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Special Edition 2xCD
* 6-panel digipak version.
* Bonus 2nd CD that includes fully instrumental version of the album. Includes guitars, drums, and orchestra. A new mix with a handful of extra arrangements that were cut from the final album.
* Newly mastered for CD at Cutting Room Studios (Sweden).
* Limited to 500 copies worldwide.

The impossible has become possible...AQUILUS returns!

The enigmatic, atmospheric metal band became one of the most whispered-about secrets in the metal scene, following the quiet release of their debut album “Griseus” in 2011.

A 2013 vinyl release rocketed the band into public consciousness, and “Griseus” slowly amassed a following of devoted fans, climbing its way to being voted #1 album of the decade on MetalStorm.

For eight years, an epic, sophomore masterwork was-in-the-making. So legendary, in fact, that fans hardly believe it exists.

The opus grew so furiously, the decision was ultimately made to split the work into two parts, culminating with the release of the first album – “Bellum I”.

“Bellum I” showcases the band's rare amalgam of authentic classical, European folk, and black metal influences, alongside Aquilus's unique multi-instrumentation and compositional complexity.

Metal influences, ranging from early METALLICA to the early works of SOLEFALD, OPETH, and KATATONIA, combine with the classical romanticism of RACHMANINOV and CHOPIN.

“Bellum I” also continues Aquilus's signature blend of acoustic elements with an assortment of acoustic guitars and pianos to violins, mandolas, fipple flutes, balalaika, gusli, and bowed psaltery – recalling the aurae and dexterity of emotive film composers BERNARD HERRMANN and THOMAS NEWMAN.

Hailing from Melbourne, Australia, Aquilus's music is composed and produced by one person – Horace Rosenqvist – recorded in collaboration with session musicians. The amount of detail poured into each note is immeasurable. Years of dedication were undertaken to produce the finest works.

“Bellum I” is a stunning tribute to perfection. A testament to the beauty and chaos of creation.

High Roller Records, bone vinyl, ltd 200, 425gsm heavy cardboard cover, lyric sheet, poster (2 sided), fully restored original artwork, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, Cutting by SST Germany on Neumann machines for optimal quality on all levels... The ultimate audiophile edition of this eternal US Metal classic

Sepulchral Voice, jewelcase / 12-page booklet, A 45 minutes long lesson in abyssal furiousness and ripping intensity straight out of the caverns of hell. Untamable, pitch-black and archaic Death Thrash Metal, rising from the shadows to embrace the victim with sheer brutality. (Featuring Mors Dalos Ra and Iván Hernández of NECROS CHRISTOS)

The legendary "Memoria Vetusta I - Fathers Of The Icy Age" captures BLUT AUS NORD in the remarkable embryonic phase of an evolutionary process that would culminate in one of Black Metal's great enigmas.

Finally available again on CD with its original front cover, "Memoria Vetusta I - Fathers Of The Icy Age" is canonical primeval Black Metal from another age. Essential.

Comes in a 4-panel digipack.  

Digipack limited to 500 Copies

Dark Medieval Dungeon Synth dedicated to Tolkien

The ultimate DEATH METAL debut from Sweden’s TRIBULATION finally for the first time ever on limited music cassette.
Limited to 500 copies only.

fter the reckless barbarity of 2017’s Poisoned Blood 12-inch, Portland’s Witch Vomit dig deeper into the ground than ever before, disinterring Buried Deep In A Bottomless Grave, their second full length torrent of skullbashing wormridden horror from beyond. On this new album the band moves toward perfecting the surgical fusion of the driving Scandinavian-style violence and subconscious terror they’ve previously established, and a now gore-obsessed smashing of their American forbears. Subtlety is abolished for savage attack, imprinted on the listener’s withering mind like an impulsive stab to the throat from a crazed stranger, while all the while a dreadful sense of eerie melody rings throughout the album. With the permanent addition of second guitarist C.L., Witch Vomit achieve heightened levels of primal regression and blood-soaked madness. Buried Deep In A Bottomless Grave is a deadly addition to their growing catalog of atrocity.

The idiosyncratic methodology of Portland’s Ænigmatum is instantly apparent from the whip-start blast of “Forged From Bedlam”, the opening track of their second album Deconsecrate. While the pace is frenetic, speed is never a crutch to be relied upon, but rather one deliberate device in a sprawling collection of melodically precise and technically riveting fragmented death shards. The eight songs on Deconsecrate constitute a labyrinthian structure of twisting nuanced complexity and intricate explosive chaos. Blood-freezing and incandescently beautiful at once, Ænigmatum temper their withering elaborate intensity with astonishingly elegant melodic passages carved into the mind, like towering marble hallucinations. Immersing in this album, one might be forgiven assuming they’d stumbled upon a lost obscurity of mid-90s Gothenburg, the dark harmonies, the dual guitars, the staggering rhythm section; but in fact Ænigmatum have bequeathed a startlingly ambitious paragon of mystifying esoteric death metal magnificence.

first full-length

With their new EP "Til Nord" (Eng.: "Northward") legendary Norwegian folk rockers Gåte achieve a stunning transformation. The band from Trøndelag, the area surrounding the ancient harbour city of Trondheim, is delivering an emotive, epic collection of tracks revisiting some of their own classics and adding a new track as a taste of great things to come.

What Gåte have done to their songs is both breathtakingly bold and amazing to hear. The first single and opening track 'Kjærleik' is the perfect example of how they have reimagined their sound. Taking away keyboards, electric guitar, and rock drumming, Gåte have added an archaic percussion style and used acoustic instrumentation. Gunnhild Sundli, has stripped some of the technical complexity from her singing style and placed emphasis upon folk attitude and expression. In stylistic terms, we see a shift from their energetic folk rock to a darker, more down to earth, Norse-atmospheric folk expression.

Gåte were founded in 1999 by violin player and keyboardist Sveinung Sundli, recruiting his sister Gunnhild as singer. Sveinung's violin and Gunnhild’s folk song technique “kveding” brought to the sound a firm base in traditional music, which was complemented and contrasted by modern bass, drums, and electric guitars. The resulting folk rock blows both minds and ears!

CD in Jewel case with 12-page booklet.

Founded in Czestochowa, Poland in one night in 2015 by Hellscythe and Draugr, dark black metal band MISANTHUR begun to take form.Inspired by metal and non-metal genres, MISANTHUR merge trance percussion, earthbreaking bass, crushing guitars and hellish vocals with (post)apocalyptic ambient landscapes and noise to create its own ouvre and paint the stories and scenery of mundane spiritual wasteland.
This is metal at its darkest.

For fans of REGARDE LES HOMMES TOMBER, GAEREA, WHITE WARD, THE RUINS OF BEVERAST.