Preorders

After the unexpected success of the first press, here comes a 2nd press in Transparent red vinyl

BIANCA is an exploration steeped in the subversive fire of black metal, with a penchant for doom and atmospheric resonances, centered around a female identity that spans different dimensions, from an ethereal presence to a primal rawness.

The music was born in 2024 with a series of demos composed by β and Ͷ. ES (from Hideous Divinity and Patristic) stepped in, shapeshifting the songs and giving the band a new form. Sathrath (Nocturnal Depression) joined the final recording sessions with his thunderous black metal touch.

BIANCA's first self-titled album is an enigmatic eight-step journey into the power of the human mind and the unconscious dimension as a messenger of precious insights for interpreting reality. A deep dive into the non-material aspects of human life and their transformative potential. No idea of religion, but a radical atheist and humanistic stance within the musical language of black metal, merging melodic nuances in an atmospheric embrace. A sorrowful struggle runs through the veins of BIANCA’s music, chilling to the core, yet captivating and transporting the listener to uncertainty.

With their sixth full-length "Dread Emperor", SLAUGHTERDAY deliver everything that they excel in, which is also precisely what their fans want from the duo: perfectly executed old school death metal with a wicked twist. From crushing doom-ridden ultra-heavy parts to calculated outbreaks of utter brutality, this record offers everything a still beating death metal heart could ask for. And of course, those cosmic horrors of the Great Old Ones, forbidden sounds, and tentacled death metal are still rising. The German band has also added more deeper meaning to their tales of cosmic terrors as a healthy antidote to stereotypes. Lyrically, SLAUGHTERDAY have always built on the well-established foundations of their genre by taking inspiration from American author H. P. Lovecraft and other masters of horror. And while sinister things crawl and creep through the duo's timeless brutality, they have always portrayed them with a sinister flair of their own. These days, the band has repurposed those monstrous creatures as metaphorical ciphers for relevant contemporary topics.

With their sixth full-length "Dread Emperor", SLAUGHTERDAY deliver everything that they excel in, which is also precisely what their fans want from the duo: perfectly executed old school death metal with a wicked twist. From crushing doom-ridden ultra-heavy parts to calculated outbreaks of utter brutality, this record offers everything a still beating death metal heart could ask for. And of course, those cosmic horrors of the Great Old Ones, forbidden sounds, and tentacled death metal are still rising. The German band has also added more deeper meaning to their tales of cosmic terrors as a healthy antidote to stereotypes. Lyrically, SLAUGHTERDAY have always built on the well-established foundations of their genre by taking inspiration from American author H. P. Lovecraft and other masters of horror. And while sinister things crawl and creep through the duo's timeless brutality, they have always portrayed them with a sinister flair of their own. These days, the band has repurposed those monstrous creatures as metaphorical ciphers for relevant contemporary topics.

On their tenth full-length "Aba Khan", NYTT LAND pick up the stylistic thread that they had previously woven with "Ritual" (2021). This means, the music is generally based on a foundation of current ritual dark folk to which the duo from Siberia adds elements from the native traditions of their home among other ingredients. Although NYTT LAND return to the less strict and rather popular formula with "Aba Khan", their inspiration has still come from a whole year of travelling through the vast territories of Siberia. The couple discovered new areas and got acquainted with spiritual traditions of the indigenous peoples that they met. The result of this journey is a collection of priceless treasures that has been respectfully translated into a contemporary musical language. NYTT LAND was created in August 2013 as a ritualistic Nordic folk band and driven by the musical vision of the husband and wife duo Natalya and Anatoly Pakhalenko. The couple lives in the Western Siberian town Kalachinsk that is located on the banks of River Om and crossed by the Trans-Siberian Railway. True to their often dark and mysterious subjects, the lyrics of NYTT LAND echo myth and stories from legends and historical sources. Those are told in the languages of both indigenous Siberian tribes and Old Norse, with the balance gradually shifting towards the former over time. NYTT LAND dedicate "Aba Khan" to the ancient, beautiful, and great lands of Siberia. Join them on a journey through time and space where spirits rule, shamans protect the people, and old gods whisper.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh remaking their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Featuring the line-up of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami, Sigh created arguably their darkest work to date with third album ‘Hail Horror Hail’ in 1997; an epic of nightmare-inducing soundscapes & lyrics concerning topics such as murder & mortality. With at times more melodic compositions compared to its predecessors & a more traditionally metallic experience than some of the material witnessed on the cult ‘Ghastly Funeral Theatre’ EP released not long before, Sigh continued to embrace deeply atmospheric & symphonic elements, along with what was now becoming an increasingly experimental added dimension to their art, in creating this at times unnerving horror masterpiece.

