Preorders

“The Storm” offers a first glimpse of Armagedda’s forthcoming fifth album, STORM OF EVIL: two new recordings pressed into seven-inch form, pairing the title track with the exclusive “The Sermon Never Heard”. 

Following “Svindeldjup ättestup” (2020), Armagedda once again turns toward older bones. These songs draw a line back through the torn austerity of the band’s origins, the heavier, death-inflected pulse that emerged around “Only True Believers”, and the sickly spiritual oppression later perfected on “Ond spiritism”. Yet the result is not retrospective. It is a further descent, carried by the same adversarial will under a harsher and more immediate guise.

Conjured at Necromorbus Studio in October 2025 alongside Tore Stjerna, “Storm of Evil” stands as a premonition of what is to come: grave-bound, accusatory black metal with the stench of old death in its breath. No mourners. No prayers. Only the sermon never heard.

Shadow Records (distributed and marketed by Regain Records) proudly presents the reissue of Sorhin's debut EP, Skogsgriftens rike on LP and CD formats. Originally released in 1996, Skogsgriftens rike marks the beginning of Sorhin's journey into the pantheon of Swedish black metal, laying the foundation for the cult full-length albums “I det glimrande mörkrets djup” and “Apokalypsens ängel”. Even at this early stage, the band's identity was fully formed, a cold, evocative and unmistakably Nordic vision that would become their enduring hallmark. Nearly thirty years on, Skogsgriftens rike still stands as a monument to the cold majesty of 1990s Swedish black metal, untouched by time, uncompromising in spirit, and as haunting as the northern wilderness that inspired it. Formats: 12" vinyl LP (black vinyl) -Sturdy 300gsm vinyl-sleeve with bronze pantone print -Vinyl insert -Double-sided A2 poster -Limited to 400 copies on black vinyl -CD jewelcase -8 page booklet

Shadow Records (distributed and marketed by Regain Records) proudly presents the reissue of Sorhin's debut EP, Skogsgriftens rike on LP and CD formats. Originally released in 1996, Skogsgriftens rike marks the beginning of Sorhin's journey into the pantheon of Swedish black metal, laying the foundation for the cult full-length albums “I det glimrande mörkrets djup” and “Apokalypsens ängel”. Even at this early stage, the band's identity was fully formed, a cold, evocative and unmistakably Nordic vision that would become their enduring hallmark. Nearly thirty years on, Skogsgriftens rike still stands as a monument to the cold majesty of 1990s Swedish black metal, untouched by time, uncompromising in spirit, and as haunting as the northern wilderness that inspired it. Formats: 12" vinyl LP (black vinyl) -Sturdy 300gsm vinyl-sleeve with bronze pantone print -Vinyl insert -Double-sided A2 poster -Limited to 400 copies on black vinyl -CD jewelcase -8 page booklet

Demo and rarities collection.

15 remastered tracks! 8 tracks have never been released on CD before and 1 completely exclusive song.

Curated by the band. Officially licensed from Theatre Of Tragedy.

Limited to 500 copies
Super Jewel Box
16 page booklet on uncoated offset paper stock

From the mind of Gore Metal pioneer Matt Harvey, LEFT TO DIE pays homage to Chuck Schuldiner's revolutionary Metal band, DEATH. 

Initium Mortis, the upcoming new album from LEFT TO DIE, sees the DEATH-inspired supergroup—including original DEATH members Terry Butler (OBITUARY) and Rick Rozz (MASSACRE)—joining Harvey (EXHUMED, GRUESOME) and Gus Rios (GRUESOME) to capture DEATH's deep, die-hard-only catalog.

Featuring tracks like Arcangel, Witch of Hell, and Legion of Doom expertly executed in the now, Initium Mortis is a must-have for DEATH fans and collectors alike.   

"For Initium Mortis we wanted Death fans who had never heard these demo songs to hear them with good production," says Harvey. "Most of these early demos were poor quality, often recorded on a boom box, so by the time someone got a demo through tape trading it was almost inaudible!
We think these tracks are a good representation of the birth of Mantas/Death. This is ground zero - where it all started: three 15 year-old kids creating Death Metal history, and even within these choice cuts from the demo days you can hear the evolution of the music."

"Left To Die went from a thought to doing a full US tour in about 3 months! Pretty remarkable if you ask me," says Butler. "We wanted to play the early material for the fans that weren't able to see the first albums in a live setting. There are many young fans at our shows that are hearing the foundation that DEATH stands on to this day live for the first time! With Matt channeling the best Chuck Schuldiner out there and Gus playing the material perfectly and respectfully we hit the road and haven't looked back."

Ultimately, LEFT TO DIE celebrates a seminal band and the camaraderie of the genre's most extreme corner of music. "First off I would like to thank Gus, Matt and Terry for making Left To Die happen. It's been an honor and pleasure working with them for the past few years and beyond," says Rozz. "It's really cool to be able to hear these tunes from 1984 properly! Old-school Death fans are going to dig this release. Cheers & Peace."

Cult full-length from 2000 finally available again on DLP.

Very well made fan-club edition, gatefold, UV spot and poster.

Everything created under the name ARCKANUM is an extension of Shamaatae's Thursian spiritual practice and artistic vision. The music is conceived not simply as artistic expression, but as an act of magical will, shaped to evoke specific inner states, esoteric ideas, and atmospheres without compromise or conformity.

From its beginning, ARCKANUM has followed the Left-Hand Path: the way of the outsider, the vargar, standing beyond imposed order and conventional morality. Resistance, questioning, and individual will have always remained fundamental to both Shamaatae's spiritual Work and his approach to art.

