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HARKANE returns after four years, from “FALLEN KING SIMULACRUM”, with an ambitious and complex work. “ARGO” is a concept album based on the Argonautica by Apollonius Rhodius. The adventures of Jason, Medea and the conquest of the Golden Fleece are not only an immortal classical epopee, but they are the paradigm of the human being, of his feelings and weaknesses, true protagonists of this picaresque journey. Furthermore, this album marks an evolution in the band's sound and in its approach to music itself, a new stageofajourneythatbegantenyearsago and that perhaps will never end!

Following on from last year’s bleak and disconsolate Wounds single, Finland’s purveyors of
‘Anti-Life Black Metal Misery’, Grave With A View, have returned with their most powerful and
harrowing release to date – Raw Illumination. A full length album steeped in isolation, violence, self
destruction and death, Raw Illumination is not an album for the faint of heart or the fragile of spirit.
Recorded and mixed by O.H.R and mastered by Haldor Grunberg at Satanic Audio (Behemoth,
Dopelord, Christ Agony etc), Raw Illumination is the sonic distillation of caustic chaos and grim,
unmitigated despair – every malicious note cutting straight to the bone – and its aura of desperate
degradation has been perfectly captured in the cover imagery; the artwork and layout by Danny The
Destroyer, utilising powerful, unsettling images of model Anna Iivana Julma, captured by the band.
When it crawls from the crypts of label Dusktone on November 29th, Raw Illumination will hunt down
the broken and the flawed, the outcasts and the lepers and swallow them into its maw of ice and
pain.

Following on from last year’s bleak and disconsolate Wounds single, Finland’s purveyors of
‘Anti-Life Black Metal Misery’, Grave With A View, have returned with their most powerful and
harrowing release to date – Raw Illumination. A full length album steeped in isolation, violence, self
destruction and death, Raw Illumination is not an album for the faint of heart or the fragile of spirit.
Recorded and mixed by O.H.R and mastered by Haldor Grunberg at Satanic Audio (Behemoth,
Dopelord, Christ Agony etc), Raw Illumination is the sonic distillation of caustic chaos and grim,
unmitigated despair – every malicious note cutting straight to the bone – and its aura of desperate
degradation has been perfectly captured in the cover imagery; the artwork and layout by Danny The
Destroyer, utilising powerful, unsettling images of model Anna Iivana Julma, captured by the band.
When it crawls from the crypts of label Dusktone on November 29th, Raw Illumination will hunt down
the broken and the flawed, the outcasts and the lepers and swallow them into its maw of ice and
pain.

Established by two girls from the Dresden area, Satyra and Melpomene, both heavily involved in
the rich local underground, ALTAR OV ASTERIA was envisioned and formed through its members'
shared influence of black metal. The goal of the band's material, embodied in their "Éna" debut, is to
balance visceral energy with enveloping atmosphere and dark melody, creating a sound both
rooted in black metal tradition and expansive new avantgarde sounds.
"Imagine you would wake up in a world full of mysteries and realities woven into each other, like in a
story book of the past centuries of Dante Alighieri or Homer. Two black-robed mysteries in
gold-snake masks wake you up from the heavy dorm with blackened sirens crushing your ears,
mesmerizing your mind to sense the allegories of humankind existence. You’ve got an invitation to a
storybook of hellish Sodom, chapter by chapter illustrating thy and foreign dystopia".

Established by two girls from the Dresden area, Satyra and Melpomene, both heavily involved in
the rich local underground, ALTAR OV ASTERIA was envisioned and formed through its members'
shared influence of black metal. The goal of the band's material, embodied in their "Éna" debut, is to
balance visceral energy with enveloping atmosphere and dark melody, creating a sound both
rooted in black metal tradition and expansive new avantgarde sounds.
"Imagine you would wake up in a world full of mysteries and realities woven into each other, like in a
story book of the past centuries of Dante Alighieri or Homer. Two black-robed mysteries in
gold-snake masks wake you up from the heavy dorm with blackened sirens crushing your ears,
mesmerizing your mind to sense the allegories of humankind existence. You’ve got an invitation to a
storybook of hellish Sodom, chapter by chapter illustrating thy and foreign dystopia".

One with the Riverbed is a five-piece post-metal band from Kalamazoo, Michigan. Since forming in 2017, the band has strived to push the boundaries of the genre by incorporating elements of atmospheric black metal with dissonant textures and dynamic shifts. Succumb, the band's second full-length album, shows the band embracing their core musical identity while venturing into previously unexplored realms. With a distinct fusion of haunting melodies, visceral riffs, and enveloping soundscapes, the album is a testament to One with the Riverbed's continuous sonic evolution. Lyrical themes include nostalgia, temporality, and the human condition.

Föhn's sound transcends traditional boundaries, rooted in funeral doom, drenched in atmosphere, and interwoven with elements of the avant-garde.

Drawing from a breadth of influences such as Mournful Congregation, Colosseum, Swans, and Bohren & der Club of Gore, the result is a dense, achingly beautiful experience, steeped in the essence of midnight and the whispers of urban life. Their music evokes an enchanting hush, creating a haunting journey for the listener.
 

KrvL is back with a vengeance, with a descent into the abyss, a journey through despair, desolation, emptiness and little hope.

Joy is the culmination of over five years honing a vision–of doom metal with a heavy emphasis on atmosphere and lyrics rich in imagery & narrative. Where interwoven guitar harmonies draw continued influence from 1990s British doom, complemented by soaring vocals and often mid-paced rhythms. And though the end result has been referred to by many writers as “post”, that’s no problem; rather, it is a testament to a sound that probably doesn’t fit neatly into any one category. But suffice to say there would be no Witnesses without the inspiration of those early Peaceville records. And that spirit is alive and well on Joy.

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