Preorders

DELUXE 8-LP BOXSET FEATURING A COMPREHENSIVE COLLECTION OF THE EARLY WORKS OF THE DOOM LEGENDS. INCLUDES NEWLY HALF-SPEED MASTERED ALBUMS, ADDITIONAL 48-PAGE BOOK, PLUS POSTERS AND PRINTS.

After a career spanning over thirty five years, from UK underground upstarts and outliers, to major success on the international stage - including tours with UK icons Iron Maiden and genre legends Dio - My Dying Bride have themselves become a firmly established pillar of metal history with a refined and influential brand of Death/Doom metal. With enduring popularity across subsequent decades, My Dying Bride remains a productive and captivating vessel for tragedy and despair, with their studio output spanning fourteen full-length albums to date. 

As part of the "Peaceville Three", along with fellow countrymen Paradise Lost and Anathema, My Dying Bride truly became a primary force in highlighting Britain as an epicentre of this Doom revolution of the time, creating a highly distinguishable sound assisted by the inclusion of violin & a more poetic approach to the delivery of morbid and salacious topics, lending an additional air of eccentricity and eloquence to the darkness.

Anthology of Sombre Reflections is an expansive and comprehensive collection of the early and much-celebrated works of the Doom Gods, from the formative deathly rawness of the revered Towards the Sinister demo, 'God is Alone' 7" tracks and subsequent debut album, As the Flower Withers, through to the gothic-tinged funereal seductive delights of 1996's highlight, Like Gods of the Sun. 

With the addition of all-time genre classic opuses Turn Loose the Swans, and The Angel and the Dark River also representing My Dying Bride's much-loved early to 90's period, the band's three cult EPs are also featured in this deluxe eight-vinyl boxset, with each record presented on 180gm heavyweight black vinyl. The four studio albums themselves have also been treated to new half-speed masters courtesy of Air Studios. 

Accompanying the audio is a 48-page book featuring photographs and artwork, plus new interviews with Andrew Craighan and Aaron Stainthorpe exploring some of the influences and thought-processes behind the creation of such cherished works of the 90s, as well as reflections of their output over this period. 

Anthology of Sombre Reflections also contains 2 large posters depicting the Turn Loose the Swans CD artwork image, plus the original poster included in As the Flower Withers. A selection of photo prints of the band from this era are also included.

Fejd was formed in 2001 through a unique fusion of the folk duo Rimmerfors and members of the metal bands Pathos and Nostradameus. Rooted in medieval-tinged folk traditions performed with old acoustic instruments, Rimmerfors joined forces with their childhood friends to create a sound that bridges two worlds - blending the power of heavy metal with the rich melodies and melancholic spirit of Nordic folk music.
After years of anticipation, Fejd now returns with their fifth full-length album, Nifelheim. From the very first note, listeners are drawn into a world of ancient legends, carried by powerful arrangements and the evocative language of Nordic melancholy. With their signature use of traditional folk instruments, Fejd once again affirms their place as one of the leading names in folk metal.

Fejd was formed in 2001 through a unique fusion of the folk duo Rimmerfors and members of the metal bands Pathos and Nostradameus. Rooted in medieval-tinged folk traditions performed with old acoustic instruments, Rimmerfors joined forces with their childhood friends to create a sound that bridges two worlds - blending the power of heavy metal with the rich melodies and melancholic spirit of Nordic folk music.
After years of anticipation, Fejd now returns with their fifth full-length album, Nifelheim. From the very first note, listeners are drawn into a world of ancient legends, carried by powerful arrangements and the evocative language of Nordic melancholy. With their signature use of traditional folk instruments, Fejd once again affirms their place as one of the leading names in folk metal.

Wormwood is a Stockholm-based metal band formed in 2014, recognized for its distinctive fusion of extreme metal, atmospheric depth, and cinematic storytelling. Blending eerie soundscapes, Scandinavian melancholy, folk elements, and raw rock intensity, the band has carved out a unique identity that resonates strongly with audiences worldwide.

With four full-length albums, an EP, and a live release-plus the upcoming EP "Å"-Wormwood has built an impressive and consistently evolving catalog. The band has twice been nominated for "Best Rock/Metal Act" at the Swedish P3 Gold Awards, achieved high positions on the official Swedish charts, and earned widespread critical acclaim from international rock and metal media, including frequent placements on global Album of the Year lists.

