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'Esi um ninu - Heal us, Mother' is the first chapter of Rakinua's saga, an atmospheric folk and progressive met'Esi um ninu - Heal us, Mother' is the first chapter of Rakinua's saga, an atmospheric folk and progressive metal album blending powerful riffs, harsh vocals, intimate acoustic passages and ethereal harmonies. Rooted in ancient Raetic culture and its sacred rites, the music moves from the crushing depth of Opeth to the ethereal heights of Eivør, weaving harp, extreme vocals and cinematic arrangements into a cohesive concept album experience.al album blending powerful riffs, harsh vocals, intimate acoustic passages and ethereal harmonies. Rooted in ancient Raetic culture and its sacred rites, the music moves from the crushing depth of Opeth to the ethereal heights of Eivør, weaving harp, extreme vocals and cinematic arrangements into a cohesive concept album experience.
Limited to 50 copies, including :
- Compact disc
- Exclusive band image card
- Necklace with pendant
- Band Logo leather patch
'Esi um ninu - Heal us, Mother' is the first chapter of Rakinua's saga, an atmospheric folk and progressive met'Esi um ninu - Heal us, Mother' is the first chapter of Rakinua's saga, an atmospheric folk and progressive metal album blending powerful riffs, harsh vocals, intimate acoustic passages and ethereal harmonies. Rooted in ancient Raetic culture and its sacred rites, the music moves from the crushing depth of Opeth to the ethereal heights of Eivør, weaving harp, extreme vocals and cinematic arrangements into a cohesive concept album experience.al album blending powerful riffs, harsh vocals, intimate acoustic passages and ethereal harmonies. Rooted in ancient Raetic culture and its sacred rites, the music moves from the crushing depth of Opeth to the ethereal heights of Eivør, weaving harp, extreme vocals and cinematic arrangements into a cohesive concept album experience.
'Esi um ninu - Heal us, Mother' is the first chapter of Rakinua's saga, an atmospheric folk and progressive met'Esi um ninu - Heal us, Mother' is the first chapter of Rakinua's saga, an atmospheric folk and progressive metal album blending powerful riffs, harsh vocals, intimate acoustic passages and ethereal harmonies. Rooted in ancient Raetic culture and its sacred rites, the music moves from the crushing depth of Opeth to the ethereal heights of Eivør, weaving harp, extreme vocals and cinematic arrangements into a cohesive concept album experience.al album blending powerful riffs, harsh vocals, intimate acoustic passages and ethereal harmonies. Rooted in ancient Raetic culture and its sacred rites, the music moves from the crushing depth of Opeth to the ethereal heights of Eivør, weaving harp, extreme vocals and cinematic arrangements into a cohesive concept album experience.
The fourth Woewarden full-length album “The Roots Of My Neglect” is the natural successor to their previous work but is intentionally more visceral. Woewarden have maintained the melodic, melancholic approach to depressive black metal – inspired by the likes of Silencer, Psychonaut 4, and Insomnium— but they have injected a heavier, more abrasive edge reminiscent of the raw torment and fury of 90s Scandinavian legends like Dissection and Emperor.
Musically, this has allowed them to push the contrasts of their songwriting further. In one breath, the arrangements deliver some of the heaviest passages to date; in the next, they are bittersweet, embroiled in vocals ranging from maniacal wails and throat chants to screams of anguish and haunting croons. It is an exploration of neglect, both self-inflicted and external, and the rot that settles when hope is finally abandoned.
The fourth Woewarden full-length album “The Roots Of My Neglect” is the natural successor to their previous work but is intentionally more visceral. Woewarden have maintained the melodic, melancholic approach to depressive black metal – inspired by the likes of Silencer, Psychonaut 4, and Insomnium— but they have injected a heavier, more abrasive edge reminiscent of the raw torment and fury of 90s Scandinavian legends like Dissection and Emperor.
