CD

DANHEIM is the work of Copenhagen-based musician and producer Reidar Schæfer Olsen, a leading voice in Nordic folk and Viking-inspired music. With over 1 billion streams and music featured in the Vikings TV series, DANHEIM has become a cornerstone of the genre.
‘Heimferd’ is a journey guided by instinct and atmosphere rather than a fixed mythological storyline. The album drifts between pounding percussive force and hushed minimalism, creating a soundscape that feels ancient yet alive. Each track evokes a return to something older and deeper: a cultural current running beneath memory, a call that is both familiar and distant. From the storm-driven rhythms of “Stormdans” to the haunting expanse of “Yggdrasil II”, DANHEIM balances intensity with restraint, weaving a sonic ritual that resonates with timeless Nordic heritage.
Entirely composed, performed, and produced by Olsen, ‘Heimferd’ stands is both an immersive listening experience and a personal letter to his ancestral heritage.

For fans of HEILUNG, WARDRUNA, GARMARNA, MYRKUR.

Comes in a 4-panel digipack with a 16-page booklet and a slipcase. First batch comes in black polycarbonate CD.

DMP present a special 2025 CD reissue of BLUT AUS NORD's seminal 2003 avant-Black Metal masterpiece "The Work Which Transforms God", complete with restored original artwork, a new Rob Borbás illustration, artist testimonials, and an extended interview with Vindsval.

This trailblazing and indispensable classic finds BLUT AUS NORD expanding the possibilities of Black Metal: preserving the essence and feeling but urbanising the form, in a menacingly enigmatic and coldly inimitable statement of intent.

Finally reissued!

Official reissue, digipak with 12 pages booklet

Official reissue, digipak with 12 pages booklet

Comes in a 4-panel digipack.

"I I", the aptly-titled and comprehensively majestic second album from BLOOD ABSCISSION fortifies the veiled project as a major new player in the increasingly overcrowded field of contemporary Black Metal.

While the sense of perpetual forward motion and cascades of opulent melodies from outstanding 2023 debut "I" remain, the band here raise their compositional acumen: balancing out eruptions of chaotic rage with mystical transcendent calm, increasing push/pull dynamics to elevate the physical and emotional weight of each piece, and delivering upgraded songcraft to pack an ever more affecting punch.

The five tracks comprising "I I" are a showcase for first-rate symphonic layering, riffing of multifaceted power, steamrolling rhythms, and sublimated vocal fury with a wider sweep of feelings than before. Produced with crystalline clarity for the ultimate drive, this is an elegiac, intoxicating and compulsive odyssey through unseen inner/outer universes.

The Atmospheric Black Metal project Autrest hails from the mountainous region of Rio Grande do Sul, Brazil. Founded as a solo-project in the winter of 2022, the debut album was written, recorded and produced between September 2022 and January 2023.

Autrest draws inspiration from nature, incorporating the sounds of the forests and mountains into its music to create an immersive experience. Influenced by bands such as Cân Bardd, Saor, Caladan Brood, Elderwind and Eldamar, Autrest creates powerful and introspective, nature-themed music that transports listeners to a world of misty forests and icy peaks where each song becomes new a journey.

One of Australia's longest-running and most respected black metal bands, Pestilential Shadows have been building a towering canon of work since 2003. Whereas many of their native land's extreme metal exports either tend toward the chaotic or too clean, the shadowy collective led by founding vocalist / guitarist Balam consistently create compelling swathes of drama and darkness, all-enveloping emotion and regal-yet-gritty grandeur. Truly, Pestilential Shadows are black metal classicism par excellence.

And while the last handful of their albums the past decade-plus have seen sizable gaps between them, Pestilential Shadows strike while the iron's hot with Wretch. Simply and substantially titled, Wretch follows from last year's Devil's Hammer and continues the band's progression / regression toward uglier, gnarlier expanses. Mind you, it's a lateral development rather than a vertical one - the "form" is still BLACK METAL, and its attendant contents are ruminations on death and the beyond - but the fact that Pestilential Shadows can subtly-to-significantly shift their sonic palette whilst conveying their characteristic melancholy and tragedy speaks to the enduring strength of their songwriting. What's more, the album's production is palpably professional, feeling effervescent and crisp even when running through those uglier, gnarlier expanses. If anything, said recording style of Wretch - mastered by Krvna mainman Krvna Vatra, who played on the aforementioned Devil's Hammer, with mixing done by Balam - gives the record a uniquely ethereal aspect, even when the band have kicked into ultraviolent overdrive. Above all, the eight songs that comprise the 49-minute Wretch prove Pestilential Shadows as masters of pacing, doling out the sublime and the profane with equally windswept aplomb. Of especial note is the solemn procession of "Where Sunlight Goes to Die," which features guest choral vocals from Dis Pater of Midnight Odyssey.

As always, totality is key, and thus has Greallach Art been brought back to provide stark & austere cover artwork for Wretch. On the strength of this album alone, Pestilential Shadows continue to assert their position as a classics-minded black metal vanguard.