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Selling CD - Extreme Metal and Dark music
Fourth full length album by Khephra, long running (1996) band from early italian black metal scene
CD in deluxe Digipak with 12-page booklet.
ROTTING CHRIST stand as pillars of Hellenic black metal: since 1987, the band have carved out a singular sound that merges extremity, ancient heritage, and ritualistic atmosphere. With ‘Aealo’ (2010), they reached a decisive turning point in their evolution.
This newly re-recorded edition brings renewed fire and clarity to one of the most ambitious works in their catalogue. Completely revitalised with modern production and a far stronger mix, ‘Aealo’ emerges more cinematic than ever: female lamentation choirs, martial percussion, folkloric melodies, and commanding riff-work collide in a sweeping vision of war, tragedy, and pagan spirituality. Guest appearances by Diamanda Galás and Alan A. Nemtheanga (Primordial) heighten the album’s mythic presence, while the enhanced dynamics reveal layers previously buried in the original recording.
Richer, fiercer, and more imposing, this new ‘Aealo’ amplifies every quality that made the album a modern cornerstone of Hellenic black metal.
For fans of NIGHTFALL, MOONSPELL, SEPTICFLESH, PRIMORDIAL, VARATHRON.
Fuath, meaning “hatred” in Gaelic, is the one-man Atmospheric Black Metal project of Scottish musician Andy Marshall, renowned as the creative force behind the acclaimed Folk/Black Metal band Saor.
Formed in 2015, Fuath is Marshall’s outlet for a colder, more ferocious vision, melding relentless aggression with haunting, melancholic melodies. The music channels a timeless frostbitten spirit, weaving immersive soundscapes steeped in winter’s bleak beauty, ancient mysticism, and dark folklore.
Though rarely performed live, Fuath’s selective appearances have left a lasting impact, immersing audiences in its stark, otherworldly realm.
Debut album of Sweden-based black metal entity Wékeras. Jewelcase CD with booklet.
"Do wirów, do krzyków!" is a testament to the band's continued evolution, drawing inspiration from the chilling intensity of the Norwegian black metal scene (Burzum, Emperor) and the primal aggression of first-wave influences like Bathory and Venom. Lyrically, the album delves deep into the unsettling realms of primitive magic, Slavic folklore, horror, and demonology.
* ten new, full-fledged symphonic compositions, that are just as complex as ever, working in tandem with a bed of pagan black metal to provide an unparalleled listening experience
* unique, sophisticated, evolutionary, potent, dynamic.. the HELLVETO's quality is, as usual, essentially unmatched
* a must for the fans who have followed the band through the years
* available as 6 pannel glossy DIGIPACK CD
Being around for nearly seventeen years now, and having the dozen of albums released, HELLVETO is much respected act in the today's pagan black metal underground scene. Leading by LON, as the one and only composer and craftsman behind the entity, HELLVETO started with the intention of honouring proud and barbarian Slavonic ancestral heritage through their triumphant orchestral black metal.
The new album "Damnaretis"is by far the most complete, coherent and aggressive recording HELLVETO has done to date, both musically and production-wise. The album was recorded and mixed with LON himself handling all the production duties and performing all the instruments, including the entirely live drums, live violins and acoustic guitars. The instrumentation and it's interplay would have you believe a whole band is doing this.
"Damnaretis" contains all the elements and atmosphere that can be find on the previous records, sewing together the sinister black metal attitude with along with a more exotic, medieval charm and epic and beautiful classical orchestration. The end product is the epitome of unconventional, a must for the fans who have followed the band through the years as well as for the new ones.
Released as 6-panel DIGIPACK with booklet.
“Ciuciubabka” is the third full-length album from Licho. The word “ciuciubabka” translates to the children’s game “blind man’s buff” or “tag” in which one person has a cloth tied over their eyes and tries to catch the others. The album tells the story of what can be seen when blindfolded, the game of hiding and catching what has fallen from the sky. It is also about, as always, walking towards the light. On foot, on horseback, by car, by spirit.
Jewelcase CD with 12-page booklet.
Brand new studio album from one of Poland's most original and long-running metal bands - Tenebris. Formed in Łódź, Poland in 1991, they began as a death metal act before incorporating progressive and even jazz influences into their sound, being extremely hard to categorize as under just one metal genre.
The album title references the iconic Polish XVI century poet, visioner and magician, Jan Kochanowski. His works are shown here as a deliberate labyrinth based on Pythagorean numerology, which in turn was derived from Hermes Trismegistus. This new perspective transformed Kochanowski from a simple, pastoral poet into a practitioner of what might be called magical arts. The idea of Kochanowski as a prophet figure, transcending even Mickiewicz, became central to the album's unapologetic title.
Deluxe cross-shaped 10-panel Digipack CD with partial glossy UV Varnish and SoftTouch finish. Limited to the first pressing.
Debut album from new occult/doom rock act from Poland - Drowned in Silver.
Drowned in Silver is a project formed by musicians from the black metal and experimental music scenes. Their music finds a unique balance between occult rock and trance-like expression, drawing inspiration from the spiritual intensity of artists like The Devil’s Blood, Dead Can Dance and Wardruna.
The band’s signature sound, blends the dark atmospheres of occult and doom rock with a distinct gothic rock touch.
Second album of the trilogy on CD in deluxe Digipak with Pantone silver print with 16-page booklet.
Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.
For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.
Released in 1998, "Odin Owns Ye All" is the second full-length studio album by Einherjer. It’s a fascinating, if slightly polarizing, chapter in the history of Viking Metal because it marked a distinct departure from the cold, black-metal-influenced sound of their debut "Dragons of the North". While their earlier work was rooted in the atmospheric and aggressive Second Wave of Black Metal, "Odin Owns Ye All" leans heavily into Heavy Metal territory. The guitar work is much more rhythmic and "groove-oriented" than the tremolo-picking found in traditional Norwegian metal and the sound is cleaner and punchier, losing the raw, lo-fi aesthetic of the mid-90s in favor of a more polished, rock n' roll Viking vibe. One of the most notable changes is the vocal delivery of Ragnar Vikse: instead of the typical black metal shriek, Vikse utilizes a unique, raspy, and melodic approach. It feels more theatrical and storytelling-driven, which fits the epic themes of Norse mythology but was quite a surprise to fans at the time.
Released in 1998, "Far Far North" is a cult-classic release by the Norwegian band Einherjer. While technically an EP, it is often cited as a definitive moment for the band, bridging the gap between raw black metal roots and epic, melodic storytelling. Unlike their debut album Dragons of the North, which featured a more aggressive, traditional black metal vocal style, "Far Far North" introduced a shift toward melodic Viking Metal. "Far Far North", the title track, is an absolute anthem. It’s known for its catchy, galloping rhythm and a chorus that practically demands you grab a drinking horn. It’s one of the band's most recognizable songs. Released at the time via Century Media, this EP helped solidify Einherjer as leaders of the second wave of Viking Metal. While bands like Bathory pioneered the genre, Einherjer are among those who refined the Viking metal aesthetic—blending heavy metal structures with Norse mythology and folk-inspired melodies
