Preorders

'Within The Flesh' , where the atmospheres of Finnish and Norwegian black metal collide. It reeks of majesty, grimness and morbidity.
Hailed by Doedsadmiral as their "most bizarre and raw album to date", Within The Flesh promises a relentless journey. Unusual, eccentric, and uncompromising.

Bone/brown swirl vinyl housed in 300 gsm coated carton sleeve with 3mm spine. Includes 8 page lp-sized booklet printed on 150gsm art paper. Limited edition of 300 copies!
Comes with vinyl-exclusive alternate cover art!

'Within The Flesh' , where the atmospheres of Finnish and Norwegian black metal collide. It reeks of majesty, grimness and morbidity.
Hailed by Doedsadmiral as their "most bizarre and raw album to date", Within The Flesh promises a relentless journey. Unusual, eccentric, and uncompromising.

'An Undying Love For A Burning World' is the first new release from Neurosis in a decade, and a potent statement of intent and rebirth - one that marks the first new steps of resolve and resilience.

'An Undying Love For A Burning World' is an epic album of colossal hypnotism - beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band’s own and a true kindred spirit.

Neurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis’ cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression.

The album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends this winter, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland.

'An Undying Love For A Burning World' is the first new release from Neurosis in a decade, and a potent statement of intent and rebirth - one that marks the first new steps of resolve and resilience.

'An Undying Love For A Burning World' is an epic album of colossal hypnotism - beautiful, fearsome and utterly compelling in a way that only Neurosis can be. Aaron Turner (Sumac, Isis) joins the band on vocals and guitar, a name whose legacy is intertwined with the band’s own and a true kindred spirit.

Neurosis have never been afraid of change, and here they embrace endless regeneration, surrendering to the emotional exorcism through heaviness and distortion that their music incites. Just as the universe tends towards balance, Neurosis’ cacophony of noise, rhythm and dissonance always resolves towards moments of beauty. The addition of Turner's powerful vocals and wildly creative and unhinged approach to guitar proves to be a vital force as Neurosis find themselves again at the mercy of evolution and expression.

The album was recorded by Scott Evans (Kowloon Walled City, Sumac, and Great Falls) at Studio Litho in Seattle during three weekends this winter, and mixed in three days just six weeks before release at Evan's Antisleep Audio in Oakland.

One of the most underrated pearls from the Swiss underground scene, Sadness. Formed in 1989 and released two demos and three full lengths from 1991 to 1998. Inspired by the occult Hellhammer and early Celtic Frost and other first waves black metal bands. On the other hand heavily rooted in doom / death metal, and later on heavily influenced by gothic metal. Debut album Ames de Marbre is the perfect blend of doom, death, black and gothic metal. This re-issue has a total new designed artwork and insert and demo Oedipus (1992) as bonus.

One of the most underrated pearls from the Swiss underground scene, Sadness. Formed in 1989 and released two demos and three full lengths from 1991 to 1998. Inspired by the occult Hellhammer and early Celtic Frost and other first waves black metal bands. On the other hand heavily rooted in doom / death metal, and later on heavily influenced by gothic metal. Debut album Ames de Marbre is the perfect blend of doom, death, black and gothic metal. This re-issue has a total new designed artwork and insert and demo Oedipus (1992) as bonus.

Swedish gothic doom entity DRACONIAN is finally back! Their new studio album, In Somnolent Ruin, will creep its way from the artist’s spirit into the light of day on May 8, 2026 via Napalm Records. This promises to be one of the most personal records in the band’s discography, revealed through a dreamlike journey across nine tracks and the poetic lyricism of vocalist Anders Jacobsson. As a recurring theme, DRACONIAN explore Plato’s theory of the soul – an element that was not planned from the very beginning, but instead emerged organically during the creation of In Somnolent Ruin.

Six years have passed since the band released its predecessor, Under a Godless Veil, DRACONIAN’s most successful record to date. Much has changed since then, yet everything feels familiar: after introducing new guitarist Niklas Nord (Myteri, DeathTrap, The Random Victims) in spring 2022, the band announced the return of vocalist Lisa Johansson, who now once again shares vocal duties with Anders Jacobsson, promising even more enigmatic music to come. Johansson had been the band’s vocalist for their first five records before leaving DRACONIAN in 2011 for personal reasons. In Somnolent Ruin marks her official comeback, following several live performances at festivals over the past years. The band’s renewed lineup is rounded out by Daniel Johansson (ex-Wormwood), who joined DRACONIAN as a full member in 2025 following Jerry Torstennson’s departure. Prior to that, Johansson had served as the band’s session drummer since 2019.

