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Black Vinyl in Gatefold Cover
Nightmares have never sounded so beautiful! Swedish grandeurs of melancholic heaviness, KATATONIA, return with Nightmares as Extensions of the Waking State, set for release on June 6, 2025 via Napalm Records. Once again, the Stockholm-based unit masterfully navigates the tightrope act between nocturnal darkness and Scandinavian despair while subtly weaving a sense of hope into the listener’s heart. Since emerging in the early nineties, KATATONIA has projected a beacon of light for the forgotten and the lonely ones, offering solace to those willing to lose themselves in the band’s immersive soundscapes. From their roots in death-doom metal to the post-metal entity they embody today, their art remains as haunting as ever. Nightmares as Extensions of the Waking State marks the next step in KATATONIA’s evolution, building upon the foundation of their previous album, Sky Void of Stars (2023). Crystal-clear production highlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate guitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension. Tracks like ""Thrice"" and ""Warden"" pulse with dynamic energy, while ""Lilac"" sees Jonas Renkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A near-ceremonial piece, ""Wind of No Change"", merges subtle electronic textures with KATATONIA’s enigmatic soundscapes, while ""Temporal"" balances fragility and strength - its intense verses culminating in a soaring, emotionally charged chorus. The breathtaking ""Efter Solen"" (Engl. After the Sun), featuring Swedish lyrics, evokes echoes of Jonas Eika’s 2018 short story collection, with minimalistic yet striking instrumentation.
Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry. With sonic landscapes that evoke dystopia, inner demons, purity, and beauty alike, Nightmares as Extensions of the Waking State stands as a testament to their enduring brilliance. The album was produced by Jonas Renkse, recorded by Lawrence Mackrory at NBS Audio and The City of Glass, mixed by Adam Noble, and mastered by Robin Schmidt at 24-96 Mastering.
Mediabook CD with bonus track & remix + 24p booklet
Nightmares have never sounded so beautiful! Swedish grandeurs of melancholic heaviness, KATATONIA, return with Nightmares as Extensions of the Waking State, set for release on June 6, 2025 via Napalm Records. Once again, the Stockholm-based unit masterfully navigates the tightrope act between nocturnal darkness and Scandinavian despair while subtly weaving a sense of hope into the listener’s heart. Since emerging in the early nineties, KATATONIA has projected a beacon of light for the forgotten and the lonely ones, offering solace to those willing to lose themselves in the band’s immersive soundscapes. From their roots in death-doom metal to the post-metal entity they embody today, their art remains as haunting as ever. Nightmares as Extensions of the Waking State marks the next step in KATATONIA’s evolution, building upon the foundation of their previous album, Sky Void of Stars (2023). Crystal-clear production highlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate guitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension. Tracks like ""Thrice"" and ""Warden"" pulse with dynamic energy, while ""Lilac"" sees Jonas Renkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A near-ceremonial piece, ""Wind of No Change"", merges subtle electronic textures with KATATONIA’s enigmatic soundscapes, while ""Temporal"" balances fragility and strength - its intense verses culminating in a soaring, emotionally charged chorus. The breathtaking ""Efter Solen"" (Engl. After the Sun), featuring Swedish lyrics, evokes echoes of Jonas Eika’s 2018 short story collection, with minimalistic yet striking instrumentation.
Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry. With sonic landscapes that evoke dystopia, inner demons, purity, and beauty alike, Nightmares as Extensions of the Waking State stands as a testament to their enduring brilliance. The album was produced by Jonas Renkse, recorded by Lawrence Mackrory at NBS Audio and The City of Glass, mixed by Adam Noble, and mastered by Robin Schmidt at 24-96 Mastering.
