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Preorder items - Extreme Metal and Dark music
Batushka's 2019 Opus Returns: The Liturgy of Death Re-released!
Back on Black is proud to announce the comprehensive reissue of Hospodi (Church Slavonic for "Lord"), the second full-length album from the Polish black metal phenomenon, Batushka. Initially released in 2019, Hospodi represents a more polished, melodic, and theatrical evolution of the band's signature, ritualistic sound.
Based on the Eastern Orthodox "Liturgy of Death" and traditional funeral rites, the album is a thematic journey through death and judgment. This reissue brings back the ten-track masterpiece, which blends traditional black metal (tremolo riffs, ferocious blast beats) with haunting choirs, atmospheric ambient interludes, and profound Slavic chants.
Hospodi was lauded for its dramatic production, and this reissue shines a light on key tracks like the atmospheric opener "Wozglas," the rocking-yet-menacing "Wieczernia," and the powerful closer "Liturgiya".
Reissue 2026 on Back on Black
Double LP, red vinyl
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
NORTHTRIP AMONG THE STORMS…
Active since 1995 and with 5 previous full-lengths under their belts, Russian OLD WAINDS are back on the frozen field.
Picking up where they left off with their previous album, the predominantly fast-paced “Stormheart” reveals itself as ice-cold, yet melancholic and introspective at the same time. Driven by stunning guitar work, completely devoid of unnecessary gimmicks and vocals slightly distorted, OLD WAINDS delivered one of the best Black Metal albums of the last couple of years.
Mastered by Jack Control and Maor Appelbaum.
Dark Nordic Metal from the icy wastes of Murmansk.
Grim, cold and majestic as it should be…
Digipak-CD with UV-varnish, 16-page booklet
This box-set comes with three LPs:
LP1: Those of the Unlight
Contains the full-length with considerably improved audio due to Devo Andersson`s remaster. Also, Those of the Unlight is for the first time officially rereleased with a faithful reproduction of the original cover and layout.
LP2: Unlicht 1994 – Live in Berlin/GER
Features a live show from the Sons of Northern Darkness tour in 1994.
LP3: Darkness Breeds Immortality – 30th anniversary show – Norrköping/SWE
Contains the 30th anniversary concert of Those Of The Unlight where the band played the album in its entirety.
Next to the 3 LPs, this limited box-set includes:
A huge double-sided A1 poster.
And a massive 60-page 12“ booklet with a lot of never-before-seen pictures plus a new interview with Morgan Håkansson.
Available as:
– black vinyl box (lim. 400)
– grey/black marble vinyl box (lim. 400)
Long-due official reissue!
Ships around June 5th 2026, limited to 250 copies.
Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp!
First time on vinyl and digi-CD.
If you’re already a fan of Viking or Black Metal, you’ll know roughly what to expect: longer songs with some variation, harsh growled vocals balanced with cleaner chorus sections, and a strong sense of atmosphere. It’s a familiar formula, but one that works well and captures what makes this style of music so enjoyable.
Long-due official reissue!
Ships around June 5th 2026, limited to 250 copies.
Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp!
First time on vinyl and digi-CD.
After releasing four demo tapes, Mithotyn finally put out their first full-length album in 1997. “In the Sign of the Ravens” might not quite reach the heights of the band’s later releases, but there’s still plenty here to enjoy. The album delivers a hard, cold take on Viking Metal, and at this early stage the band hadn’t yet fully embraced the stronger melodic elements that would become more prominent on later records.
If you’re already a fan of Viking or Black Metal, you’ll know roughly what to expect: longer songs with some variation, harsh growled vocals balanced with cleaner chorus sections, and a strong sense of atmosphere. It’s a familiar formula, but one that works well and captures what makes this style of music so enjoyable.
