CD

After releasing demos, splits and singles, the Japanese gore-revivalists FESTERDECAY finally arrived at the deadly appointment with their debut album! The weirdos will serve you delicious, rotting and gory grindcore plates from the menu of "Reality Rotten To The Core" with impactful riffs, grooves and outrageously rotten guttural vocals.
A lesson in anatomical horror and disgust!

FesterDecay formed in Fukuoka, Kyushu, Japan in 2015 with the aim to revive goregrind the way Carcass did with "Reek of Putrefaction".
The Japanese goregrinders, after releasing 2 demos, a split with Crash Syndrom and a single, and after having built up a solid live reputation in their own country, are finally ready to unleash worldwide their debut album! Please enjoy "Reality Rotten To The Core"!

Chicago's WOUNDS finally deliver their long awaited full length after a thunderous Ep that made heads turn. Mixing the best of the 2000' tech death tradition with some more recent nuances, "Ruin" will nail you to the chair from start to finish.

Wounds originally formed as “Wounds of Ruin’ on the outskirts of Chicago in 2006 when friends Rick Mora and Nate Burgard started writing material that would eventually evolve into the iteration of what Wounds is today. Shortly after beginning their journey playing shows as an instrumental band, Norman Hale joined on Vocals. Throughout the years the band has transformed and refined their sound through countless hours of honing their craft aiming to maintain a balance of complex melodies, gigantic grooves, and skull splattering riffs, an amalgamation of influences coming together to form a bone crushing and intricate sound. Wounds was on a long hiatus but returned to writing and playing in late 2016 adding Franco Caballero on Bass and finally releaseing their first EP “Light Eater” with Everlasting Spew Records on February 14th 2019.
After their debut release and fierce live appearances, Wounds started working on their first full length album, soon to be released with the title "Ruin" by Everlasting Spew Records on March 15th 2024.

FOSSILIZATION, one of the most acclaimed and praised newcomers in the underground recesses of the contended and highly demanding Death Metal feud, are finally back with their first full album 'Leprous Daylight', their most crushing and brutally wrenching release! 8 new savage tracks soaked in doomy despair, maliciously crafted and fiercely executed, a must have for all the fans of the brazilian band and the whole Death Metal genre! For fans of Dead Congregation, Krypts, Spectral Voice, Incantation.

After their last year debut 'Crepitation Of Phlegethon', Occulsed are back compiling a new slab featuring both their demos remastered and a brand new song!
Ruthless savagery and a dreadful, catacombal feeling!

Occulsed, the latest spawn from Justin (Father Befouled, Encoffination) and Jared (Gastric Phantasm), was formed in Atlanta/Georgia in 2017 to spew filthy, wretched, and disgusting Death Metal. Taking cues from the stalwart Tampa scene as well as the early underground Scandinavian death metal gods, Occulsed employs chaotic riffing, eerie melody, and inhuman vocals to craft haunting and bone-crushing death metal.
With a pedigree of members spanning numerous bands, the three members of Occulsed have a 20+ year history of death and black metal under their belts. The culmination of songwriting results in a harrowing listening experience.
Debuting in 2021 with 'Crepitation Of Phlegethon' but with the demos 'Cenotaph to Putridity' and 'Ceremonial Lifelessness' garnering rave reviews they have cemented themselves as a death metal force not to missed. It's time to revisit where they started from!

The Neptune Power Federation return with their 6th album, a collection of not suitable for children fairy tales told in their 70s rock obsessed grandiosity!

Reissue of the band's first release from 1995.

Depressive Silence was founded by RAL & B.S. from Mightiest in 1994. The band is one of the cult acts and forerunners of the Dungeon Synth genre alongside Mortiis and Jim Kirkwood.

Back then, the genre wasn’t even called Dungeon Synth yet, and only later got that monicker, probably named after Mortiis’ label Dark Dungeon Music. At first it was just Dark Ambient. Nonetheless it was already something special in that it combined elements from Black Metal (more visually and thematically rather than musically) and fantasy into a new style that appealed to some Black Metal fans as well as those who preferred keyboard music and role playing games. Once the name Dungeon Synth had been established the appeal to (Black) Metal fans became much greater and the genre really took off, with Depressive Silence as one of the most beloved and well known bands of this rapidly growing genre.

Reissue of the band's fourth release from 1997. Collector's Edition in 4-panel digipack, limited to 500 copies.

Depressive Silence was founded by RAL & B.S. from Mightiest in 1994. The band is one of the cult acts and forerunners of the Dungeon Synth genre alongside Mortiis and Jim Kirkwood.

Back then, the genre wasn’t even called Dungeon Synth yet, and only later got that monicker, probably named after Mortiis’ label Dark Dungeon Music. At first it was just Dark Ambient. Nonetheless it was already something special in that it combined elements from Black Metal (more visually and thematically rather than musically) and fantasy into a new style that appealed to some Black Metal fans as well as those who preferred keyboard music and role playing games. Once the name Dungeon Synth had been established the appeal to (Black) Metal fans became much greater and the genre really took off, with Depressive Silence as one of the most beloved and well known bands of this rapidly growing genre.

4th album! Collector's Edition in Digipack with 8-page booklet, limited to 500 copies.

