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Vendita CD, Vinili, DVD, Merchandise e Usato - musica Black Metal e Dark estrema
digipack cd - NEAR MINT
Once again self-produced by the band, Wider than the Sky is 40WS long awaited second album, and features six new songs and, in the spirit of the band’s previous music, is imbued with soaring melodies yet sparse, minimalist arrangements.
TIAMAT - SUMERIAN CRY
"Sumerian Cry" is the debut album by Swedish gothic metal veterans TIAMAT, originally released in 1990.
The album was recorded at Sunlight Studio, Stockholm, Sweden, in 1989, when the band was known under the original name Treblinka. The track "Sumerian Cry, Pt. 1" is a re-interpretation of the intro melody from "Crawling in Vomit", the first track off Treblinka's first demo. Since the mid-90's Tiamat has been employing a live keyboard player for all of their concerts, hiring them from well-known metal acts such as Opeth, Dark Tranquillity, Cradle of Filth and Evergrey.
For fans of MOONSPELL, PARADISE LOST and ANATHEMA
Debut album from the fresh Finnish black metal horde
Extremely putrid-fresh from the cabalistic land of Sweden comes
Death Metal supremos TEMISTO, with their brand new debut magnum-occultus simply entitled "Temisto".
Blending a perfect mix of the blasphemous nature that is Death Metal with bursts of intricate maze-like passages executed with razor sharp precision, TEMISTO undoubtedly exudes an unspeakable zeal for the obscurity and unworldly.
Produced and engineered by ex-Morbus Chron frontman Robert Andersson with Elias Scharmer (ex-Abduction, ex-Mutilate) and then painstakingly mastered at Necromorbus Studio by Tore Stjerna (Watain, Desultory, Repugnant, etc). Also featuring the gracefully morbid artwork of Obsessed By Cruelty (Enforcer, Sabbat, Wolfbrigade, etc).
For fans of Autopsy, Morbus Chron, Obliteration, Morbid Angel, etc
The Swedish masters of aversion and forlorn VANHELGD returns with an even darker aspect of Death Metal surpassing what is deemed traditional and into the realms of blackened Doom Metal with "Temple Of Phobos".
While still firmly locked into that unmistakable VANHELGD sound, it is clear that on "Temple Of Phobos" they have steered into a much more despondent territory; very reminiscent of the early Nineties Doom. VANHELGD have managed to capture the essence and vibe with such perfection on "Temple Of Phobos" that perhaps this will go down in VANHELGD's history as one of their heaviest, gloomiest and blackest record ever.
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