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Vintersorg’s classic album remastered! A real gem of epic Swedish Viking Metal!

As someone who listens to Metal albums on a daily basis, as well as being a Metal fan for well over 40 years, there are many great Metal albums out there. But sometimes an album comes along that changes how we look at Metal. We are not sure if that was Andreas “Vintersorg” Hedlund‘s intention when he wrote his debut full length, “Till Fjälls”, but that is exactly what this album did. His intention was to create a sound that was Black Metal based but also focusing more on clean vocals and adding more traditional Swedish folk elements to the that base. He inadvertently patented a new sound and sub-genre.

The album opens with, “Rundans,” which is basically an intro, being part acoustic and part electric. Keyboards take the place of what sounds like wind instruments. “For kung och fosterland,” follows as the first proper song, opening with speed and fury there are tremolo riffs and grim vocals but they lead to a much more melodic approach with the clean vocals taking over. Vintersorg sings here in a low baritone which became his trademark. But it is the way he used those melodies intertwined with the heavier more Black Metal oriented sounds was new and nothing like it existed before.

But what the real magic here is the entire package. Songs about that show how ancient paganism was so rooted in the actual forces of nature; while done so in his own language over top this epic Metal music that was all new.

From the cold of Norrland this album manages to take the cold and grim and add some warmth and emotion. This masterpiece was just the first in a string of absolutely brilliant albums from this incredible talented artist. After 27 years this album still resonated with me the same as it did when I first heard it. This is proof that great music is timeless.

For fans of: Falkenbach, Moonsorrow, Borknagar, Finntroll, Kampfar, Einherjer.

Vintersorg’s classic album remastered! A real gem of epic Swedish Viking Metal!

As someone who listens to Metal albums on a daily basis, as well as being a Metal fan for well over 40 years, there are many great Metal albums out there. But sometimes an album comes along that changes how we look at Metal. We are not sure if that was Andreas “Vintersorg” Hedlund‘s intention when he wrote his debut full length, “Till Fjälls”, but that is exactly what this album did. His intention was to create a sound that was Black Metal based but also focusing more on clean vocals and adding more traditional Swedish folk elements to the that base. He inadvertently patented a new sound and sub-genre.

The album opens with, “Rundans,” which is basically an intro, being part acoustic and part electric. Keyboards take the place of what sounds like wind instruments. “For kung och fosterland,” follows as the first proper song, opening with speed and fury there are tremolo riffs and grim vocals but they lead to a much more melodic approach with the clean vocals taking over. Vintersorg sings here in a low baritone which became his trademark. But it is the way he used those melodies intertwined with the heavier more Black Metal oriented sounds was new and nothing like it existed before.

But what the real magic here is the entire package. Songs about that show how ancient paganism was so rooted in the actual forces of nature; while done so in his own language over top this epic Metal music that was all new.

From the cold of Norrland this album manages to take the cold and grim and add some warmth and emotion. This masterpiece was just the first in a string of absolutely brilliant albums from this incredible talented artist. After 27 years this album still resonated with me the same as it did when I first heard it. This is proof that great music is timeless.

For fans of: Falkenbach, Moonsorrow, Borknagar, Finntroll, Kampfar, Einherjer.

Norwegian melodic Black/Folk Metal classic finally available on vinyl! This edition limited to 150 copies.

Following the success of “Til Alle Heimsens Endar” (2010), Bergen’s Galar returned with their third full length “De Gjenlevende”, a sweeping, symphonic Black Metal journey, now reissued on vinyl.

Recorded at Concleave & Earshot Studios with Bjørnar E. Nilsen, the album continues Galar’s fusion of harsh, melodic Black Metal with rich Nordic Folk elements. Featuring Phobos (Aeternus, Gravdal) on drums and contributions from a string quintet and horn quartet, the sound is both massive and intricate.

Lyricist Jorge Blutaar weaves a concept rooted in Pan-European folklore, where winter symbolizes death, frailty, and introspection, only to give way to the hope and renewal of spring. A reflection on the eternal cycle of decay and rebirth.

