Preorders

VERSIONE IN ITALIANO, FANZINE + split CD ROTTING CHRIST - MONUMENTUM   +  SHINING "Submit to self destruction" CD

SULPHUR FANZINE #4 packed with exclusive poly bag and sticker!
 After one year from the previous one, Sulphur #4 is here!
Once again, around 150 pages of articles and interviews and two covers for two different stories!
The first will be a big special about Obscure Plasma/Avantgarde/Wounded Love and the legendary Soundcave shop in Milan; the second one a big interview with the one and only Niklas Kvarforth (Shining) and its label The Sinister Initiative.
Then, the usual endless flow of articles and interviews featuring Witchcraft (FIN), an article about Icelandic Black Metal, Uada, Iskandr, Fluisteraars, Mortem, Mork, Galvanist, Mactätus Darkenhold and many, many more!
As usual there will be a bundle edition featuring two first-time cd reissues: Shining demo “Submit To Selfdestruction” and Rotting Christ/Monumentum both on CD minimax (transparent effect)!

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VERSIONE IN ITALIANO, FANZINE CON COPERTINA "SHINING" +  CD SHINING "Submit to Self Destruction"

SULPHUR FANZINE #4 packed with exclusive poly bag and sticker!
 After one year from the previous one, Sulphur #4 is here!
Once again, around 150 pages of articles and interviews and two covers for two different stories!
The first will be a big special about Obscure Plasma/Avantgarde/Wounded Love and the legendary Soundcave shop in Milan; the second one a big interview with the one and only Niklas Kvarforth (Shining) and its label The Sinister Initiative.
Then, the usual endless flow of articles and interviews featuring Witchcraft (FIN), an article about Icelandic Black Metal, Uada, Iskandr, Fluisteraars, Mortem, Mork, Galvanist, Mactätus Darkenhold and many, many more!
As usual there will be a bundle edition featuring two first-time cd reissues: Shining demo “Submit To Selfdestruction” and Rotting Christ/Monumentum both on CD minimax (transparent effect)!

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ITALIAN WRITTEN EDITION (english one will come later):   FANZINE + split CD ROTTING CHRIST - MONUMENTUM

SULPHUR FANZINE #4 packed with exclusive poly bag and sticker!
 After one year from the previous one, Sulphur #4 is here!
Once again, around 150 pages of articles and interviews and two covers for two different stories!
The first will be a big special about Obscure Plasma/Avantgarde/Wounded Love and the legendary Soundcave shop in Milan; the second one a big interview with the one and only Niklas Kvarforth (Shining) and its label The Sinister Initiative.
Then, the usual endless flow of articles and interviews featuring Witchcraft (FIN), an article about Icelandic Black Metal, Uada, Iskandr, Fluisteraars, Mortem, Mork, Galvanist, Mactätus Darkenhold and many, many more!
As usual there will be a bundle edition featuring two first-time cd reissues: Shining demo “Submit To Selfdestruction” and Rotting Christ/Monumentum both on CD minimax (transparent effect)!

ITALIAN WRITTEN EDITION , MAG ONLY  (english written edition will come later)

SULPHUR FANZINE #4 packed with exclusive poly bag and sticker!
 After one year from the previous one, Sulphur #4 is here!
Once again, around 150 pages of articles and interviews and two covers for two different stories!
The first will be a big special about Obscure Plasma/Avantgarde/Wounded Love and the legendary Soundcave shop in Milan; the second one a big interview with the one and only Niklas Kvarforth (Shining) and its label The Sinister Initiative.
Then, the usual endless flow of articles and interviews featuring Witchcraft (FIN), an article about Icelandic Black Metal, Uada, Iskandr, Fluisteraars, Mortem, Mork, Galvanist, Mactätus Darkenhold and many, many more!
As usual there will be a bundle edition featuring two first-time cd reissues: Shining demo “Submit To Selfdestruction” and Rotting Christ/Monumentum both on CD minimax (transparent effect)!

The Long-Awaited 4th Chapter of Despair from Finland’s DSBM Masters MORTUALIA!!!