Musically, this has allowed them to push the contrasts of their songwriting further. In one breath, the arrangements deliver some of the heaviest passages to date; in the next, they are bittersweet, embroiled in vocals ranging from maniacal wails and throat chants to screams of anguish and haunting croons. It is an exploration of neglect, both self-inflicted and external, and the rot that settles when hope is finally abandoned.
"Neapolitan song" has inherently influenced much of the popular and folk italian music and it's worldwide renowned for its expressive and communicative power.
Its origins date back to the XIII century and over the centuries has come down to us, keeping unchanged its attractiveness.
SCOURN (which means “shame” in Neapolitan language) was founded in Naples in 2008 by Giulian (Vocals, All Instruments & Orchestral Arrangements) properly to worship the cult of Parthenope by revealing the most ancient legends and history of the mysterious Neapolitan lands, known over the centuries for their hellenic and roman origins and for being fervent cradle of the Italian culture.
After signing in middle 2016 a two-albums deal with Dusktone, in Ferbruary 2017 SCOURN released the much-anticipated debut album “Parthenope”, recorded mixed and mastered at the world-acclaimed 16th Cellar Studio in Rome in 2016 by the producer Stefano “Saul” Morabito (FLESHGOD APOCALYPSE, HOUR OF PENANCE).
Very special guest on the album is the “maestro” Riccardo Studer (from Italian extreme epic metal pioneers STORMLORD) who shaped an impressive orchestra for this incredible debut album. The concept album is focused on the most ancient greek-roman origins of Naples, and each song is related to a specific legend from those times, such as the 79 a.d. volcano Vesuvio’s eruption who destroyed Pompeii and many others.
Riccardo Studer commented the orchestral bonus CD version : " “The orchestral scoring for this album was a long and intense process, but extremely rewarding. Giulian and I worked out how the music should sound to create the right atmospheres and setting according to Parthenope’s concept and lyrics. The result was a truly massive and majestic orchestral texture, with full instrumental ensemble and the addition of the parthenopean traditional folk instruments, the band’s unique trademark. It was a really exciting challenge, brace yourselves …”
The epic black metal atmospheres, strongly influenced by the world famous “canzone napoletana”, and the sound of traditional folk instruments melt with majestic orchestrals and evocative lyrics in native language, express the concept of the band at its best.
All the emotional charge of such profound culture finds full expression in this SCUORN' debut album and track after track will lead you on an epic journey through dreams, successes, struggles and failures of mankind.
Deities that rise above the evil to be as bad to be reason for living, explosion of the volcano as a desire for purification, terrible visions with Father Virgil and Mago as painted veil from its shroud issues the will of hades: all of you have to die and you have to listen to the resurrection through the flames of the sacred "O Vesuvio". Burn and live forever.
“Nature Skrik” is progressive black metal, combining elements of old and new, with influences from old Arcturus and Ulver, as well as newer DHG and Oranssi Pazuzu. Moving beyond standard tremolo picking, the newer material emphasizes "cultish" chanting and ritualistic acoustic bridges, merging together in a chasm of sound, from the deep abysses, to the highest peaks. It is the sound of «nature's scream», which also is the title of the album in Norwegian.
Cynic's journey began with their Uroboric forms, a sonic evolution captured through four demo tapes ranging from interesting to legendary. Released between 1988 and 1991, these recordings trace a path from raw, aggressive thrash to the zenith of technical death metal.
The '88 Demo and '89 Demo laid a foundation of blistering speed, while '90 Demo introduced the complex, jazzy textures they’re known for. By the 1991 Demo, the uroboric cycle was nearly complete and refined, featuring the lineup that would eventually record the landmark “Focus”.
The "Uroboric" motif represents the eternal return—death and rebirth— Mirroring how the band constantly dismantled and rebuilt their identity. These demos were later officially unearthed in the Ureboric Forms collection, giving fans a raw look at the blueprints for progressive metal's future.
Paul Masvidal’s shifting vocals and Sean Reinert’s inhuman drumming transformed simple metal tropes into a philosophical, cyclical art form. They remain a masterclass in how a band finds its soul through evolution. Presented in a three-panel digipak, “Uroboric Forms” stands as the ultimate demo collection for the legendary Florida band.