“De Gjenlevende” stands as Galar’s most epic and intense work, monumental in both sound and vision. Finally available on vinyl, as it was always meant to be heard.

• First time vinyl reissue of Galar’s 2015 masterpiece
• Symphonic black metal steeped in Nordic folk and classical grandeur
• Recorded by Bjørnar E. Nilsen (Taake, Helheim, Vulture Industries)
• Featuring Phobos (Aeternus, Gravdal) on drums
• Includes full string quintet and horn quartet
• Concept album exploring folklore, death, and seasonal cycles
• Stunning cover art by Robert Høyem (Evoken, Kampfar)

For fans of: Windir, Bathory, Ereb Altor, Immortal, Arcturus

Ukrainian blackened death/doom metal formation 1914 return with unrelenting force on their fourth studio album, Viribus Unitis, Latin for "With United Forces." Far more than a historical reference to the personal motto of Franz Joseph I of the Austro-Hungarian Empire, the title reflects the band’s resilience through war, loss, and upheaval – a powerful symbol of survival and solidarity. Releasing on November 14, 2025 via Napalm Records, Viribus Unitis builds on the band’s acclaimed conceptual approach, pushing even deeper into emotional and musical intensity.

Continuing their chronicle of World War I, 1914 shift their focus slightly, from the raw portrayal of death and destruction to themes of camaraderie, endurance, and the emotional landscapes of those who endured the horrors. While previous releases like The Blind Leading the Blind (2018) and Where Fear and Weapons Meet (2021) centered on the futility and finality of war, Viribus Unitis explores the human bonds forged under fire and the strength of those who returned: broken, changed, yet still alive.

Musically, 1914 remain true to their identity – brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes. This time, however, their sound gains a broader dynamic range, with soaring melodic leads, orchestral textures, and haunting clean vocals that provide dramatic contrast to the crushing heaviness. One of the album’s highlights is a collaboration with Aaron Stainthorpe of My Dying Bride and High Parasite on “1918 Pt. 3: ADE (A Duty to Escape),” whose mournful voice adds a solemn, almost liturgical quality to this elegy of grief and brotherhood on the front lines.

Viribus Unitis deepens 1914’s commitment to historical authenticity, both lyrically and conceptually. Told through real events and personal accounts of a Ukrainian soldier in the K.u.K. army, the album traces a timeline from 1914 to 1919, painting a grim journey through the war’s rise, climax, and hollow aftermath.

From the brooding opener “War In” to the bleak closer “War Out (The End?)”, each track captures a moment in time: the brutal “1914 (The Siege of Przemysl)”, the frostbitten “1915 (Zwinin Ridge)”, the crushing Alpine combat of “1916 (Südtirol Offensive)”, and the madness of “1918 Pt. 2: POW (Prisoner of War)” featuring Christopher Scott of Precious Death.

The album ends with “1919 (The Home Where I Died),” featuring Rome’s Jerome Reuter, a haunting portrait of a soldier who survived the war, but not its shadow. This emotional song deals with the soldier's will to live and his family values, seeing him escape from captivity to finally return home to embrace his wife and daughter. 1914 fuse blackened death metal, doom, and atmospheric textures with dramatic flourishes and guest vocals, creating their most dynamic and emotionally resonant record to date.

Ukrainian blackened death/doom metal formation 1914 return with unrelenting force on their fourth studio album, Viribus Unitis, Latin for "With United Forces." Far more than a historical reference to the personal motto of Franz Joseph I of the Austro-Hungarian Empire, the title reflects the band’s resilience through war, loss, and upheaval – a powerful symbol of survival and solidarity. Releasing on November 14, 2025 via Napalm Records, Viribus Unitis builds on the band’s acclaimed conceptual approach, pushing even deeper into emotional and musical intensity.

Continuing their chronicle of World War I, 1914 shift their focus slightly, from the raw portrayal of death and destruction to themes of camaraderie, endurance, and the emotional landscapes of those who endured the horrors. While previous releases like The Blind Leading the Blind (2018) and Where Fear and Weapons Meet (2021) centered on the futility and finality of war, Viribus Unitis explores the human bonds forged under fire and the strength of those who returned: broken, changed, yet still alive.