Wormwood's reputation extends well beyond the studio. The band has performed extensively across Europe, appearing at major festivals and headlining club tours, while steadily growing a dedicated international fanbase-particularly in Germany, France, the Netherlands, the UK, and the US. Their strong digital presence and cinematic, high-quality music videos further reinforce their global reach and visual identity.

Mixed and mastered by renowned producer Sverker Widgren (Wing Studios, Stockholm), Wormwood's sound combines refined songwriting and high-level musicianship with a raw, authentic edge. Driven by powerful melodies, atmospheric richness, and emotional intensity, the band continues to push creative boundaries while maintaining a clear artistic vision. Wormwood stands as one of the most compelling and forward-moving acts in the Swedish metal scene today, combining critical acclaim, international growth, and a sound that sets them apart.

Wormwood is a Stockholm-based metal band formed in 2014, recognized for its distinctive fusion of extreme metal, atmospheric depth, and cinematic storytelling. Blending eerie soundscapes, Scandinavian melancholy, folk elements, and raw rock intensity, the band has carved out a unique identity that resonates strongly with audiences worldwide.

With four full-length albums, an EP, and a live release-plus the upcoming EP "Å"-Wormwood has built an impressive and consistently evolving catalog. The band has twice been nominated for "Best Rock/Metal Act" at the Swedish P3 Gold Awards, achieved high positions on the official Swedish charts, and earned widespread critical acclaim from international rock and metal media, including frequent placements on global Album of the Year lists.

Wormwood's reputation extends well beyond the studio. The band has performed extensively across Europe, appearing at major festivals and headlining club tours, while steadily growing a dedicated international fanbase-particularly in Germany, France, the Netherlands, the UK, and the US. Their strong digital presence and cinematic, high-quality music videos further reinforce their global reach and visual identity.

Mixed and mastered by renowned producer Sverker Widgren (Wing Studios, Stockholm), Wormwood's sound combines refined songwriting and high-level musicianship with a raw, authentic edge. Driven by powerful melodies, atmospheric richness, and emotional intensity, the band continues to push creative boundaries while maintaining a clear artistic vision. Wormwood stands as one of the most compelling and forward-moving acts in the Swedish metal scene today, combining critical acclaim, international growth, and a sound that sets them apart.

Wormwood is a Stockholm-based metal band formed in 2014, recognized for its distinctive fusion of extreme metal, atmospheric depth, and cinematic storytelling. Blending eerie soundscapes, Scandinavian melancholy, folk elements, and raw rock intensity, the band has carved out a unique identity that resonates strongly with audiences worldwide.

With four full-length albums, an EP, and a live release-plus the upcoming EP "Å"-Wormwood has built an impressive and consistently evolving catalog. The band has twice been nominated for "Best Rock/Metal Act" at the Swedish P3 Gold Awards, achieved high positions on the official Swedish charts, and earned widespread critical acclaim from international rock and metal media, including frequent placements on global Album of the Year lists.

Wormwood's reputation extends well beyond the studio. The band has performed extensively across Europe, appearing at major festivals and headlining club tours, while steadily growing a dedicated international fanbase-particularly in Germany, France, the Netherlands, the UK, and the US. Their strong digital presence and cinematic, high-quality music videos further reinforce their global reach and visual identity.

Mixed and mastered by renowned producer Sverker Widgren (Wing Studios, Stockholm), Wormwood's sound combines refined songwriting and high-level musicianship with a raw, authentic edge. Driven by powerful melodies, atmospheric richness, and emotional intensity, the band continues to push creative boundaries while maintaining a clear artistic vision. Wormwood stands as one of the most compelling and forward-moving acts in the Swedish metal scene today, combining critical acclaim, international growth, and a sound that sets them apart.

