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Vendita CD, Vinili, DVD, Merchandise e Usato - musica Black Metal e Dark estrema
«Paired with the re-issue of “Axioma Ethica Odini”, as these two Enslaved-albums also form an important pair musically; as many of the bands releases do, forming pairs in dynamics sonically and conceptually. Already somewhat of a “cult classic”, this is the album where the production philosophy of “new era” Enslaved was born, through the mentoring of mixer Joe Baressi (Tool, Queens of the Stone Age, Melvins) – recorded in Studio Studio, owned and operated by TNT lead guitarist Ronnie Le Tekrø (who also guests on the album).
This re-issue features two very rare cover-tracks recorded during Enslaved legendary live-appearance at Henie Onstad Museum, Oslo, Norway - in May 2011; one is Rush’s “Earthshine” while the other is King Crimson’s instrumental “Red”. These covers set the rest of the album into context through highlighting two main influences for Enslaved’s evolution from especially “Vertebrae” and onwards.
The re-issue features in-depth liner notes written and edited by writer and long-time friend of the band Chris Dick; known for his decades of writing for the American Metal-magazine Decibel Magazine. The liner notes are written in the style of an in-depth and extensive interview with all five members on the album, where many new angles and golden nuggets of information never before divulged publicly.
The design of the album is beautifully redone with new details, colors layout solutions by Marcelo Vasco (Slayer, Kreator, Machine Head), all while staying true to the original artwork by longtime Enslaved-cover artist Truls Espedal.
Elffor is the side project of Eöl, the keyboardist from Spanish black metal band Numen. In sharp contrast to the musical stylings of Numen, Eöl has chosen a darker, ambient route.
1. Serapions Erwachen 03:44
2. Mythologem 07:32
3. Aufstand der Stellingas 11:07
4. In des Herbstes kalten Armen 09:20
5. Ut de graute olle Tied 13:42
6. Stimmen im Wind 11:30
7. Hethinussion 04:07
Reissue 2022
Everyone else can pretty much give up right now. With Hornets of the Pogrom, the infamous Arghoslent have outstripped the competition to such a degree that it's almost unfair. Anyone who's heard these guys' prior two masterpieces, 1998's Galloping Through The Battle Ruins and 2002's Incorrigible Bigotry, already knows this band is capable of delivering some of the best death metal out there. But on Hornets of the Pogrom, Arghoslent step it up to a whole different level entirely, and I can honestly say that I'm floored by the results. If any album was ever worth a six year wait, this one is.