Musically, 1914 remain true to their identity – brutal mixture of blackened death metal, slow-burning doom, and ambient war soundscapes. This time, however, their sound gains a broader dynamic range, with soaring melodic leads, orchestral textures, and haunting clean vocals that provide dramatic contrast to the crushing heaviness. One of the album’s highlights is a collaboration with Aaron Stainthorpe of My Dying Bride and High Parasite on “1918 Pt. 3: ADE (A Duty to Escape),” whose mournful voice adds a solemn, almost liturgical quality to this elegy of grief and brotherhood on the front lines.

Viribus Unitis deepens 1914’s commitment to historical authenticity, both lyrically and conceptually. Told through real events and personal accounts of a Ukrainian soldier in the K.u.K. army, the album traces a timeline from 1914 to 1919, painting a grim journey through the war’s rise, climax, and hollow aftermath.

From the brooding opener “War In” to the bleak closer “War Out (The End?)”, each track captures a moment in time: the brutal “1914 (The Siege of Przemysl)”, the frostbitten “1915 (Zwinin Ridge)”, the crushing Alpine combat of “1916 (Südtirol Offensive)”, and the madness of “1918 Pt. 2: POW (Prisoner of War)” featuring Christopher Scott of Precious Death.

The album ends with “1919 (The Home Where I Died),” featuring Rome’s Jerome Reuter, a haunting portrait of a soldier who survived the war, but not its shadow. This emotional song deals with the soldier's will to live and his family values, seeing him escape from captivity to finally return home to embrace his wife and daughter. 1914 fuse blackened death metal, doom, and atmospheric textures with dramatic flourishes and guest vocals, creating their most dynamic and emotionally resonant record to date.

Svart Records continues to reissue the albums of Havukruunu, bringing their 2020 classic UINUOS SYÖMEIN SOTA back on the market in September 2025. Havukruunu's third album UINUOS SYÖMEIN SOTA is widely praised for its epic and melodic black metal, combining heavy metal influences with folk music. The album is celebrated in particular for its catchy melodies, powerful atmospherics, lush guitar solos and choral vocals, which create a unique blend of bleak heavy metal and other genres. The album has been compared to the works of Bathory and Moonsorrow, but critics have put Havukruunu on their own level for having such a unique style. True Finnish Forest Metal.

Havukruunu's KELLE SURUT SOI reissued in September Svart Records continues to re-release the works of Havukruunu, bringing their highly sought after 2017 album KELLE SURUT SOI back in print in September 2025. Havukruunu's sophomore album Kelle surut soi is known for its immersive atmosphere, evoking imagery of Finnish paganism and nature's force. While rooted in black metal, the album incorporates folk melodies and acoustic elements, adding depth and texture to the sound, yet it doesn't shy away from aggressive, blackened riffs and powerful drumming, providing a satisfyingly heavy experience. The songs are individual journeys, with the album as a whole creating a larger, more impactful experience.

Black Vinyl
Havukruunu's KELLE SURUT SOI reissued in September Svart Records continues to re-release the works of Havukruunu, bringing their highly sought after 2017 album KELLE SURUT SOI back in print in September 2025. Havukruunu's sophomore album Kelle surut soi is known for its immersive atmosphere, evoking imagery of Finnish paganism and nature's force. While rooted in black metal, the album incorporates folk melodies and acoustic elements, adding depth and texture to the sound, yet it doesn't shy away from aggressive, blackened riffs and powerful drumming, providing a satisfyingly heavy experience. The songs are individual journeys, with the album as a whole creating a larger, more impactful experience.

180g Vinyl, 20-page booklet, poster, and a designed download card.
Danish black metal force Afsky return with full-length number four simply entitled "Fællesskab", once again delving deep into the bleak, atmospheric realms that have defined their signature sound. Fællesskab reveals their most critical and emotionally charged work to date, a deeply personal voyage into the heart of Nordic black metal, where raw emotion and melodic depth keep reveling in sorrow and longing beauty.

