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Sweden's MARDUK are not only one of the most long running and respected black metal acts out there, but also one of the most productive. Even fourteen albums into their storied career, the quartet have never ever delivered a weak album and never wavered from their path of utter blasphemy and misanthropic contempt. Now, the band are re-visiting various much sought-after titles from their vast catalogue. “Wormwood” (2009) now returned on vinyl and CD. While going through possible extras for the “Wormwood” album, the band discovered a fully mastered track called “Shadow Comes”, which was supposed to be a bonus track but remained unused. The album has been mastered for vinyl by Patrick W. Engel.

Reprint, 300x citrus 12" (180g) in a black poly-lined innerbag, BOOKLET: 16pp., full-color on 180g art paper, gatefold, full-color on 350g, all assembled in a PVC overbag.

 Reprint, 300x cherry red 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g, jacket full-color printed on 350g, all assembled in a plastic overbag.

34 years after its original release on tape in 1991, this revered recording that put UNANIMATED on the map to become one of Sweden`s greatest melodic Black/Death Metal bands alongside NECROPHOBIC and DISSECTION, will eventually get its well-deserved stand-alone release on 12″ vinyl.

Stillamentum marks Gorrch’s long-awaited return, as well as the first collaboration between the duo and Avantgarde Music. Stillamentum is a full-length album steeped in claustrophobic intensity, dissonant chord structures, and relentless sonic tension. From punishing tremolo riffs and blasting drumming to cavernous production that evokes suffocating atmospheres, the record channels the band’s obsession with sound as ritual and catharsis. Gorrch push further into darkness with an unwavering commitment to raw emotion and existential dread, crafting a labyrinth of shadows and pain.

Stillamentum marks Gorrch’s long-awaited return, as well as the first collaboration between the duo and Avantgarde Music. Stillamentum is a full-length album steeped in claustrophobic intensity, dissonant chord structures, and relentless sonic tension. From punishing tremolo riffs and blasting drumming to cavernous production that evokes suffocating atmospheres, the record channels the band’s obsession with sound as ritual and catharsis. Gorrch push further into darkness with an unwavering commitment to raw emotion and existential dread, crafting a labyrinth of shadows and pain.

Essential reissue for an essential album

Numbered, extra limited edition one-off exclusive collector’s edition: the CD digipak here comes housed in a transparent plexiglass box, accompanied by a miniature CD-replica / wireless NFC containing a lot of extra content including: early pre-production material with different mixing and recording takes, extras visual material and an in-depth breakdown of the album’s concept.

Each box also includes a unique series of Polaroids featuring explicit portraits of Telly Lale, signed and hand-numbered.

No two are alike, making every copy a singular artifact.

Following their acclaimed self-titled debut EP from 2024, Italian trio Nel Buio is ready to release their debut studio album, once again self-titled. With their style defined as “pure Italian blackwave” — a fusion of black metal and darkwave — Nel Buio narrate a tragedy in two acts, where the music evolves alongside the lyrics, guiding the listener as if through a soundtrack.

gatefold jacket, inside colored

black poly-innersleeves

dinA2 poster

plastic protection sleeve

large booklet wth lyrics, impressions and info

Gold Vinyl

„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.

On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".

„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.

On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".

An EP of primal gothic elegance, Blood Consumer is atmospheric of a kind cloaked in velveteen mists and swirling chilled fog, with a spiked gauntlet of riffs that will catch the ear of fans of their primary bands. ♱VELVET CROSS♱ was conceived by Splatterpvnk as a solo project in the Winter of 2022, but over time expanded to involve Saidan sticksman and Vampirska mastermind Hundosai (actually, I am not sure that many people know Hundosai is Vampirska , so here you go!) – PLUS, two more dread entities of arcane fortune to create a full band capable of realising the vision in flesh. And what vision.

"Neverland", the fourteenth studio album by ULVER is the sound of an escape. A journey into undiscovered lands.

Following three albums – "The Assassination of Julius Caesar" (2017), "Flowers of Evil" (2020), and "Liminal Animals" (2024) – rooted in more traditional song and production structures, "Neverland" marks a new chapter in the revered Oslo band's history.

"With 'Neverland' we embraced a more 'punk' spirit – more dreaming, less discipline – freer, quite simply", the band comments on the creative process behind the album.

Bursts of daybreak synths and whooshes of sound set the atmosphere, before the wolves start digging into the dynamics of ambient calm and anarchic mysticism. Dreamy and transportive textures develop into trippy percussive energies, and as the album unfolds, a lush and vibrant, and at times exotic space opens.

Apart from a few recurring distant voices and vocal chops, "Neverland" is a largely instrumental record, reminiscent of the mood and structure of that place where late '90s IDM sounds met the meandering structures of post-rock.

The ghost of premillennial sample culture surely haunts "Neverland", and some might even hear echoes from earlier acclaimed works like "Perdition City" (2000), or the "Silence" EPs (2001), or more recently "ATGCLVLSSCAP" (2016).

Still, "Neverland" sounds and feels like something else, something fresh in ULVER's continuous journey of perennial reinvention. Pop music from in-between worlds? A sonic hallucination? Or better: a collage of dreams. It's up to you.

"Neverland", the fourteenth studio album by ULVER is the sound of an escape. A journey into undiscovered lands.

Following three albums – "The Assassination of Julius Caesar" (2017), "Flowers of Evil" (2020), and "Liminal Animals" (2024) – rooted in more traditional song and production structures, "Neverland" marks a new chapter in the revered Oslo band's history.

"With 'Neverland' we embraced a more 'punk' spirit – more dreaming, less discipline – freer, quite simply", the band comments on the creative process behind the album.

Bursts of daybreak synths and whooshes of sound set the atmosphere, before the wolves start digging into the dynamics of ambient calm and anarchic mysticism. Dreamy and transportive textures develop into trippy percussive energies, and as the album unfolds, a lush and vibrant, and at times exotic space opens.

Apart from a few recurring distant voices and vocal chops, "Neverland" is a largely instrumental record, reminiscent of the mood and structure of that place where late '90s IDM sounds met the meandering structures of post-rock.

The ghost of premillennial sample culture surely haunts "Neverland", and some might even hear echoes from earlier acclaimed works like "Perdition City" (2000), or the "Silence" EPs (2001), or more recently "ATGCLVLSSCAP" (2016).

Still, "Neverland" sounds and feels like something else, something fresh in ULVER's continuous journey of perennial reinvention. Pop music from in-between worlds? A sonic hallucination? Or better: a collage of dreams. It's up to you.