Preorders

High Roller Records, white/ grey mixed vinyl, ltd 250, A4 insert, Cassette transfer, audio restoration and mastering by Patrick W. Engel at TEMPLE OF DISHARMONY in November 2020 / January 2022. Artwork and text restoration and extension by Alexander von Wieding.

finally available again, reissued on A5 digipak by Funeral Industries

A new official repress on vinyl, by Funeral Industries

new reissue in A5 digipak Cd

When night falls onto the sub-arctic landscapes of the Land of the Thousand Lakes, in the twilight of forest and swamps, the veils between our reality and the otherworld grow thin. It is at those times that stories such as 'the fairy tale that never was' leak into the lyrics and music of TENHI. On their sixth album, "Valkama", which translates as 'harbour' or 'shelter' among other meanings, the Finns originally began telling of a journey that was meant as a fairy tale in a burning, war-torn village and the crossing over dark waters to an island of the dead. The island is called Verisurma ('the place for those who have suffered blood-death') in Finnish folklore, where those dwell that died in war or were killed with a blade, and who shed blood on its shore forever. Yet, during the ten years that TENHI were working on the album, our reality started to bleed into the otherworld with its own terrors and wars. Year after year, the musicians felt their story becoming more and more real until the point was reached that the band decided to change course. Although echoes of the original work are still audible in the final music and visible in the artwork, the album now feels more harmonious and comforting, even brighter. TENHI could hardly have picked a more suitable band-name. This old Finnish word means a person that is an 'elder' or 'shaman'. And while the shamans of the ancient nomadic Finns are the guardians against but also the mediators between their communities and the spirit world, TENHI are their musical equivalent as a liminal force between dark folk, folk rock, and even reaching out into the normally electrified world of metal. The latter invites comparison with WARDRUNA and HEILUNG, although in a spiritual meaning and certainly not by way of a stylistic comparison. TENHI were conceived by guitarist and vocalist Tyko Saarikko in 1996. Ilmari Issakainen joined the band a few years later. Together they form the creative core of the group. After self-releasing the demo "Kertomuksia" (1997) and the MCD "Hallavedet" (1998), the Finns immediately hit a nerve with their debut full-length "Kauan" in 1999. TENHI started into the new millennium with another MCD entitled "Airut:ciwi" (2000), which was followed by a string of albums from "Väre" (2002) via "Maaäet" (2006) and "Airut:aamujen" (2006) to "Saivo" (2011). With each new album, the Finns continued to grow a dedicated following that is coming from different musical directions. From the start, TENHI have combined acoustic instrumentation and a traditional vibe with structures based on contemporary rock music. While their previous full-length "Saivo" tilted more towards an ambient-style and panoramic soundtrack feeling, "Valkama" returns to a more song-oriented approach – even though the tracks retain an epic and meandering format. "Valkama" comes with the trademark Finnish longing and melancholia, but despite its audible darkness, TENHI offer a musical outlet from the horrors of the modern world. In the twilight world of the North, "Valkama" is the silver-lining on the horizon promising shelter and peace.

When night falls onto the sub-arctic landscapes of the Land of the Thousand Lakes, in the twilight of forest and swamps, the veils between our reality and the otherworld grow thin. It is at those times that stories such as 'the fairy tale that never was' leak into the lyrics and music of TENHI. On their sixth album, "Valkama", which translates as 'harbour' or 'shelter' among other meanings, the Finns originally began telling of a journey that was meant as a fairy tale in a burning, war-torn village and the crossing over dark waters to an island of the dead. The island is called Verisurma ('the place for those who have suffered blood-death') in Finnish folklore, where those dwell that died in war or were killed with a blade, and who shed blood on its shore forever. Yet, during the ten years that TENHI were working on the album, our reality started to bleed into the otherworld with its own terrors and wars. Year after year, the musicians felt their story becoming more and more real until the point was reached that the band decided to change course. Although echoes of the original work are still audible in the final music and visible in the artwork, the album now feels more harmonious and comforting, even brighter. TENHI could hardly have picked a more suitable band-name. This old Finnish word means a person that is an 'elder' or 'shaman'. And while the shamans of the ancient nomadic Finns are the guardians against but also the mediators between their communities and the spirit world, TENHI are their musical equivalent as a liminal force between dark folk, folk rock, and even reaching out into the normally electrified world of metal. The latter invites comparison with WARDRUNA and HEILUNG, although in a spiritual meaning and certainly not by way of a stylistic comparison. TENHI were conceived by guitarist and vocalist Tyko Saarikko in 1996. Ilmari Issakainen joined the band a few years later. Together they form the creative core of the group. After self-releasing the demo "Kertomuksia" (1997) and the MCD "Hallavedet" (1998), the Finns immediately hit a nerve with their debut full-length "Kauan" in 1999. TENHI started into the new millennium with another MCD entitled "Airut:ciwi" (2000), which was followed by a string of albums from "Väre" (2002) via "Maaäet" (2006) and "Airut:aamujen" (2006) to "Saivo" (2011). With each new album, the Finns continued to grow a dedicated following that is coming from different musical directions. From the start, TENHI have combined acoustic instrumentation and a traditional vibe with structures based on contemporary rock music. While their previous full-length "Saivo" tilted more towards an ambient-style and panoramic soundtrack feeling, "Valkama" returns to a more song-oriented approach – even though the tracks retain an epic and meandering format. "Valkama" comes with the trademark Finnish longing and melancholia, but despite its audible darkness, TENHI offer a musical outlet from the horrors of the modern world. In the twilight world of the North, "Valkama" is the silver-lining on the horizon promising shelter and peace.