The forthcoming album carries this principle further as a complete magical working. Music, lyrics, sound, and visual form have been developed as interconnected parts of the same ritual expression, shaped through intent and devotion within Shamaatae's Thursatru Workings.

Written in Old Swedish (fornsvenska), the lyrics draw upon Old Norse and Swedish poetic traditions while incorporating elements of Swedish svartkonst. They function as mythic charms and narrative incantations, invoking the Thursian current.

Musically, the new material represents a fusion of ARCKANUM's older foundations with Shamaatae's present approach to composition. The new album Beswærilsin cuts deep with a feral, unpolished production, raw with aggression and stripped of unnecessary ornament. Its sound moves between the freezing storms of Niflheimr and the relentless, blazing fury of Múspellsheimr, at once cold and searing, primitive and forceful, carrying the unmistakable spirit of ARCKANUM into a harsher and more dynamic form.

Everything created under the name ARCKANUM is an extension of Shamaatae's Thursian spiritual practice and artistic vision. The music is conceived not simply as artistic expression, but as an act of magical will, shaped to evoke specific inner states, esoteric ideas, and atmospheres without compromise or conformity.

From its beginning, ARCKANUM has followed the Left-Hand Path: the way of the outsider, the vargar, standing beyond imposed order and conventional morality. Resistance, questioning, and individual will have always remained fundamental to both Shamaatae's spiritual Work and his approach to art.

The forthcoming album carries this principle further as a complete magical working. Music, lyrics, sound, and visual form have been developed as interconnected parts of the same ritual expression, shaped through intent and devotion within Shamaatae's Thursatru Workings.

Written in Old Swedish (fornsvenska), the lyrics draw upon Old Norse and Swedish poetic traditions while incorporating elements of Swedish svartkonst. They function as mythic charms and narrative incantations, invoking the Thursian current.

Musically, the new material represents a fusion of ARCKANUM's older foundations with Shamaatae's present approach to composition. The new album Beswærilsin cuts deep with a feral, unpolished production, raw with aggression and stripped of unnecessary ornament. Its sound moves between the freezing storms of Niflheimr and the relentless, blazing fury of Múspellsheimr, at once cold and searing, primitive and forceful, carrying the unmistakable spirit of ARCKANUM into a harsher and more dynamic form.

Everything created under the name ARCKANUM is an extension of Shamaatae's Thursian spiritual practice and artistic vision. The music is conceived not simply as artistic expression, but as an act of magical will, shaped to evoke specific inner states, esoteric ideas, and atmospheres without compromise or conformity.

From its beginning, ARCKANUM has followed the Left-Hand Path: the way of the outsider, the vargar, standing beyond imposed order and conventional morality. Resistance, questioning, and individual will have always remained fundamental to both Shamaatae's spiritual Work and his approach to art.

The forthcoming album carries this principle further as a complete magical working. Music, lyrics, sound, and visual form have been developed as interconnected parts of the same ritual expression, shaped through intent and devotion within Shamaatae's Thursatru Workings.

Written in Old Swedish (fornsvenska), the lyrics draw upon Old Norse and Swedish poetic traditions while incorporating elements of Swedish svartkonst. They function as mythic charms and narrative incantations, invoking the Thursian current.

Musically, the new material represents a fusion of ARCKANUM's older foundations with Shamaatae's present approach to composition. The new album Beswærilsin cuts deep with a feral, unpolished production, raw with aggression and stripped of unnecessary ornament. Its sound moves between the freezing storms of Niflheimr and the relentless, blazing fury of Múspellsheimr, at once cold and searing, primitive and forceful, carrying the unmistakable spirit of ARCKANUM into a harsher and more dynamic form.

Everything created under the name ARCKANUM is an extension of Shamaatae's Thursian spiritual practice and artistic vision. The music is conceived not simply as artistic expression, but as an act of magical will, shaped to evoke specific inner states, esoteric ideas, and atmospheres without compromise or conformity.

From its beginning, ARCKANUM has followed the Left-Hand Path: the way of the outsider, the vargar, standing beyond imposed order and conventional morality. Resistance, questioning, and individual will have always remained fundamental to both Shamaatae's spiritual Work and his approach to art.

The forthcoming album carries this principle further as a complete magical working. Music, lyrics, sound, and visual form have been developed as interconnected parts of the same ritual expression, shaped through intent and devotion within Shamaatae's Thursatru Workings.

Written in Old Swedish (fornsvenska), the lyrics draw upon Old Norse and Swedish poetic traditions while incorporating elements of Swedish svartkonst. They function as mythic charms and narrative incantations, invoking the Thursian current.

Musically, the new material represents a fusion of ARCKANUM's older foundations with Shamaatae's present approach to composition. The new album Beswærilsin cuts deep with a feral, unpolished production, raw with aggression and stripped of unnecessary ornament. Its sound moves between the freezing storms of Niflheimr and the relentless, blazing fury of Múspellsheimr, at once cold and searing, primitive and forceful, carrying the unmistakable spirit of ARCKANUM into a harsher and more dynamic form.

Originally released in 1995, The Gospel of Inhumanity stands as the landmark debut album of Blood Axis and one of the most distinctive recordings of the neofolk and martial industrial underground. Combining solemn atmospheres, powerful orchestration, and historical themes, the album established a unique artistic identity that continues to resonate decades later. 

Presented here in a newly remastered edition, this definitive reissue delivers the album with enhanced audio quality and meticulously restored artwork. 

Housed in a deluxe gatefold featuring premium printing and exceptional production standards, this edition offers the ultimate presentation of a true genre classic.

180g LP, 7mm spine printed on 350gsm cardstock GATEFOLD jacket with SILVER FLOOD, SILVER PANTONE, UV SPOT and thick A2 POSTER.