Emerging once again from the endless darkness of Finland, MORTUALIA returns with its haunting fourth full-length album, “Cold in the Earth.” Spearheaded by the enigmatic Shatraug, the revered mastermind behind Horna and Sargeist, MORTUALIA continues its descent into the abyss with a work steeped in sorrow, isolation, and hypnotic melancholy. Following the acclaimed “Wild, Wild Misery,” this newest offering further refines the band’s signature fusion of depressive black metal and mournful doom into a cold, emotionally devastating experience.

Across seven desolate hymns, including the crushing title track “Cold in the Earth,” the somber passages of “Remembrance I & II,” and the bleakly mesmerizing “Winter’s Due,” MORTUALIA conjures an atmosphere of hopelessness and spiritual ruin unlike few others in the genre. Shatraug’s masterful songwriting once again balances raw black metal aggression with slow-burning funeral dirges, weaving memorable melodies and sorrow-drenched hooks into every shadowed corner of the album.

Dark, introspective, and utterly consuming, “Cold in the Earth” stands as another towering achievement in MORTUALIA’s discography - a bleak monument to misery forged by one of black metal’s most distinctive and enduring creative forces.

"You're Weak And You Know You're Weak" is the seventh album from WEREWOLVES in seven years.

The band themselves have sworn to release ten albums in ten years, or commit group suicide if they fail.

Ridiculously brutal moronic caveman death metal from members of PSYCROPTIC, THE BERZERKER, ABRAMELIN, THE ANTICHRIST IMPERIUM, and THE AMENTA.

For fans of MARDUK, MARDUK, fucking MARDUK, and getting your teeth kicked right the fuck in.

Artwork regular Mitchell Nolte is back with a terrifyingly trademark cover featuring crucifixions, baby kebabs, and a werewolf army.

Mixed and Mastered in Hobart by Joe Haley (PSYCROPTIC) who has lost so much IQ from being forced to sit through WEREWOLVES mixing sessions that he has lost the power of speech.

Seasoned death metal performers who have done laps of Australia with ARCHSPIRE, MAYHEM, ABBATH, INGESTED, and ULCERATE bringing zero appeal to a wide range of audiences who all equally loathed the dirty blastbeats crammed down their worthless throats. They all purchased merchandise and albums instantly.

Pressed on transparent teal/black marble heavy vinyl. Comes with a 2-page insert and a download card. Colors on final record may vary to a degree from the mockup.

The classicistic Swedish Black Metal band TROLLDOM was founded 2004 in the deep woods of Småland by guitarist/composer Swartadauþuz (BEKËTH NEXËHMÜ, MUVITIUM, AZELISASSATH, GREVE, BALWEZO WESTIJIZ).

Following up the long-in-gestation, twin 2022 debut albums "I Nattens Sken (Genom Hemligheternas Dunkel)" and "Av Gudars Ätt...", new album "Tronen" ('The Throne') continues TROLLDOM's quest to 'unshackle the spirit from false bounds of material existence' via symphonic and reverent Black Metal power.

Comes with an 8-page booklet. First batch comes in black polycarbonate CD.

The classicistic Swedish Black Metal band TROLLDOM was founded 2004 in the deep woods of Småland by guitarist/composer Swartadauþuz (BEKËTH NEXËHMÜ, MUVITIUM, AZELISASSATH, GREVE, BALWEZO WESTIJIZ).

Following up the long-in-gestation, twin 2022 debut albums "I Nattens Sken (Genom Hemligheternas Dunkel)" and "Av Gudars Ätt...", new album "Tronen" ('The Throne') continues TROLLDOM's quest to 'unshackle the spirit from false bounds of material existence' via symphonic and reverent Black Metal power.

“And a magic dwells in each beginning”

Enthralled by occultism and the magic of Black Metal SECRETS OF THE MOON was originally brought forth by bassist and singer Daevas after his departure from MARTYRIUM in Osnabrück in 1995. Thanks to a tremendous discography – amongst a multitude of releases most notably spanning seven full-length albums – and countless shows performed domestically and abroad, SECRETS OF THE MOON – within the ensuing 27 years until its termination in 2022 – would go on to put its name on the map as one of Germany’s most revered dark Metal bands.