Nightmares have never sounded so beautiful! Swedish grandeurs of melancholic heaviness, KATATONIA, return with Nightmares as Extensions of the Waking State, set for release on June 6, 2025 via Napalm Records. Once again, the Stockholm-based unit masterfully navigates the tightrope act between nocturnal darkness and Scandinavian despair while subtly weaving a sense of hope into the listener’s heart. Since emerging in the early nineties, KATATONIA has projected a beacon of light for the forgotten and the lonely ones, offering solace to those willing to lose themselves in the band’s immersive soundscapes. From their roots in death-doom metal to the post-metal entity they embody today, their art remains as haunting as ever. Nightmares as Extensions of the Waking State marks the next step in KATATONIA’s evolution, building upon the foundation of their previous album, Sky Void of Stars (2023). Crystal-clear production highlights the interplay between silence and intensity, while the contrast of heavy riffs, delicate guitar harmonies, ethereal synthesizers, and atmospheric nuances create captivating tension. Tracks like ""Thrice"" and ""Warden"" pulse with dynamic energy, while ""Lilac"" sees Jonas Renkse’s unmistakable vocals intertwining with hypnotic rhythms and progressive elements. A near-ceremonial piece, ""Wind of No Change"", merges subtle electronic textures with KATATONIA’s enigmatic soundscapes, while ""Temporal"" balances fragility and strength - its intense verses culminating in a soaring, emotionally charged chorus. The breathtaking ""Efter Solen"" (Engl. After the Sun), featuring Swedish lyrics, evokes echoes of Jonas Eika’s 2018 short story collection, with minimalistic yet striking instrumentation.
Even after more than 30 years, KATATONIA continues to redefine the emotional spectrum of their genre, effortlessly shifting between haunting vulnerability and commanding artistry. With sonic landscapes that evoke dystopia, inner demons, purity, and beauty alike, Nightmares as Extensions of the Waking State stands as a testament to their enduring brilliance. The album was produced by Jonas Renkse, recorded by Lawrence Mackrory at NBS Audio and The City of Glass, mixed by Adam Noble, and mastered by Robin Schmidt at 24-96 Mastering.
Dark orange marbled vinyl limited to 300 copies
Back in 2000, MYSTIC CIRCLE just reached their peak with the release of their third studio epic “Infernal Satanic Verses” and were rightly regarded as Germany's leading black metal band. In the summer after the millennium turn, MYSTIC CIRCLE followed up with the 5-track EP “Kriegsgötter II”, a compilation with cover versions of BATHORY, CELTIC FROST and ACHERON, and a new recording of their demo classic “Die Götter der Urväter”.
However, the founding line-up broke up and A. Blackwar left the band. Only his return in 2020 and the reunion with vocalist Beelzebub conjured up the spirit of that time again, resulting in the latest two new records “Mystic Circle” and “Erzdämon”. Now in 2025, “Kriegsgötter MMXXV” will be released as an extended new edition with 8 tracks, incl. the newly re-recorded IRON MAIDEN classic “Afraid To Shoot Strangers”, as well as the POSSESSED cover “Death Metal” and the soundtrack tune “Cry Little Sister” from the movie “The Lost Boys”.
Back in 2000, MYSTIC CIRCLE just reached their peak with the release of their third studio epic “Infernal Satanic Verses” and were rightly regarded as Germany's leading black metal band. In the summer after the millennium turn, MYSTIC CIRCLE followed up with the 5-track EP “Kriegsgötter II”, a compilation with cover versions of BATHORY, CELTIC FROST and ACHERON, and a new recording of their demo classic “Die Götter der Urväter”.
However, the founding line-up broke up and A. Blackwar left the band. Only his return in 2020 and the reunion with vocalist Beelzebub conjured up the spirit of that time again, resulting in the latest two new records “Mystic Circle” and “Erzdämon”. Now in 2025, “Kriegsgötter MMXXV” will be released as an extended new edition with 8 tracks, incl. the newly re-recorded IRON MAIDEN classic “Afraid To Shoot Strangers”, as well as the POSSESSED cover “Death Metal” and the soundtrack tune “Cry Little Sister” from the movie “The Lost Boys”.
180g red smoke vinyl edition
Step into the unsettling world of Dimsvall, the fifth full-length album from Finnish metal act Ondfødt.
The record takes you through a dark, introspective space, where the music feels heavy with the weight of time, loss, and memory. It's a collection of songs that reflect on the things we can’t hold onto and the parts of ourselves we often push aside. The sound is atmospheric, blending harsh moments with subtle, melancholic undertones that draw you into a place that feels both familiar and unsettling.
