CD

European CD edition of their 2017 EP

Crushing Death Metal for fans of Morbid Angel ('Gateways' era), Dead Congregation, Immolation 

Icons of goth and doom, PARADISE LOST will release their long-awaited, 17th album Ascensionon September 19th. The band’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.

Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artistGeorge Frederic Watts, which hangs in the ate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs

official reissue on double CD

Track 1 - 5 was used for the PUNGENT STENCH side of the split with DISHARMONIC ORCHESTRA
Trak 6 - 7 were used from "The Pleasures In Life" compilation
Track 8 - 12 recorded live on 10.11.89 at Rockhaus Vienna (AT)

7th studio album of the most influential black metal band of all time.
"Liturgy of Death" delivers over 45 minutes of brand-new music and doubles as a long-awaited 40th anniversary celebration, tracing the band’s legacy since their formation in Oslo in 1984 and reaffirming their status as the pioneering force of the global black metal scene

Pest returns with one last full length. Big was the shock when co-founder Mrok passed away in 2011, but inspiration was found a decade after his death and rather than searching for a new drummer, founder Scum honoured the legacy of Pest and Mrok and took up drums himself again. Combined with his and Atax’ trademark sounding riffs, as well as input from new member Brandt, the new album “Eternal nightmares” sounds really as if no time has passed since. The maniacal vocals from Mr. Blasphemy and Atax still cuts through your bones. The storm of riffs are trance-inducing yet ultra aggressive. All with the classic medieval weirdness to the sound that was already present on their demo and first albums. For Pest, innovation means retrogression. The new album still fully recorded and mixed by the band themselves in the rehearsal room, just as 25 years ago. It doesn’t get more authentic than this.

While “Viking metal” has largely lost its original meaning in these days of Eurofest silliness, GARDE stride forth across tundra both tangible and spiritual to restore the honour, valour, and pride central to the subgenre. Thusly aptly titled, Harbinger of revenge and war is Viking Berserkr Metal for fans of Scald, Mayhemic Truth, Norden, Countess, and of course the pioneering trilogy of Bathory.

Lead vocals and choirs by Dan Capp. Original cover painting by Wesley Dewanckel. Additional guitar solos by JS.