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Natas are back! After the celebrated debut “På veg... til helvette” the Norwegian black metal underground is ready to burst once again with “Mara”, a classic but energetic platter of dirty black metal in the best tradition of the second wave. Sustained by daring vocals and a punk-ish attitude, “Mara” points out, again and again, how Norwegians are able to handle the genre in the best of ways.
 

Natas are back! After the celebrated debut “På veg... til helvette” the Norwegian black metal underground is ready to burst once again with “Mara”, a classic but energetic platter of dirty black metal in the best tradition of the second wave. Sustained by daring vocals and a punk-ish attitude, “Mara” points out, again and again, how Norwegians are able to handle the genre in the best of ways.
 

With this work, SEDNA reach a new synthesis of their sonic language. The album reveals a sound that is raw and instinctive yet more self-aware, one that merges the ferocity of black metal and the weight of sludge and post-metal with a refined melodic sensibility. It is an album that feels like both an open wound and a catharsis: visceral, direct, yet contemplative and profoundly human. While atmospheric black metal remains the most accurate label, to confine SEDNA within a single genre would be limiting. Their music is made of nuances and deviations, a sonic flow that crosses darkness in search of balance between aggression and introspection. “Sila Nuna” stands as the testimony of a fully matured vision, from a band that has learned to turn chaos into form and tension into language 

With this work, SEDNA reach a new synthesis of their sonic language. The album reveals a sound that is raw and instinctive yet more self-aware, one that merges the ferocity of black metal and the weight of sludge and post-metal with a refined melodic sensibility. It is an album that feels like both an open wound and a catharsis: visceral, direct, yet contemplative and profoundly human. While atmospheric black metal remains the most accurate label, to confine SEDNA within a single genre would be limiting. Their music is made of nuances and deviations, a sonic flow that crosses darkness in search of balance between aggression and introspection. “Sila Nuna” stands as the testimony of a fully matured vision, from a band that has learned to turn chaos into form and tension into language 

 With Embrace of Memory (originally released in 2005), Darkestrah reaffirmed their status as one of the most distinctive bands in the black metal scene integrating traditional melodies, instruments, and rhythms into an intense and atmospheric sound that reflects both their cultural roots and their continued evolution.

Founded in Kyrgyzstan and now based in Europe, the band has long stood apart for blending the raw power of black metal with the rich traditions of Central Asian music.
 
Now reissued as CD, LP and Cassette, with a remastered audio and an updated layout.
White 12" (140g) in a black poly-lined innerbag, printed innersleeve, full-color on 220g carton (coated paper), simple jacket, B/W printed on 350g carton, coated paper, all assembled in a plastic overbag.

 The unexpected reissue of the cult album "Pathetic Divinity" with brand-new mastering and an updated artwork for a straightforward, direct, acidic, uncompromising, and above all, Old School Death Metal.
It's a slaughter of fast-paced riffs and overpowering blasts mixed with a heavy and unhealthy atmosphere that literally crushes a listener stunned by such a surge of violence!
Remastered audio with updated artwork!
 

 Reprint, 300x cherry red 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g, jacket full-color printed on 350g, all assembled in a plastic overbag.

Recorded in the solitude of an attic on the French side of the Pyrenees, The Dragging Poison marks the first full-length opus from Noirsuaire, the one-man vessel of creator N. Conceived in isolation, the album channels the raw and arcane spirit of the late '90s French Black Metal underground, drawing upon the same venomous well that birthed cult entities such as Bekhira, Seigneur Voland and Funeral, while summoning the spectral aura of Nastrond, Marduk and Cultes des Ghoules.

 Pandemonium of Egregores, the new opus of MUTIILATION, slightly more melodic than its predecessor, will take you on a journey to the borders of death.
From rural curses to urban hell, four dark pieces depict Meyhnach's universe and his vision of the world

 Pandemonium of Egregores, the new opus of MUTIILATION, slightly more melodic than its predecessor, will take you on a journey to the borders of death.
From rural curses to urban hell, four dark pieces depict Meyhnach's universe and his vision of the world

Recorded in the solitude of an attic on the French side of the Pyrenees, The Dragging Poison marks the first full-length opus from Noirsuaire, the one-man vessel of creator N. Conceived in isolation, the album channels the raw and arcane spirit of the late '90s French Black Metal underground, drawing upon the same venomous well that birthed cult entities such as Bekhira, Seigneur Voland and Funeral, while summoning the spectral aura of Nastrond, Marduk and Cultes des Ghoules.

Finally to be reissued by peaceville