The highly anticipated 2nd full-length by this Polish band. Conceived in Warsaw back in 2010, Martyrdoom went through some lineup changes until they established a solid formation in 2014, consisting of Sociak (vocals), Marol (guitar), Młynar (guitar / vocals), Artur (bass) and Wasyl (drums). With this lineup, in 2017 they released their debut album, "Grievous Psychosis", through yours truly´s label. Blending complex, blastbeat-driven, darkened Death Metal with slow doom passages, the band drew their main influences from the likes of Obituary, Immolation, Rippikoulu, Autopsy, Demilich, Triptykon, Cannibal Corpse, Incantation, Hooded Menace, Grave, Disma and Dead Congregation, but they spewed all those influences out with renewed vigor. As far as non-musical inspirations go, their lyrics mostly revolved around old-school horror/gore movies, personal struggles and the works of H.P. Lovecraft. Bloodthirsty and dripping with menace, Martyrdoom are still armed with a thorough knowledge of ancient Death Metal and they return to create something vile and unearthly with "As Torment Prevails". Though six years might´ve passed between full-lengths, these Poles pick up exactly where they left off: eschewing all trends, trudging defiantly and blasting their noxious blend of Death Metal and doomy vibes. If anything, "As Torment Prevails" dives deeper into the ancient past, sounding like a lost relic from 1992, including the striking cover art courtesy of Ryszard Wojtyński. And while Doom no doubt forms a foundation for their sound, never do Martyrdoom sound sluggish here: their guitar sound alone is gutted, and the Doom is definitely all in the feeling, for there´s plenty of off-the-charts energy here no matter what the tempo is. Those especially enamored with the 90´s works of Asphyx and Benediction will find tons to love in "As Torment Prevails", as well as the early (and equally essential) records of Sinister and Hypocrisy. Concluding with a cover of Autopsy´s "In the Grip of Winter", Martyrdoom don´t so much as turn back the clock as crush it!
 

The highly anticipated 3rd full-length by this U.S. band. Since the dawn of the Paleolithic age, mankind has recorded spectacular scenes of death, whether in scenes of cannibal feasts crudely etched on cave walls, massacres immortalized in glyphs adorning monuments of the ancient kingdoms, or in chance recordings of grisly accidents, compiled and sold on home video to those with a thirst for that which is denied to them by our "civilized" society. Spawned in the contaminated sewers of Santa Cruz, California in 2013, Dipygus began as a four-piece mutation performing rudimentary styles of Death Metal, a sonic evolution of the tradition continued from the time of Cro-Magnons. A 2015 demo recording, the earliest surviving documentation of the band, reveled in unexplained and bizarre events, including peculiar methods of whale carcass disposal and otherworldly monsters from on and off the silver-screen. After a lineup change in 2016, Dipygus recorded the "Long Pig Feast" EP, which featured terrifying rites, ritual mutilations and ominous sightings of a Mesozoic relic in the heart of the Congo. Their debut album, "Deathooze", slowly de-composed in the murky shallows of powerplant runoff in the Monterey Bay, ultimately being recorded in 2018. Though quickly banned in over 16 countries, Dipygus´ debut album attracted immediate attention among slime fetishists and similarly deviant circles. Placed appropriately alongside the Fiji mermaids and other grotesque artefacts found in curio cabinets of modern-day antiquarians, "Deathooze" continued the band´s exploration of inexplicable incidents, mysterious beasts and shocking carnage, including genuine audio recovered from a fatal attack at the hands of an ape gone mad! Following their debut album, Dipygus was conjoined with an additional member, and began a new exploration in search of secrets hidden in the jungles of lost continents, where life is cheap. After successful initiation into the shadowy world of black-market cuisine, an agreement was reached with Memento Mori for the release of the band´s second full-length, "Bushmeat". Showcasing more exotic and repulsive themes of the supernatural and taboo, "Bushmeat" presented an uncensored and unrelenting spectacle, with each element of the previous work irresponsibly taken to a further extreme. A prime cut of raw and grueling terror, it was fit for consumption by headhunters, body-snatchers, toad-venom junkies, cargo cultists, aquatic ape theorists, disaster tourists, carriers of tropical disease, voodoo practitioners and orgone revivalists only. All others having since been warned, Dipygus return to time primordial with an elegantly self-titled third album. Suitably graced with evocative cover art courtesy of Hayden Hall, Dipygus thrusts the helpless listener into a psychedelic jungle of grisly delights. At 10 songs in 41 minutes, the quartet qualify their most lengthy recording yet with maximum delirium and characteristically crushing execution. Everything here feels massive -tone, feel, supernatural aura- yet somehow simultaneously exhibits a spacious quality that´s unsettling to the Nth degree. Perhaps that´s due to Dipygus´ increasingly twisted songwriting, neither "tech" nor improvisatory, but a certain "elevated caveman" aspect that pushes primitivism toward mind-bending ends. Fleeting-yet-haunting leads also play a part in Dipygus´ menagerie of malodorousness, exacerbating the psychotic reactions in their humid, hellish jungle, and even touches of way-back synths get mangled within, melting into the fuckton heaviness of Dipygus´ riffing. Ever wanna hear the most tripped-out moments of Autopsy, Impetigo and especially Nuclear Death taken to their ILLogicial conclusion? Then enter Dipygus´ self-titled album... if you dare!