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DOOM è stata una band CRUST PUNK inglese di Birmingham, Inghilterra,
formatasi nel 1987. Nonostante la sua breve esistenza all'epoca, la band è
considerata un cardine nell'ascesa del movimento CRUST PUNK. Hanno
registrato per Peaceville sono spesso considerati tra i precursori del
GRIDNCORE. Ecco ristampato il loro primo album del 1988.
Includes printed insert and hype sticker.
Tracks are listed sequentially, regardless of side, in Roman numerals.
Eastern Darkness features an extensive collection of cult Japanese Black Metal legends Sigh's early demos, EPs and rarities.
Double CD
Limited to a machine-numbered amount of 666 copies. (#409/666)
Comes with a printed innersleeve.
THE DEBUT STUDIO ALBUM OF EERIE DEATH/DOOM METAL DEPRAVITY FROM GREG WILKINSON AND CHRIS REIFERT OF US GORELORDS, AUTOPSY
Static Abyss is the new mouthpiece for a rotten age consisting of the duo of Greg Wilkinson (Guitars/bass) & Chris Reifert (drums/vocals), both members of legendary American masters of sickness Autopsy, with Greg (also of cult act Deathgrave) recently welcomed as new bass player for the long-running US act’s next studio opus and beyond.
Static Abyss’ debut studio album, ‘Labyrinth of Veins’, presents an unnerving, multi-layered eerie concoction of dirty doom and death, including themes exploring the echoes of insanity manifested through human existence. The result; a sinister onslaught of at times slow and bludgeoning brutal metal whilst at others whipped into a storm of chaotic vile hysterics. The spirit of Autopsy is at times present in the truly titanic riffs swathed in chilling atmospheric guitar leads, whilst Chris’ seemingly bottomless pit of morbid inspiration from the dark & twisted corners of life permeate the release with his highly distinguishable delivery to further the descent into madness.
THE DEBUT STUDIO ALBUM OF EERIE DEATH/DOOM METAL DEPRAVITY FROM GREG WILKINSON AND CHRIS REIFERT OF US GORELORDS, AUTOPSY
Static Abyss is the new mouthpiece for a rotten age consisting of the duo of Greg Wilkinson (Guitars/bass) & Chris Reifert (drums/vocals), both members of legendary American masters of sickness Autopsy, with Greg (also of cult act Deathgrave) recently welcomed as new bass player for the long-running US act’s next studio opus and beyond.
Static Abyss’ debut studio album, ‘Labyrinth of Veins’, presents an unnerving, multi-layered eerie concoction of dirty doom and death, including themes exploring the echoes of insanity manifested through human existence. The result; a sinister onslaught of at times slow and bludgeoning brutal metal whilst at others whipped into a storm of chaotic vile hysterics. The spirit of Autopsy is at times present in the truly titanic riffs swathed in chilling atmospheric guitar leads, whilst Chris’ seemingly bottomless pit of morbid inspiration from the dark & twisted corners of life permeate the release with his highly distinguishable delivery to further the descent into madness.
The legendary Slow Death recordings from Mortem, fully re-recorded and reworked (including extra tracks), plus the original 1989 demo.
Presented on double CD, the release also includes an extended biography on the history of the band, plus rare and unseen images.
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Before Arcturus there was Mortem. Originally comprised of members now known from such classic bands as Arcturus, Mayhem & Thorns, Mortem was a leading act of the early Norwegian underground metal scene; their ‘Slow Death’ demo a highly inspirational work of early Norwegian extreme metal.
Formed by Marius Vold & Steinar Sverd Johnsen in 1989, Mortem was one of the first black metal bands to crawl out of the woodwork in Norway, releasing the highly coveted and brutal ‘Slow Death’ demo, with Euronymous & Dead of Mayhem acting as producer and cover artist respectively. After the release of ‘Slow Death’, the band was laid to rest with members going on to form and feature in acclaimed titans such as Arcturus and Thorns, both of which would become mainstays in the black metal scene and beyond.
This special release of ‘Slow Death’ contains the tracks newly recorded and reworked in a style more akin to the recent ‘Ravnsvart’ album material, plus also includes the legendary pioneering 1989 demo itself, with a fresh transfer from a new tape source. The new recordings also include a rendition of the old Mortem track ‘Satanas’, plus a cover of ‘Likferd’ (Funeral Fog) by Mayhem, this time sung in Norwegian. Joining the original line-up of Marius, Steinar & Hellhammer is Tor Seidemann of 1349 on bass guitar.
2CD release of Katatonia's Death/Doom masterpiece Brave Murder Day (1996), including the Sounds Of Decay EP, a bonus track and an extended booklet.
Primitive structures and melodies give Brave Murder Day an unparalleled trance-like quality, taking an early Paradise Lost influence (mixed with others such as Kent and Slowdive) and forming a completely unique sound and atmosphere.
The majority of the vocal duties were carried out in his former signature death-growl style by Mikael Åkerfeldt of Opeth, while Jonas Renkse delivered the clean vocal passages that he is known for today, on the ethereal track, Day. Jonas also played drums on the album.
