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TRIUMPHANT BLACK METAL SUPREMACY FROM THE FORMER MAYHEM GUITARIST/ VLTIMAS FOUNDER, BLASPHEMER.
RUIM was formed in 2020 by the Norwegian born, Grammy award winning guitarist Blasphemer (Rune Eriksen), known from acts such as Vltimas & Mayhem.
Joining Blasphemer on drums is French born drummer Cesar Vesvre (Agressor, Thagirion).
Driven by a firm desire to revisit the style of music he has dedicated himself to & been associated with since the mid 90's & inspired by the rediscovery of a long-lost tape of old, unused Mayhem-era riffs from 98/99, the concept of starting a new project based around these ideas manifested itself quickly.
Soon, a new vision was born for an album immersed in Brazilian witchcraft and the left-hand path of the Umbanda tradition - a practice in which Blasphemer himself is taught in - to deliver a new blackened opus in the vein Blasphemer has been synonymous with since his inception into Mayhem back in 1994 (until 2007).
'Black Royal Spiritism - I.O Sino Da Igreja' is RUIM's debut studio album.
It presents a glimpse of something new, unique, visionary & highly eclectic.
This album marks the beginning of a concept set to span a trilogy of releases exploring & incorporating a deeply personal expression of Blasphemer's own beliefs regarding the greater spirits of the left-hand path.
A pitch-black offering, 'Black Royal Spiritism' is steeped in ominous & eerie, unnerving darkness.
Each track is meticulously woven with a sinister undercurrent, given flesh by Blasphemer's highly distinctive brutal riffing style, with atmospheric, ambient & clean passage interludes featuring among the chaos.
Vocals on 'Black Royal Spiritism - I.O Sino Da Igreja' are also handled by Blasphemer himself, sung in a mix of English, Portuguese & Norwegian, with lyrical themes rooted in a celebration & dedication to the lore & rituals of linha da esquerda.
'Black Royal Spiritism - I.O Sino Da Igreja' was recorded at Drudenhaus Studio in France & mastered by Jack Control at Enormous Door.
Proscriptor McGovern from 'Absu' also makes a guest appearance on a savage re-recording of the Mayhem classic 'Fall Of Seraphs' bringing fresh life to the track, which Blasphemer wrote back in 1995 & which originally featured on the 'Wolf's Lair Abyss' EP.
Darkthrone's legendary 1989 demo, including additional tracks from Bootleg TV (1989) and rare rehearsal tracks from 1990.
Darkthrone started in 1986 under the name of Black Death. Although becoming known the world over as a black metal band crucial to the lasting legacy of the genre, Darkthrone began more as an extreme metal band utilising elements of thrash, death and doom metal into their early compositions.
Cromlech was Darkthrone’s final demo release, before a deal was inked with Peaceville Records. The demo was recorded in 1989 with the line-up of Gylve Nagell (Drums), Ted Skjellum (Guitars/vocals), Ivar Enger (Guitars) and Dag Nilsen (Bass); a line-up which would remain in place for the revered Soulside Journey and A Blaze in the Northern Sky albums.
As well as the iconic demo itself – containing tracks which would go on to form part of the Soulside Journey debut - this release also contains additional tracks from the Bootleg TV Oslo recordings in 1989, including a cover of Celtic Frost’s Visual Aggression. Also includes a trio of instrumental tracks from a rehearsal tape originally made for Peaceville founder Paul “Hammy” Halmshaw in 1990.
Vinyl with printed inner sleeve. Featuring the original Cromlech art/logo.
If you want your old school metal to be something more than just blastbeat after blastbeat and vocals something more than muddy growling, TRAMALIZER is the right poison.
From their first two demos in 2018 and then their breakout self-titled debut album the following year, NACHTIG have stormed the gates of sadness with some of the most soul-penetrating black metal melancholy of recent times. Mainman V. V. is no stranger to the scene, of course, numbering as he does labelmates VALOSTA VARJOON and COSMIC BURIAL, but NACHTIG is arguably his most personal project, on myriad levels. The successive Der stille Wald full-length in 2021 proved this with a passion and poignancy that was spellbinding - and spellbindingly SAD - to behold.