2CD hardcover artbook (18x18 cm, 36 pages), incl. lyrics and extended artwork (400 copies available)

FEN are climbing to a new artistic height by coming down to earth with their eighth full-length "Elemental Part One: Mourning Earth". The East Anglian trio has turned to their 'roots' in every sense, by distilling the true essence of what constitutes their sound through everything that they have learned and added in the last two decades. While the previous album, "Monuments to Absence" (2023), was deliberately arranged dense, fast and intense, FEN decided to leave breathing space on this album to allow more time for themes and ideas to exhale and unfurl. Of course, there is still much sonic aggression but channelled differently as large parts of "Mourning Earth" were recorded live to allow an organic nature to flow, and to permit the natural rhythms of the pieces to develop. Lyrically, FEN sum up their basic idea behind "Elemental Part One: Mourning Earth" in their own poetic words: "The morning mists clearing over the boggy expanses of the fens to reveal another grey, gloom-laden day of sorrow and regret. And at twilight, the slow, sad realisation that tomorrow promises only more of the same – tormented by the half-heard whispers of the spirits bound to the soils, our pain continues. And we can only endure." With "Elemental Part One: Mourning Earth", FEN have reached a new pinnacle in their exciting career and achieved a perfect balance between their black metal foundations and post-black metal innovations. FEN take their listener on a journey to grim bogs, languid waterways, and dismal fogs over bare rock – yet on the other side waits a sense of surcease to the endless existential ennui within.

LP (transparent green/black splatter vinyl) incl.printed insert, polylined inner sleeve, and protection sleeve (300 copies available)

FEN are climbing to a new artistic height by coming down to earth with their eighth full-length "Elemental Part One: Mourning Earth". The East Anglian trio has turned to their 'roots' in every sense, by distilling the true essence of what constitutes their sound through everything that they have learned and added in the last two decades. While the previous album, "Monuments to Absence" (2023), was deliberately arranged dense, fast and intense, FEN decided to leave breathing space on this album to allow more time for themes and ideas to exhale and unfurl. Of course, there is still much sonic aggression but channelled differently as large parts of "Mourning Earth" were recorded live to allow an organic nature to flow, and to permit the natural rhythms of the pieces to develop. Lyrically, FEN sum up their basic idea behind "Elemental Part One: Mourning Earth" in their own poetic words: "The morning mists clearing over the boggy expanses of the fens to reveal another grey, gloom-laden day of sorrow and regret. And at twilight, the slow, sad realisation that tomorrow promises only more of the same – tormented by the half-heard whispers of the spirits bound to the soils, our pain continues. And we can only endure." With "Elemental Part One: Mourning Earth", FEN have reached a new pinnacle in their exciting career and achieved a perfect balance between their black metal foundations and post-black metal innovations. FEN take their listener on a journey to grim bogs, languid waterways, and dismal fogs over bare rock – yet on the other side waits a sense of surcease to the endless existential ennui within.

FEN are climbing to a new artistic height by coming down to earth with their eighth full-length "Elemental Part One: Mourning Earth". The East Anglian trio has turned to their 'roots' in every sense, by distilling the true essence of what constitutes their sound through everything that they have learned and added in the last two decades. While the previous album, "Monuments to Absence" (2023), was deliberately arranged dense, fast and intense, FEN decided to leave breathing space on this album to allow more time for themes and ideas to exhale and unfurl. Of course, there is still much sonic aggression but channelled differently as large parts of "Mourning Earth" were recorded live to allow an organic nature to flow, and to permit the natural rhythms of the pieces to develop. Lyrically, FEN sum up their basic idea behind "Elemental Part One: Mourning Earth" in their own poetic words: "The morning mists clearing over the boggy expanses of the fens to reveal another grey, gloom-laden day of sorrow and regret. And at twilight, the slow, sad realisation that tomorrow promises only more of the same – tormented by the half-heard whispers of the spirits bound to the soils, our pain continues. And we can only endure." With "Elemental Part One: Mourning Earth", FEN have reached a new pinnacle in their exciting career and achieved a perfect balance between their black metal foundations and post-black metal innovations. FEN take their listener on a journey to grim bogs, languid waterways, and dismal fogs over bare rock – yet on the other side waits a sense of surcease to the endless existential ennui within.

2-CD hardcover book (18 x 18cm, 60 pages) with excl. bonus CD with 8 bonus tracks

