacon in the lightless depths of the human spirit. This is a headlong dive into the soul's psychic darkness, with nothing to break the fall. This ushers in a new era Saturn's Cross.

“Show My Mercy” is an EP about the remorse that humans will feel, when they are stuck in the swirl
of karma made by themselves. Blinded by fury, greed, sorrow, heading for their destruction step by step.

The digipak comes as four-sided panel with booklet-sleeve and eight-sided booklet.

“Our goal – call to blight the life existance. Our weapon – weaknesses and vices of human scum.”
Virvel Av Morkerhatet, Ukraine: a hard atom that represents the defect of the human thought, that is multiplied by self-destruction of transcendental consciousness. Anticosmos through Black Magic.
We know you dreamt about a violent and ruthless edge of Ved Buens Ende, if we can figure this out in our minds.
This is a record that will not leave you indifferent and will nail your soul, a marvellous mix of avantgarde metal and evil fury where every second minute is unpredictable although not pushing too much over the reasonable boundaries of experimentation that every black metal band should safely keep….

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Less than a year after "Sol," the acclaimed conceptual split album with Mare Cognitum, Greece's SPECTRAL LORE release "III", their magnum opus of progressive black metal and cosmic ambient.
Divided into 2 parts – "Singularity" (tracks 1-4) and "Eternity" (tracks 5-7)

Digipak edition - remastered 

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Limited to 150 "Blast Attack" colored vinyl.
Featuring Malignancy and ex Chaos Inception members, the Alabama based death metal quartet BLACK HOLE DEITY is back with the long awaited debut full-length "Profane Geometry". Sharpened sonic attacks of endless blast beats mixed with a melodic sensibility and guitar solos reminiscent of the Shrapnel will deliver the ultimate death metal album for 2024!

For fans of Nile, Morbid Angel, Hate Eternal, Mithras. 

US demons Ritual Necromancy return after 5 years joining forces with upcoming death metal titans Fossilization for 28 minutes of Death Metal darkness!
For fans of Incantation, Dead Congregation, Cruciamentum, Krypts.Ritual.

Emerging once again from the abyssal depths of the underground, FOSSILIZATION return with "Advent of Wounds", a work of sheer ferocity and oppressive gloom! A relentless onslaught where its frantic and inexorable rhythms hammer with suffocating intensity, while riffs coil like sepulchral invocations in a maelstrom of death, doom, and blackened chaos.
Bleak, crushing and claustrophobic, "Advent of Wounds" is a summoning of despair that drags the listener into a chasm where brutality and anguish entwine. A suffocating testament to extremity that confirms Fossilization as one of the most formidable forces in contemporary death metal!

FOSSILIZATION, one of the most acclaimed and praised newcomers in the underground recesses of the contended and highly demanding Death Metal feud, are finally back with their first full album 'Leprous Daylight', their most crushing and brutally wrenching release! 8 new savage tracks soaked in doomy despair, maliciously crafted and fiercely executed, a must have for all the fans of the brazilian band and the whole Death Metal genre! For fans of Dead Congregation, Krypts, Spectral Voice, Incantation.

For fans of Dead Congregation, Krypts, Phrenelith, Engulfed, Altarage

From the primordial magma before the beginning of time come FOSSILIZATION. Obscure, vile and crushing Death Metal.

Fossilization is a death metal band formed in 2020. The duo featuring members of the sludge/death/doom metal band Jupiterian, V. (voices, guitars, bass) and P. (drums) started as an idea right after their european tour with Krypts, Father Befouled and Encoffination but since Jupiterian was still working on their last album, the project had to be delayed and it only turned to full time band after the striking of the plague.
Their 5 tracks debut EP, 'He Whose Name Was Long Forgotten' was recorded in their hometown, São Paulo - Brazil and mixed by Otso Ukkonen (Krypts).

"The Fire Cult Beyond Eternity" is the new album from ONIRIK (Portugal), a follow-up to 2015's "Casket Dream Veneration" and yet another proof of the talent of Gonius Rex, the band's sole member. ONIRIK has been active since 2002 and throughout the years has explored black metal in several approaches, always faithful to its original purpose: the emission of unordinary, dissonant and raw outputs with trance-inducing atmospheres, typically very cold and bathed in magic.
With the special guest participation of none other than Dirge Rep on drums (GEHENNA, ENSLAVED, ORCUSTUS, THE KONSORTIUM), and mixed & mastered by Semjaza of THY DARKENED SHADE, "The Fire Cult Beyond Eternity" is the consequence of the descent and return from below carrying the flames and lava on its scales, giving it back to the world in posthumous vengeance.

Double LP in solid silver vinyl - 100 copies printed

Russian blackgaze duo Olhava is back with their new studio album. Frozen Blooom is the natural follow-up to self-titled Olhava (2019) and Ladoga (2020), and integrates some dronescapes the band experimented on Never Leave Me Alone (2020), the drone version of their debut.

Multi-instrumentalist Andrey Novozhilov and drummer Timur Yusupov describe their new journey with words of thoughtful contemplation: “When winter is just starting to fade and give some space to the first steps of spring… When life starts to reappear and the very early flowers peek through the thawing soil, a sudden drop of the temperature can leave them petrified and frozen back again, punished by the “Queen of Fields”. This statuesque dead beauty, being infinitely alive and dead at the same time is the main metaphor of this album. Frozen Bloom is about unfulfilled dreams. About how we sacrifice everything today for some abstract “tomorrow”, which may never come. But tomorrow and yesterday don’t exist – only this very moment of static contemplation is real”.

Frozen Bloom is Olhava’s fourth opus in three years, and here the duo took some different routes compositionally. Two of the four tracks are traditionally storm-like blackgaze passages, while the other two are leaning towards a more meditative drone experience. The album also features A. Lunn, who kindly agreed to record an electric guitar solo as well as acoustic parts and choral parts on “Frozen Bloom I”.

Frozen Bloom was recorded at Olhava home studios, as well as at the local rehearsal space. Mikhail Kurochkin took care of mixing and mastering.