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Having dropped their third album Choir Of Babel in early 2020 just before the world shut down, the forces of pandemic did not succeed in silencing NYC’s Ruin Lust for good. Though confined to their fallout bunker, the band, with martial fervor, began work on what has now, three years later, emerged as their fourth album Dissimulant.

In the final phase of imperialist rot, Ruin Lust declares war against the festering delusions of a devolving species. The most withering aspects of modern death metal, grinding war metal and black metal’s more bestial tendencies compel this audial exorcism, poisoning the well like a bioweapon spread through open air, suffocating and contemptuous. By the time album closer “Chemical Wind” is done, all that remains are parched bones and desiccated shadows.

Barbarically pestilent yet compositionally deliberate, Dissimulant casts a bitter pall and leaves an open wound on the death metal scene for 2023. A militant milestone in the Ruin Lust discography.

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... Cyclic sequences, shapes that change and return to themselves in an endless loop, flashing lights that envelop the perpetual motion of machines in a soft embrace, cascades of notes that change color without our senses knowing, the eternal beating of artificial hearts in metal chests ...

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Kubusschnitt, born in 1999, is a real electronic-music band in the Berlin School style which, over time, has involved several musicians from the UK, Belgium, Germany and Holland. A Kosmische-musik all-stars band!

The beauty of being a band is being together and sharing ideas, experiences, inspiration and, of course, a few beers at the pub. Traveling, playing and celebrating successes on stage together (or drowning failures in alcohol): there is nothing more fun than going on tour with the band!

Kubuscchnitt, over the years, have played several concerts and tasted life on the road; "Continuous Forms" tape is a small testimony because it only collects live songs from the band: raw and punk stuff (never printed in official albums ) that we love precisely for its dirty and lived-in look.
 

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In September 1986, the first comic book dedicated to the character of Tomas Caine was released; it was entitled "La Pastorale del Destino" (The Pastoral of Doom). It could have been one of the many comic books that filled the shelves of the Italian newsstands of those years, but it wasn't like that: the success of Tom Caine was extraordinary.

Balancing horror atmospheres typical of the time, irreverent irony, and love stories, Tomas Caine immediately met the tastes of the young Italians of the 80s. The texts by the late Mino Camogli were modern and full of expressions in vogue among young people, and the drawings by Steno Artebagni were dark and innovative compared to the boring standards of the Italian comics of previous years.

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In 1989 Docuvideo TV bought the rights to make a television drama starring Tomas Caine: a pilot episode was made, which aired in February 1990. Tony Soragna was chosen to play the role of the main character, coming from the success of some soap operas. Other actors in this episode were Margò Ramponi, Alexander Sarth, and Alfio Martinez.

Despite the excellent acting performance of Tony Soragna and the expert direction of Pio Malagutti, the script did not meet the tastes of the audience and was harshly criticized by Mino Camogli, the creator of Tomas Caine, who disavowed the project. Because of all this, no further episodes of the series were filmed and the project was shelved.

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However, among the most interesting things about that TV movie, there was the soundtrack by the Serbian experimental composer Ivan Ristic, credited as RIS.

2 new killer tracks together with the 2 tracks from the Celestial Wanderer bonus 7'ep of the "Hour of the Centaur" recording session!
 

 "Invoking The Abysmal Night", the fourth full length of Aegrus is finally here and it's going to be one of the highlights of 2023. The album contains seven infernal tracks of Black Metal supremacy in the name of Satan, Lucifer and Death.

Lux Tenebris: "There is more variation than ever before on that album and at the same time it sounds 110% Aegrus so I can guarantee that you will not be disappointed.
I'm highly satisfied with the outcome starting from the cover art and ending with the very last note of the album"

The cover artwork is again made by highly talented Helgorth from Babalon Graphics.

300x heavyweight orange fire 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g, download card, jacket, full-color printed on 350g, all assembled in a plastic overbag.