Lyrically, Dimsvall examines the ongoing tension between light and dark—how the two often coexist and shape our experience. The songs are meditative, exploring themes like the passage of time, the grip of memories, and the quiet unknowns that lie ahead. It's music that invites reflection without offering easy answers.
Recorded at Wolfthrone Studios, Dimsvall was brought to life by Owe Inborr, whose vocals and guitar work anchor the album. He’s joined by Joel Notkonen on guitar, Jere Halonen on bass, and Tommi Tuhkala on drums, with Inborr handling the mixing and mastering. Guest appearances from Alexander Kuoppala (ex-Children of Bodom), Mathias “Vreth” Lillmåns (Finntroll, ...And Oceans), and Tom Cattermole (Pravitas) add layers to the sound, enriching the already intricate compositions.
From the instrumental “Dimsvall” to the final track “Stormin,” the album is a measured exploration of shadow and light, a quiet yet potent statement on the passage of time and the things we leave behind.
The album artwork by René Thuys mirrors the tone of the music—subtle, dark, and thought-provoking.
180g black vinyl edition
Step into the unsettling world of Dimsvall, the fifth full-length album from Finnish metal act Ondfødt.
The record takes you through a dark, introspective space, where the music feels heavy with the weight of time, loss, and memory. It's a collection of songs that reflect on the things we can’t hold onto and the parts of ourselves we often push aside. The sound is atmospheric, blending harsh moments with subtle, melancholic undertones that draw you into a place that feels both familiar and unsettling.
Lyrically, Dimsvall examines the ongoing tension between light and dark—how the two often coexist and shape our experience. The songs are meditative, exploring themes like the passage of time, the grip of memories, and the quiet unknowns that lie ahead. It's music that invites reflection without offering easy answers.
Recorded at Wolfthrone Studios, Dimsvall was brought to life by Owe Inborr, whose vocals and guitar work anchor the album. He’s joined by Joel Notkonen on guitar, Jere Halonen on bass, and Tommi Tuhkala on drums, with Inborr handling the mixing and mastering. Guest appearances from Alexander Kuoppala (ex-Children of Bodom), Mathias “Vreth” Lillmåns (Finntroll, ...And Oceans), and Tom Cattermole (Pravitas) add layers to the sound, enriching the already intricate compositions.
From the instrumental “Dimsvall” to the final track “Stormin,” the album is a measured exploration of shadow and light, a quiet yet potent statement on the passage of time and the things we leave behind.
The album artwork by René Thuys mirrors the tone of the music—subtle, dark, and thought-provoking.
Step into the unsettling world of Dimsvall, the fifth full-length album from Finnish metal act Ondfødt.
The record takes you through a dark, introspective space, where the music feels heavy with the weight of time, loss, and memory. It's a collection of songs that reflect on the things we can’t hold onto and the parts of ourselves we often push aside. The sound is atmospheric, blending harsh moments with subtle, melancholic undertones that draw you into a place that feels both familiar and unsettling.
Lyrically, Dimsvall examines the ongoing tension between light and dark—how the two often coexist and shape our experience. The songs are meditative, exploring themes like the passage of time, the grip of memories, and the quiet unknowns that lie ahead. It's music that invites reflection without offering easy answers.
Recorded at Wolfthrone Studios, Dimsvall was brought to life by Owe Inborr, whose vocals and guitar work anchor the album. He’s joined by Joel Notkonen on guitar, Jere Halonen on bass, and Tommi Tuhkala on drums, with Inborr handling the mixing and mastering. Guest appearances from Alexander Kuoppala (ex-Children of Bodom), Mathias “Vreth” Lillmåns (Finntroll, ...And Oceans), and Tom Cattermole (Pravitas) add layers to the sound, enriching the already intricate compositions.
From the instrumental “Dimsvall” to the final track “Stormin,” the album is a measured exploration of shadow and light, a quiet yet potent statement on the passage of time and the things we leave behind.
The album artwork by René Thuys mirrors the tone of the music—subtle, dark, and thought-provoking.
Available for the first time as standalone vinyl.
A collection of material from the demo era of the band.
