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Hailing from Poland and making their public debut with the demo Ancient Darkness Triumphant in 2020, TEUFELSBERG are a band out of time. The modern "black metal underground" is a vacant void to be shunned, spit upon; for the trio, the elder ways of black metal militancy reflected in the Polish underground during the glorious '90s are to be proudly upheld. And upheld they did with a successive split with comrades MINNESJORD last year, once again through the auspices of SIGNAL REX, in the process building their own dead Christ commune.

And now, TEUFELSBERG fortify it further with their full-length debut, Ordre du Diable. No great changes have been made, thankfully - cold and grim is their march, rendered in raw-yet-clear tones that remarkably retain an era-authentic vibe - but the trio's songwriting has undoubtedly advanced, moving at many speeds and effortlessly evincing a focus that's fiery and finessed in equal measure. Further, their integration of synths is subtle and tasteful, coloring Ordre du Diable in rich hues of velvety purple emanating from deepest black. More simply stated, TEUFELSBERG deliver a record that could've easily come out in 1995: that same mysticism is alive and well here, and DEAD.

Opening with a fug of crypt-dwelling ambience, and the distant howls of the bloodthirsty Wampyre, building through riff and atmosphere towards a clearer skied climax in the more epic medievalism from Ages of Blood. A perfectly ascendent split with euphoric trajectory from the raw to the radiant, balanced by the pivotal Beulenpest who features in both projects.

Furious violent black / death metal, tracked live for extra rawness

Fantastic cover art executed perfectly by Italian master Paolo Girardi

Guitarist and singer Heljarmadr (Dark Funeral) expressed his thoughts: “Flame Of Hephaestus” is the first single from our new album Lycaon. We feel that it is a good representative for the album and it carries an intensity that kinda connects it with our last album Väsen. It serves as a natural bridge, if you will.

Flame Of Hephaestus brings us back to our early days, when we were including more influences from Greek mythology, alongside the ancient Scandinvian cult. It is therefore also quite suitable that Lycaon was mixed and mastered in Greece. Mixed by Terry Nikas and mastered by George Nerantzis”.

The Flame Of Hephaestus artwork was created by Italian artist Roberto Toderico, while the B-side, ”Stella Polaris”, is a single exclusive instrumental track, written by guitarist Maugrim. This is his first contribution for Grá as a composer.

- 300g black vinyl
- 300 hand-numbered copies
- Handmade silk-screen printed sleeve
- Including two stickers and patch

MCMXCV: The Ultimate Blasphemy contains both seminal 1995 recordings previously released as promo- and rehearsal-tapes.
Crude Black Doom/Death Metal strangulated by the hands of veterans A.J. van Drenth (Beyond Belief a.o.) and Bob Bagchus (Asphyx a.o.).

Red Transparent / Orange Swirl

Limited to 250 copies.
Gloss jacket with black pocket.
Double-sided lyric insert.

Tapes are brand new and unplayed and they come with sleeve/card and boxes of course (the photo pictured here is purely iconic)

Titles are randomly picked by our staff from the titles you can see listed in the webstore

Winterlong, the psychedelic new album from Executioner’s Mask is set for release on Profound Lore Records. An epic bouquet of swelling synths, hypnotic melodies, and noisy guitars marry post-punk and shoegaze in ten songs exploring themes of liberation and self-destruction in these end-times. In the studio, the core group of Gambit, Mickle and Wilson added Christian Molenaar into the fold on synths, adding an ethereal edge to the band’s hard-driving melancholy. Additional touches were added by Kennedy Ashlyn (SRSQ) and Jake Superchi (Uada, Ceremonial Castings), their distinct sonic fingerprints sending the compositions further into territories unexplored. 
Featuring production from Jeff Zeigler (The War On Drugs) and Ryan Schwabe (Oneohtrix Point Never), Winterlong is the type of sublime and immersive album that inspires the same visions often conjured by masters like The National, Alcest and Deerhunter. On stage, Gambit, Mickle, and Molenaar are joined by Anthony Charletta on bass, Melissa Lochambon on drums, and Daniel Gaona on guitar to create an explosive force of sound that come together with the potency of Children Of God-era Swans. 
Expanding on the kaleidoscope of ambition, expect to see re-mixes of the album released in a series of their own by an ensemble cast that features members of Deafheaven, Full Of Hell, No Joy, Xiu Xiu, and The Armed amongst an army of others. The first of these Winterlong re-mix albums will be released as a bonus disc that will come with the CD release, mastered by Angel Marcloid (aka Fire-Toolz).

Pressed on purple wax.
Limited to 666 hand-numbered copies.

Media Condition: Mint (M) 
Sleeve Condition: Very Good Plus (VG+)

Finland’s death metal pacesetters Corpsessed celebrate their fifteenth anniversary with the release of brand-new album Succumb To Rot on Dark Descent Records. 
The unholy union of Corpsessed and Dark Descent Records, that began with 2011’s highly acclaimed The Dagger & The Chalice EP, endures to this day. Both entities have since gone to transform the shape of the death underground as one know its, carving out a unique niche reserved only for true old school zealots. With a steady line-up of seven years in place, and a strong foothold on the top of the death metal hierarchy, Corpsessed deliver an arrogantly superior milestone of atmospheric old school death metal enveloped in existential dread. 
“One circle closes only for another to begin anew. This is the logical conclusion to Impetus Of Death where the limits of human existence gives us a push to even do things in life (art being the pinnacle)—Succumb To Rot is the inevitable end where all things must eventually die and give into the relentless forces of entropy, and disintegrate into nothingness,” reflects guitarist M.M.. 
The mentally distressing artwork by Vladimir “Smerdulak” Chebakov also continues a tradition of exceptional Corpsessed album covers.

• Cryptic death metal from Finland 
• Highly awaited follow-up to 2019’s  Impetus Of Death 
• Striking cover art by Vladimir Chebakov 
• For fans of Incantation, Dead Congregation, Krypts and Grave Miasma 

With the release of her Godslastering: Hymns Of A Forlorn Peasantry, Hulder made it known that the pure traditional black metal of earlier releases could be classical, rich in detail and creatively novel once again. A triumphant debut that indicated much more to come. On her new mini-album The Eternal Fanfare, Hulder expands the scope laid out on the debut, taking the production value to new places with more low-end depth and forceful resonance. The songwriting capability continues to sharpen into a dense confluence of her disparate influences such as on the cinematically expansive “Burden Of Flesh And Bone” and “Sylvan Awakening,” to the cold stormblast ferocity of the title track. Opener “Curse From Beyond” is a celestial atmospheric piece akin to Dead Can Dance at their most mysteriously plaintive, while the pensive lament of closer “A Perilous Journey” concludes The Eternal Fanfare with an aura of melancholic finality. The Eternal Fanfare presents a stark interlude between the Godslastering album and the forthcoming second full length. Yet on its own, its a powerful statement of haunting new horizons and evolving mastery, ascendent and bottomless at once.