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Issued in a slim jewel case for 2 CDs with a transparent, double-sided tray that opens to the right (a right-side hinged). Includes a 12-page booklet. Jewel case is housed in slipcase.

Ostots returns with Madarikazioa (The Curse), taking the Ostots sound to a new level. Following the same path of Lainoak Estaltzen Duena & Hilda Jaio tracks (from the split LP with Gaua), this record displays an ever growing musicianship, with denser compositions and a more powerful sound, but maintaining the core essence of Ostots sound and soul. Dark atmospheric Black Metal, evoking old fears, storms and the night...

Black vinyl, with reverse board print jackets + insert. 

Released in January 2013 as a 7", this split ep is now being reissued ten years later as a 10" with some changes on the MonumentuM side:
PJ Harvey's classic "The River" is here featured in a different version from the one on the original ep, plus, to bless the two bands sodality, we are adding the song "In Misery Front Row", which originally appeared in 1998 as an instrumental track called "The Colour Of Compassion" on Misanthopy Records label's compilation Presumed Guilty, but hereby featuring Shining's mastermind Niklas Kvarforth on vocals.

Released in January 2013 as a 7", this split ep is now being reissued ten years later as a 10" with some changes on the MonumentuM side:
PJ Harvey's classic "The River" is here featured in a different version from the one on the original ep, plus, to bless the two bands sodality, we are adding the song "In Misery Front Row", which originally appeared in 1998 as an instrumental track called "The Colour Of Compassion" on Misanthopy Records label's compilation Presumed Guilty, but hereby featuring Shining's mastermind Niklas Kvarforth on vocals.

First release on our brand new Death Metal branch UNORTHODOX EMANATIONS!

Teratoma was formed in Germany 2020, consisting of members from four separate countries and boasting diverse musical backgrounds, but the death metal the band spews forth is streaked with all manners of bile and evil.
United in their love of classic, decidedly anti-modern death metal sounds, their debut release Purulent Manifestations contains a host of creepy-crawly riffs bolstered by a chunky rhythm section and packed into songs long enough to fit a few different gory diversions. Purulent Manifestations carries listeners along on a tide of momentum, indulging in primitive double-bass-driven savagery, but it also breaks away from these extremes to put them in context.
Throughout the record, there's a constant and welcome feeling of fun: from reveling in filthy tones to indulging in massive, ignorant grooves and wild solos, Teratoma's debut album is the work of musicians who love death metal in all its forms. As such, it's easy to recommend to even passing fans — even if you can't name what band might influence any given riff, it's easy to sense the energy and excitement Teratoma filled their album with.

Comes in gatefold cover, incl. an exclusive vinyl bonus track, limited to 199 copies on sky blue vinyl. 

On his debut album "Sovereign", Scottish musician and songwriter Tom Perrett set out to compose music purely to taste. Drawing from the vast well of history, culture and mythology, Tom created an unmistakable atmosphere of proud and powerful Scottish Black Metal with the beating heart of old school Black Metal favourites of his, such as WINDIR, BATHORY, BURZUM & more, which should also appeal to fans of SAOR, WINTERFYLLETH, PANOPTICON and similar acts.

After their highly acclaimed avant-garde debut album "Secret Ambrosian Fire", released by Eisenwald in 2019, Thuringian folklorists MOSAIC return to their black metal roots with their new full-length album "Heimatspuk", delivering a primal symbiosis of atmospheric metal, mystical soundscapes and traditional primal folk elements.

The album continues where its predecessor "Secret Ambrosian Fire" left off. The modern world lies in ruins and has consumed itself. Lyrically, it is permeated by various leitmotifs, such as darkness, sanguine and forest mysticism - as well as the central elements of earth and air - whose attributes and symbolism characterize the album.

Unlike previous MOSAIC releases, there are no guest appearances on this album. The album was written and recorded entirely by Martin van Valkenstijn at his House of Inkantation in Gotha, with musical assistance from Danijel Zambo (Walden, Skognatt) and mastered by Markus Stock (Empyrium, Sun of the Sleepless) at Klangschmiede Studio E in Mellrichstadt.

After their highly acclaimed avant-garde debut album "Secret Ambrosian Fire", released by Eisenwald in 2019, Thuringian folklorists MOSAIC return to their black metal roots with their new full-length album "Heimatspuk", delivering a primal symbiosis of atmospheric metal, mystical soundscapes and traditional primal folk elements.

The album continues where its predecessor "Secret Ambrosian Fire" left off. The modern world lies in ruins and has consumed itself. Lyrically, it is permeated by various leitmotifs, such as darkness, sanguine and forest mysticism - as well as the central elements of earth and air - whose attributes and symbolism characterize the album.

Unlike previous MOSAIC releases, there are no guest appearances on this album. The album was written and recorded entirely by Martin van Valkenstijn at his House of Inkantation in Gotha, with musical assistance from Danijel Zambo (Walden, Skognatt) and mastered by Markus Stock (Empyrium, Sun of the Sleepless) at Klangschmiede Studio E in Mellrichstadt.

Formazione tedesca nata in epoca pandemica, nel 2020, che raccoglie elementi di Endstille, Tauthr, Dysangelium, i quali si indirizzano verso un sound solido, granitico ma svelto e frutto della collisione tra thrash e death metal. L’ossatura dei pezzi però sembra propendere maggiormente verso il thrash metal, con distorsioni rocciose e voci che toccano punte in growl e comunque modulano spesso pur urlando. Diabolisches Werk presentano la doppia voce, infatti al microfono c’è Smellhammer, anche batterista, e Knochenmark, anche chitarrista come Pissmark il quale suona anche il basso. I due generano un doppio cantato con una voce improntata su una tonalità quasi ‘harsh’, un po’ stile Martin van Drunen, e l’altra con un tendenza leggermente più growl. Il trio è feroce, potente, d’impatto. Sprigiona qualche cavalcata in stile melodic death metal e con forti influenze hardcore.