Translating to “Community”, Fællesskab's six tracks weave a strong musical oeuvre within the Afsky canon; their walls of haunting melancholia, interwoven with vital intensity, have never been more powerful. Yet, this new work also sees the band at its sharpest in social criticism, as Ole Luk of Afsky notes:

Fællesskab - Overture to the Downfall.
Here, community is praised like herd animals fleeing responsibility. A parade of moral superiority, where truth is trampled in the name of consensus. Where unity means silence, and doubt is a crime. Six songs of shame disguised as care, of freedom suffocated, and of the solitary few who still dare to question. A chorus of hollow words, where silence screams the loudest. Welcome to the celebration – the curtain hasn’t just risen, it’s been torn away!

Digipak CD with UV Spot, 20-page booklet, and designed download card.
Danish black metal force Afsky return with full-length number four simply entitled "Fællesskab", once again delving deep into the bleak, atmospheric realms that have defined their signature sound. Fællesskab reveals their most critical and emotionally charged work to date, a deeply personal voyage into the heart of Nordic black metal, where raw emotion and melodic depth keep reveling in sorrow and longing beauty.

Translating to “Community”, Fællesskab's six tracks weave a strong musical oeuvre within the Afsky canon; their walls of haunting melancholia, interwoven with vital intensity, have never been more powerful. Yet, this new work also sees the band at its sharpest in social criticism, as Ole Luk of Afsky notes:

Fællesskab - Overture to the Downfall.
Here, community is praised like herd animals fleeing responsibility. A parade of moral superiority, where truth is trampled in the name of consensus. Where unity means silence, and doubt is a crime. Six songs of shame disguised as care, of freedom suffocated, and of the solitary few who still dare to question. A chorus of hollow words, where silence screams the loudest. Welcome to the celebration – the curtain hasn’t just risen, it’s been torn away!

For almost three decades, ΑΧΕΡΟΝΤΑΣ has not merely played music—it has performed Spiritual Art. The Great Work endures…

ΝΕΚΥΙΑ - The Necromantic Patterns marks a descent into the chthonic realms of transcendence, where the veils of mortality are torn asunder, revealing the hidden currents that weave existence. A ceremonial odyssey through the labyrinthine corridors of Death and Rebirth, this opus embodies the sacred rites of Dissolution and Ascension, invoking the wisdom of the ancients and the spectral echoes of forgotten aeons.

Each hymn within this work serves as an invocation, a key to unlocking the forgotten pathways of Necromantic Revelation. The Elder Keybearer rises once more, heralding the dissolution of ephemeral reality, while the Crimson Litany of Eternal Return chants the cycle of Destruction and Renewal, where blood becomes the offering upon the Altar of Cosmic Upheaval. The Chalice of Fiery Transmutation is raised, brimming with the essence of divine memory and the Sacred Alchemy of the Eternal Return.

For almost three decades, ΑΧΕΡΟΝΤΑΣ has not merely played music—it has performed Spiritual Art. The Great Work endures…

ΝΕΚΥΙΑ - The Necromantic Patterns marks a descent into the chthonic realms of transcendence, where the veils of mortality are torn asunder, revealing the hidden currents that weave existence. A ceremonial odyssey through the labyrinthine corridors of Death and Rebirth, this opus embodies the sacred rites of Dissolution and Ascension, invoking the wisdom of the ancients and the spectral echoes of forgotten aeons.

Each hymn within this work serves as an invocation, a key to unlocking the forgotten pathways of Necromantic Revelation. The Elder Keybearer rises once more, heralding the dissolution of ephemeral reality, while the Crimson Litany of Eternal Return chants the cycle of Destruction and Renewal, where blood becomes the offering upon the Altar of Cosmic Upheaval. The Chalice of Fiery Transmutation is raised, brimming with the essence of divine memory and the Sacred Alchemy of the Eternal Return.