In Somnolent Ruin captures the essence of a band that no longer needs to prove anything – and yet still does. Active since the mid-1990s and having released their debut album, Where Lovers Mourn, in 2003, DRACONIAN have continuously demonstrated their unmatched ability to craft otherworldly doom melodies and searing heavy instrumentation, complemented by lyrics that read like poetry. Their art cuts deep, compelling listeners to confront their inner demons, wander through the darkest shadows, and even embrace emotional numbness, only to emerge with a sense of inner peace. This album confronts listeners with life’s hardest questions, exploring feelings of alienation and the search for direction in unfamiliar territory.

In Somnolent Ruin’s journey begins with “I Welcome Thy Arrow”, which captivates from the very first seconds through haunting melodies and a vocal interplay that embodies fragility and strength alike. Tracks such as “The Monochrome Blade” and “The Face of God” introduce increased tempo and eruptive vocal dynamics. “Anima” features Swedish artist Daniel Änghede, adding layers of emotional depth and confronting listeners with their darker impulses, capturing the sense of being lost and questioning one’s place in the world. “Asteria Beneath the Tranquil Sea” serves as a transitional interlude between “I Gave You Wings” and “Cold Heavens”, the latter exploring the delicate balance between life and death and not finding relief in any of both, while delivering the album’s most intense vocal performance. “Misanthrope River” opens with an extended instrumental passage and narration by Simon Bibby, slowing the tempo but by no means reducing the emotional weight, reflecting life’s daily struggles and obstacles. The closing track, “Lethe”, references the river of forgetfulness in Greek mythology. Those who drank from it would lose all memory. “Oh, shooting star… Drown in me! Drink. Forget. Repeat.” mourns Jacobsson through devilish growls. And yet, In Somnolent Ruin remains a work of art one wishes not to forget – not a single blink of an eye.

Swedish gothic doom entity DRACONIAN is finally back! Their new studio album, In Somnolent Ruin, will creep its way from the artist’s spirit into the light of day on May 8, 2026 via Napalm Records. This promises to be one of the most personal records in the band’s discography, revealed through a dreamlike journey across nine tracks and the poetic lyricism of vocalist Anders Jacobsson. As a recurring theme, DRACONIAN explore Plato’s theory of the soul – an element that was not planned from the very beginning, but instead emerged organically during the creation of In Somnolent Ruin.

Six years have passed since the band released its predecessor, Under a Godless Veil, DRACONIAN’s most successful record to date. Much has changed since then, yet everything feels familiar: after introducing new guitarist Niklas Nord (Myteri, DeathTrap, The Random Victims) in spring 2022, the band announced the return of vocalist Lisa Johansson, who now once again shares vocal duties with Anders Jacobsson, promising even more enigmatic music to come. Johansson had been the band’s vocalist for their first five records before leaving DRACONIAN in 2011 for personal reasons. In Somnolent Ruin marks her official comeback, following several live performances at festivals over the past years. The band’s renewed lineup is rounded out by Daniel Johansson (ex-Wormwood), who joined DRACONIAN as a full member in 2025 following Jerry Torstennson’s departure. Prior to that, Johansson had served as the band’s session drummer since 2019.

In Somnolent Ruin captures the essence of a band that no longer needs to prove anything – and yet still does. Active since the mid-1990s and having released their debut album, Where Lovers Mourn, in 2003, DRACONIAN have continuously demonstrated their unmatched ability to craft otherworldly doom melodies and searing heavy instrumentation, complemented by lyrics that read like poetry. Their art cuts deep, compelling listeners to confront their inner demons, wander through the darkest shadows, and even embrace emotional numbness, only to emerge with a sense of inner peace. This album confronts listeners with life’s hardest questions, exploring feelings of alienation and the search for direction in unfamiliar territory.

In Somnolent Ruin’s journey begins with “I Welcome Thy Arrow”, which captivates from the very first seconds through haunting melodies and a vocal interplay that embodies fragility and strength alike. Tracks such as “The Monochrome Blade” and “The Face of God” introduce increased tempo and eruptive vocal dynamics. “Anima” features Swedish artist Daniel Änghede, adding layers of emotional depth and confronting listeners with their darker impulses, capturing the sense of being lost and questioning one’s place in the world. “Asteria Beneath the Tranquil Sea” serves as a transitional interlude between “I Gave You Wings” and “Cold Heavens”, the latter exploring the delicate balance between life and death and not finding relief in any of both, while delivering the album’s most intense vocal performance. “Misanthrope River” opens with an extended instrumental passage and narration by Simon Bibby, slowing the tempo but by no means reducing the emotional weight, reflecting life’s daily struggles and obstacles. The closing track, “Lethe”, references the river of forgetfulness in Greek mythology. Those who drank from it would lose all memory. “Oh, shooting star… Drown in me! Drink. Forget. Repeat.” mourns Jacobsson through devilish growls. And yet, In Somnolent Ruin remains a work of art one wishes not to forget – not a single blink of an eye.