€0.00
Your cart is empty
Your cart is empty
Preorder items - Extreme Metal and Dark music
After celebrating its 10th anniversary in early 2025 with a special release (with a completely different artwork that remains exclusive to that edition), ENISUM's break-through album "Arpitanian Lands" is now available again in its original art form, although heavily revised.
After celebrating its 10th anniversary in early 2025 with a special release (with a completely different artwork that remains exclusive to that edition), ENISUM's break-through album "Arpitanian Lands" is now available again in its original art form, although heavily revised.
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
Black 12" vinyl in gatefold.
First pressing 250 copies worldwide.
PONTE DEL DIAVOLO emerged from the underground of Turin in 2020, born from members of Feralia, Inchiuvatu, Abjura and Askesis. Blending doom, black metal, post-punk and wave, they forged their own aesthetic - blackened post-punk.
‘De Venom Natura’ marks the Italian band’s most daring incarnation yet: an alchemical meditation on the poisons of nature - seductive, transformative, and deadly. Recorded live to preserve raw tension and imperfection, the album channels the atmosphere of their stage presence: dual basses thrum beneath haunted vocals, guitars flicker like burning incense, and drums strike with primal urgency.
Produced by Danilo Battocchio (Deepest Sea Studio, Turin) and mastered by Magnus Lindberg (Redmount Studios, Stockholm), the record unfolds like a fevered vision... Equal parts decay and revelation.
For fans of MESSA, CHELSEA WOLFE, ESBEN AND THE WITCH, DEAD CAN DANCE, DOOL, ELECTRIC WIZARD, DARKTHRONE.
Transparent green 12" vinyl in gatefold.
Limited to 250 copies worldwide.
PONTE DEL DIAVOLO emerged from the underground of Turin in 2020, born from members of Feralia, Inchiuvatu, Abjura and Askesis. Blending doom, black metal, post-punk and wave, they forged their own aesthetic - blackened post-punk.
‘De Venom Natura’ marks the Italian band’s most daring incarnation yet: an alchemical meditation on the poisons of nature - seductive, transformative, and deadly. Recorded live to preserve raw tension and imperfection, the album channels the atmosphere of their stage presence: dual basses thrum beneath haunted vocals, guitars flicker like burning incense, and drums strike with primal urgency.
Produced by Danilo Battocchio (Deepest Sea Studio, Turin) and mastered by Magnus Lindberg (Redmount Studios, Stockholm), the record unfolds like a fevered vision... Equal parts decay and revelation.
For fans of MESSA, CHELSEA WOLFE, ESBEN AND THE WITCH, DEAD CAN DANCE, DOOL, ELECTRIC WIZARD, DARKTHRONE.
CD in Digipak with alternative cover and 12-page booklet.
PONTE DEL DIAVOLO emerged from the underground of Turin in 2020, born from members of Feralia, Inchiuvatu, Abjura and Askesis. Blending doom, black metal, post-punk and wave, they forged their own aesthetic - blackened post-punk.
‘De Venom Natura’ marks the Italian band’s most daring incarnation yet: an alchemical meditation on the poisons of nature - seductive, transformative, and deadly. Recorded live to preserve raw tension and imperfection, the album channels the atmosphere of their stage presence: dual basses thrum beneath haunted vocals, guitars flicker like burning incense, and drums strike with primal urgency.
Produced by Danilo Battocchio (Deepest Sea Studio, Turin) and mastered by Magnus Lindberg (Redmount Studios, Stockholm), the record unfolds like a fevered vision... Equal parts decay and revelation.
For fans of MESSA, CHELSEA WOLFE, ESBEN AND THE WITCH, DEAD CAN DANCE, DOOL, ELECTRIC WIZARD, DARKTHRONE.
Récits Patriotiques captures FORTERESSE in their rawest form: a rehearsal recording, originally made in preparation for Messe des Morts. Previously available only on CD, this intense snapshot of Québec black metal history now appears on vinyl for the very first time.
Black Vinyl
From moniker to visual aesthetic and especially to the sonics themselves, HERALDIC BLAZE are encapsulating the oft-nebulous "medieval black metal" idiom with startling aplomb. While it's often difficult to discern exactly what medieval BM is other than a pithy "I know it when I hear it," HERALDIC BLAZE leave no doubt as to their intentions.
Witness their debut demo, Blazoned Heraldry. The duo of American multi-instrumentalist Argent Pale (vocals, bass, flute) and Norwegian guitarist Peregrinus (HJEMSØKT, SOLUS GRIEF, KVAD, UNHOLY CRAFT) create a spellbinding tapestry of rustic tones and textures. In fact, on texture alone - kinda clean and clanging, yet with more than a hint of ghostly grit and almost surfy reverb - HERALDIC BLAZE stand out, but it's how they utilize those textures in the service of songwriting: winding and wild, frothing up to an almost-dangerous delirium, but more often than not leaving wide-open spaces to let their medieval melodicism bend and sway with bravado and bittersweetness. And as actual flute flutters in from time to time, the sum effect, more often than not, is ALIEN - unsettling and alluring in equal measure.
While "merely" a demo recording, HERALDIC BLAZE's first work already trounces most modern works of "black metal." Unorthodox and unbound, Blazoned Heraldry is mandatory listening for fans of Sühnopfer, Ungfell, Grylle, Heltekvad, and particularly mid-2000s Peste Noire.
CORONER came up with an even more daring, unconventional album in 1993's ‘Grin', which abandoned much of the thrash-based aggression of their early days and focused on challenging dynamics and eerie atmospherics. This move proved too radical even for longtime fans, ironically, and they remain split over the album's merits, some seeing it as a total sellout, while many others consider it the band's greatest triumph.
CORONER came up with an even more daring, unconventional album in 1993's ‘Grin', which abandoned much of the thrash-based aggression of their early days and focused on challenging dynamics and eerie atmospherics. This move proved too radical even for longtime fans, ironically, and they remain split over the album's merits, some seeing it as a total sellout, while many others consider it the band's greatest triumph.