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In the same vein as Haimad’s spectacular 2019 EP "The Return", their long overdue debut album finally arises like a beacon in the northern night, more than 30 years after the band’s founding, and continues the tradition of mid-90s style, melodic, symphonic Scandinavian Black Metal albums that saw a sort of renaissance in the recent past, most noteworthy with some bands from the Finnish scene. Haimad show that Sweden, too, can still produce albums of the caliber of the 90s classics, and unleashes a majestic coalescence of classic symphony and Black Metal inferno steeped in Tolkien-lore.

Haimad was formed in Sundsvall, Sweden in 1994 and released two tapes and a MCD between 1995 and 1999 before they went on a long hiatus.
Many years went by without a sign of life before Azradan, the only remaining founding member, set out to resurrect the band and recruited a new line-up in order to create Symphonic Black Metal in the best tradition of the Scandinavian mid-90s.
And who else but musicians who were part of that same scene back then would be able to create something that reminds so powerfully of the good old days?
25 years after their founding, Haimad release an EP that is a dream come true for any fan of albums like "The Sad Realm of the Stars", "Seen Through the Veils of Darkness", "Provenance of Cruelty", "In the Nightside Eclipse", "Stormblåst", "In Times Before the Light", "Moon in the Scorpio" or "Tusen År Har Gått".
If one has grown up with these milestones, listening to Haimad's "The Return" is like coming home after a long time away because the material on this EP is absolutely on par with the classics, and it sounds like it was composed over 20 years ago.

Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.

Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.

Fuath's III, arriving five years after the last album, features four expansive tracks with a running time exceeding 40 minutes. III embodies a cold, atmospheric, harsh, and hypnotic sound, driven by blistering speed and raw intensity, while retaining the haunting melodic depth that defines Fuath’s essence.

Collector's Edition in 6-panel digipack, limited to 500 copies.

Faidra is a Swedish Atmospheric/Orthodox Black Metal solo project that formed during late summer of 2019. The music is primarily inspired by Scandinavian Black Metal of the early 90s, with Burzum being perhaps the most prominent influence. The man behind Faidra has played in various bands of different genres since the late 90's, and for Faidra chose to keep his identity undisclosed in order to let the music speak for itself.

Limited Collector's Edition of 999 copies in 4-panel digipack.

This EP compiles the two songs "Ixion" & "Phantasmagoria" that were previously only available from Faidra's Bandcamp site, as well as the new song "Dies Irae", together for the first time on physical format.

Second album of the italian Black Metal Band. For those who loves bands like Summoning or Caladan Brood, this band follows their steps, with their characteristic Tolkien based lyrics.

The only member is Severio Gioni, and also he is the face of the Viking Metal band Valtyr and Black Metal band, Ymir.

"Elenion Ancalima" is a full album of 5 tracks inspired by Tolkien's novel "Akallabeth" from Silmarillion. It features Hildr Valkyrie (guest vocals)

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“Afar Angathfark”, Emyn Muil’s third and most magnificent album to date, is inspired by the character of Fëanor and his war against Morgoth to claim back his Silmarils. A dark story of oaths and fratricide, and about an epic journey. Fans of bands like Summoning or Caladan Brood will find much to enjoy on this monumental release, and we highly recommend it to them!

the new album from UK progressive death/thrash unit Cryptic Shift blasts listeners into even stranger realms of sound and science-fiction storytelling. With 5 expansive tracks, “Overspace & Supertime” builds on the conceptual universe of Visitations From Enceladus, blending technical fury with cosmic narrative depth.

Thrashy Death Metal excellence from the pits of the Norwegian Metal underground

CADAVER was the first Norwegian band to push the limits of speed with blast beats that the scene hadn’t yet witnessed. From the DIY “hairdryer-and-distortion” effects used to simulate thunder in their early intros to their avant-garde approach to songwriting, this release is a essential document of a band that refused to fit into a box.

Prior to Norway becoming synonymous with Black Metal, the land of fjords gave rise to many a noteworthy Death Metal band too. After having recently reissued THOU SHALT SUFFER’s whole musical history, we at Darkness Shall Rise productions are immensely pleased to offer you another slab of historically important Norwegian Death Metal. Founded by underground legend Anders Odden in 1988, CADAVER produced a couple of highly influential demos eventually securing them a deal with CARCASS members’ Jeff Walker’s and Bill Steer’s label Necrosis records for their landmark album Hallucinating Anxiety in 1990.

This long-overdue compilation covering the whole output produced by Norwegian Death Metal kings CADAVER before the release of their landmark album will surely please any fan of the band and then some.
Coming with a huge booklet in old fanzine style and containing a shitload of pics on top of a very detailed interview with Anders about the early days of CADAVER, this retrospective release is both mandatory for fans of CADAVER and anyone interested in the early days of Death Metal.

A vital document of early Norwegian Death Metal history.

The songs were completely new remastered from the original tapes by Patrick W. Engel at the Temple of Disharmony.

2CD jewel-case with 32-page booklet.

For the 30th anniversary we are proud to present you this special edition of HELHEIMs classic debut-album Jormundgand in various formats.

In 1995, only one year after their second demo, HELHEIM’s eponymous debut album Jormundgand made its appearance.
Marked by its nearly eight-minute title track, it immediately establishes a powerful presence with sharp drums, piercing guitars, intense musicianship, and a distinct vocal performance reminiscent of early screams of Count Grishnackh. The track “Jormundgand” stands as a defining moment in Black Metal, encapsulating the band’s epic style and Norwegian roots. However, it’s the consistent quality and cohesion of the entire album that truly cements its legendary status. Although musically and thematically still drawing inspiration from early ENSLAVED “Jormundgand” is far from being a carbon copy of said band.
Even thirty years after its release, “Jormundgand” retains its raw power and enduring energy, solidifying its place as a classic in the Black Metal genre.

Recorded in the legendary Grieghallen Studio, this album is still a living witness of a time full of awakening, rebellion, creativity and nordic coldness.
A truly timeless creation released exactly 30 years ago and which has lost none of its hseer power nor energy.

NORDIC METAL

HELHEIM, founded in Bergen, Norway in 1992 were eager to establish themselves in the Norwegian Black Metal scene and released their first demo in 1993. Heavily influenced by BATHORY and including a cover of VENOM`s “Countess Bathory” to pay tribute to one of their foremost influences, the first demo, while being an interesting document of the time and showing potential, still lacked the depth and ambition of their later work.

Their second demo entitled Niðr Ok Norðr Liggr Helvegr and released in 1994 marked a major leap in style and quality. With a for a demo unusually long playing time of nearly 50 minutes, HELHEIM`s second effort saw the horde introducing female vocals, folk and Viking elements and even trumpets. Obviously influenced by compatriots ENSLAVED, it featured non-linear compositions and a unique sound. This demo is considered a landmark in Norwegian Metal and far surpasses the typical expectations of a demo release. It`s with Niðr Ok Norðr Liggr Helvegr that HELHEIM found their sound and catapulted themselves to the forefront of Norwegian Black Metal.

Remastered from the original DATs by Patrick W. Engel at Temple of Disharmony.

A long and detailed new interview about the time from 1992-1997 was conducted with the band exclusively for these current reissues.
The jewel-case CD comes with a 20-page booklet including the interview and many never before-seen pictures.