That album maintained a monolithic aspect at a towering 55 minutes, and thus does NACHTIG return with a comparatively more compact record in Eisig' Romantik. It's still epic, to be sure - four songs in 45 minutes, each one hovering around the 11-minute mark - but it's the sensations within that truly render the album an EPIC of breathtaking, daresay-beautiful sadness. Its predecessor spiritually nodded to early '90s doom-death, with the Spartan piano of yore largely replaced by a haunting fog of synths; Eisig' Romantik maintains a purer black metal core, but the synths hover ever more dramatically here, often directing the crescendo of emotion to cathartic heights - or, rather, depths. But it's V. V.'s characteristically heartaching riffing that really pushes the record into the halls of greatness, as layers of majestically melancholic riff seamlessly twine into said synths and utterly damning catharsis continues as each minute builds and blends and builds some more, all without dipping down the tempo. There's actual energy to this sadness, and it MOVES.
Back in 2021, B.Kråbøl (MISOTHEIST) wrote, performed and recorded a lengthy EP on his own in one weekend. The result? Simply fantastic. More downthrodden and dark, minimalistic and ugly than the debut album, yet still ENEVELDE through and through. With vocals to die for, Kråbøl yet again proves his talents, not only as a vocalist, but as a multi-instrumentalist and composer.
Entitled Gravgang (Catacomb), this is definitively not a jolly ride, quite the contrary.
March into darkness to the hypnotic hymns of Enevelde...
What better timing to release the second fullenght of ENEVELDE, aptly entitled En Gildere Død (A Grandiose Death)!
As humankind drowns in death in all it's shapes and sizes, we can all relate in unison to the current state of the world today. Will we survive another night, and who will live to tell!?
By now a household name here at Terratur Possessions, ENEVELDE continues to deliver cleverly arranged Black Metal, ranging from mid-tempo blackness and raging aggression, to epic madness and beauty.
Written, recorded and performed by B.Kråbøl (MISOTHEIST), featuring M.Hellem on bass and several other guest appearances
Limited edition of 199 copies on blue/black half & half vinyl with white splatter. Includes a printed innersleeve and download.
B4 Bleach Marble
Ascended Dead return like abyss winds surging skyward from the ninth circle of Hell. New album Evenfall Of The Apocalypse heralds the dawn of the final march to extermination via barely-controlled death metal chaos and form-destroying necromancy.
Ascended Dead play death metal the ancient way with an intrinsically malign pedigree and methodical cruelty scarcely heard nowadays. Flesh-peeling intensity at warp-speed, technically-frenzied leads that cut straight through bone and a relentless annihilating force that rarely ceases long enough to take a breath. Yet amidst this fiery conflagration a wholly deliberate and fanatical attention to detail and craft remain undeniable, allowing the pandemonium a distinct structure and memorability.
While the band has more than enough skill and ability to perform a darkly acoustic piece like “Passage To Eternity,” a rare moment of respite, repeated spins through Evenfall Of The Apocalypse only serve to perpetuate Ascended Dead’s inexorable place at the vanguard of violent real death metal, carrying the banner into the future.
Ascended Dead return like abyss winds surging skyward from the ninth circle of Hell. New album Evenfall Of The Apocalypse heralds the dawn of the final march to extermination via barely-controlled death metal chaos and form-destroying necromancy.
Ascended Dead play death metal the ancient way with an intrinsically malign pedigree and methodical cruelty scarcely heard nowadays. Flesh-peeling intensity at warp-speed, technically-frenzied leads that cut straight through bone and a relentless annihilating force that rarely ceases long enough to take a breath. Yet amidst this fiery conflagration a wholly deliberate and fanatical attention to detail and craft remain undeniable, allowing the pandemonium a distinct structure and memorability.
While the band has more than enough skill and ability to perform a darkly acoustic piece like “Passage To Eternity,” a rare moment of respite, repeated spins through Evenfall Of The Apocalypse only serve to perpetuate Ascended Dead’s inexorable place at the vanguard of violent real death metal, carrying the banner into the future.