Prior to unleashing their first album Stronghold of the Inviolables in 2001 the mischievous collective managed to produce a body of work comprising two demos – Unearthed Arcana and Vanitas – Promotape 98, the notorious and never officially published Moondance Madness tape and the cult Split 7” EP with LUNAR AURORA. Although less known than their albums, these dusty relics from the dark past are no less significant. Naturally way rawer and unpolished than the studio albums, what these recordings may lack in sophistication is all made up for by the mystical charm pervading their every second.

All of these raw diamonds from SECRETS OF THE MOON’s formative period with many obscure recordings especially unearthed for this compilation on top, Darkness Shall Rise Productions now have the great pleasure to reissue in the shape of this marvellous compilation.

A new in-depth interview with Lars “Devas” Plegge and Phil “sG” Jonas was done especially for this release and the booklets also includes many never seen before pictures of the groups glorious past.

Over 130 minutes of pure BLACK METAL MAGIK!

2CD jewel-case CD with 32-page booklet.

SAOR is Andy Marshall's one-man vehicle for what he calls Caledonian Metal: an atmospheric black metal sound built from Highland landscapes and Scottish ancestral memory. Since founding the project in Glasgow in 2013, Marshall has grown SAOR from a cult curiosity into one of the genre's most distinctive voices.
‘Caledonia’ gathers five songs first heard on ‘Roots’, ‘Aura’ and ‘Guardians’ and rebuilds them from the ground up, produced by Chris Fielding. This isn't a remaster or a victory lap. Marshall wrote these songs before he had the resources or the mileage to realise them fully, and over a decade of touring has reshaped how they live and breathe on stage. The album opens with "Aura MMXXVI", a hushed procession through forests and corries that sets the record's terms early: patience, scale, and a reverence for landscape that never tips into pastiche. "The Awakening MMXXVI" answers with something more urgent, a call to old ways and older gods dressed in Marshall's most direct lyric writing on the record, the kind of song built to be shouted back at a festival crowd. "Carved in Stone MMXXVI", the album's centrepiece and lead single, carries the clearest sense of destiny and prophecy in the track list, its widescreen production giving the song's ancestral imagery real physical weight. "Hearth MMXXVI" turns inward, trading myth for something closer to memory, a meditation on home and belonging that grounds the record before its close. "Tears of a Nation MMXXVI" ends the album on its most elegiac note, mourning loss and ruin in a way that feels earned rather than performed, closing the circle the record opened with.
Guest contributions from strings, whistle, pipes and additional vocals widen the textures throughout without diluting the atmosphere, and the sequencing across all five songs traces a clear arc from landscape to legend to loss.

SAOR is Andy Marshall's one-man vehicle for what he calls Caledonian Metal: an atmospheric black metal sound built from Highland landscapes and Scottish ancestral memory. Since founding the project in Glasgow in 2013, Marshall has grown SAOR from a cult curiosity into one of the genre's most distinctive voices.
‘Caledonia’ gathers five songs first heard on ‘Roots’, ‘Aura’ and ‘Guardians’ and rebuilds them from the ground up, produced by Chris Fielding. This isn't a remaster or a victory lap. Marshall wrote these songs before he had the resources or the mileage to realise them fully, and over a decade of touring has reshaped how they live and breathe on stage. The album opens with "Aura MMXXVI", a hushed procession through forests and corries that sets the record's terms early: patience, scale, and a reverence for landscape that never tips into pastiche. "The Awakening MMXXVI" answers with something more urgent, a call to old ways and older gods dressed in Marshall's most direct lyric writing on the record, the kind of song built to be shouted back at a festival crowd. "Carved in Stone MMXXVI", the album's centrepiece and lead single, carries the clearest sense of destiny and prophecy in the track list, its widescreen production giving the song's ancestral imagery real physical weight. "Hearth MMXXVI" turns inward, trading myth for something closer to memory, a meditation on home and belonging that grounds the record before its close. "Tears of a Nation MMXXVI" ends the album on its most elegiac note, mourning loss and ruin in a way that feels earned rather than performed, closing the circle the record opened with.
Guest contributions from strings, whistle, pipes and additional vocals widen the textures throughout without diluting the atmosphere, and the sequencing across all five songs traces a clear arc from landscape to legend to loss.