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5th album by Swedish SORCERY, formed in 1986 in Sandviken and true pioneers of the Swedish Death Metal scene. "The Immaculate Sin" arrives as the band celebrates its 40th anniversary, proving that their distinctive dark, aggressive sound, deeply rooted in the first generation of Swedish Death Metal, remains fully intact. The current lineup features founding members Ola Malmström on vocals and Paul Johansson on guitar alongside Johan Vikholm on guitar, Mikael Carlsson on bass and Tommy Holmer on drums. The album delivers ten compositions and around 46 minutes of direct, crushing and sinister Death Metal, with a powerful production that retains the band's organic character.

6th album from 2026 by Swedish MEGASCAVENGER, the long-running project led by the ever-prolific Rogga Johansson, one of the most respected and productive figures in European Death Metal. Staying true to his passion for filthy old-school Death Metal, "Toxic Noxious Undeath" delivers another crushing dose of rotten riffs, morbid atmospheres and sinister melodies rooted firmly in the classic Scandinavian tradition, while taking the concept a step further through an exceptionally ambitious guest lineup.

Debut album from 2026 by Bulgaria's NECROMONGER and a true celebration of the foulest and most primitive early 1990s Death Metal. Featuring musicians from projects such as FECAL BODY INCORPORATED and COCKLUSH, the band embraces a vision deeply rooted in the genre's origins, rejecting modern trends in favor of the darkest and most repulsive sounds of the extreme underground.

6th album from 2026 by Swedish MEGASCAVENGER, the long-running project led by the ever-prolific Rogga Johansson, one of the most respected and productive figures in European Death Metal. Staying true to his passion for filthy old-school Death Metal, "Toxic Noxious Undeath" delivers another crushing dose of rotten riffs, morbid atmospheres and sinister melodies rooted firmly in the classic Scandinavian tradition, while taking the concept a step further through an exceptionally ambitious guest lineup.

Debut album from 2026 by Bulgaria's NECROMONGER and a true celebration of the foulest and most primitive early 1990s Death Metal. Featuring musicians from projects such as FECAL BODY INCORPORATED and COCKLUSH, the band embraces a vision deeply rooted in the genre's origins, rejecting modern trends in favor of the darkest and most repulsive sounds of the extreme underground.

Album consisting entirely of 11 covers of Scandinavian Death Metal bands from the early 1990s, originating from Norway, Sweden and Finland. AVULSED resurrect here songs originally released on demos and EPs by genuine cult bands which, in some cases, never even managed to release a full-length album, yet still helped shape the original sound of Scandinavian Death Metal. Among the bands covered are FUNEBRE, CARBONIZED, OLD FUNERAL, ABHOTH, PHLEGETHON, CREMATORY, CARTILAGE and MACABRE END (pre-GOD MACABRE), among others.

New 2026 double-CD edition of "Drifting in the Crypt", the definitive collection of recordings made between 1989 and 2008 by legendary Finnish PHLEGETHON, one of the most interesting bands from the first generation of Finnish Death Metal. This edition contains no less than 26 tracks, gathering virtually all of the band's recorded material throughout their career: PHLEGETHON developed a dark, raw and primitive form of Death Metal that was highly characteristic of the late-80s/early-90s Finnish scene, while possessing a distinctive identity that also incorporated elements of Black, Thrash and Speed Metal. From their earliest demos through "Fresco Lungs", the evolution of a band that always retained its harsh, gloomy and deeply Underground character can be clearly followed. The later material also demonstrates that their identity remained intact despite their lengthy period of inactivity.

Released in 2025 as a limited 2-CD edition of only 500 copies, this collection preserves the legacy of DROWNED PRODUCTIONS, the label that would later evolve into REPULSE RECORDS and XTREEM MUSIC. This comprehensive release gathers all 13 seven-inch EPs issued between 1991 and 1993, complemented by an extensive booklet featuring liner notes from the label's founder, along with the original artwork and inserts from every release

This is a genuine journey through the elite of the early 1990s Death Metal underground, featuring essential representatives from the Finnish, Swedish, American, French and Spanish scenes. An indispensable release for collectors and devotees of dark, atmospheric and primitive Death Metal, documenting one of the most exciting periods in extreme underground history.

Winter lake (blue, crystal and black splatter) 12" double vinyl (33 rpm) in gatefold.
Limited to 300 copies worldwide!

THY CATAFALQUE is the solo-helmed Hungarian avant-garde metal project of Tamás Kátai, running since 1998 and now a two-time Fonogram (Hungarian Grammy) winner. What began as a studio-only outlet has grown, over the past few years, into a full international touring act with festival slots across Europe and Latin America.
'XIII: Sárga erdo' is THY CATAFALQUE's thirteenth album, and unlike its predecessors it carries no single narrative thread: the twelve tracks move instead through what plays like a wandering across old ground, touching on loss, distance, memory and disappearance without ever settling on one story. The record marks a real shift in how it's built: this is the first time THY CATAFALQUE has used a live drummer rather than programmed rhythm, and while the cast is enormous - thirty-four musicians plus a twenty-voice male choir - the folk and classical textures that once flooded every corner of a song (piano, strings, brass, reed, sitar, kamancheh, zither) are used here with real discipline, brought in only when a track calls for them. The result sits closer to the bone than the maximalism of the last record, heavier in restraint than in volume, and it still finds room for a fictitious folk song built for a vanished people on the Volga, an incineration metaphor turned into the album's heaviest cut, and an opener that reads like a farewell letter.
Gábor Vári returns behind the desk for a second record running, keeping the production language consistent even as the arrangements pull back.

CD in deluxe Mediabook with 40 pages limited to the first pressing only

THY CATAFALQUE is the solo-helmed Hungarian avant-garde metal project of Tamás Kátai, running since 1998 and now a two-time Fonogram (Hungarian Grammy) winner. What began as a studio-only outlet has grown, over the past few years, into a full international touring act with festival slots across Europe and Latin America.
'XIII: Sárga erdo' is THY CATAFALQUE's thirteenth album, and unlike its predecessors it carries no single narrative thread: the twelve tracks move instead through what plays like a wandering across old ground, touching on loss, distance, memory and disappearance without ever settling on one story. The record marks a real shift in how it's built: this is the first time THY CATAFALQUE has used a live drummer rather than programmed rhythm, and while the cast is enormous - thirty-four musicians plus a twenty-voice male choir - the folk and classical textures that once flooded every corner of a song (piano, strings, brass, reed, sitar, kamancheh, zither) are used here with real discipline, brought in only when a track calls for them. The result sits closer to the bone than the maximalism of the last record, heavier in restraint than in volume, and it still finds room for a fictitious folk song built for a vanished people on the Volga, an incineration metaphor turned into the album's heaviest cut, and an opener that reads like a farewell letter.
Gábor Vári returns behind the desk for a second record running, keeping the production language consistent even as the arrangements pull back.

Italy's melodic death doom collective Shores of Null open a new chapter with their new album "Homesick," set for release October 16th, 2026. Once again, the record will be full of sharpened songwriting, emotional depth and the unmistakable blend of doom, gothic, blackened, and melodic death metal that has become their signature. "Homesick" represents the band’s most mature and focused work to date. Conceived as a complete listening experience, the album moves through longing, loss, anger, vulnerability, and the search for belonging. It captures Shores Of Null at their most confident and emotionally honest, balancing crushing moments with some of the most memorable melodies the band has written to date, enriched by guest appearances from Natalie Koskinen (Shape of Despair) with her vocals on "The Numbing Void" and Shaun MacGowan (My Dying Bride) on several tracks, including violin on "Dreaming of a Scar" and "The Numbing Void".