When night falls onto the sub-arctic landscapes of the Land of the Thousand Lakes, in the twilight of forest and swamps, the veils between our reality and the otherworld grow thin. It is at those times that stories such as 'the fairy tale that never was' leak into the lyrics and music of TENHI. On their sixth album, "Valkama", which translates as 'harbour' or 'shelter' among other meanings, the Finns originally began telling of a journey that was meant as a fairy tale in a burning, war-torn village and the crossing over dark waters to an island of the dead. The island is called Verisurma ('the place for those who have suffered blood-death') in Finnish folklore, where those dwell that died in war or were killed with a blade, and who shed blood on its shore forever. Yet, during the ten years that TENHI were working on the album, our reality started to bleed into the otherworld with its own terrors and wars. Year after year, the musicians felt their story becoming more and more real until the point was reached that the band decided to change course. Although echoes of the original work are still audible in the final music and visible in the artwork, the album now feels more harmonious and comforting, even brighter. TENHI could hardly have picked a more suitable band-name. This old Finnish word means a person that is an 'elder' or 'shaman'. And while the shamans of the ancient nomadic Finns are the guardians against but also the mediators between their communities and the spirit world, TENHI are their musical equivalent as a liminal force between dark folk, folk rock, and even reaching out into the normally electrified world of metal. The latter invites comparison with WARDRUNA and HEILUNG, although in a spiritual meaning and certainly not by way of a stylistic comparison. TENHI were conceived by guitarist and vocalist Tyko Saarikko in 1996. Ilmari Issakainen joined the band a few years later. Together they form the creative core of the group. After self-releasing the demo "Kertomuksia" (1997) and the MCD "Hallavedet" (1998), the Finns immediately hit a nerve with their debut full-length "Kauan" in 1999. TENHI started into the new millennium with another MCD entitled "Airut:ciwi" (2000), which was followed by a string of albums from "Väre" (2002) via "Maaäet" (2006) and "Airut:aamujen" (2006) to "Saivo" (2011). With each new album, the Finns continued to grow a dedicated following that is coming from different musical directions. From the start, TENHI have combined acoustic instrumentation and a traditional vibe with structures based on contemporary rock music. While their previous full-length "Saivo" tilted more towards an ambient-style and panoramic soundtrack feeling, "Valkama" returns to a more song-oriented approach – even though the tracks retain an epic and meandering format. "Valkama" comes with the trademark Finnish longing and melancholia, but despite its audible darkness, TENHI offer a musical outlet from the horrors of the modern world. In the twilight world of the North, "Valkama" is the silver-lining on the horizon promising shelter and peace.