DYMNA LOTVA are taking a quantum leap in their rapid musical evolution with their fourth album "Vyraj". The rebellious Belarus dissidents are powerfully demonstrating that they are far more than a 'one-trick pony' in every conceivable artistic aspect. Although "Vyraj" is still based on a solid foundation of black and post-black metal, DYMNA LOTVA move far beyond any easy labelling by also drawing inspiration from doom, heavy, and progressive metal, while venturing even deeper by incorporating elements from electronic music, goth, and folklore. The album is a cornucopia of great songs that are atmospherically dense and invite the listener onto an emotional roller-coaster ride from the darkest depths of depression and fear, via raw anger and defiance, to heights of ecstatic exhilaration. "Vyraj" is a musical kaleidoscope with ever changing patterns and sonic colours of remarkable beauty – that often dissolves into captivating melodies that at times even achieve a pop-like appeal. DYMNA LOTVA continue to carry the torch of rebellion, which is only natural as the founding members had to flee their native Belarus due to political persecution and continued attempts by the Lukashenka regime to censor and suppress their art. Yet on "Vyraj", they put their lyrical focus elsewhere. The album's main concept could be described as 'Belarusian ethno-astronomy.' In Slavonic legends, the starry sky is associated both with the afterlife and with journeys, which becomes closely intertwined with the musicians' personal experience of forced emigration. This idea is captured in the album title "Vyraj", which is a mythical realm to where birds migrate for the winter, and where the souls of the departed find their final rest. DYMNA LOTVA take another big step with "Vyraj" in their breathtakingly rapid artistic evolution. It is easy to predict that this unique and highly original band will soon appear on even bigger festival billings and European stages.

DYMNA LOTVA are taking a quantum leap in their rapid musical evolution with their fourth album "Vyraj". The rebellious Belarus dissidents are powerfully demonstrating that they are far more than a 'one-trick pony' in every conceivable artistic aspect. Although "Vyraj" is still based on a solid foundation of black and post-black metal, DYMNA LOTVA move far beyond any easy labelling by also drawing inspiration from doom, heavy, and progressive metal, while venturing even deeper by incorporating elements from electronic music, goth, and folklore. The album is a cornucopia of great songs that are atmospherically dense and invite the listener onto an emotional roller-coaster ride from the darkest depths of depression and fear, via raw anger and defiance, to heights of ecstatic exhilaration. "Vyraj" is a musical kaleidoscope with ever changing patterns and sonic colours of remarkable beauty – that often dissolves into captivating melodies that at times even achieve a pop-like appeal. DYMNA LOTVA continue to carry the torch of rebellion, which is only natural as the founding members had to flee their native Belarus due to political persecution and continued attempts by the Lukashenka regime to censor and suppress their art. Yet on "Vyraj", they put their lyrical focus elsewhere. The album's main concept could be described as 'Belarusian ethno-astronomy.' In Slavonic legends, the starry sky is associated both with the afterlife and with journeys, which becomes closely intertwined with the musicians' personal experience of forced emigration. This idea is captured in the album title "Vyraj", which is a mythical realm to where birds migrate for the winter, and where the souls of the departed find their final rest. DYMNA LOTVA take another big step with "Vyraj" in their breathtakingly rapid artistic evolution. It is easy to predict that this unique and highly original band will soon appear on even bigger festival billings and European stages.

DYMNA LOTVA are taking a quantum leap in their rapid musical evolution with their fourth album "Vyraj". The rebellious Belarus dissidents are powerfully demonstrating that they are far more than a 'one-trick pony' in every conceivable artistic aspect. Although "Vyraj" is still based on a solid foundation of black and post-black metal, DYMNA LOTVA move far beyond any easy labelling by also drawing inspiration from doom, heavy, and progressive metal, while venturing even deeper by incorporating elements from electronic music, goth, and folklore. The album is a cornucopia of great songs that are atmospherically dense and invite the listener onto an emotional roller-coaster ride from the darkest depths of depression and fear, via raw anger and defiance, to heights of ecstatic exhilaration. "Vyraj" is a musical kaleidoscope with ever changing patterns and sonic colours of remarkable beauty – that often dissolves into captivating melodies that at times even achieve a pop-like appeal. DYMNA LOTVA continue to carry the torch of rebellion, which is only natural as the founding members had to flee their native Belarus due to political persecution and continued attempts by the Lukashenka regime to censor and suppress their art. Yet on "Vyraj", they put their lyrical focus elsewhere. The album's main concept could be described as 'Belarusian ethno-astronomy.' In Slavonic legends, the starry sky is associated both with the afterlife and with journeys, which becomes closely intertwined with the musicians' personal experience of forced emigration. This idea is captured in the album title "Vyraj", which is a mythical realm to where birds migrate for the winter, and where the souls of the departed find their final rest. DYMNA LOTVA take another big step with "Vyraj" in their breathtakingly rapid artistic evolution. It is easy to predict that this unique and highly original band will soon appear on even bigger festival billings and European stages.