Audio material was taken from the original analog sources. Aside from some slight mastering to keep the songs at an even volume, and vinyl mastering, nothing was edited or polished. This collection includes era-related artwork and photos from a January 1998 session.
Tracks 1-3: taken from "From Which of This Oak" (Omits "Foliorum Viridum")
Tracks 4-6: taken from "Of Stone, Wind and Pillor" (Omits "Kneel to the Cross" [Sol Invictus cover] and "A Poem by Yeats", which were recorded later [circa 2001] than the songs included here, which themselves were from an unreleased EP recorded in 1998)
Tracks 7-8: taken from "Promo'98".
CRUST have carved a unique path for themselves since their inception in 2014. They have released 5 acclaimed albums and toured extensively, fresh out of the fire of their incredible album “Wanderers” CRUST bring us further into the darkness with their latest opus “Where Light Fears To Descend”. With no aspirations of convention, CRUST have their roots firmly found balancing forward-thinking black metal and a dark, intelligent tapestry of bleak atmospherics and doom-laden Stoic mysticism. It is this dark essence that brought them to the attention of legendary USBM label Moribund Records and it was not long before an infernal pact was sealed.
CRUST's sixth album “Where Light Fears To Descend” is their most powerful and mature work to date, a monolith of bleak Avant-garde Black Metal weaving a dark cloth that is as profound as it is mesmerizing. 9 tracks to drag your soul into the abyssal pit of despair, where no light can shine and all hope erased. Abandon all hope ye who enter here….
The album is a journey into the band's observations on the pointlessness of life, the cyclical nature of death and rebirth, and the burden of human suffering. From the frozen remains of the dead to the end of the world as we know it, each track is a chapter in one long story of despair, change, and the hope that sometimes seems to flicker in the dark.
LP (orange/black marbled vinyl ) with inlay, padded inner sleeve and protection sleeve (300 copies available) .
With their fifth album "The Stillness of Dissolution", AUSTERE embark on a dark journey that leads through the abyss of time, the inevitable return of order to chaos into the black void. In the words of the poet: everything that arises is worth that it perishes. The new album brings an overall blacker feel to their sound. This slight change of course does not constitute an easy nostalgic return to the old days as AUSTERE remain within the framework of the more mature and defined version of their particular style of depressive black metal, which reflects their greater experience and evolution as artists. AUSTERE arose from a solo-project run by multi-instrumentalist and singer Desolate alias Mitchell Keepin who joined forces with drummer, keyboard player, and vocalist Sorrow aka Tim Yatras in 2005. Signature frost-bitten guitars, alongside high-pitched screams and wails marked AUSTERE's debut album "Withering Illusions and Desolation" (2007). The sophomore album "To Lay like Old Ashes" followed in 2009 and still featured a raw sound but with a refined production. At this point in time, both musicians decided to focus on other projects and AUSTERE went into hibernation until the duo reformed in 2021. The number of followers had only grown during their absence through word of mouth. AUSTERE are back in black with "The Stillness of Dissolution", yet the Australians also keep all the subtle shades of grey that turn the ongoing evolution of their music into a thrilling experience of new sonic spaces of dark matter.
Nuovo ma senza cellophane
Hard-cover mediabook with extensive booklet
Pioneering French dark atmospheric music since 1996, Dark Sanctuary is back with their eighth album, Cernunnos, the first in fourteen years. Following the EP Iterum released in 2022, it marks the group's return to the front of the stage.
Cernunnos is an ancient Gaulish god who embodied the biological cycle of nature, simultaneously reflecting life and death, germination and decay, like the deer, the animal that represents him, who loses its antlers in winter to recover them in spring. This title perfectly symbolizes the history of Dark Sanctuary after these years of artistic break and this rebirth.
Composed during the year 2022, the 11 songs of this album make it one of the most varied that Dark Sanctuary have made so far, oscillating between what has characterized the band for two decades and new musical horizons. Both dark and emotional, Cernunnos is a new milestone in the history of the group.
Mixed and mastered by Øystein G. Brun at Crosound Studio in Bergen
Cover Artwork by Valnoir/Metastazis
Limited to 150 copies. Comes with A2 sized poster.
