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It’s been six long years since Sojourner released their latest album, Premonitions. Since then, a lot has happened: the band went through lineup changes, signed back to Avantgarde Music and sort of spent a good portion of these years resting, building up ideas and inspiration for what had to come next.

 Gateways is the result of such rest, a collection of seven new tracks, including “Epitaphs”, the digital-only single released in late 2024. And let’s just say that Sojourner is back at full force. The signature sound that made Mike Lamb and Emilio Crespo’s band stand out since their beginnings, over a decade ago, is still there and now taken to new heights.

 Sojourner’s dreamy, folky atmopsheres are still here, now with the powerful addition of Heike Langhan’s (ex-Draconian, Remina) beautiful vocals. At the same, Gateways doesn’t spare speed and fury, with fast up-tempos and monolithic riffs.

 As guitarist and songwriter Mike Lamb states, “Gateways is a labour of love written over the last few years of outward silence, harnessing the soul of everything we've done before while carrying the band forward toward new horizons and opening the way for what comes next.”

 Sojourner’s fourth studio album will be released via Avantgarde Music on CD and LP on July 10th, 2026, right on time to support the band’s first three live gigs after years of absence from the stage.

It’s been six long years since Sojourner released their latest album, Premonitions. Since then, a lot has happened: the band went through lineup changes, signed back to Avantgarde Music and sort of spent a good portion of these years resting, building up ideas and inspiration for what had to come next.

 Gateways is the result of such rest, a collection of seven new tracks, including “Epitaphs”, the digital-only single released in late 2024. And let’s just say that Sojourner is back at full force. The signature sound that made Mike Lamb and Emilio Crespo’s band stand out since their beginnings, over a decade ago, is still there and now taken to new heights.

 Sojourner’s dreamy, folky atmopsheres are still here, now with the powerful addition of Heike Langhan’s (ex-Draconian, Remina) beautiful vocals. At the same, Gateways doesn’t spare speed and fury, with fast up-tempos and monolithic riffs.

 As guitarist and songwriter Mike Lamb states, “Gateways is a labour of love written over the last few years of outward silence, harnessing the soul of everything we've done before while carrying the band forward toward new horizons and opening the way for what comes next.”

 Sojourner’s fourth studio album will be released via Avantgarde Music on CD and LP on July 10th, 2026, right on time to support the band’s first three live gigs after years of absence from the stage.

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It’s been six long years since Sojourner released their latest album, Premonitions. Since then, a lot has happened: the band went through lineup changes, signed back to Avantgarde Music and sort of spent a good portion of these years resting, building up ideas and inspiration for what had to come next.

 Gateways is the result of such rest, a collection of seven new tracks, including “Epitaphs”, the digital-only single released in late 2024. And let’s just say that Sojourner is back at full force. The signature sound that made Mike Lamb and Emilio Crespo’s band stand out since their beginnings, over a decade ago, is still there and now taken to new heights.

 Sojourner’s dreamy, folky atmopsheres are still here, now with the powerful addition of Heike Langhan’s (ex-Draconian, Remina) beautiful vocals. At the same, Gateways doesn’t spare speed and fury, with fast up-tempos and monolithic riffs.

 As guitarist and songwriter Mike Lamb states, “Gateways is a labour of love written over the last few years of outward silence, harnessing the soul of everything we've done before while carrying the band forward toward new horizons and opening the way for what comes next.”

 Sojourner’s fourth studio album will be released via Avantgarde Music on CD and LP on July 10th, 2026, right on time to support the band’s first three live gigs after years of absence from the stage.

Graveir, forged in the oppressive underground of Brisbane in 2014, deliver a uniquely unorthodox take on black metal—melding dissonant, riff-driven weight with warped, unsettling melody. Known for their intense, unease-soaked live shows and uncompromising sound, the band continues to carve their own path.

The Festering Triad, their third album, is a bleak vision of societal decay and corrupted power. Across eight tracks, bile-fuelled aggression surges through anxiety-ridden drums, convulsing guitars, and serpentine basslines—forming a suffocating, venomous descent into rot.

For Fans Of: Marduk | Shining | Gorgoroth

8-CD Artbook Edition (hardcover, 28 x 28 cm, 60 pages) featuring personal reflections, song lyrics, additional illustrations, photos, and exclusive bonus material. (600 copies available) 

With “Arcane Past: The Celestial Grimoire,” LIMBONIC ART delivers the ultimate testament to their early years. This jam-packed 8-CD artbook not only brings together all the classic works of the Norwegian black metal cult band—the demos and early albums—but also the previously unreleased “1994 Demo”! LIMBONIC ART was founded in 1993 and released their debut album “Moon in the Scorpio” (1996) three years later via Nocturnal Art Productions. The label was run by EMPEROR guitarist Samoth, aka Tomas Thormodsæter Haugen, who stepped in after the band’s demo cassettes had piqued his interest. The band’s combination of Nordic black metal with cinematic elements—inspired by romantic and classical orchestral music—proved to be highly influential in the years that followed. LIMBONIC ART were always an elusive phenomenon and were already considered a cult band back then, as the Norwegians performed live only very rarely—for example, with a legendary concert at the Black Whitsun subfestival of the millennium edition of the Wave Gothic Festival (2000) in Leipzig.

In the new century, Daemon joined ZYKLON for a while before LIMBONIC ART officially disbanded in February 2003. In 2006, however, Daemon reformed the band and continued on his own. After another extended hiatus, the Norwegian cult band made a remarkable comeback in 2024 with their ninth album, “Opus Daemoniacal.” “Arcane Past: The Celestial Grimoire” brings things full circle, offering all of LIMBONIC ART’s classics and rarities collected on CD for the first time.