Brave Murder Day was recorded at Unisound, Sweden, in July 1996, and was engineered by Dan Swanö (Opeth, Marduk, Dark Funeral, Dissection & among many others).
Featuring the original album cover design and an extended booklet with an in-depth look back at the album from Anders Nystrom (with contributions from Jonas Renkse).
Five track mini-album of all-consuming darkness from the Italian black metal legends, Mortuary Drape.
Mixing the best elements of classic and doom metal, Wisdom - Vibration - Repent includes a cover of Mercyful Fate's Nightmare Be Thy Name.
CD edition.
Five track mini-album of all-consuming darkness from the Italian black metal legends, Mortuary Drape.
Mixing the best elements of classic and doom metal, Wisdom - Vibration - Repent includes a cover of Mercyful Fate's Nightmare Be Thy Name.
CD edition.
My Dying Bride glorious debut demo tape reissued
1993’s third studio album release of highly accomplished death metal from the UK legends.
This edition of The Sins of Mankind features remastered audio and is presented in jewel case with O-card.
Marking 30 years since its original release, a 2021 remaster of the genre-defining debut from Pitchshifter.
Creating stunning concoction of walls of unrelenting primal aggression with a punishingly stark and brutal sound, Pitchshifter had found a highly effective signature sound to build upon when they entered Lion Studios in Leeds, in September 1990 (with Industrial coming together in a mere 72 hour)s. Upon the album's release, the band found supported acts such as Napalm Death and Paradise Lost, and notably caught the attention of John Peel(who invited Pitchshifter to perform a prestigious Peel Session).
180g vinyl with full lyrics and band photos.
Marking 30 years since its original release, a 2021 remaster of the genre-defining debut from Pitchshifter.
Creating stunning concoction of walls of unrelenting primal aggression with a punishingly stark and brutal sound, Pitchshifter had found a highly effective signature sound to build upon when they entered Lion Studios in Leeds, in September 1990 (with Industrial coming together in a mere 72 hour)s. Upon the album's release, the band found supported acts such as Napalm Death and Paradise Lost, and notably caught the attention of John Peel(who invited Pitchshifter to perform a prestigious Peel Session).
CD with a 12 page booklet including lyrics, rare photos, an overview of the early era of the band from Mark Claydon,and an additional interview conducted by writer Kevin Stewart-Panko.
Diabolical Masquerade was the solo-project created by Katatonia's Anders 'Blakkheim' Nyström in 1996, to let off more creative steam away from the gothic/doom metal styling of Katatonia.
Nightwork, DM's third album, was recorded at The Sanctuary in April 1998 and produced by Dan Swan (Opeth, Katatonia) with Blakkheim.
Although a solo-project, Blakkheim enlisted the help of Dan Swan to perform the drums, as well as contributing with some keyboards and backing vocals.
Diabolical Masquerade was based primarily around symphonic/melodic black metal; creating eerie atmospheres through keyboards and utilizing more high energy & technical compositions than those of his main band, with complex patterns of riffs and hooks. This particular album saw a greater integration of synths than previously, to convey a strong horror theme. To further expand this atmosphere, cello and flute were also incorporated.
The second studio opus of meticulously crafted epic Black Metal from Katatonia's Anders ‘Blackheim’ Nyström.
Released in 1997, The Phantom Lodge was the second of four albums from this symphonic extreme Metal solo-project (before the band was ended in September 2004).
Diabolical Masquerade was based primarily around symphonic/melodic Black Metal. Strong atmospheres were created through layered guitar and keyboards (and notably, flute, on this album), and Blackheim’s compositions contained more up tempo and extreme elements than those of Katatonia, with cold, dark riffs with a firm emphasis on mood, given life with strong fantasy-based lyrics.
The Phantom Lodge was a natural progression from debut album Ravendusk In My Heart; delving further into the realm of experimentation and atmospherics.
The album was recorded at Unisound, September 1996 and was produced and mixed by Dan Swano (Opeth, Marduk, Dissection) and Blackheim.
The ambitious Death’s Design was the fourth and final album by Katatonia's Anders 'Blakkheim’ Nyström's Symphonic Extreme Metal solo-project, Diabolical Masquerade.
Containing atmospheric synth and sound effects throughout and featuring the Maalten Quartet (Estonia), Death’s Design offers ab orchestral and epic experience mixed with Black and traditional Metal influences. The album consists of 61 seamlessly flowing segments, grouped into 20 movements.
A highpoint in Blakkheim’s impressive discography.
Critical Madness: The Demo Years compiles the classic earliest works of 'the kings of sickness' in their formative years.
The Demo Years leads with Autopsy’s first demo from 1987, along with 1988’s legendary Critical Madness demo, which resulted in the band signing with Peaceville to release its genre staple debut, 1989’s Severed Survival.
The release is completed by the rare track Christ Denied, plus a selection of raw rehearsal recordings of material from 1987 and 1988, most of which would later feature on the band’s studio debut.