Snorlax was born in unexpected circumstances during an experimental recording session in mid-2017 at Black Blood Audio in Brisbane, Australia. Recording engineer Brendan Auld stumbled upon the sound and found the voice of Snorlax while trialing new recording techniques. Following the stream of ideas and sounds that ensued, the result was what later became the unmastered release of The Splintering Demo. Having only played drums for a few short years at that point, Brendan's expectations were low, yet the release grabbed the attention of many black metal enthusiasts including Caligari Records, Jef Whitehead of Leviathan and even made #2 on a 2017 Decibel Magazine list of "Must Listen Underground Demos" compiled by the late Trevor Strnard of The Black Dahlia Murder.
Honing in on the Snorlax sound even further in 2020 with the release of II via Brilliant Emperor Records, more death metal-inspired elements began creeping into the foreground and soon the label "blackened death" was attached to project.
Jumping forward to 2023, Snorlax is set to release its third composition, mysteriously titled The Necrotrophic Abyss. Much like II, this full-length release clocks in at just under 30 minutes, delivering a concise, ruthless display of sonic violence and despair. This album is presented as a concept, with an overarching story that flows throughout, each song a chapter depicting a world so vile its own death is forced by the hands of nature. In the second half of the record Brendan introduces some new voices and layers of collaboration as the planet is laid to waste for eons resulting in a desolate baron abyss only creatures of the undead have a chance of surviving. The album closes with a slight glimpse of hope as the story eludes to an unlikely rebirth of evolution and a potentially inhabitable future after all.
This dark narrative is painted only by the lyrics, the music never loosening its grip, staying trve to the perpetual paralysis proclaimed on track 1 of the Snorlax first release.
Snorlax was born in unexpected circumstances during an experimental recording session in mid-2017 at Black Blood Audio in Brisbane, Australia. Recording engineer Brendan Auld stumbled upon the sound and found the voice of Snorlax while trialing new recording techniques. Following the stream of ideas and sounds that ensued, the result was what later became the unmastered release of The Splintering Demo. Having only played drums for a few short years at that point, Brendan's expectations were low, yet the release grabbed the attention of many black metal enthusiasts including Caligari Records, Jef Whitehead of Leviathan and even made #2 on a 2017 Decibel Magazine list of "Must Listen Underground Demos" compiled by the late Trevor Strnard of The Black Dahlia Murder.
Honing in on the Snorlax sound even further in 2020 with the release of II via Brilliant Emperor Records, more death metal-inspired elements began creeping into the foreground and soon the label "blackened death" was attached to project.
Jumping forward to 2023, Snorlax is set to release its third composition, mysteriously titled The Necrotrophic Abyss. Much like II, this full-length release clocks in at just under 30 minutes, delivering a concise, ruthless display of sonic violence and despair. This album is presented as a concept, with an overarching story that flows throughout, each song a chapter depicting a world so vile its own death is forced by the hands of nature. In the second half of the record Brendan introduces some new voices and layers of collaboration as the planet is laid to waste for eons resulting in a desolate baron abyss only creatures of the undead have a chance of surviving. The album closes with a slight glimpse of hope as the story eludes to an unlikely rebirth of evolution and a potentially inhabitable future after all.
This dark narrative is painted only by the lyrics, the music never loosening its grip, staying trve to the perpetual paralysis proclaimed on track 1 of the Snorlax first release.
Claustrum is an old school death metal trio born someplace between Trieste and Gorizia, in north-eastern Italy, featuring members from Grime, Affliction Vector, Fierce and Dromme, all brought together by a feral passion for the death metal of old. Drawing their inspiration from sci-fi, horror, authors like Poe and Lovecraft and the misery of human existence, in their debut, self-titled album Claustrum delivers some crypt-reeking, disturbing death metal, heralding the impending Apocalypse.
The Latin word Claustrum stands for a thin sheet of gray matter that connects to cortical and subcortical regions. It is considered the most interconnected structure within the telencephalon, that allows for the integration of multiple cortical stimuli, such as visual, acoustic and tactile. It is commonly considered the area of the human brain where the soul resides.
But Claustrum is also an enclosed space, a fence, a prison. As the band explained: “Claustrum to us also means separation from the rest of the world. The record was born during a period of confinement due to the pandemic and for this reason it is above all an outlet, something authentic and spontaneous with which to release negative energies that have been compressed for too long. That's why during this separation for us it was paramount to rely on certainties. And those certainties are liturgies written by Autopsy, Asphyx, Death and Incantation”.