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TRISTITIA Biography 1992-2020
The band was founded by Chilean/Swedish guitarist Luis B. Galvez 1992, Halmstad, Sweden. His devotion for Doom Gothic Metal and dark sorrowful melodies brought him to form the band with Death/Gothic style vocalist Thomas Karlsson (Pagan Rites, Devil Lee Rot, Autopsy Torment) and Harri Juvonen(Pagan Rites) on bass.
They recorded their first demo in April ’93 entitled ”Winds of Sacrifice”. In January ’94 they released their second demo ”Reminiscences of the Mourner”. The receiving of this demo was even better than ”Winds of Sacrifice” and gave Tristitia a record deal with the French label Holy Records summer 1994. In march ’95 Tristitia released the CD album "One with Darkness" now with Bruno Nilsson behind the drums, Thomas on vocals and Luis recording all guitars, bass and keyboards,
Summer ’96 they recorded their second album ”Crucidiction” now with session drummer Alessio in Dan Swanös studio Unisound which was released December ’96. Tristitia’s third album ”The Last Grief” brought the band a new atmospheric Dark Doom Heavy Metal singing style with session singer Rickard Bengtsson from the Swedish band Last Tribe and with mixed doom riffs/classical guitar parts Tristitia found a new path beyond the labyrinth of Darkness. At the fall 2002 the band entered Darkside Studios in their hometown Halmstad to record their fourth CD ”Garden of Darkness” with session Death style vocalist Stefan Persson. Due to line-up difficulties between 2002-2017 the former member Luis B. Galvez now in the Mexican black/thrash/death metal underground label Atolinga Records in 2017 re-released Tristitia's two demos "Winds of Sacrifice" (1993) and "Reminiscences of the Mourner" (1994) on CD entitled "Lamentations from the Beginning" and could finally release in January 2020 the full-lengh album "Burial of the Sad" with Thomas Karlsson back on vocals. Tristitia is the word in Latin for sadness.
REVENANT MARQUIS "Below The Landsker Line" CD to be released via Inferna Profundus Records on March 21th, 2021.
Revenant Marquis returns from the sequestered gloaming of Pembrokeshire’s Black Circle with a tome of rituals that truly invoke the malevolent in this world, and the next.
The line between the land, and the heavens, the spirit and the flesh are lanced in a harrowing union that honours the Devil, and his servants.
In late October 2019, following a successful UK tour ending in a sold-out concert at the mythical Roundhouse in London, SUNN O))) entered studio 4 of the BBC Maida Vale. On invitation to record a live session for Mary Anne Hobbs to be broadcast on Samhain via her excellent radio show on BBC6. To enter the legendary John Peel studios was to enter a temple of music and experimentation, liberty in ideas and sound. The band was nearing the end of a long touring year around the Life Metal and Pyroclast albums. SUNN O))) had developed the compositions extensively, embracing the formative concepts of the Life Metal album conceptually and emotionally, but actualised and evolved into vast, open and bright hypersaturated arrangements. Particularly the pieces the band chose to perform on this recording: Troubled Air and Pyroclasts. The former enriched into a total aspect of the band's ethos and form in many ways, and Pyroclasts had evolved to become all-inclusive radiation of O))). The radiation embraces collaboration and freedom of interpretation by each player, within a structural format of the massive monuments of sound and distortion which define SUNN O))). Anna Von Hausswolf and her band had accompanied SUNN O))) on the UK leg, and Anna joined SUNN O))) in the studio on synths and with her tremendous voice on the Pyroclasts pieces.
Gatefold cover with 2-sided poster and insert.
White Vinyl
After releasing the debut album from his Serment project earlier this year, Moribond is back with something completely different, namely his ambient project Oublieth. Falling somewhere in-between what some would call dungeon synth and the much more cinematographic scopes of artists like Tangerine Dream, Vangelis and Klaus Schulz, Oublieth draws its inspiration in classic 70’s and 80’s fantasy themes, as evidenced by a recording done entirely with analog synthesizers as well as the stunning cover art by renowned Dungeons and Dragons and Ravenloft artist Stephen Fabian. This enthralling ambient journey is strictly limited to 500 copies…