Continuing with Peaceville’s re-issues of Sigh’s classic early ( & until now, hard to find ) works, this edition of ‘Hail Horror Hail’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.

The release also includes a bonus disc containing rough mixes of album tracks, plus other rarities, along with a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, with his thoughts & reflections on the album, the recording process & the influences surrounding its creation.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh remaking their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Featuring the line-up of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami, Sigh created arguably their darkest work to date with third album ‘Hail Horror Hail’ in 1997; an epic of nightmare-inducing soundscapes & lyrics concerning topics such as murder & mortality. With at times more melodic compositions compared to its predecessors & a more traditionally metallic experience than some of the material witnessed on the cult ‘Ghastly Funeral Theatre’ EP released not long before, Sigh continued to embrace deeply atmospheric & symphonic elements, along with what was now becoming an increasingly experimental added dimension to their art, in creating this at times unnerving horror masterpiece.

Continuing with Peaceville’s re-issues of Sigh’s classic early ( & until now, hard to find ) works, this edition of ‘Hail Horror Hail’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.

The release also includes a bonus disc containing rough mixes of album tracks, plus other rarities, along with a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, with his thoughts & reflections on the album, the recording process & the influences surrounding its creation.

DOUBLE DISC EDITION OF SIGH’S CLASSIC THIRD ALBUM OF SINISTER & ATMOSPHERIC BLACKENED METAL, NOW ON PEACEVILLE. WITH NEW AUDIO MASTER, BONUS CONTENT & INSERT CONTAINING AN INTERVIEW WITH MIRAI KAWASHIMA.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh remaking their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Featuring the line-up of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami, Sigh created arguably their darkest work to date with third album ‘Hail Horror Hail’ in 1997; an epic of nightmare-inducing soundscapes & lyrics concerning topics such as murder & mortality. With at times more melodic compositions compared to its predecessors & a more traditionally metallic experience than some of the material witnessed on the cult ‘Ghastly Funeral Theatre’ EP released not long before, Sigh continued to embrace deeply atmospheric & symphonic elements, along with what was now becoming an increasingly experimental added dimension to their art, in creating this at times unnerving horror masterpiece.

Continuing with Peaceville’s re-issues of Sigh’s classic early ( & until now, hard to find ) works, this edition of ‘Hail Horror Hail’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.

The release also includes a bonus disc containing rough mixes of album tracks, plus other rarities, along with a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, with his thoughts & reflections on the album, the recording process & the influences surrounding its creation.

34 years after its original release on tape in 1991, this revered recording that put UNANIMATED on the map to become one of Sweden`s greatest melodic Black/Death Metal bands alongside NECROPHOBIC and DISSECTION, will eventually get its well-deserved stand-alone release on 12″ vinyl.

Stillamentum marks Gorrch’s long-awaited return, as well as the first collaboration between the duo and Avantgarde Music. Stillamentum is a full-length album steeped in claustrophobic intensity, dissonant chord structures, and relentless sonic tension. From punishing tremolo riffs and blasting drumming to cavernous production that evokes suffocating atmospheres, the record channels the band’s obsession with sound as ritual and catharsis. Gorrch push further into darkness with an unwavering commitment to raw emotion and existential dread, crafting a labyrinth of shadows and pain.

An EP of primal gothic elegance, Blood Consumer is atmospheric of a kind cloaked in velveteen mists and swirling chilled fog, with a spiked gauntlet of riffs that will catch the ear of fans of their primary bands. ♱VELVET CROSS♱ was conceived by Splatterpvnk as a solo project in the Winter of 2022, but over time expanded to involve Saidan sticksman and Vampirska mastermind Hundosai (actually, I am not sure that many people know Hundosai is Vampirska , so here you go!) – PLUS, two more dread entities of arcane fortune to create a full band capable of realising the vision in flesh. And what vision.