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For those who know and truly understand actual underground black metal, Mons Veneris require no introduction. For over 20 years now, this shadowy and insanely prolific Portuguese cabal have pursued a uniquely vile vision with an unquenchable thirst. From hammering primitivism to medieval melancholy, volcanic drone to chaotic oblivion, nods to the French Black Legions to frequencies far outside of metal, there's never any guarantee of how Mons Veneris' vision will manifest itself - only that they'll explore a darkness few have the constitution to tread.

Witness their Ascent Into Draconian Abyss, which was teasingly released in an extremely limited tape version for those who had the good fortune of attending the most recent Signal Rex-curated Invicta Requiem Mass festival and witnessing their crimes in the flesh. As the duo forecasted with the recent maxi-single Excesses of Perpetual Gloom, their muse only becomes thirstier and more miserable. Mons Veneris are always surprising, yet always uncompromising and always themselves, as testified by Ascent Into Draconian Abyss: the opening 20-minute title track is a harrowing descent into lunacy, and the ghoulishness only intensifies on the album's successive three tracks. More monkish vokills come forth, haunting like nothing else as their buzzing belligerence winds through craggy corridors of mondo-primitivism, all before the hall-of-mirrors madness of closer "Chant to the Unknown." Mons Veneris will fuck you on your Ascent Into Draconian Abyss! 

REAL TITLE П​о​р​ы​в​а​м С​е​р​д​е​ц В Л​е​д​я​н​у​ю М​е​ч​т​у

This project continues its path in bringing this specific Slavic black metal concept, now devoid of synthesisers that were present in Gerzolth's earlier works. Such absence pushes the guitars and vocals to the forefront, resulting in a harsher and more aggressive black metal experience. This shift creates a sense of untamed ferocity, characteristic of this genre's untamed side.

Gerzolth's aesthetic draws clear influence from the legendary BlazeBirth Hall scene, known for its frigid and bleak atmospheres. The album art also bears a striking resemblance to the cover of Krahnholm's latest release, further solidifying their connection to this style of black metal."

Recorded live 31.08.2024 at Obscure Selections Vol. 1, MeetFactory in Prague, Czech Republic.
Mixed and Mastered by Matti Kynsijärvi, Graphic Design: Kalle Pyyhtinen.

An amazing soundboard recording of their performance captured in Prague CZ.
A true testament to their live ritual power that conjures darkness from beyond human existence.
 

Tracks 11 & 12 from the demo "Traces" 1991.

Equinox was a black / death metal band from Florida, formed in 1992.Featuring guitar players Pete Slate (Druid Lord, ex-Acheron, ex-Incubus, and Tony Blakk (Druid Lord, Massacre (live), ex-Diabolic (live), ex-Acheron) and vocalist / bassist Matt Wagner. Re-release of the sold out, legendary 1996 debut of Equinox which was mixed at Morrisound Studios, Tampa, Florida by Tom Morris (Sepultura, Kreator, Morbid Angel). The booklet contains extensive liner notes from Olivier ‘Zoltar’ Badin (Cathedral, Dark Funeral) and many rare and old pictures, flyers, posters and complete new cover artwork. The album is completely remastered plus as bonus the 1995 Ep, Live in Orlando 1993 and The Anthem to the Moon demo 1993. 15 tracks in total.

Death metal band Eternal Dirge was formed in 1986 and released four demos and 2 full length albums. They played an early American style of death metal blended with Teutonic thrash, different to any other European death metal band of the time. Their second album from 1996 "Khaos Magick", showed a similar contempt for contemporary metal trends. There were no concessions to the more popular metallic sounds of that time; groove metal, melodic death metal, black metal. Eternal Dirge were a genuine band with their own sound. They made music that reflected their interests and Lovecraftian worldview. Khaos Magick is the most dark yet atmospherically album from their catalogue. Somewhere comparable to early Septic Flesh or Rotting Christ & Necromantia with the dark keyboard sounds and repetitive riffs or even Nocturnus. And of course the heavily rooted German Death and thrash metal influences

Set in a world teetering on the brink of collapse, "Tidal Passages" is a deeply emotional Album that explores the fragility of human connections amidst global disaster

 amber/red splatter vinyl with screenprinted B-side, incl. gatefold cover and download

This EP compiles the two songs "Ixion" & "Phantasmagoria" that were previously only available from Faidra's Bandcamp site, as well as the new song "Dies Irae", together for the first time on physical format.

Limited Collector's Edition of 999 copies in 4-panel digipack.

This EP compiles the two songs "Ixion" & "Phantasmagoria" that were previously only available from Faidra's Bandcamp site, as well as the new song "Dies Irae", together for the first time on physical format.

 Reissue of the sold out CD from 2018 alongside the band's second album. Comes in jewel case with 8-page booklet.

Bloodbark is an Epic/Atmospheric Black Metal project of unknown origin and should appeal to fans of Caladan Brood and similar bands.

Collector's Edition in 8-panel Digipack, limited to 999 copies.

Spere was founded in 2023 as a two-piece project by members of the German black metal bands Horn and Halphas. Designed to be performed with only guitar, vocals, and drums, the band focuses on energetic, rhythmic structures and groove, combined with eerie arpeggios. This approach creates a dynamic and atmospheric soundscape, made more robust by varied drum fills and layered guitar effects transported via both guitar and bass amps.

The debut album "Eight - led to the beam" revolves around the narrative of eight fictional characters who became obsolete and met their end. Each song explores the stories of these characters, figures of will, faith, energy, or even those with despicable natures, who overstayed their welcome in this world. The band embraces an archaic visual style, centered around bronze hues, oil lamps, candlelight, and metallic artifacts, reflecting the themes of the album

Prior to their legendary Death/Thrash masterpiece, MERCILESS cut their teeth recording two demos, Behind the Black Door and Realm of the Dark. Released in 1987 und 1988 respectively, both are naturally rather raw affairs but what they may lack in proficiency and sound quality, is made up for by unbridled ferocity and MERCILESS’ youthful enthusiasm.

These two demos are important historical relics and a peephole into times long past by one of Sweden’s pioneering bands that alongside e.g. OBSCURITY or MORBID paved the way for the Swedish (and beyond) Black- and Death Metal scene.

Jewel-case CD with 24-page booklet including an in-depth interview with Erik Wallin and many never seen before pictures.