"Daudswiärk" is Horn's 10th studio album, following the 20th anniversary of the Black Metal project. Stylistically, Daudswiärk – "Work of Death" in the Low German variant formerly spoken in the Münsterland region – takes a few steps back in time after the rather experimental, multi-instrumental folk-influenced album "Verzet", reverting to the basic Metal instruments, resulting in a concise, fast and short full-length album devoid of intros, outros or interludes. It features a very somber overarching tone compared to the rather upbeat Horn albums of the last years – blast beats, scattered dystopian synths, a heavy shift towards extreme vocals instead of clean ones. The output was produced by M. Stock (Empyrium/The Vision Bleak/Sun of the Sleepless) at the renowned "Studio E2" and features a rough and dense sound heavily favoring the bass guitar and drum work.
Thematically and as first in the history of the project, Daudswiärk features various passages in the Low German vernaculars of Westphalia, primarily "Westfäölsk" and "Mönsterlänner Platt", derived from various historical sources (dictionaries/poems/short prose texts). The album is centered around rural life in this region around the turn of the 19th/20th century, mainly dealing with the topics of agriculture, hunger, sickness and demise, yet also with the advance of medicine during that period.
Rare, swiss weird project - avantgarde thrash
Disc: VG (quite a few scratches but plays perfectly)
Inlays: NM
Media Condition: Mint
Sleeve Condition: Near Mint
Released in a J-card case with a single-sided 4-panel J-card; no lyrics.
DIGIPACK CD
The sixth seal of Battle Dagorath' saga will indeed stand as their best album to date by many aspects, last but not least a sharp and definite production that's giving full emphasis to their majestic and epic songwriting (counting over 73 minutes of aural battle this time...)
A crushing Spectral Black Metal soundscape that unlocks a visionary journey into the third eye. Abyss Horizons represents the unraveling of your unconscious Ancient dreams, crossing the abyss into transcendental Magic realms. Traversing the boundaries of this dimension, the shadows of transformation are now awakened to restore the illumination of the Great Darkness.
Olio Tähtien Takana is one of the artistic expressions of Finnish multi-instrumentalist v-KhaoZ (Vargrav, Druadan Forest and many others), here joined in his artistic endeavour by singer Hellwind Inferion (Desolate Shrine, Sargeist).
Spectral Katharsis is the third album by Olio Tähtien Takana, and is described by Hellwind with a series of key terms: “Cosmic, majestic misanthropy and ultimate devil worship”. Expect fury, rage and patterns of keyboards to surround you and bring you on your journey through the cosmos.
On the musical side of things, v-KhaoZ says: “We wanted something different than our other bands, a more straightforward, yet melodic approach. To this we added a varied singing style and otherworldly, space-like keyboards, to reach the multidimensionality we were aiming for”. Spectral Katharsis will tickle fans of Limbonic Art, Odium and the mid-’90s symphonic black metal scene.
The band's very name is probably the best expression to describe what v.KhaoZ and Hellwind Inferion are trying to accomplish with their collaboration, as Olio Tähtien Takana is Finnish for 'A Creature Beyond the Stars'.
Limited to 400 copies black vinyl
Comes in gatefold cover sleeve.
Media Condition: MINT
Sleeve Condition NEAR MINT
Including 3 original releases:
1. Back To The Kingdom cat# MAS CD0238
2. Collection Of Power cat# on sleeve MAS CD0264, cat# on CD MAS DP0264
3. Eyes Of Dakness cat# MAS CD0295
Label: Megaforce Records – MRI 1369, Tungsten Records Inc. – MRI 1369
Format: Vinyl, LP, Album
Country: US
Released: 1985
Media: Near Mint
Sleeve: Very Good (VG) ---- a previous owner unfortunately wrote the songs time length behind each title in innersleeve
many sellers would rate this as a NM--- there's moderate physiological signs of use and storage, but all in all great shape
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very good conditions overall, sleeve presents a small hole on the top left corner, they used to drill them like this with nice-price or promo copies back then
VG + / NM (printed parts)
a few stains on the disc recorded side, nothing dramatic though, plays with no issues