Black Vinyl

MOONSPELL return via Napalm Records with Far From God, a record born out of five years of creative searching, doubt and ultimate rediscovery. Far from playing it safe, the Portuguese pioneers deliver a work that feels like a rebirth: darker, sharper and emotionally unfiltered. Rather than bending to modern trends, MOONSPELL double down on identity and substance. Far From God is a bold and beautiful statement of Gothic Metal in its purest form: dark, romantic, dramatic and unapologetically heavy.
The first single and album title track, “Far From God”, sets the album’s tone with burning intensity. A hymn to tragic vampiric love, the song revives the mystique and romantic darkness that once defined the genre, while layered keyboards subtly expand the atmosphere without softening its heaviness. Dense guitars, deep resonant vocals and dramatic dynamic shifts evoke a timeless gothic aesthetic, restoring danger and elegance to the narrative of the vampire.
Songs such as “Cross Your Heart” reveal a more affirmative side of the album, built on brooding melodic motifs and grounded, deliberate riff work that balances restraint and impact. Echoing the spirit of the band’s past while embracing a modern, shadowed edge, the song reflects on roadside shrines and lives lost too soon; the steady forward drive of the rhythm section mirrors the endless motion of the road itself. Fernando Ribeiro’s unmistakable and singular vocal presence, moving between low gravitas and restrained intensity, reinforces the song’s emotional weight without excess.
With “The Great Wolf in the Sky” feat. Alicia Nuhro (strings), MOONSPELL deliver one of the album’s most epic moments, structured around expansive keyboard themes, harmonized guitar lines and a chorus built for collective resonance. Melancholic yet powerful, the track stands as a tribute to wolves who once walked alongside the band and to a fan and friend who passed before hearing the album, bridging MOONSPELL’s past, present and future in one sweeping, dignified anthem.
Thematically, Far From God moves through Baudelairian love, existential guilt and redemption, Christlike resurrections and the quiet nobility of creatures of the night. Vampires, werewolves and sacred symbolism are not escapism here, but vehicles for genuine dark emotion: solemn, romantic and unfiltered. The album rejects artificial gloss in favour of fantasy grounded in sincerity, rediscovering the heart of Gothic Metal in its most authentic form.
MOONSPELL’s forthcoming magnum opus – produced with Jaime Gomez Arellano (Paradise Lost, Sólstafir, Ghost among many others) – shines like a black diamond, luminous yet shadowed in texture and colour, both musically and sonically. It reconnects with the darker spirit of MOONSPELL’s classic era while sounding powerful and contemporary. Far From God is not nostalgia; it is a statement. A Gothic Metal hallelujah. MOONSPELL’s Irreligious of the 21st century. It’s not only a powerful reminder that MOONSPELL remain a defining force in the genre they helped shape, but an album that will truly save Gothic Metal from boredom and predictability!

MOONSPELL return via Napalm Records with Far From God, a record born out of five years of creative searching, doubt and ultimate rediscovery. Far from playing it safe, the Portuguese pioneers deliver a work that feels like a rebirth: darker, sharper and emotionally unfiltered. Rather than bending to modern trends, MOONSPELL double down on identity and substance. Far From God is a bold and beautiful statement of Gothic Metal in its purest form: dark, romantic, dramatic and unapologetically heavy.
The first single and album title track, “Far From God”, sets the album’s tone with burning intensity. A hymn to tragic vampiric love, the song revives the mystique and romantic darkness that once defined the genre, while layered keyboards subtly expand the atmosphere without softening its heaviness. Dense guitars, deep resonant vocals and dramatic dynamic shifts evoke a timeless gothic aesthetic, restoring danger and elegance to the narrative of the vampire.
Songs such as “Cross Your Heart” reveal a more affirmative side of the album, built on brooding melodic motifs and grounded, deliberate riff work that balances restraint and impact. Echoing the spirit of the band’s past while embracing a modern, shadowed edge, the song reflects on roadside shrines and lives lost too soon; the steady forward drive of the rhythm section mirrors the endless motion of the road itself. Fernando Ribeiro’s unmistakable and singular vocal presence, moving between low gravitas and restrained intensity, reinforces the song’s emotional weight without excess.
With “The Great Wolf in the Sky” feat. Alicia Nuhro (strings), MOONSPELL deliver one of the album’s most epic moments, structured around expansive keyboard themes, harmonized guitar lines and a chorus built for collective resonance. Melancholic yet powerful, the track stands as a tribute to wolves who once walked alongside the band and to a fan and friend who passed before hearing the album, bridging MOONSPELL’s past, present and future in one sweeping, dignified anthem.
Thematically, Far From God moves through Baudelairian love, existential guilt and redemption, Christlike resurrections and the quiet nobility of creatures of the night. Vampires, werewolves and sacred symbolism are not escapism here, but vehicles for genuine dark emotion: solemn, romantic and unfiltered. The album rejects artificial gloss in favour of fantasy grounded in sincerity, rediscovering the heart of Gothic Metal in its most authentic form.
MOONSPELL’s forthcoming magnum opus – produced with Jaime Gomez Arellano (Paradise Lost, Sólstafir, Ghost among many others) – shines like a black diamond, luminous yet shadowed in texture and colour, both musically and sonically. It reconnects with the darker spirit of MOONSPELL’s classic era while sounding powerful and contemporary. Far From God is not nostalgia; it is a statement. A Gothic Metal hallelujah. MOONSPELL’s Irreligious of the 21st century. It’s not only a powerful reminder that MOONSPELL remain a defining force in the genre they helped shape, but an album that will truly save Gothic Metal from boredom and predictability!