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Bloody Keep's noisiest, rawest and loudest EP to date! 真の宗教の亡霊 translates to "The Ghost of True Religion" and brings us 5 tracks of unhinged, raw and onorthodox black metal.

Say your prayers as Bloody Keep is coming for ya!

All instruments and vocals performed by A.L. in the fourth month of MMXXI.

Artwork by Frank of Demonic Warpath.

LP edition of the debut album by DUIVELSGROT.

Hailing from The Netherlands, this mysterious, spooky and hellish keller synth act from a twisted dimension, will take you to hell and back. The Devils’ cave, the hellwitch's murky caverns, the stalkers rancid basement?…DUIVELSGROT is many things but foremost the delirious dream of the psychotic mind. This listening experience will surely make your home feel like it's part of the underworld. File under keller synth / raw black metal.

180 gram vinyl,  transluscent fade yellow to red

The clock strikes 12 and the vampire opens his coffin, out comes a murky stench of bloodsucking chaos. Behold! A vinyl compilation LP of the first two Vampiric Coffin releases. This band will surely set any mosh pit on fire with its hellish blend of raw, vampiric metal-punk. All copies come on bloody red splatter vinyl with black blob.

Olde Throne is a melodic and atmospheric black metal band born in a time when main composer and frontman Harrison McKenzie was living in Glencoe, Scotland. Even after moving back to his native New Zealand, McKenzie felt deeply inspired by his experience in the highlands, and this project was the result of such inspiration. Olde Throne released two studio albums under this monicker, An Gorta Mór (2022) and In the Land of Ghosts (2023). Two years later, the man from Christchurch signs with Italian long-standing label Avantgarde Music to release their third full-length album, Megalith.

Two years in its creation, Megalith is a primal journey into the depths of prehistory. Where previous albums explored the strife of 19th-century Ireland (An Gorta Mór) and the spectral lore of 17th- and 18th-century Scotland (In the Land of Ghosts), Megalith delves into the primordial darkness of the Neolithic age. Drawing inspiration from stories of Celtic mythology, the album’s narrative is rooted in tales dating back as far as 10,000 BC. The use of flutes, throat singing and tribal drums forges an immersive brand of Neolithic Black Metal.

BIANCA is an exploration steeped in the subversive fire of black metal, with a penchant for doom and atmospheric resonances, centered around a female identity that spans different dimensions, from an ethereal presence to a primal rawness.

The music was born in 2024 with a series of demos composed by β and Ͷ. ES (from Hideous Divinity and Patristic) stepped in, shapeshifting the songs and giving the band a new form. Sathrath (Nocturnal Depression) joined the final recording sessions with his thunderous black metal touch.

BIANCA's first self-titled album is an enigmatic eight-step journey into the power of the human mind and the unconscious dimension as a messenger of precious insights for interpreting reality. A deep dive into the non-material aspects of human life and their transformative potential. No idea of religion, but a radical atheist and humanistic stance within the musical language of black metal, merging melodic nuances in an atmospheric embrace. A sorrowful struggle runs through the veins of BIANCA’s music, chilling to the core, yet captivating and transporting the listener to uncertainty.

BIANCA is an exploration steeped in the subversive fire of black metal, with a penchant for doom and atmospheric resonances, centered around a female identity that spans different dimensions, from an ethereal presence to a primal rawness.

The music was born in 2024 with a series of demos composed by β and Ͷ. ES (from Hideous Divinity and Patristic) stepped in, shapeshifting the songs and giving the band a new form. Sathrath (Nocturnal Depression) joined the final recording sessions with his thunderous black metal touch.

BIANCA's first self-titled album is an enigmatic eight-step journey into the power of the human mind and the unconscious dimension as a messenger of precious insights for interpreting reality. A deep dive into the non-material aspects of human life and their transformative potential. No idea of religion, but a radical atheist and humanistic stance within the musical language of black metal, merging melodic nuances in an atmospheric embrace. A sorrowful struggle runs through the veins of BIANCA’s music, chilling to the core, yet captivating and transporting the listener to uncertainty.

Devoid Of Thought has been on a relentless rise for years now. The Italian band released their debut album Outer World Graves in 2021 via Everlasting Spew Records to great, worldwide acclaim. Following that album, the death metal quartet embarked on three different international tours, most notably playing across Europe with Artificial Brain, playing Brutal Assault and opening for Beherit in their only Italian appearance ever.

Now, the wait is almost over, as the works for Devoid Of Thought’s long-awaited sophomore record are almost completed. Yet, not many know that the band’s history goes way back. Devoid Of Thought has been active for almost ten years, and Necrotic Surface Discarded is proof of such history, finally giving due light to a number of death metal spells compiled in different time spans and never properly released.
 

Devoid Of Thought has been on a relentless rise for years now. The Italian band released their debut album Outer World Graves in 2021 via Everlasting Spew Records to great, worldwide acclaim. Following that album, the death metal quartet embarked on three different international tours, most notably playing across Europe with Artificial Brain, playing Brutal Assault and opening for Beherit in their only Italian appearance ever.

Now, the wait is almost over, as the works for Devoid Of Thought’s long-awaited sophomore record are almost completed. Yet, not many know that the band’s history goes way back. Devoid Of Thought has been active for almost ten years, and Necrotic Surface Discarded is proof of such history, finally giving due light to a number of death metal spells compiled in different time spans and never properly released.
 

“La Grande Danse Macabre” album (2001), which presents a more varied and darker approach compared to the Swedish black metal titans' usual blastbeat-driven full on assault. Created in close cooperation with the band, this re-release features remastered sound (done by bassist Devo Andersson). Expect nothing but perfect extreme black metal pleasure!

Re-issue, 298x bloodred with black marble effect 12" (180g) in a microtenne innerbag, printed innersleeve, full-color on 220g, jacket full-color with black flood inside on 350g, all assembled in a PVC overbag.