The title of SATURNUS' fifth album, "The Storm Within" is hinting at both, the tempest of the natural world and turmoil that can rage inside the mind. It is also quite obvious that the long time it took the Danes to create this full-length and the personal reasons behind the hiatus very much contributed and inspired its artistic expression. SATURNUS have outdone themselves with "The Storm Within". The musical themes of the seas, rain, and stormy waters are a subtle presence and guiding thread throughout the songs that reflect anger, loss, melancholy, and pain in equal measure. The fully matured craftsmanship on this album is sublime and extremely dynamic, ranging from moments of calm to brutal outbursts. Working again with producer Flemming Rasmussen, the legendary Danish producer of METALLICA's classic albums, also ensured that the sound of "The Storm Within" matches its outstanding musical quality. SATURNUS came into being when singer Thomas A.G. Jensen started looking for fellow musicians in the area of Denmark's capital Copenhagen to form a death metal act in 1991. Following a number of changes during the next few years, the name was finally switched to SATURNUS in 1993. The band released their first album "Paradise Belongs to You" in January 1997 and were immediately invited to perform at the famous Roskilde Festival the same year. The show was recorded by Norwegian Radio (NRK) and ended up being broadcast all over Scandinavia, which firmly established the band as a death doom household name in Northern Europe. Following their sophomore album "Martyre" (2000) and the iconic third studio full-length "Veronika Decides to Die" as well as constant touring throughout Europe and increasingly beyond, "Saturn in Ascension" was released in 2012, which was once again produced by Flemming Rasmussen. Celebrating their 20th anniversary, SATURNUS got back on the roads of Europe and also performed at prestigious festivals such as Brutal Assault (CZ), Copenhell (DK), and ArtMania (RO) among many others. The Danes continued touring with occasional breaks from 2014 until 2017, which got them as far as Russia and to the Middle East. After several notable changes in the line-up, SATURNUS were joined by guitarists Indee Rehal-Sagoo (formerly CLOUDS and EYE OF SOLITUDE) and Julio Fernandez from AUTUMNAL in 2020. Despite more obstacles created by the pandemic, the band finally started working on their next album and also continued their collaboration with Flemming Rasmussen. "The Storm Within" took a long time in its creation and along the way demanded painful sacrifices from SATURNUS. All the blood, pain, and sweat have left their marks on this record. Yet in the end, the brutal honesty and the baring of the soul emanating from each note is what makes "The Storm Within" such a brilliant piece of music.

The title of SATURNUS' fifth album, "The Storm Within" is hinting at both, the tempest of the natural world and turmoil that can rage inside the mind. It is also quite obvious that the long time it took the Danes to create this full-length and the personal reasons behind the hiatus very much contributed and inspired its artistic expression. SATURNUS have outdone themselves with "The Storm Within". The musical themes of the seas, rain, and stormy waters are a subtle presence and guiding thread throughout the songs that reflect anger, loss, melancholy, and pain in equal measure. The fully matured craftsmanship on this album is sublime and extremely dynamic, ranging from moments of calm to brutal outbursts. Working again with producer Flemming Rasmussen, the legendary Danish producer of METALLICA's classic albums, also ensured that the sound of "The Storm Within" matches its outstanding musical quality. SATURNUS came into being when singer Thomas A.G. Jensen started looking for fellow musicians in the area of Denmark's capital Copenhagen to form a death metal act in 1991. Following a number of changes during the next few years, the name was finally switched to SATURNUS in 1993. The band released their first album "Paradise Belongs to You" in January 1997 and were immediately invited to perform at the famous Roskilde Festival the same year. The show was recorded by Norwegian Radio (NRK) and ended up being broadcast all over Scandinavia, which firmly established the band as a death doom household name in Northern Europe. Following their sophomore album "Martyre" (2000) and the iconic third studio full-length "Veronika Decides to Die" as well as constant touring throughout Europe and increasingly beyond, "Saturn in Ascension" was released in 2012, which was once again produced by Flemming Rasmussen. Celebrating their 20th anniversary, SATURNUS got back on the roads of Europe and also performed at prestigious festivals such as Brutal Assault (CZ), Copenhell (DK), and ArtMania (RO) among many others. The Danes continued touring with occasional breaks from 2014 until 2017, which got them as far as Russia and to the Middle East. After several notable changes in the line-up, SATURNUS were joined by guitarists Indee Rehal-Sagoo (formerly CLOUDS and EYE OF SOLITUDE) and Julio Fernandez from AUTUMNAL in 2020. Despite more obstacles created by the pandemic, the band finally started working on their next album and also continued their collaboration with Flemming Rasmussen. "The Storm Within" took a long time in its creation and along the way demanded painful sacrifices from SATURNUS. All the blood, pain, and sweat have left their marks on this record. Yet in the end, the brutal honesty and the baring of the soul emanating from each note is what makes "The Storm Within" such a brilliant piece of music.