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Il carrello è vuoto
Il carrello è vuoto
Reprint, 1000x A/B side black/white 12" in a white poly-lined innersleeve, poster A2 one-sided full-color printed on 150gsm art-paper, download card, gatefold full-color printed on 350g carton with matt lamination + UV partial lacquer, all assembled in a plastic overbag
DAY OF THE MASSACRA – the first ever official demo compilation by French death/thrash legend MASSACRA!
Contains the remastered “Nearer From Death”, “Final Holocaust” & “Legion Of Torture” demos, featuring extensive 24 pages booklet with tons of rare photos, picture comments and English & French interview by guitarist Jean-Marc Tristani!
Founded in 1986, France's leading death/thrash act MASSACRA released a series of nowadays much sought-after demos prior to gaining international success for such classic albums as “Enjoy The Violence” or “Signs Of The Decline”. Even before they released their debut album “Final Holocaust”, MASSACRA had managed to arrange North American and European shows completely DIY-style. Their aggressiveness, violent stage acting and rigorous work ethic established them at the forefront of the Euro death metal scene of the early 90's and now it is time to unleash MASSACRA's impressive catalogue again upon mankind in its definite versions created in close cooperation with the band's former guitarist Jean-Marc Tristani. Be prepared for brutal death/thrash that kills!!!
Re-issue, 400x heavyweight crystal clear with black bloodred splatters, in a microtene innersleeve, insert, full-color printed on 150g art-paper; jacket full-color printed on 350g, all assembled in a plastic overbag.
2 sides, 1 colour. Gildan heavy cotton. Official band's merchandise.
The pale light that shines in a kingdom of darkness could be just another deadly lure...
After a debut album showing the will to re-ignite the flame of a sophisticated and emphatic approach of extreme metal, yet still deeply rooted in the second wave of Scandinavian BM, DEATHCODE SOCIETY are back with “Unlightenment”, a merciless dive into the aphotic zone, as the cover artwork by Kjell Age Melland shows.
Epic and eerie, the seven songs explore the depth of the human mind through a restless and tempestuous music melting together a brutal metal instrumentation with orchestral arrangements, choirs, synths and concrete samples.
With lyrics bathed in dark surrealism – two of them being rendering of poems by Andrew Joron and René Daumal – “Unlightenment” is a musical journey through the Other Side and this gloomy maze where psychosis, murderous urges and mystical obsessions endlessly wander.
Bone vinyl
After the success of Antichrist Rise To Power original release in 2019 on Nuclear War Now! Productions with over ten subsequent pressings the band felt there should be a official French version with complete text translation and expanded layout on the most cult label from France - Osmose Production
Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor.
Departure Chandelier’s music shimmers with the aesthetic ardor of apotheosis. It is a communion with the deceased, tracing the pathway of life transmuted into death over dishonor. Although comprised of members of Akitsa and Ash Pool, Departure Chandelier is wholly unique in style and substance and bears little overt resemblance to either of those projects.
After the success of Antichrist Rise To Power original release in 2019 on Nuclear War Now! Productions with over ten subsequent pressings the band felt there should be a official French version with complete text translation and expanded layout on the most cult label from France - Osmose Production
Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor.
Departure Chandelier’s music shimmers with the aesthetic ardor of apotheosis. It is a communion with the deceased, tracing the pathway of life transmuted into death over dishonor. Although comprised of members of Akitsa and Ash Pool, Departure Chandelier is wholly unique in style and substance and bears little overt resemblance to either of those projects.
