Shop

Digital album: you will receive a code to download the album from:

https://avantgardemusic.bandcamp.com/yum

in the file formats you prefer (wav, flac, mp3 etc)

Skaldr is a black metal band created in 2017. Comprised of experienced musicians offering their first representation in the heavier aspects of music, the group joined together to explore shared interests in the darker elements of expression. Continuing with the melodious gloom of their debut album, Scythe of Our Errors, Skaldr beckons from the darkness once more with their sophomore record, Saṃsṛ. A thematic observation of loss, devastation, and change, Saṃsṛ reflects on how death and life, formation and demise, are bound in an inextricable cycle—each sustaining the existence of the other in perpetuity.

With Saṃsṛ, Skaldr leans into the melodic, cold atmospheres reminiscent of Scandinavia classic black metal sound from the '90s. Drawing inspiration from bands like Dawn, Dissection, and Windir, Skaldr evokes a sound that feels both rooted in tradition and invigorated with fresh energy. Each track builds upon the previous, weaving intricate guitar melodies, relentless percussion, and somber atmospheric elements to create a mournful yet fierce landscape. Skaldr's dual guitars create an interplay of harmony and discord, echoing the album’s theme of unity through destruction

Jonathan comments: The working title for this song was “90's movie soundtrack” and somehow I still think that says a lot about the atmosphere of the track. The instrumentation features a classic singer-songwriter setup, blending a blues and rock-infused vocal-style with a vintage electric piano. Midway through the track, drums and bass inspired by oldschool hip hop beats, a choir and a screeching organ join in, adding layers of depth and rhythm to the otherwise minimalistic approach. While some things seem to be so durable and unwavering that it will last forever, even the most steadfast things could end sooner than expected and without warning. The pain many of us feel at some point in our lives—experiencing the finality of existence through loss and instability—can be disheartening, sometimes even robbing us of confidence and hope. Nothing escapes the transience of all things and the relentless flow of the river of time. “Riverflame” is the little flame inside our chest that ever burns with the fervor of inspiration through the tides of time and space, nurtured by the very same realization that everything will end all too soon. Yet, rather than drawing a somber conclusion, the fire urges you to release your soul—dance, express yourself, and live fully while you still can, alive and full of dreams. May we all find peace with the impermanence of all things.

SHADOW KINGDOM RECORDS is elated to reissue the seminal sophomore album of Italy’s BULLDOZER, The Final Separation, on CD, vinyl LP, and cassette tape formats.

Italy's BULLDOZER is a name that commands respect and awe. In the thrash and black metal underground of the 1980s, they were the uncompromising counterparts to legends like Venom and Motorhead. Known for their raw energy and wild performances, BULLDOZER carved their niche with ferocious anthems and a chaotic aesthetic. Their frontman, AC Wild, epitomized the band's untamed spirit. They were the definition of a cult band before the term became a staple in metal lore. Simply put, there was, and is, only one BULLDOZER.

The BULLDOZER saga continued with unrelenting force with the release of their second album, The Final Separation, in 1986. From the first explosive riffs of the title track, The Final Separation cements itself as a powerhouse of relentless thrash and blackened fury. The album is a maelstrom of aggressive riffs, thunderous drumming, and AC Wild's unmistakable snarls. With tracks like "Ride Hard - Die Fast" and "We are...Italian," BULLDOZER showcased their ability to blend high-speed ferocity with anthemic choruses, creating a sound that is both punishing and infectious.

The Final Separation is a testament to BULLDOZER's ability to evolve while retaining their core essence of unfiltered metal mayhem. The production is sharper, the musicianship tighter, but the spirit remains raw and rebellious. This is an album that captures the essence of 80s metal with its unapologetic attitude and unbridled energy.

And so, The Final Separation stands as a landmark in BULLDOZER's discography, a shining example of their indomitable spirit and musical prowess. SHADOW KINGDOM is honored to resurrect this classic, making it available once more in all its unrelenting glory across all formats.

The impressive debut full-length by this U.K. band. Mutagenic Host are a five-piece band hailing from London, as part of the New Wave of British Death Metal (Coffin Mulch, Celestial Sanctuary, Slimelord, Vacuous, Mortuary Spawn...). The band comprises members from various parts of the U.K. and the States. With a diverse background spanning the Hardcore, Black Metal and Death Metal scenes, Mutagenic Host blends Hardcore sensibilities and groove with the heavy, well-crafted sound reminiscent of 90´s Floridian Death Metal. Mutagenic Host dives into a technological apocalypse, examining a world overshadowed by hypocritical, insidious and murderous global powers. The band is deeply disillusioned with the traditional themes of Death Metal and Hardcore, feeling that these subjects no longer capture the urgency of the present. Instead, Mutagenic Host tackles the modern-day specters of complacency, apathy and the looming threat of AI. Their work is an allegory for the systematic industrialization of humanity´s eradication, whether by human hands or by the machines we create to snuff out life. In this narrative, the instruments of the state use AI to monitor, control and suppress the population, sounding a warning of impending doom through a fresh, intense lens in the Death Metal genre. "The Genotoxic Demo", unleashed in early 2023, featured four tracks that plunged listeners into a cerebral mulch while simultaneously slashing through them with a ruthlessness found in the streets. Following a year of relentless live performances alongside bands such as Incantation, Fulci, Fuming Mouth, Undeath, Celestial Sanctuary, Kruelty, Portrayal of Guilt and Doldrey, Mutagenic Host are now ready to unleash their debut full-length. Aptly titled, "The Diseased Machine" is a dark and thought-provoking journey into that post-plague world, which frankly doesn´t feel so far away from present times. As a debut album, it consolidates Mutagenic Host´s myriad strengths -stomping and slamming grooves, world-eating heaviness, patient deployment of double-bass movement- and then intensifies them to an enviable degree. To be sure, the band are the proverbial well-oiled machine (but not diseased!) across the album´s ten oft-twisting tracks, the clean-yet-crushing production amplifying their strident execution. And with their fluid shifting between tank-rolling downtempo and galloping bouts of speed, we can confidently declare "The Diseased Machine" as the epitome of "chug and slug" Death Metal. Mutagenic Host have stormed the gates to further solidify their ferocious presence in the Death Metal scene!

