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Originally released in 2017 and out of print for many years, NONE's selftitled debut quickly left a mark upon dsbm listeners and was the beginning of a run of consistent high-quality releases culminating in the final album "Inevitable". From the opening notes of NONE's debut, a chilling and despondent atmosphere enveloped the listener weaving piercing guitars with haunting synth pads and minimalist melodies

The fourth and final pressing of NONE's selftitled album is now available, released for the first time alongside unreleased reimaginings of the first two songs that became NONE

Red Vinyl

IMMOLATION is a true genuine Death Metal legendary band .
The band uses riffs written in dissonant harmonic patterns, often dueling between the two guitars, typically over complex rhythm and drum patterns for an undeniably unique and an absolutely diabolical result .

IMMOLATION is a true genuine Death Metal legendary band .
The band uses riffs written in dissonant harmonic patterns, often dueling between the two guitars, typically over complex rhythm and drum patterns for an undeniably unique and an absolutely diabolical result .

With Hesperia, his second album, Kval delivers a more intimate piece — without compromising the universal scope of his vision.

In conversation with figures such as Ernst Jünger, Hermann Hesse, Jean Cau, and David Engels, the album is a love letter to his continent of origin: Europe, which he chooses to rename Hesperia, as the Ancients once did.

This record celebrates the primal magic of European paganism alongside the beauty and truth of Christianity. It strives for a reconciliation between these two foundational poles of European identity — an immersion into its light, its grandeur, and its melancholy. From the anti-modern epic Waldgänger to the mystical stillness of Lux Meae, Morte France delivers a more luminous record here — one marked by hope and vital impulse, without ever renouncing the project’s original radicalism.

Liminal Sky is the new creative chapter for acclaimed producer Jaime Gomez Arellano (Ghost, Ulver, Opeth, Paradise Lost) and musician Daniel Knight, who previously played together in the band Messenger (UK). Written and recorded in isolation at Orgone Studios, their debut album All Tomorrow’s Darkness transforms grief, insomnia and the bleak stillness of the English countryside into widescreen, melancholic post-rock.

At the heart of the album is Mat McNerney (Hexvessel, Beastmilk/Grave Pleasures), whose recent loss of his mother deepened the record’s emotional honesty. Joined by a striking cast of Nordic collaborators including Kristoffer Rygg, Karin Park, Daniel O’Sullivan, Lars Horntveth, Alicia Nurho, Anders Møller, Tore Ylwizaker, Ole Alexander Halstensgård, and Matt Rozeik, each adding atmosphere without altering the album’s singular, desolate vision.

OFFICIALL REISSUE

OFFICIAL REISSUE