Track 1. From Nattens Madrigal off Vargnatt 1993 demo.
Track 2. From A Memorable Fancy Plates 21-22 off Themes from Wiliam Blake's The Marriage of Heaven and Hell 1998.
Track 3. From Silence teaches you how to sing off Silence teaches you how to sing ep 2001. Mixed in Oslo and Bergen Dec. 2002
Track 4. Off Lyckantropen Themes 2002. Mixed in France Oct. 2002.
Track 5. From Lost in moments off Perdition City 2000. Mixed in Stovner, Oslo Sept. 2002.
Track 6. From The Voice of the Devil off Themes from Wiliam Blake's The Marriage of Heaven and Hell 1998. Bogdan recommends: Cut thinly one medium sized potato and fry in pan with olive oil. Once browned, sprinkle chopped basil and curry powder until smiling. Eat well.
Track 7. From Speak dead speaker off Silencing the singing ep 2001. Made in Wallpaper 2002
Track 8. From Not saved off Silencing the singing ep 2001. Produced and remixed at the Neotropic Media Center. UK 2002. Publ.: Big Orange Cat Music.
Track 9. Various off Perdition City 2000 with samples from renaissance string remake off Nattens Madrigal. Made in Adam's big house, Bruxelles, Belgium 2002. Publ.: BMI.
Track 10. Various off Perdition City 2000. Recorded at Friseur Julie, Austria Nov. 2002. Publ.: Touchmusic [mcps].
Track 11. Various off Perdition City 2000. Publ.: Mego
Track 12.Various off Bergtatt 1994. Mixed in Oslo and Trondheim Nov. 2002.
Track 13. Various off Nattens Madrigal 1996. Publ.: V/Vm Test.
Track 14. Various off Bergtatt 1994 and Nattens Madrigal 1996. Recorded and mixed in bedroom, Tokyo Oct. 2002. Publ.: Merzbow
CD was distributed as a bonus item available through the label's online mail order, when purchasing the vinyl LP, and later as an unannounced bonus to mail orders of other Southern Lord releases.
The artwork for the 1xCD is misprinted; it is the same as the 2xCD version, and so incorrectly lists the second disc included in the 2xCD version and featuring the extra track, "Helio)))sophist." The track is also (incorrectly) referred to in the liner notes below.
German PRAG 83 delivers mellow, sublime and dark alternate folk – rugged to the bone and close to earth. Musically unique with elements that reminds of the Katatonia´s ”Discouraged ones” era but also not far away from the works by the northern woodsmen of Lönndom
Katla is an Icelandic band featuring ex-Sólstafir drummer and visual artist Guðmundur Óli Pálmason and singer/multi-instrumentalist Einar Thorberg Guðmundsson (Fortíð, Potentiam). Named in tribute to one of Iceland's greatest active volcanos, Katla creates powerful, panoramic music where shimmering guitars, crushing melodies and atmospheric density meet dark, entrancing power.
Katla's debut album, "Móðurástin", shines a spotlight on the band's hook-heavy, horizon-stretching sound. The lyrics tell tales of living in a country of contrasts; a land where fire and ice co-exist and dark winters are offset by the summer's midnight sun. Iceland: a country where insular existence has spurred a rich and vibrant culture.
"Móðurástin", Icelandic for (a) Mother's Love, might seem like a strange title for a metal album, but Katla dares to be different. What on Earth is stronger than a mother's love? Nothing. Not hate, not lust, not greed.
First press on digipak. Long sold out
Disc: absolutely mint never played, Digipak: VG+
Through time and space, a spirit that won't show face. The living man will feel, but the spirit do not kneel. Cause I am not it`s master, it controls everything that grows faster. Three and man is equal out through the sequel. Treat this with respect, the force will protect.
Eldamar Is heavily inspired by the North lands nature Power. Look at it as a journey, and drift away in your own dreams.
Qualche graffio sul dischetto
Black Metal/Ambient from Norway