The highly anticipated 2nd full-length by this Romanian band. Hailing from Transylvania, Putred was formed by Uriel on guitars (Morbicus, Vorus, Reveler) and Filip on vocals / bass (Necrotum, Vorus, Demoted) back in June 2020. Dante (Slaughter Ceremony, ex-In Obscurity Revealed, ex-Infested) joined the band behind the drumkit right after writing the first two songs, titled "Necroza" and "Devorat de Viermi." These tracks were self-released as a promo/demo tape in July 2020. In late 2021, Corina (ex-Deimos, Vorus, Reveler) joined the band as a bass player and Filip stuck to vocals only. In October 2022, Doru (ex-Necrovile, Vorus, Malpraxis) replaced Dante on drums, and the band immediately started playing live all over Romania. After myriad splits and more demos, Putred released their debut album, "Repulsie Post-Mortem", in early 2023. If that simple-yet-sublime debut full-length firmed up their filthy foundation, then Putred´s second album surely builds that foundation ever higher -and deeper- with miles of slime! Titled "Megalit al Putrefacției", Putred perfect pounding, ponderously mid-paced Death Metal of a most eldritch nature. Rancid and foul-smelling as ever, the Romanians´ tank continues to crush forward at a patient gait, exhibiting brutality and all-out heaviness not through sheer speed or dazzling displays of technique, but rather through thoughtful songwriting, slamming/slithering riffing and none-slimier atmosphere. The leads are especially eerie, as are the multi-tracked high/low vocals, with Corina´s wandering bass-work instilling a truly unsettling feeling. Sonic references across "Megalit al Putrefacției" are many -Mortician at half-speed, Cianide at their world-eating best, early Necrophagia´s weird textures, Apparition/Sorrow with a shot of energy, and of course the unholy trifecta of Bolt Thrower, Asphyx and Grave- but Putred manage to integrate their own personality into proceedings, particularly their lyrics, all written and growled in their native tongue, telling short horror-drenched stories about death, horror, the occult and the afterlife. The closing cover of Autopsy´s "Critical Madness" simply underlines that spiritual center. Completed by absolutely perfect cover artwork courtesy of Jan Pysander Whitney, Putred´s "Megalit al Putrefacției" is prime-grade Death Metal for those who want it slower, deeper and harder.

The genesis of “Benediction” can be traced to Hungary. Or more precisely, an encounter with a photography book, weathered by time, depicting rituals of the Christian faith: masses, moments of devotion to the saints, and prayers. These black-and-white photographs – which capture moments of selfless abandonment, ascetic discipline, and obedience – were veritably vibrating with the malefica inherent to Christianity. A markedly sinister presence of old crones, usually considered beacons of benevolence, appeared to make reality crack and reveal the latent image behind Catholic faith and ritual. The album’s title, naturally, should be read ambiguously. 

The genesis of “Benediction” can be traced to Hungary. Or more precisely, an encounter with a photography book, weathered by time, depicting rituals of the Christian faith: masses, moments of devotion to the saints, and prayers. These black-and-white photographs – which capture moments of selfless abandonment, ascetic discipline, and obedience – were veritably vibrating with the malefica inherent to Christianity. A markedly sinister presence of old crones, usually considered beacons of benevolence, appeared to make reality crack and reveal the latent image behind Catholic faith and ritual. The album’s title, naturally, should be read ambiguously. 

Chilean classic Death/Thrash Metal record finally available again! For all maniacs that are hungry for old school sonic violence and brutality!

From the depths of the world was born one of the most anti-Christian cults that marked these lands, from the seas of blood the bells will be required that will indicate the beginning of the end, the time of human tribulation has finally come. The time which the “Tribulated Bells” toll...

Considered as a cornerstone of Chilean Death Metal, Tribulated Bells has been valued by many as a great influence and a must! Killer riffs and drums with a technique rarely seen in those years mean that this full length has marked the before and after in the history of South American Death Metal scene.

The full album De Tyfus De Teerling by Dutch Necro-rockers Grafjammer!